We based our first trip to India around getting to Hampi. It takes time to reach on India’s famously bad roads, and we’d see lots from the windows of our little tour group bus. That visit to Hampi coincided with a Nandi Purnima, an auspicious and joyous full moon holiday. Nandi is the bull who accompanies the god Shiva, and believers were adorning the statue of Nandi in front of the temple.
Out on the streets the crowds grew larger and deeper. At some point I lost sight of Uwe and the others from our group.
Events became more and more chaotic, and the crowds, snake handler and gigantic chariot of the god all made their way into my third book Grounded. I let a minor character named Kim take the trip I had….
“In the middle of the road a clump of pilgrims whispered among themselves, pointing. A man crouched in the dirt. He was perhaps thirty years old, mustachioed and handsome. Thick hair brushed across the white bands smeared on his forehead. He wore a peach-orange cotton shirt and pants. The man knelt, barefoot, on all fours on a rug. A big copper pot dappled with white streaks and red dots balanced on his shoulders. A string of beads wound around the pot’s lip. A long cobra slid clockwise over the beads, flicking an orange tongue. Hands darted out from the crowd to touch the snake and drop coins into the pot.” – from my book Grounded.
What Kim experiences left a permanent indelible mark on both of us.
Grounded is my third novel. My books are Broken In: A Novel in Stories, Tsunami Cowboys, Grounded, and The Trail Back Out. Books make great gifts!
Tsunami Cowboys was longlisted for the 2019 ScreenCraft Cinematic Book Award. The Trail Back Out was honored as 2021 IAN Book of the Year Award Short Story Collection Finalist for the Independent Author Network and with a Red Ribbon by the 2021 Wishing Shelf Book Awards of England. In addition, The Trail Back Out was an American Book Fest 2020 Best Book Award Finalist: Fiction Anthologies. The title story The Trail Back Out was longlisted for the 2021 ScreenCraft Cinematic Short Story Award. Broken In: A Novel in Stories was a semifinalist for the international 2020 Hawk Mountain Short Story Collection Award from Hidden River Arts, as well as a Finalist for Greece’s 2021 Eyelands Book Awards.
Click here for my author page to learn more about me and purchase my books.
I’m a little slow sometimes. I recently realized that my new-and-improved wordpress website jadicampbell.com had a birthday in January and is now a year old. (Yes, I’m aware it’s already March!) So, what did I do with a year of blogging?
Last summer I lost my mother-in-law, an old friend, and my dad Bobbo, all within a shocking three-month period. Those were by far the hardest posts to write. But I discovered something: the most personal blog essays are the ones my readers (i.e., all of you) respond to most.
What you can look forward to in the Year of the Rooster: a huge blog thread for my father Bobbo that I’m calling The Animal Kingdom. Occasional notes about my volunteer work with refugees. Lots more quirky posts about places Uwe and I visit. And on-going musings about life, the Universe and everything in-between as I deepen the process of saying goodbye to those who have left.
May you find something here that makes you laugh, creates a spark of connection, and moves you enough so that you reenter your own life with a sense of touching upon mine. That would make the new year of blogging – and all the years to come – worthwhile. As Mae West says, “Come on up, I’ll tell your fortune.” 
They faced a long drive to the neighboring state of Karnataka. The tour office had assigned them a guide. Nupur was a tiny woman of four foot eleven inches and shining, thick black hair. Nupur wore a red dot between her brows and her sari like the robes of a queen.
Their minivan came with a driver and his son. Each time they reached a bad place on the dirt roads the small boy jumped out to assess it. Kim saw deep potholes and was glad for their combined care.
The sun beat down. They drove through parched countryside that needed the rain the monsoons would bring. Each home they passed had water sprinkled in the dirt before the door to keep down dust.
Finally, they reached Hampi, and Hampi looked nothing like the beaches of Goa. Hampi was the surface of the moon. The landscape consisted of huge sandstone boulders with the Tungabhadra River running through it. Here the Hindu god Shiva was the consort of Pampa, goddess of the river.
When they saw where the bus was heading, everyone gasped.
“Holy cows! Look at the tower!” Greg exclaimed.
The Virupaksha temple was a pyramid topped with a spire and a red flag. Impressive from a distance, up close the temple was gargantuan. It towered a hundred and fifty feet above their heads.
Architects had carved the creamy white stone into decorative levels. Exotic gods. Strange goddesses. Female figures spraddle-legged and touching themselves.
A gigantic wooden chariot was parked in the temple’s huge courtyard. Long yellow garlands draped the wagon. The top of the chariot hid under a multi-colored cloth. It ballooned out in wide stripes of reds, yellows, oranges and blues. High up, carved lions raised their paws and carved horses reared.
“Tonight this chariot will carry the god Shiva to the river for the Nandi Purnima,” Nupur informed them. “It’s a Nandi full moon. Nandi’s the bull who attends Shiva, so this is extra auspicious.”
The tour group left the minivan and gawked, mouths open.
Kim’s view was simultaneously filled and obstructed. The front courtyard and Hampi Bazaar Road were crammed with bodies. Worshippers raised their arms to touch Shiva’s massive chariot. Mandapams, porch-like structures once used for commerce or the homes of wealthy traders, lined the sides of the street. Pilgrims claimed spots in them, trying to find shade.
Women in brilliant saris walked past. Old crones with henna-patterned arms carried small children. Turbaned men sampled fruit from a pyramid of dates. An all-white cow rested serenely on a pile of garbage. A painted bus had parked in the dust; a pilgrim dozed on one of the seats with his bare feet sticking out through the open window.
Kim peeked in a shop selling cheap clothes and plastic sunglasses. When she turned, she banged her head on a string of water bottles hanging in the doorway. Sunlight reflected off the mirrored insets of embroidered bags and shirts in the next little shop.
She pushed on through the crowds, trying to spot her group. A couple in a patch of shade looked up as she walked past. Their oxen leant against the cool stones of an ancient wall. The bovine pair had their forelegs tucked under them. Their curved horns were painted crimson and capped in metal. Magenta pompoms with orange and blue tassels hung from the tips; a pile of cow shit steamed.
In the middle of the road a clump of pilgrims whispered among themselves, pointing. A man crouched in the dirt. He was perhaps thirty years old, mustachioed and handsome. Thick hair brushed across the white bands smeared on his forehead. He wore a peach-orange cotton shirt and pants. The man knelt, barefoot, on all fours on a rug. A big copper pot dappled with white streaks and red dots balanced on his shoulders. A string of beads wound around the pot’s lip. A long cobra slid clockwise over the beads, flicking an orange tongue. Hands darted out from the crowd to touch the snake and drop coins into the pot.