We visited Massachusett’s Old Sturbridge Village in the fall, the perfect time to enjoy this open air museum.
The costumed employees and volunteers at Old Sturbridge harvest the land as the earlier settlers would have.
Apples, pumpkins and squash had been carefully collected, sometimes in unexpected free spaces. The settlers needed a dry area away from weather and animals, and floor space was a great (and, one hopes, temporary) storage spot.
Crops needed to be gathered while other jobs still had to be performed.
Men and boys set type and did the printing, while women stiched and bound books. Country printers also brought out pamphlets, broadsides, sermons, legal forms, advertisements, and public notices.
This bridge, one of the 12 remaining in Massachusetts, was saved from demolition to make way for a new highway in 1951. Fewer than 200 covered bridges still stand in New England.
Along with shoeing horses and making nails, the village blacksmith (often a town had more than one) produced items of metal needed for everyday life.
The Fenno House is Sturbridge’s oldest building.
Artisans on the Old Sturbridge Village grounds make traditional products in the old way. Many are available for sale in the gift shop. 
Old Sturbridge Village was born from the collective vision of a family. The three Wells brothers, Albert B., Joel Cheney, and Channing M. purchased David Wight’s farm with the vision of showing their collection in the context of a working village. The living museum received its first visitors on June 8, 1946. To date more than 21 million adults and children have visited the Village, and 250,000 people visit every year.
In memory of Laura Ingalls Wilder, February 7, 1867 – February 10, 1957
My books are Broken In: A Novel in Stories, Tsunami Cowboys, Grounded, and The Trail Back Out.
Broken In: A Novel in Stories was semifinalist for the international 2020 Hawk Mountain Short Story Collection Award and Finalist for Greece’s 2021 Eyelands Book of the Year Award (Short Stories). Tsunami Cowboys was longlisted for the 2019 ScreenCraft Cinematic Book Award. The Trail Back Out was American Book Fest 2020 Best Book Award Finalist: Fiction Anthologies, Runner-Up for the 2021 Top Shelf Award, 2021 IAN Book of the Year Award Short Story Collection Finalist, and awarded a 2021 Wishing Shelf Red Ribbon. The title story The Trail Back Out was longlisted for the 2021 ScreenCraft Cinematic Short Story Award.
Click here for my author page to learn more about me and purchase my books.
The office of the United Nations High Commissioner for Refugees (UNHCR) was founded on December 14, 1950 to help millions of Europeans who had fled or lost their homes following WWII. In 1954, the UNHCR was awarded the Nobel Peace Prize.
Their headquarters are located in Geneva, Switzerland. The work of the organization to protect and help refugees all over the globe is more vital than ever. You can donate by clicking on this link: Donate.unhcr.org
In honor of the work that the UNHCFR tirelessly does on behalf of our world, I am reprinting the post I wrote about why I decided to offer trauma massage for refugees. – Jadi
After more than a decade, it was back. An insidious, slowly increasing unease, a worried feeling that the world was spinning out of control. For months I’d watched news reports about refugees drowning off the coast in places like Libya or Lampadusa, Italy.
The reports came with more frequency, their tone more urgent. One night I saw the tragic footage of a small child, lifeless where he’d washed up on a beach in Turkey.
That Turkish beach is in Bodrum, and I once set foot there. Two years after I got married we spent a vacation in Turkey. Uwe and I began with the magic of Istanbul. We visited ancient Greek and Roman ruins, took off our shoes at the Blue Mosque, and travelled down the coast as tourists on a local bus line. At rest stops the driver came around with rose water for passengers to wash their hands and faces.
We bought rugs in Bodrum and had them shipped home. I joked about magic carpet rides. We put a wool rug I’d chosen in the center of our living room. Its wavy stripes had reminded me of the ribbon candy my grandparents always gave us when we visited.
Now, when I looked from the television to the floor, I saw waves in a treacherous ocean. I saw the long voyage of those desperately trying to save themselves and their families from wars.
Images of bombs and flight began to haunt my dreams. I had trouble sleeping and for a while I stopped watching the news. It was too close. The borders between frivolous holidays and grim realities had blurred. Actually, they’ve never really existed to begin with.
I was slipping into a spiral of feeling overwhelmed, and helpless, and very sad.
A German friend came for her monthly massage. “I’ve begun volunteering with refugees here,” she said. We talked through much of the session and I asked question after question, curious to know how she came to the decision to help refugees. I began to rethink how to respond to my encroaching depression and what I could do.
I talked it over with Uwe. A few weeks later, I called the Rathaus (Town Hall) to offer my services.
My books are Broken In: A Novel in Stories, Tsunami Cowboys, Grounded, and The Trail Back Out. Books make great gifts!
Tsunami Cowboys was longlisted for the 2019 ScreenCraft Cinematic Book Award. Broken In: A Novel in Stories was semifinalist for the international 2020 Hawk Mountain Short Story Collection Award from Hidden River Arts and Finalist for Greece’s 2021 Eyelands Book of the Year Award (Short Stories). The Trail Back Out was American Book Fest 2020 Best Book Award Finalist: Fiction Anthologies, Runner-Up for the 2021 Top Shelf Award, 2021 IAN Book of the Year Award Short Story Collection Finalist, and awarded a 2021 Wishing Shelf Red Ribbon. The title story The Trail Back Out was longlisted for the 2021 ScreenCraft Cinematic Short Story Award.
Click here for my author page to learn more about me and purchase my books.
He was the world’s coolest dog. Our family pet Sam was a really, really smart golden retriever with a sense of humor. When we were kids, in the winter time he loved to track my youngest sister Barb. He’d go looking for her and then freeze so she couldn’t spot him sneaking up from behind. Sam got a running start, charged up from behind across the snow – and once he reached her, he’d ever so delicately stand up on his hind legs to put his front paws on her shoulders, very gently tap, and drop back to all fours and watch her tip forward.
Barb would do a face plant in the snow and come up crying, covered in so much snow that she looked like the Abominable Snowchild. Meanwhile, lined up in the living room at the sliding glass doors to watch (because Sam loved an audience), Barb’s sisters and parents would be crying too… with laughter.
Sam walked us to the corner each morning where we waited for the school bus. Kids on the bus would already be lined up at the windows on the left hand side. Once the driver closed the doors and headed down the road, Sam raced him. He ran alongside the bus, all us kids cheering him on, until the driver turned at a street lined with hedges. Sam sailed through the air in an incredibly high, graceful jump over the hedge. I’d swear he was showing off…. and then, his display of doggie dynamism finished, he turned and headed back home.
The greatest dog in the world. When it was time to imagine a dog as the companion for Coreen, my traumatized survivor of an end of the world cult in Tsunami Cowboys, he had to be a golden retriever. – Jadi
Prepare to meet Todd, a hero with dangerous fantasies. Coreen, trapped in a cult. Ronnie, dreaming other people’s futures. Guy, waiting for disaster at a Christmas Market. And Lynn, the connecting thread, taking a train with a seductive stranger. By turns terrifying and funny, this is the story of people riding life’s waves… the tsunami cowboys.
Books make great gifts! My other books are Broken In: A Novel in Stories, Grounded, and The Trail Back Out.
The Trail Back Out was honored as 2021 IAN Book of the Year Award Short Story Collection Finalist for the Independent Author Network. In addition, The Trail Back Out was an American Book Fest 2020 Best Book Award Finalist: Fiction Anthologies. The title story The Trail Back Out was longlisted for the 2021 ScreenCraft Cinematic Short Story Award. Broken In: A Novel in Stories was a semifinalist for the international 2020 Hawk Mountain Short Story Collection Award from Hidden River Arts and is now a Finalist for Greece’s international 2021 Eyelands Book of the Year Award (Short Stories).
Click here for my author page to learn more about me and purchase my books.
Christmas is a tricky holiday for me. My family always celebrated this time of year with gusto, and my mom made it really special.  The first year I spent Christmas with my German husband’s family I was hit with a bout of longing for America, for my dead mother, for all things beloved and familiar.
“I’m really, really homesick. God, I miss home at Christmas time,” I confessed to my mother-in-law.
“Well, this year you’re with us. This is your home now.” Her mouth was pinched. I had just royally offended (to say nothing of hurting the feelings of) my new husband’s mom.
I was on the brink: I was going to start crying and not be able to stop. “I think I’ll go for a walk,” I said. I put on my boots and coat, fast. I walked by myself through the snowy dark streets. Of course, on Christmas Eve the roads were silent and totally empty; everyone was in the lit-up homes, celebrating the birth of Christ with their families. I walked for probably forty minutes, until I was worn out and too cold to remain outside any longer.
And then I went back to the house and smiled.
I still get homesick this time of year, but after being here so long Uwe and I have our own traditions. Putting up a tree and decorating it always helps. We used to just walk up the street to a yard that sold trees, select one, and carry it home between us. Now Uwe purchases the tree at a shopping center parking lot, and I trim it with all kinds of ornaments.
The former Eastern Germany is known for wooden ornaments. I bought three in Leipzig, for both my sisters and one for my own tree. I also hang special ornaments that remind me of where I grew up.
About twenty-three years ago we spent the holidays in Sofia, Bulgaria, where my sister Pam was teaching. I bought some insanely delicate glass ornaments there.
I’ve never seen anything like them, before or since. When I sat down to write this post, I googled Bulgarian ornaments, hoping to get some info on where they were made. But instead I was directed to cheesy sites selling images of Bulgaria, probably mass-produced in China….
So I have no idea if these quirky (and highly breakable) ornaments are still being made in Bulgaria. I get them out each year, though. Aside from the kitty-cat missing an ear, they’re all intact.
Wishing everyone the blessings of the holiday season. Do whatever you need to in order to make the occasion joyous. Happy holidays, and see you all in 2019.
NOTE: Illustrator/author Maurice Sendak was born on 10 June, 1928 in England. In his honor I am reprinting the post I wrote upon hearing that he had died. —Jadi
Our first experiences learning to speak seem to involve rhymes. [Twinkle twinkle and Dr. Suess, anyone?] We recite as children, loving language’s sing-song chants.
One of the very first pieces I memorized as a child (to this day I can recite it) was ‘The Cow’ from A Child’s Garden of Verses and Underwoods by Robert Louis Stevenson, printed in 1913.
The friendly cow all red and white
I love with all my heart:
She gives me cream with all her might,
To eat with apple-tart.
She wanders lowing here and there,
And yet she cannot stray,
All in the pleasant open air,
The pleasant light of day;
And blown by all the winds that pass
And wet with all the showers,
She walks among the meadow grass
And eats the meadow flowers.
Can’t you see her?? In my child’s brain she was white and a funny shade of red (who ever heard of a red cow? I mean, really.) And she was named Flossie, or Maisie, or Bessie. Placid Maisie meanders in a huge field, chewing her cud and surrounded by fairy rings of little flowers.
I have to be in the right mood for poetry, but I still have the used copy of The Norton Anthology of Modern Poetry from my college days of long ago. (How long ago? Decades. A couple of ’em.) My edition of Robert Frost’s complete works came to me when my mother died. When I read Frost, his poems of New England keep me linked to her, too.
Emily Dickinson still knocks me out, and every word Shakespeare penned is poetry in exalted form.
Poetry is emotion and experience expressed in crystalline shapes, no matter whether it’s metered or free verse. Prose works by poets betray themselves through the beauty of the writing. Think of The English Patient. I read that book slower and slower, and found myself rereading pages over and over, savoring Ondaatje’s mastery with language. Or anything by Ray Bradbury: each of his strange magical visions contains a goodly dose of poetry.
Hmm. I just went back and read what I’ve got here so far… Scratch the comment about needing to be in a certain mood to read poetry.
The Muses pay a very special visit on those they gift with the ability to speak through poems. For me it’s the hardest of all forms of writing. Sadly, the poetic Muses Erato (love poetry), Calliope (epic poetry), Euterpe (songs and elegiac poetry), and their sister Polyhymnia (hymns and sacred poetry) just don’t knock on my door more than once a decade or so. An impulse to even attempt a poem is the sighting and citing of a rare bird. The last time, and it came over me in a total rush of surprise and inspiration, was the death of Maurice Sendak.
(Photo from Wikipedia)
Mr. Sendak accompanied my childhood and probably yours too, and he was particularly part of my sister Pam’s early years. I remember his Nutshell Library books, extra small to fit the hands of children. There were 4 of them: Alligators All Around, Chicken Soup With Rice, One Was Johnny, and Pierre (A Cautionary Tale). Pammy read them repeatedly, relating especially to the contrary Pierre. A few years ago I spotted an interview with Sendak in The New York Times (click here for the interview).
The article brought back those little books and how much my sister loved Maurice Sendak. I promptly sent the link to Pam and we spent several weeks emailing back and forth about his wonderful art and our childhood memories.
In May last year, Maurice passed away. My sister was teaching in Japan; had she heard yet? For some reason I wanted to be the person to break the news to her. I debated how to contact Pam and gently let her know.
The next morning I awoke preoccupied with way too much to do. I began my tasks with the radio on. NPR mentioned that Terry Gross was doing a special Fresh Air show in honor of Maurice Sendak’s passing (a much older interview with Sendak and a more recent one recorded not long before his death). Despite really having no time to spare, I sat down to give 5 minutes to Sendak.
An hour later I still sat. By now tears were streaming down my face. Sendak’s wise, sweet old voice came over the airways, speaking of the secret fears of children, of his inability to believe in God after the horrors of the Holocaust (he lost his entire extended family), his more than half a century with the man he loved, Dr. Eugene Glynn, a NYC psychoanalyst his parents never knew about… Sendak told his story as the tears continued to pour.
I forgot everything, the chores that had seemed so important that morning, the things I had wanted to cross off my to-do list that day. The interview ended, I got shakily out of my chair, found some tissues and blew my nose, wiped my eyes, and sat down to write my sister. “Pam,” I said, “I just heard an incredibly moving interview with Maurice Sendak. He’s died, and I wanted you to get the news from me…. but really you need to hear this interview and listen to his voice.”
And as I sat, a Muse spoke. I wrote the first version of the following poem in one take.
Your words and drawings,
of my sister, Pammy.
You died yesterday,
83 years old and not a day
older than the children now grown
adults weeping, mourning
your passing theirs passing
something of childhood gone beyond
I listen to recordings of your voice
You speak, the New Yorker
in you so obvious
I love your sense of place
your first generation voice
of Polish immigrants
of your humanity
your embrasure of
a definition of the world
in which God is
in the Wild Things
where they are
My Wild Things salute you.
My Wild Things weep.
Gnash our teeth.
Our King has left us.
Our island, and not just New York
is so much smaller with your passing.
We will cook a meal
Eat a supper and
You were still with us.
(In loving memory of Maurice Sendak, June 10, 1928 to May 8, 2012.)
NOTE: The Wonderful Wizard of Oz first appeared in print on 17 May, 1900; the film premiered on 12 August, 1939. Here is one of my very first posts, about author L. Frank Baum, bats, and monkeys…. — Jadi
Both sides of my family hail from the Northeast. We lived for a while in Cazenovia, one of the most beautiful small towns in upstate NY. Caz is just a few miles from Chittenango Falls, and that town was the birthplace of L. Frank Baum, author of The Wizard of Oz.
My sisters and I first saw The Wizard of Oz film on an old black and white television set we called Lucille. Lucille was temperamental (“Dad! Lucille’s on the fritz again!”), but her screen was big.
It was years before I finally saw The Wizard of Oz on a color television. How I gasped when Dorothy opened that door and stepped out into Munchkin Land! But in color or black and white, to this day I don’t much like monkeys.
Some years ago my husband and I traveled to Bali. The Balinese fill their temples with statues of the strange half-bird, half-god creature known as Garuda, a lion-like Barong, lots of sinuous snakes, and Hanuman the monkey god. The cultural heart of Bali is Ubud, home to the Monkey Forest which contains the Monkey Temple. I wrapped a sarong around my waist before we entered to show respect, and I know I was curious as to what we’d find.
The temple grounds were filled – no, overrun – with crab-eating macaque (Macaca fascicularis) monkeys. Dozens of them rested on the platforms to the Pura Dalem Agung Padangtegal temple. Many more watched us from up in the canopy of thick jungle trees and vines. But worst of all, a horde of monkeys scampered our way as we drew near. They were used to people and accustomed to visitors who bring them food. We walked slowly, not making any sudden movements, keeping our arms stretched out with our hands opened. I hoped my empty palms signaled: no food here!
I breathed a huge sigh of relief when we left the grounds. But I wonder about the sanity (to say nothing of the later health) of tourists who bring bananas and fruit to hand to the macaques. Those critters are feral!
Bali has another disturbing indigenous species: bats.
A huge colony of the largest fruit eating bats I have ever seen, all with wingspans of an easy three feet, hung upside down in a very tall tree. I was horrified by their size.
Then they began flying. In the middle of the day. Bright tropical sun highlighted the reddish membranes of their webbed skins. They flew in loops, more and more gigantic bats, circling lower. I began to feel dizzy as a scratchy voice in my head murmured, “I’ll get you, my little pretty …”
Macaques and bats had morphed together into L. Frank Baum’s flying monkeys. Never underestimate the power of imagination in children…or adults. That movie scene still haunts me. Like I said, to this day I don’t much like monkeys.
Growing up, Carl just wanted to be accepted as middle class. Years later he heard the term hard scrabble. It defined the subsistent existence of getting by, but for Carl it always meant more: the tough climb required to get anywhere. Scrabbling perfectly defined the undignified, difficult activity. It might not be a proper verb in the outside world, but in the one where Carl lived scrabbling was very much a real activity. To scrabble had nothing to do with a board game and everything to do with surviving the harder rules of the real world.
Everything about his family was poor; their upstate area had rocky soil for anyone trying to farm, and a rocky climate for manufacturing, business, or trade. It was a hard climate for everything to do with life, actually. The sense of security that anyone who lived there could hope to establish was a rocky one at best.
Carl pretended he didn’t hear her or see the crumpled paper she held, hoping the confrontation would simply go away.
This was when his mother realized the problem was greater than her son eating in bed. “You have fifteen minutes to tell me,” she informed him before she turned her back on Carl and went to do the ironing. But her son stayed silent.
Mrs. Penderson didn’t believe in corporal punishment, but half an hour later she smacked Carl with a ruler as punishment for stealing. While she hit him, she explained the why of the beating. “You think anybody around here has enough extra for you to take it from them? Or that store owner’s little kids think it’s okay that you get something for free from the store and they don’t? Well, do you?”
Carl simply gritted his teeth as he cried until the punishment was over. When she was done, his mother sat abruptly in the living room’s one easy chair and pulled Carl up onto her lap. “Honey, someday you’ll be big and smart enough to get all this stuff. But you have to wait until that day, do you understand?”
Carl didn’t particularly, but he nodded his head anyway, because neither of his parents ever talked to him in such an adult fashion. The seriousness in her voice surprised him in a way the punishment had not.
“There are those on the top, and everybody who’s below them,” she instructed. “If you get to the top you can call the shots. In the meantime, you keep your eyes open for what’s going to be yours, do you understand?”
Again she asked an unanswerable question. Carl wasn’t sure what the proper response might be, neither then nor later.
One year when Uwe and I took a vacation in Asia, I jumped at the chance to fly early and visit my sister Pam and my nephew Nikolai in Hong Kong. They lived in the city for a few years, and Pam had made a game out of finding as many cultural events as possible.
We attended a Japanese hip hop performance, fascinated to see how a form that began with black America was interpreted into Japanese. We got tickets for electrifying (and surprisingly political) Chinese modern dance. Not everything we saw was good; we had to suffer through an hour of really bad flamenco. We fled as soon as politely possible.
And Pam got us tickets for the Bootleg Beatles.
Asians retain a fierce love of the Beatles to this day, and the Bootleg Beatles aren’t your average cover band. The Bootlegs are the Beatles’ first and oldest tribute band. They have been playing for over 36 years! “George”, “Ringo”, “John” and “Paul” sing and play, complete with costume changes to track the evolution of the group. An eight-piece orchestra backs them up. They. Are. Terrific.
The Lyric Theatre of the Hong Kong Academy for Performing Arts is a classic amphitheater space. Our seats must have been the last three sold: Pam, Nikolai and I sat high, high up in the last row.
Once they started playing, it was clear why the concert was completely sold-out. It was like the Bootlegs were channeling the original band. My sister and I got up and danced.
But a strange thing happened: during the entire concert, we were the only people dancing. The amphitheater was filled to capacity with more than a thousand Hong Kong residents and visitors – and everyone was far too well-behaved to get on their feet.
We were surprised that no one else danced. Had we missed something? Was there some kind of Asian protocol about performances? We looked at one another, at Nikolai (sitting between us with his face covered, totally absorbed in listening to the band and not about to join us) and the proper people sitting all around. Like I say: we had seats in the final row up in nose-bleed territory. The only thing behind us was a cement wall. Who would it disturb if we danced?
So we did. From Please Please Me to Back in the USSR to All You Need is Love, we rocked out. Pam and I had a ball. There is something about giving yourself over to the ecstasy and joy of great music. These are the tunes of our childhoods and teenage years.
We grew up with the Beatles. The night in 1964 the band played on The Ed Sullivan Show, Mom came and got us out of bed. “Come see the Beatles!” she urged. I was a little kid at the time. I remember dashing to the black and white television set in excitement… only to watch bewildered as four men in black sang. Where were the insects? (Our dad Bobbo was an entomologist, so my confusion was genuine.) Later the band and their music became – and remain – an integral part of the weave of my life.
So. Fast-forward almost 50 years to an amphitheater in Hong Kong, and you’ll understand why we simply had to get up and boogie.
Before the first break, “George” said how nice it was everyone had come out for the show. He added, “Especially you at the back. We’re really glad you’re here. You’re great!”
“Hey!” I exclaimed. “Do you think he means us?” At the end of the show, “George” and the boys thanked the audience for coming, with “A special thank you to the two girls in the top row. You made the show.”
Some events remain live. In a parallel universe and all my dreams, I’m still dancing.
Grounded is the story of how two people react when cyberattacks lame the world. It’s also the tale of a father’s love for his son, a woman’s search to feel alive again, and what the Arctic Circle and a temple in a remote corner of India reveal.
I wrote the first draft in 2002, worked on it for over a year, and put it aside for a decade. I returned to the manuscript last year and reworked and rewrote. This book has had a very long gestation period, and I believe it was worth the wait. Please read it and let me know if you agree.
Cass is eating too, but she pauses and frowns. “You mean Nine-Eleven when I was little?”
Her question reminds me of how I’d stumbled around an explanation about what happened with my daughters.
“No,” Keith shakes his head at her, “way earlier. Way before all your times. In the 1960s, there was a total black out on the East coast. No one knew what’d caused it. Information didn’t get out as fast. No computers, and no Internet.”
“It was 1965,” Sue states. “November. We were living in Connecticut. We’d just moved into this little ranch house, kind of a fifties bungalow, not quite a row house. A starter home, they called them. I loved our little house!” She beams with pleasure and places a hand on Keith’s for a second.
He smiles as he enjoys his sole.
“It had three bedrooms so the kids each got to have their own room, and a long back yard. Keith hung a hammock out there and we had a picnic table and a grill.”
Both eat as they reminisce. “The kids were little. They were outdoors with friends, playing.”
“Lynn and Jeffrey were, what, six and ten years old? Something like that.”
Sue nods. “I went to start dinner and the lights in the kitchen were out. The refrigerator light, too. I figured a power outage. Then our neighbor Irene Robinson knocked on the door; they had the same problem. So the two of us stood on the stoop trying to understand what had happened. It was getting dark and I was about to call the kids in when Irene said, ‘Shouldn’t the street lights be on by now?’ She was right; the streets were dark in any direction as far as I could look. Everything was.
“We realized it must be a blackout. I called the kids in to get ready for dinner. I figured I’d have Keith fire up the grill.”
Keith speaks up. “Lynn and Jeffrey would’ve eaten grilled hamburgers and hotdogs every night if they could.”
“And corn on the cob,” Sue adds.
I’m already nodding in agreement with both statements. My three kids are wild about meals outdoors on the picnic table. Louie prefers a good pork sausage to a hotdog, but he’ll eat a burger any chance he gets.
“My Petey, too,” Timber chimes in. He presses his foot against mine under the table and gives me a special smile. My stomach flutters and I smile back, our conversation in the car forgiven.
“Us too!” Jolie and Cass contribute.
Three generations represented by four adults and two almost adults in a fancy seafood restaurant agree: all children love summer meals.
“So there we were,” Sue resumes. “My freezer thawing as I stood and watched. Keith and I had a confab and decided we’d do a smorgasbord. Cook everything. To throw out perfectly good food isn’t just wasteful. It would have been sinful. Back then, people were frugal.”
“Of course, in the ‘sixties people worried more about food going bad. Stuff didn’t have shelf lives like they do today! Except Twinkies,” Keith adds.
His wife doesn’t miss a beat. “Hey. Don’t knock my emergency go-to snack in those days. Moms need one thing that never gets stale! So Keith starts the grill. I seem to remember there was a full moon that night…. I made an inventory of what we had to cook. About the same time Irene was back at the door. The Robinsons had the same idea. How about we combine meals? I’d been saving two T-bone steaks for special. God knows when I thought that evening was going to arrive. Anyway, the adults split them while the six kids ate burgers and hot dogs. Irene had giant turkey drum sticks and we rigged an aluminum packet with those and a can of tomatoes. Remember, Keith?”
“Yeah. It was messy.” His eyes are soft as he recalls a meal eaten more than half a century past.
Both old folks are silent for a minute as they relive the evening.
Timber and I are silent too. I relax into their memory.
Cass seems fascinated too. “You never told this story before, Gram. Neither has Mom. Did she understand there’d been a blackout?”
“I never explained. We never talked about it, not that night and not after.” Sue stares down at her meal and I’m shocked at how haggard her face grows. “That night I thought, This is it. The world’s coming to an end. Russia had invaded. Or Martians; didn’t matter which. When electricity on the eastern seaboard went out, it had to be a foreign attack. And if my government hadn’t been able to prevent that, I’d better get ready for the end. I was grateful to be with my family.” She’s somber, softer. “I knew I’d shield my children as long as possible. I told them the TV and radio weren’t working, and how about we treat it like an early Night before Christmas? It seemed that quiet to me, the full moon outside, the glow of coals in the grill out where Keith and the six kids were making s’mores.” Sadly, Sue adds, “Our son died in a car accident a few years later. That was still ahead of us.”