I’m a little slow sometimes. I recently realized that my new-and-improved wordpress website jadicampbell.com had a birthday in January and is now a year old. (Yes, I’m aware it’s already March!) So, what did I do with a year of blogging?
Last summer I lost my mother-in-law, an old friend, and my dad Bobbo, all within a shocking three-month period. Those were by far the hardest posts to write. But I discovered something: the most personal blog essays are the ones my readers (i.e., all of you) respond to most.
What you can look forward to in the Year of the Rooster: a huge blog thread for my father Bobbo that I’m calling The Animal Kingdom. Occasional notes about my volunteer work with refugees. Lots more quirky posts about places Uwe and I visit. And on-going musings about life, the Universe and everything in-between as I deepen the process of saying goodbye to those who have left.
May you find something here that makes you laugh, creates a spark of connection, and moves you enough so that you reenter your own life with a sense of touching upon mine. That would make the new year of blogging – and all the years to come – worthwhile. As Mae West says, “Come on up, I’ll tell your fortune.” 
I always feel a little strange when I recognize it’s time to mark milestones and I have several to announce.
This is my 99th blog post.
I’ve posted in these virtual pages twice a month since I began way back in September of 2012. It all started with my husband’s suggestion that I establish an Internet presence….
My published books are fiction, and this blog serves as a good place to present excerpts. Potential readers of my books might want a sample of my writing and a glimpse of the human being behind the words. It’s also a place for non-fiction essays. I get to explore ideas and topics that don’t need to be transformed for novels. Posting every other week is great writerly discipline. I’ve never missed a bi-monthly posting date!
…. and this all began simply as a way to introduce my two novels Tsunami Cowboys and Broken In: A Novel in Stories. Both are available at amazon.com in book and eBook form.
It’s been a fun journey these last three years! Thanks to all of you for visiting these pages. I wish everyone the happiest of holidays. I’ll be back in the new year with an announcement. Milestone #2 is on the way!!!
I just spent a few weeks visiting my sister and her family in Hong Kong. I was there in May, ahead of the rainy season. It’s already hot and humid, only a hint of the weather to come….
It can’t be a coincidence that this time of year is also the birthday of Tin Hau. [1, 2]
She’s the Goddess of the Seas, patron saint of sailors and fishermen throughout China and Southeast Asia. Her festival is always held on the twenty-third day of the third lunar month of the lunar calendar. This year her birthday fell on May 11th. My friend Weiyu flew over from Beijing, and we had the good luck to see a dragon parade. 
Lin Moniang (don’t forget that Chinese put the family name first) was born during the Song Dynasty on Meizhou Island in Fujian, China. Her dates are 23 March 960 – 4 October 987. She was the seventh daughter, an excellent swimmer, and wore a red dress. No matter how bad the weather was, Lin Moniang stood on the shore in that red dress in order to guide the fishing boats back home.
Wikipedia’s description of her legend is so good that I’ll repeat it verbatim here: “Lin Moniang’s father and brothers were fishermen. One day, a terrible typhoon arose while they were out at sea, and the rest of her family feared that those at sea had perished. In the midst of this storm, depending on the version of the legend, she fell into a trance while praying for the lives of her father and brothers or dreamed of her father and brothers while she was sleeping or sitting at a loom weaving. In both versions of the story, her father and brother were drowning but Moniang’s mother discovered her sleeping and tried to wake her. This diverted Moniang’s attention and caused her to drop her brother who drowned as a result. Consequently, Moniang’s father returned alive and told the other villagers that a miracle had happened.” 
She was deified shortly after her death. There are many reports of miraculous sightings of Tin Hau by sailors in distress. Chinese who immigrated often built temples once they arrived overseas to thank her for the safe journey. Each year a major festival is held on her birthday.
One of the most spectacular is in Yuen Long in the New Territories. Weiyu and I headed out early to reach the town (an easy trip on the MTR, the wonderful regional transportation system). We left the metro station and immediately saw bright colors and a crowd of people. As we got closer, firecrackers began to go off! We’d arrived right on time!
This village had just begun to parade their dragon. They circled the lot a few times accompanied by a loud drum and cymbals. There was another loud bang, more firecrackers popped, and everyone followed the dragon as it headed into town.
We arrived at another square where more dragons waited.
They took turns weaving up and down the main street, curling and snaking, rising and falling in an intricate dance. Sometimes two dragons danced at the same time.
People’s shirts indicated which village and dragon they were with. There were groups of old women waving fans, and children in costume, and lions.
Flags and banners waved around the Fa Paus, ornate towers with paper flowers. Huge elaborate placards wished for luck and prosperity.
Offerings included entire roasted pigs.
I recognized those instantly from the worship of Bà Chúa Xứ in southern Viet Nam. It can’t be a coincidence that her festival starts at the beginning of the rainy season on the twenty-third day of a lunar month too…
NOTES:  Tianhou (天后) literally means “Empress of Heaven”.  She’s also known as Mazu, Tian Fei or A-Ma. The Buddhists conflated her into a reincarnation of Guan Yin, Goddess of Compassion.  She has over 90 temples in Hong Kong alone.  http://en.wikipedia.org/wiki/Mazu
Cleopatra: He’s speaking now, Or murmuring ‘Where’s my serpent of old Nile?’ — Shakespeare Antony and Cleopatra, Act I, Scene 4
This is Part 2 to my post about our brief trip to Luxor, Egypt. As I look through Uwe’s photographs from that week I’m struck by his images of the Nile.
There is something sensuous about this river… One of my very favorite Shakespeare plays is Antony and Cleopatra. Here is the description of Cleopatra floating down the Nile:
Enobarbus: The barge she sat in, like a burnished throne,
Burned on the water; the poop was beaten gold,
Purple the sails, and so perfumed, that
The winds were love-sick with them, the oars were silver,
Which to the tune of flutes kept stroke, and made
The water which they beat to follow faster,
As amorous of their strokes.
…From the barge A strange invisible perfume hits the sense
Of the adjacent wharfs. The city cast
Her people out upon her, and Antony,
Enthroned i’ the market-place, did sit alone,
Whistling to the air; which, but for vacancy,
Had gone to gaze on Cleopatra too
And made a gap in nature.
Agrippa: Rare Egyptian! (Act II, Scene 2)
The Nile is iconic. It’s the longest river in the world, around 4,160 miles or 6,670 kilometers The Nile originates at Lake Victoria and Lake Tana, and ends at the Mediterranean. It flows northward through Tanzania, Rwanda, Kenya, Uganda, Burundi, Ethiopia, Democratic Republic of the Congo, Sudan, South Sudan, and Egypt.
It is the largest oasis on the planet. When we visited in May 2013 tourism had declined so far that there were no longer any direct flights to Luxor. Instead, we flew to Hurghada on the Red Sea and a van met us. We drove for four hours across the barest desert landscape imaginable. No nomads, no towns, no vegetation or animal life to be seen. When we reached the Nile, visible signs of life appeared again.
All of the great ancient cities we visited are on the river’s banks. Karnak, Luxor/Thebes. Dendera, Edfu. From our hotel balcony we gazed directly across the river to the Valley of the Kings. The Valleys of the Kings, the Queens and the Nobles are on the west bank of the Nile River as you must be buried on that side in order to enter the afterlife.
We sailed downriver to Dendera, enjoying the scenery that flowed slowly past.
The fertile Nile was the original source of Egypt’s wealth and today 40 million Egyptians (50% of the population) live near its banks. There was life on the shores and in the water everywhere we looked.
Cleopatra: …we’ll to th’ river: there, My music playing far off, I will betray Tawny-finned fishes. (Act II, Scene 5)
Antony: The higher Nilus swells, The more it promises; as it ebbs, the seedsman Upon the slime and ooze scatters his grain, And shortly comes to harvest. (Act II, Scene 7)
The Egyptian calendar was based on the Nile’s three flood cycles. According to Wikipedia, “[t]hese seasons, each consisting of four months of thirty days each, were called Akhet, Peret, and Shemu. Akhet, which means inundation, was the time of the year when the Nile flooded, leaving several layers of fertile soil behind, aiding in agricultural growth. Peret was the growing season, and Shemu, the last season, was the harvest season when there were no rains.” 
As I looked out at the river and thought about my mother, I sensed the rhythms of life and death more clearly than ever before.
To the ancients, the Nile was the River Ar meaning “black” because of the rich, fertile sediment left on the banks from the Nile’s flooding. When the Aswan Dam was built in 1970, the annual flooding ended. But by the time we left I knew why Shakespeare’s hero confessed,
Antony: Egypt, thou knew’st too well My heart was to thy rudder tied by th’ strings, And thou shouldst tow me after. (Act III, Scene 9)
When we talk about salt, we talk most often of sodium chloride. This is NaCl, consisting of the elements sodium and chlorine.
There is a charming tradition in Germany of bringing a loaf of bread and salt to friends when they move into a new home. The saying is that if you have those two items in your house you’ll always survive. Bread and salt are still ceremoniously served to guests in parts of northern and eastern Europe.
Mark Kurlansky writes, “Loyalty and friendship are sealed with salt because its essence does not change. In both Islam and Judaism, salt seals a bargain because it is immutable… In Christianity, salt is associated not only with longevity and permanence but, by extension, wth truth and wisdom. The Catholic Church dispenses not only holy water but holy salt, Sal Sapientia, the salt of wisdom.” 
Seeing the hard way salt is won from pits changed forever the way I think about this simple condiment.
We were staying for only a few days in Vientiane, the capitol of Laos, and spent a day with a guide and a driver to see a bit of the area. One of the spots we toured was a traditional salt harvesting town. A little settlement lives at and from the pits (and has burned down numerous times). Each time, they rebuild right next to the pits.
Salty waters are brought up from deep underground
and then boiled in open metal pans. Their burning fires glowed and sent off intense heat. The briny steam that rose felt like being in some strange circle of Dante’s Purgatory.
Once the water has boiled away the salt is gathered in baskets, weighed, and stored in a barn.
Workers then bag and tag the salt, preparing it for market.
Salt is a serious business. The salt from this mine is sent to the north where people still suffer endemic goiters.
I thought of the pits of hell, of work so demanding and hot that it left scars. Just being tied to a spot like this must bake you and make you hard. Or so I thought. Instead, I met workers doing their jobs in neatly ironed clothing. The women all had on jewelry. A group of little children trailed us everywhere, laughing and mugging as children do.
Since that day salt has tasted both sweeter and bitterer, or herber as the Germans say. And in that small word I hear the echo of the coming season, Herbst, Autumn. The summer is burning away and fall is coming. May your harvest tables everywhere include bread and salt.
NOTES:  Mark Kurlansky, Salt: A World History (Vintage Books, 2002), p. 7.
(All photographs can be enlarged by simply clicking on the image.)
We’ve come to Paris for a quick getaway, and Stuttgart is less than 4 hours by direct fast train. As we think about what we want to do and see, we realize neither of us have ever visited Chartres.
Uwe and I go out of our way to see sacred places around the globe. (See my posts The Cult of Bà Chúa Xứ or The Music of the Heavenly Spheres for some photos and tales from other sacred spots.) Energies gather in some unlikely places. Sometimes I stand in famous spots and am disappointed, while a place less known for religion makes me feel the presence of the divine.
Chartres. I’ve been trying for days – weeks, actually – to summarize the “facts” about this site. It was built 1140-1260 and the labyrinth was laid in the first decade of the 13th century. I wonder what to mention about Chartres’ 1,000 years as a pilgrimage destination, or the female energies of the cathedral and their tenderness. Mary’s tunic, the Sancta Camisia worn at the birth of Jesus Christ, was brought here by Charlemagne. The king in turn had been given the relic as a gift during a trip to Jerusalem.
When the earlier church building burned on June 10, 1194, the Sancta Camisia miraculously survived. Chartres remains an important Marian pilgrimage center, and the faithful still come from around the world over to honor it.
Chartres is one of the most impressive Gothic cathedrals on Earth. Back in my college days at the University of Oregon, Professor James Boren in his Chaucer and Medieval Literature classes explained Chartres as literally turning the architectural form inside out. For the first time the ribs holding up the entire structure had been placed outside, allowing the inside heart of the structure to soar up into the Heavens, seemingly without limits. The support of flying buttresses was necessary because of the unprecedented size and heights of the stained glass windows and the nave. Professor Boren’s face glowed; this stern and learned man radiated as he lectured about a place that he said changed him when he saw it. That lecture and the look on his face stayed with me. Chartres: someday I would see it.
Chartres Cathedral contains one of the few remaining medieval labyrinths. It’s large with a circumference of 131 feet, almost exactly the same size as the West Rose window.
In the Middle Ages, French church labyrinths were the sites of Easter dances involving clergy and the tossing of a leather ball. Sadly, the labyrinths were destroyed, covered over, or hidden by Church authorities suspicious of their powers and pagan beginnings. (Labyrinths, including Chartres’, traditionally had an disk or placque of Theseus and Ariadne and the Minotaur at their centers. In fact, another name for a cathedral that contained a labyrinth was the “Domus Daedali” [House of Daedalus], a nod to antiquity’s Daedalus, designer of the labyrinth that held the Minotaur in Knossos.) *
But, Chartres’ labyrinth survived. I learn that while it’s covered by chairs most of the time, the labyrinth is made free for visitors to enter on Fridays. My one request to Uwe for our trip becomes, “Please let’s go to Chartres on Friday!”
So here we are, entering one of the holy pilgrimage destinations in Christianity.
Chartres. Once inside, the cathedral’s beauty immediately takes my breath away. I am so deeply moved that in the next moment I’m close to tears. Whatever I expected, this sacred soaring space is beyond all imagination. Light streams in through the windows and illuminates the visitors, pilgrims, and the simply curious. All of us are suffused in colors.
For a while I just walk around. Uwe’s already moved off with his camera, ready as always to use his art with photography to capture in images what my brain grapples with in words.
As the minutes pass I grow more and more stunned. And I remain dangerously, or is that gorgeously, close to breaking into tears. There is an energy to this place, a sense of the holy and the really, really blessed, that I have seldom felt anywhere.
The Schwedagon Pagoda in Burma comes to mind. It is the most important pagoda in the country, and I felt the top of my head buzz like it was going to blow off from the concentration of religious energies. Or a back pond in the Adirondacks with only my family as fellow witnesses: loons with a pair of chicks calling in low cries to one another as they eyed us but didn’t swim away. Or a tiny Greek Orthodox church in Thessaloniki, supposedly built on the site where Apostle Paul preached. I attended on Sunday with my friend Cynthia and our Greek host Fotis, who led us up to an altar surrounded by burning, hand-dipped wax tapers. Fotis insisted we take bread from the common basket. Tears streamed on both our faces; I finally felt the deeper meaning of breaking bread in fellowship.
All of these places’ sacred energies are present in Chartres. It is so much more than I deserve or had awaited. I take a deep breath to center myself, and move forward to stand poised at the entry to the labyrinth.
“A labyrinth is an ancient symbol that relates to wholeness. It combines the imagery of the circle and the spiral into a meandering but purposeful path. …
“A labyrinth is an archetype with which we can have a direct experience. … It is a metaphor for life’s journey. It is a symbol that creates a sacred space and place and takes us out of our ego to “That Which Is Within.” At its most basic level the labyrinth is a metaphor for the journey to the center of your deepest self and back out into the world with a broadened understanding of who you are. …
“A labyrinth is not a maze. A maze is like a puzzle to be solved. It has twists, turns, and blind alleys. It is a left brain task that requires logical, sequential, analytical activity to find the correct path into the maze and out. A labyrinth has only one path. It is unicursal. The way in is the way out. There are no blind alleys. The path leads you on a circuitous path to the center and out again.
“A labyrinth is a right brain task. It involves intuition, creativity, and imagery. With a maze many choices must be made and an active mind is needed to solve the problem of finding the center. With a labyrinth there is only one choice to be made. The choice is to enter or not. A more passive, receptive mindset is needed. The choice is whether or not to walk a spiritual path.” – Dan Johnston, Ph.D. at www.lessons4living.com
While I walk the labyrinth and contemplate the mystery of the sacred**, Uwe photographs me. When I see his photos later I’m surprised, and glad.
NOTES: * Another name for the eleven-circuit labyrinth is the “Chemin de Jerusalem” or Road of Jerusalem. Walking the labyrinth in Chartres or other places could be made instead of making the pilgrimage to Jerusalem.
** I haven’t even tried to talk about the lunations of the labyrinth. Their meaning is still debated. A celestial calendar? Esoteric design of the deeper mysteries?
Walking a Sacred Path. Rediscovering the Labyrinth as a Spiritual Tool. Dr. Lauren Artress, Riverhead Books, 1995.
We love travel. I refer to traveling to new cultures and places as connecting the dots. With each trip I feel a little more connected to the world at large and to the various dots that make up my picture of this planet and we who inhabit it.
While in Burma, we took a boat up the Irrawaddy River from Mandalay to Mingun for the day. Yet another fallen kingdom, Mingun is reknowned for the largest functioning bell in the world. It weighs in at 55,555 viss (90,718 kilograms or 199,999 pounds). The sound is a deep claaangg, rung by thumping the bell hard on the lip with a mallet. Mingun is also famous for the king who bankrupted his people with an attempt to outdo every shrine-builder who’d ever lived: King Bodawpaya wanted to build the huge stupa known as Mingun Pahtodawgyi.
It would be the highest in the world, a magnificent 150 meters tall, dwarfing everything built
prior to it.
Work began in 1790.
King Bodawpaya never finished his religious edifice. He ran out of funds; or, halted construction due to a prophesy that his realm would end when the building was completed; or, that completing the stupa would signal his death. An earthquake on March 23, 1839 dislodged the huge bell and damaged the structure beyond saving. The Mingun Pahtodawgyi became the world’s largest pile of bricks…
The structure stands, all semi-finished 50 meters (150 feet) of it, roughly a third of the original planned height.
It’s a holy place and the faithful still come to worship. And the curious come to climb it [enter Jadi and Uwe, stage right]. Now, at any sacred Buddhist site, you remove your shoes at the base of the structure.
And you climb the stairs, barefoot, and then clambor on the ruins, barefoot, for one truly awe-inspiring view of the Irrawaddy River and the surrounding countryside.
Shan pilgrims in traditional outfits had also climbed the stupa and gave us the gift of their smiles and waves.
It was a magnificent afternoon and yet another highlight of our 4 weeks in Burma.
It wasn’t until we were safely home again that I got a good look at Uwe’s photographs.
There was a photo I had taken, too.
All photogaphs can be enlarged by simply clicking on the image. And click on the final image to enlarge it for an even better idea of how damaged the site is.
More pictures from our trip to Burma, and of Uwe’s photography, may be viewed at viewpics.de.