A Boogie with George and the Boys

George Harrison was born on February 25, 1943 in Liverpool, England. The “quiet Beatle” helped bring Indian music to the West with his interest in the sitar and conversion to Hinduism. He hosted one of the very first benefit shows, 1971’s The Concert for Bangladesh. The guest line up included Bob Dylan, Ravi Shankar, Ringo Star, Leon Russell, Billy Preston, Eric Clapton, Ali Akbar Khan, and the members of Badfinger. In Harrison’s honor I give you reprinting the post I wrote after seeing the Bootleg Beatles. – Jadi

One year when Uwe and I took a vacation in Asia, I jumped at the chance to fly early and visit my sister Pam and my nephew Nikolai in Hong Kong. They lived in the city for a few years, and Pam had made a game out of finding as many cultural events as possible.

We attended a Japanese hip hop performance, fascinated to see how a form that began with black America was interpreted into Japanese. We got tickets for electrifying (and surprisingly political) Chinese modern dance. Not everything we saw was good; we had to suffer through an hour of really bad flamenco. We fled as soon as politely possible.

And Pam got us tickets for the Bootleg Beatles.

Asians retain a fierce love of the Beatles to this day, and the Bootleg Beatles aren’t your average cover band. The Bootlegs are the Beatles’ first and oldest tribute band. They have been playing for over 36 years! “George”, “Ringo”, “John” and “Paul” sing and play, complete with costume changes to track the evolution of the group. An eight-piece orchestra backs them up. They. Are. Terrific.

The Lyric Theatre of the Hong Kong Academy for Performing Arts is a classic amphitheater space. Our seats must have been the last three sold: Pam, Nikolai and I sat high, high up in the last row.

Once they started playing, it was clear why the concert was completely sold-out. It was like the Bootlegs were channeling the original band. My sister and I got up and danced.

But a strange thing happened: during the entire concert, we were the only people dancing. The amphitheater was filled to capacity with more than a thousand Hong Kong residents and visitors – and everyone was far too well-behaved to get on their feet.

We were surprised that no one else danced. Had we missed something? Was there some kind of Asian protocol about performances? We looked at one another, at Nikolai (sitting between us with his face covered, totally absorbed in listening to the band and not about to join us) and the proper people sitting all around. Like I say: we had seats in the final row up in nose-bleed territory. The only thing behind us was a cement wall. Who would it disturb if we danced?

So we did. From Please Please Me to Back in the USSR to All You Need is Love, we rocked out. Pam and I had a ball. There is something about giving yourself over to the ecstasy and joy of great music. These are the tunes of our childhoods and teenage years.

We grew up with the Beatles. The night in 1964 the band played on The Ed Sullivan Show, Mom came and got us out of bed. “Come see the Beatles!” she urged. I was a little kid at the time. I remember dashing to the black and white television set in excitement… only to watch bewildered as four men in black sang. Where were the insects? (Our dad Bobbo was an entomologist, so my confusion was genuine.)  Later the band and their music became – and remain – an integral part of the weave of my life.

These are just the albums I have in CD form. The others are records and downloads…

So. Fast-forward almost 50 years to an amphitheater in Hong Kong, and you’ll understand why we simply had to get up and boogie.

Before the first break, “George” said how nice it was everyone had come out for the show. He added, “Especially you at the back. We’re really glad you’re here. You’re great!”

“Hey!” I exclaimed. “Do you think he means us?” At the end of the show, “George” and the boys thanked the audience for coming, with “A special thank you to the two girls in the top row. You made the show.”

Some events remain live. In a parallel universe and all my dreams, I’m still dancing.

Love Me Do!

In memory of George Harrison, 25 February 1943 – 29 November 2001

NOTES: The Bootleg Beatles; Story and Photo ©2024/2017 Jadi Campbell. Previously published as A Boogie with the Bootlegs. To see Uwe’s animal photos and pics from our trips go to viewpics.de.

My books are Broken In: A Novel in Stories, Tsunami Cowboys,  Grounded and The Trail Back Out.

Tsunami Cowboys was longlisted for the 2019 ScreenCraft Cinematic Book Award. Broken In: A Novel in Stories was semifinalist for the international 2020 Hawk Mountain Short Story Collection Award from Hidden River Arts and Finalist for Greece’s 2021 Eyelands Book of the Year Award (Short Stories). The Trail Back Out was the 2023 San Francisco Book Festival Winner for General Fiction, American Book Fest 2020 Best Book Award Finalist: Fiction Anthologies, Runner-Up for the 2021 Top Shelf Award, 2021 IAN Book of the Year Award Short Story Collection Finalist, and awarded a 2021 Wishing Shelf Red Ribbon. The title story The Trail Back Out was longlisted for the 2021 ScreenCraft Cinematic Short Story Award.

Click here for my author page to learn more about me and purchase my books.

 

What a Year!

2016 was the Year of the Monkey. Wong Tai Sin Medicine Temple, New Territories, China

I’m a little slow sometimes. I recently realized that my new-and-improved wordpress website jadicampbell.com had a birthday in January and is now a year old. (Yes, I’m aware it’s already March!) So, what did I do with a year of blogging?

My usual bounce of topics around the world….

If you want humor, dance to the world’s oldest Beatles cover band in A Boogie With the Bootlegs and survive a terrible trip at The H(ot)ell in Dubrovnik. Mess with the wedding caterers in You Can Have Your Cake and Eat It Too and listen in as I gleefully confess to embarrassing my long-suffering spousal unit in The Honeymooners. Attend an office party that goes south with a whole lot of alcohol in Holiday Insurance 1 & 2.

I weighed in on current events with both outrage and compassion: Ending the Year Pregnant with Hope, Our House is on Fire, Outrage, Role Models and Positive Acts, and my continued thread on refugees The Long Haul. Helping Refugees: Part 5, 6 & 7.

Last summer I lost my mother-in-law, an old friend, and my dad Bobbo, all within a shocking three-month period. Those were by far the hardest posts to write. But I discovered something: the most personal blog essays are the ones my readers (i.e., all of you) respond to most.

Phew. And, thank you for your comments regarding Breath, Loss and Remembering How to Feel.

I wrote seasonal posts about Christmas Holiday Insurance 1 & 2, A Guy Goes to a Christmas Market…, the Hindu Nandi Purnima in Holy CowsBazaar/Bizarre, watching the World Cup from The H(ot)ell in Dubrovnik, and the (in)famous Oregon Country Fair.

Somewhere last year I managed to finish and publish a new novel, Grounded. Here are excerpts: Holiday Insurance 1 & 2, Holy Cows and Bazaar/Bizarre, The Reluctant Pilgrim, Save the Recriminations, History’s Loop 1, 2, & 3.

I took part in wonderful projects with NEAT (New English American Theater) involving Gershwin 1 & 2 and The Vagina Monologues.

I wrote about Nature’s waterfalls and snakes.

As always, I blogged about places we’ve visited on this incredible planet. Hong Kong, Laos markets & waterfalls, Hampi, India here and twice again in The Reluctant Pilgrim & Bazaar/Bizarre; Croatia and (the bus) to Canada.

2017 is the Year of the Rooster! Wong Tai Sin Medicine Temple, New Territories, China

What you can look forward to in the Year of the Rooster: a huge blog thread for my father Bobbo that I’m calling The Animal Kingdom. Occasional notes about my volunteer work with refugees. Lots more quirky posts about places Uwe and I visit. And on-going musings about life, the Universe and everything in-between as I deepen the process of saying goodbye to those who have left.

May you find something here that makes you laugh, creates a spark of connection, and moves you enough so that you reenter your own life with a sense of touching upon mine. That would make the new year of blogging – and all the years to come – worthwhile. As Mae West says, “Come on up, I’ll tell your fortune.” [1]

266080joqn_w.jpg

I’m now posting once a week!

NOTES: [1] Quoted in She Done Him Wrong (1933). Photo of Mae West courtesy of Worth1000.com at http://jeanrojas.tripod.com/ Copyright © 2017 Jadi Campbell. Photos Copyright © 2012 Uwe Hartmann or Jadi Campbell. More of Uwe’s photography may be viewed at viewpics.de.

A Boogie with the Bootlegs

I’m beginning 2017 with a fun post …

One year when Uwe and I took a vacation in Asia, I jumped at the chance to fly early and visit my sister Pam and my nephew Nikolai in Hong Kong. They lived in the city for a few years, and Pam had made a game out of finding as many cultural events as possible.

We attended a Japanese hip hop performance, fascinated to see how a form that began with black America was interpreted into Japanese. We got tickets for electrifying (and surprisingly political) Chinese modern dance. Not everything we saw was good; we had to suffer through an hour of really bad flamenco. We fled as soon as politely possible.

And Pam got us tickets for the Bootleg Beatles.

Asians retain a fierce love of the Beatles to this day, and the Bootleg Beatles aren’t your average cover band. The Bootlegs are the Beatles’ first and oldest tribute band. They have been playing for over 36 years! “George”, “Ringo”, “John” and “Paul” sing and play, complete with costume changes to track the evolution of the group. An eight-piece orchestra backs them up. They. Are. Terrific.

The Lyric Theatre of the Hong Kong Academy for Performing Arts is a classic amphitheater space. Our seats must have been the last three sold: Pam, Nikolai and I sat high, high up in the last row.

Once they started playing, it was clear why the concert was completely sold-out. It was like the Bootlegs were channeling the original band. My sister and I got up and danced.

But a strange thing happened: during the entire concert, we were the only people dancing. The amphitheater was filled to capacity with more than a thousand Hong Kong residents and visitors – and everyone was far too well-behaved to get on their feet.

We were surprised that no one else danced. Had we missed something? Was there some kind of Asian protocol about performances? We looked at one another, at Nikolai (sitting between us with his face covered, totally absorbed in listening to the band and not about to join us) and the proper people sitting all around. Like I say: we had seats in the final row up in nose-bleed territory. The only thing behind us was a cement wall. Who would it disturb if we danced?

So we did. From Please Please Me to Back in the USSR to All You Need is Love, we rocked out. Pam and I had a ball. There is something about giving yourself over to the ecstasy and joy of great music. These are the tunes of our childhoods and teenage years.

We grew up with the Beatles. The night in 1964 the band played on The Ed Sullivan Show, Mom came and got us out of bed. “Come see the Beatles!” she urged. I was a little kid at the time. I remember dashing to the black and white television set in excitement… only to watch bewildered as four men in black sang. Where were the insects? (Our dad Bobbo was an entomologist, so my confusion was genuine.)  Later the band and their music became – and remain – an integral part of the weave of my life.

These are just the albums I have in CD form. The others are records and downloads…

So. Fast-forward almost 50 years to an amphitheater in Hong Kong, and you’ll understand why we simply had to get up and boogie.

Before the first break, “George” said how nice it was everyone had come out for the show. He added, “Especially you at the back. We’re really glad you’re here. You’re great!”

“Hey!” I exclaimed. “Do you think he means us?” At the end of the show, “George” and the boys thanked the audience for coming, with “A special thank you to the two girls in the top row. You made the show.”

Some events remain live. In a parallel universe and all my dreams, I’m still dancing.

Love Me Do!

NOTES: The Bootleg Beatles; Photo Copyright © 2017 Jadi Campbell.

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