Shakespeare – Jadi Campbell

The First Folios

Fanatical Fan of First Folios ?

That’s me….

I’m in love with Shakespeare. [1] It all began with going to a performance of A Midsummer Night’s Dream as children. The college show was sold-out, SRO. Or, in my sister Pam’s and my cases, sitting room only. The adults sat us on the edge of the stage and I remember watching spellbound. We were hit by the dew drops that Puck sprinkled on Titania and the hapless lovers, and I’ve been love with the Bard ever since.

Heading to London last September to meet Pam meant we were going to be busy. Pam’s wish list was long and broad. Mine was too, but the #1 item on my list was this: Make a pilgrimage to the National Maritime Museum and the first folio of The Tempest they were exhibiting as part of the First Folio’s 400th birthday!

The exhibit The Tempest and the Thames: Shakespeare’s First Folio was closing a few days after our arrival, and my lovely sister agreed that we could head there before we did anything else in London…

Pammy snapped photos of me pointing in glee at the First Folio edition lent to the museum by Dulwich College. I made a point of leaning over the glass case and read aloud from the pages the curators had opened the folio to. It begins with a terrible storm:

ACT I

SCENE II. The island. Before PROSPERO’S cell.

Enter PROSPERO and MIRANDA

MIRANDA

If by your art, my dearest father, you have
Put the wild waters in this roar, allay them.
The sky, it seems, would pour down stinking pitch,
But that the sea, mounting to the welkin’s cheek,
Dashes the fire out. O, I have suffered
With those that I saw suffer: a brave vessel,
Who had, no doubt, some noble creature in her,
Dash’d all to pieces. O, the cry did knock
Against my very heart. Poor souls, they perish’d.
Had I been any god of power, I would
Have sunk the sea within the earth or ere
It should the good ship so have swallow’d and
The fraughting souls within her.

PROSPERO

Be collected:
No more amazement: tell your piteous heart
There’s no harm done.

It was an emotional experience for me. I swear my eyes were filling with tears by the time I finished reading out loud from a manuscript of a play performed 400 years ago.

Reading from a First Folio went from being a thrill to an obsession. I decided to track down as many folios as time allowed.

Part II to follow!

NOTES: [1] I mentioned this fact in a post I titled Meet the One-Tracks. And today is William Shakespeare’s birthday. The Immortal Bard would be 459 years young today. He and his works haven’t aged a bit. ©2024 Jadi Campbell. For Uwe’s photos from our trips and his photography, go to viewpics.de.

My books are Broken In: A Novel in Stories, Tsunami Cowboys, Grounded and The Trail Back Out.

The Trail Back Out was the 2023 San Francisco Book Festival Winner for General Fiction, American Book Fest 2020 Best Book Award Finalist: Fiction Anthologies, Runner-Up for the 2021 Top Shelf Award, 2021 IAN Book of the Year Award Short Story Collection Finalist, and awarded a 2021 Wishing Shelf Red Ribbon. The title story The Trail Back Out was longlisted for the 2021 ScreenCraft Cinematic Short Story Award.

Click here for my author page to learn more about me and purchase my books.

Mudlarking

I met my sister Pam in London for ten great days. One of the best parts about traveling with family members is that you’re guaranteed to do things you’d never have thought of on your own. Like, going to meet the mudlarks….

Pam follows several mudlarks on Instagram and she was beyond excited to learn that the Museum of London Docklands was hosting the city’s mudlarks for two days when we were there.

Pictured here is mudlark Sean Clark, who takes part in a long-standing (and previously grim) activity. The term ‘mudlark’ is from the Victorian age. Early mudlarks were poor and hungry Londoners, almost always little kids, who combed the riverbanks for items they could resell. They darted up and down the shore like mudlark birds. Now they’re history buffs finding objects that reveal how people here lived, some items going back to the Romans!

Sean offered us a wax imprint from a 17th Century Matrix Seal. I was holding the imprint of a stamp that had rested in the water for four hundred years until Sean found it.

It could have been made in Shakespeare’s time.

York Museums Trust has this to say: “Seals were a common part of everyday life of Medieval England. They were used by a variety of social classes to authenticate documents such as land agreements, business exchanges, official court documents or charters, which needed a proof of identity or a royal seal of approval. They could also simply be used to keep a document or letter sealed or closed. Therefore owners of businesses, merchants, farmers, members of the clergy, government officials and kings all used seals, which they would imprint using their own unique seal matrix.” [1]

Sean discovered this wonderful seal on the foreshore of the Thames River. As a registered mudlark he gets to keep whatever he finds after reporting it to an official, historical registry at the Museum of London.

In the foreground are pipe stems that can date back to the 1600s

Pipes prefilled with tobacco were sold and then tossed away after being smoked. Now mudlarks find them on the foreshore of the Thames. For more on the clay pipes, go here: Mudlarking-the-art-of-smoking.

Mudlarks are an exuberant bunch. They aren’t allowed to dig into the banks of the Thames, so finding an exposed object is really a fun event. Every lark we talked to was more than happy to tell us about their finds and let us examine the objects more closely.

NOTES: ©Jadi Campbell 2023. [1] the-world-of-the-matrix-and-medieval-seals-in-york/. I’m sorry my mudlark photos aren’t clearer. For more info and better pics, go to thamesfestivaltrust.org. To see Uwe’s photos and pics from our trips go to viewpics.de.

My books are Broken In: A Novel in Stories, Tsunami Cowboys, Grounded, and The Trail Back Out.

Tsunami Cowboys was longlisted for the 2019 ScreenCraft Cinematic Book Award. Broken In: A Novel in Stories was semifinalist for the international 2020 Hawk Mountain Short Story Collection Award from Hidden River Arts and Finalist for Greece’s 2021 Eyelands Book of the Year Award (Short Stories). The Trail Back Out was the 2023 San Francisco Book Festival Winner for General Fiction, American Book Fest 2020 Best Book Award Finalist: Fiction Anthologies, Runner-Up for the 2021 Top Shelf Award, 2021 IAN Book of the Year Award Short Story Collection Finalist, and awarded a 2021 Wishing Shelf Red Ribbon. The title story The Trail Back Out was longlisted for the 2021 ScreenCraft Cinematic Short Story Award.

Click here for my author page to learn more about me and purchase my books.

Today’s Birthday: Maurice Bernard Sendak

Illustrator/author Maurice Sendak was born on 10 June, 1928 in England. In his honor I give you the post I wrote upon hearing that he had died. – Jadi

My Sister & Maurice Sendak

Our first experiences learning to speak seem to involve rhymes. [Twinkle twinkle and Dr. Suess, anyone?] We recite as children, loving language’s sing-song chants.

One of the very first pieces I memorized as a child (to this day I can recite it) was ‘The Cow’ from A Child’s Garden of Verses and Underwoods by Robert Louis Stevenson, printed in 1913.

The Cow

The friendly cow all red and white
I love with all my heart:
She gives me cream with all her might,
To eat with apple-tart.

She wanders lowing here and there,	5
And yet she cannot stray,
All in the pleasant open air,
The pleasant light of day;

And blown by all the winds that pass
And wet with all the showers,	10
She walks among the meadow grass
And eats the meadow flowers.

Can’t you see her?? In my child’s brain she was white and a funny shade of red. (Who ever heard of a red cow? I mean, really.) She was named Flossie, or Maisie, or Bessie. Placid Maisie meanders in a huge field, chewing her cud and surrounded by fairy rings of little flowers.

I have to be in the right mood for poetry, but I still have the used copy of The Norton Anthology of Modern Poetry from my college days of long ago. (How long ago? Decades. A couple of ’em.) My edition of Robert Frost’s complete works came to me when my mother died. When I read Frost, his poems of New England keep me linked to her, too.

Emily Dickinson still knocks me out, and every word Shakespeare penned is poetry in exalted form.

Poetry is emotion and experience expressed in crystalline shapes, no matter whether it’s metered or free verse. Prose works by poets betray themselves through the beauty of the writing. Think of The English Patient. I read that book slower and slower, and found myself rereading pages over and over, savoring Ondaatje’s mastery with language. Or anything by Ray Bradbury: each of his strange magical visions contains a goodly dose of poetry.

Hmm. I just went back and read what I’ve got here so far… Scratch the comment about needing to be in a certain mood to read poetry.

***

The Muses pay a very special visit on those they gift with the ability to speak through poems. For me it’s the hardest of all forms of writing. Sadly, the poetic Muses Erato (love poetry), Calliope (epic poetry), Euterpe (songs and elegiac poetry), and their sister Polyhymnia (hymns and sacred poetry) just don’t knock on my door more than once a decade or so. An impulse to even attempt a poem is the sighting and citing of a rare bird. The last time, and it came over me in a total rush of surprise and inspiration, was the death of Maurice Sendak.

(Photo from Wikipedia)

Mr. Sendak accompanied my childhood and probably yours, too, and he was particularly part of my sister Pam’s early years. I remember his Nutshell Library books, extra small to fit the hands of children. There were 4 of them: Alligators All Around, Chicken Soup With Rice, One Was Johnny, and Pierre (A Cautionary Tale). Pammy read them repeatedly, relating especially to the contrary Pierre. A few years ago I spotted an interview with Sendak in The New York Times (click here for the interview).

The article brought back those little books and how much my sister loved Maurice Sendak. I promptly sent the link to Pam and we spent several weeks emailing back and forth about his wonderful art and our childhood memories.

In May 2012, Maurice passed away. My sister was teaching in Japan; had she heard yet? For some reason I wanted to be the person to break the news to her. I debated how to contact Pam and gently let her know.

The next morning I awoke preoccupied with way too much to do. I began my tasks with the radio on. NPR mentioned that Terry Gross was doing a special Fresh Air show in honor of Maurice Sendak’s passing (a much older interview with Sendak and a more recent one recorded not long before his death). Despite really having no time to spare, I sat down to give 5 minutes to Sendak.

An hour later I still sat. By now tears were streaming down my face. Sendak’s wise, sweet old voice came over the airways, speaking of the secret fears of children, of his inability to believe in God after the horrors of the Holocaust (he lost his entire extended family), his more than half a century with the man he loved, Dr. Eugene Glynn, a NYC psychoanalyst his parents never knew about… Sendak told his story as the tears continued to pour.

I forgot everything, the chores that had seemed so important that morning, the things I had wanted to cross off my to-do list that day. The interview ended, I got shakily out of my chair, found some tissues and blew my nose, wiped my eyes, and sat down to write my sister. “Pam,” I said, “I just heard an incredibly moving interview with Maurice Sendak. He’s died, and I wanted you to get the news from me…. but really you need to hear this interview and listen to his voice.”

And as I sat, a Muse spoke. I wrote the first version of the following poem in one take.

Maurice

Maurice Sendak

Your words and drawings,

depictions transcribe

the soul&depths

of my sister, Pammy.

You died yesterday,

83 years old and not a day

older than the children now grown

adults weeping, mourning

your passing theirs passing

something of childhood gone beyond

retrieving.

Maurice.

I listen to recordings of your voice

You speak, the New Yorker

in you so obvious

I love your sense of place

your first generation voice

of Polish immigrants

of your humanity

your humility

your atheism

your embrasure of

a definition of the world

in which God is

everywhere

in the Wild Things

where they are

My Wild Things salute you.

My Wild Things weep.

Gnash our teeth.

Our King has left us.

Our island, and not just New York

is so much smaller with your passing.

We will cook a meal

Eat a supper and

wish

You were still with us.

In loving memory of Maurice Sendak, June 10, 1928 to May 8, 2012

My books are Broken In: A Novel in Stories, Tsunami Cowboys, The Trail Back Out and Grounded.

Broken In: A Novel in Stories was semifinalist for the international 2020 Hawk Mountain Short Story Collection Award and Finalist for Greece’s 2021 Eyelands Book of the Year Award (Short Stories). Tsunami Cowboys was longlisted for the 2019 ScreenCraft Cinematic Book Award. The Trail Back Out was American Book Fest 2020 Best Book Award Finalist: Fiction Anthologies, Runner-Up for the 2021 Top Shelf Award, 2021 IAN Book of the Year Award Short Story Collection Finalist, and awarded a 2021 Wishing Shelf Red Ribbon. The title story The Trail Back Out was longlisted for the 2021 ScreenCraft Cinematic Short Story Award.

Click here for my author page to learn more about me and purchase my books.

Today’s Birthday: Elizabeth Rosemond Taylor

Actress Elizabeth Taylor was born on February 27, 1932 in London, England. She was talented, beautiful and wildly glamorous. My favorite role of hers is Martha in the electrifying Who’s Afraid of Virginia Woolf, but Elizabeth Taylor is perhaps most identified with her role as Cleopatra. In her honor, here is a post I wrote after visiting Egypt and the Nile River. —Jadi

***

This is Part 2 to my post about our brief trip to Luxor, Egypt. As I look through Uwe’s photographs from that week I’m struck by his images of the Nile.

Cleopatra: He’s speaking now, Or murmuring ‘Where’s my serpent of old Nile?’ — Shakespeare Antony and Cleopatra, Act I, Scene 4

D31_8536_DxO10 — Eternal and timeless somehow

There is something sensuous about this river… One of my very favorite Shakespeare plays is Antony and Cleopatra. Here is the description of Cleopatra floating down the Nile:

Enobarbus: The barge she sat in, like a burnished throne,
Burned on the water; the poop was beaten gold,
Purple the sails, and so perfumed, that
The winds were love-sick with them, the oars were silver,
Which to the tune of flutes kept stroke, and made
The water which they beat to follow faster,
As amorous of their strokes.

…From the barge
A strange invisible perfume hits the sense
Of the adjacent wharfs. The city cast
Her people out upon her, and Antony,
Enthroned i’ the market-place, did sit alone,
Whistling to the air; which, but for vacancy,
Had gone to gaze on Cleopatra too
And made a gap in nature.

Agrippa: Rare Egyptian! (Act II, Scene 2)

The Nile is iconic. It’s the longest river in the world, around 4,160 miles or 6,670 kilometers The Nile originates at Lake Victoria and Lake Tana, and ends at the Mediterranean. It flows northward through Tanzania, Rwanda, Kenya, Uganda, Burundi, Ethiopia, Democratic Republic of the Congo, Sudan, South Sudan, and Egypt.

It is the largest oasis on the planet. When we visited in May 2013 tourism had declined so far that there were no longer any direct flights to Luxor. Instead, we flew to Hurghada on the Red Sea and a van met us. We drove for four hours across the barest desert landscape imaginable. No nomads, no towns, no vegetation or animal life to be seen. When we reached the Nile, visible signs of life appeared again.

All of the great ancient cities we visited are on the river’s banks. Karnak, Luxor/Thebes. Dendera, Edfu. From our hotel balcony we gazed directly across the river to the Valley of the Kings. The Valleys of the Kings, the Queens and the Nobles are on the west bank of the Nile River as you must be buried on that side in order to enter the afterlife.

We sailed downriver to Dendera, enjoying the scenery that flowed slowly past.

The fertile Nile was the original source of Egypt’s wealth and today 40 million Egyptians (50% of the population) live near its banks. There was life on the shores and in the water everywhere we looked.

Cleopatra: …we’ll to th’ river: there, My music playing far off, I will betray Tawny-finned fishes. (Act II, Scene 5)

Antony: The higher Nilus swells, The more it promises; as it ebbs, the seedsman Upon the slime and ooze scatters his grain, And shortly comes to harvest. (Act II, Scene 7)

The Egyptian calendar was based on the Nile’s three flood cycles. According to Wikipedia, “[t]hese seasons, each consisting of four months of thirty days each, were called Akhet, Peret, and Shemu. Akhet, which means inundation, was the time of the year when the Nile flooded, leaving several layers of fertile soil behind, aiding in agricultural growth. Peret was the growing season, and Shemu, the last season, was the harvest season when there were no rains.” [1]

As I looked out at the river and thought about my mother, I sensed the rhythms of life and death more clearly than ever before.

To the ancients, the Nile was the River Ar meaning “black” because of the rich, fertile sediment left on the banks from the Nile’s flooding. When the Aswan Dam was built in 1970, the annual flooding ended. But by the time we left I knew why Shakespeare’s hero confessed,

Antony: Egypt, thou knew’st too well My heart was to thy rudder tied by th’ strings, And thou shouldst tow me after. (Act III, Scene 9)

In memory of Elizabeth Taylor, February 27, 1932 – March 23, 2011

NOTES:[1] Season of the Harvest, Nile-River-Facts, Ancient Egypt Online, www.sciencekids. Copyright © 2015 Jadi Campbell. Previously published as Egypt 2: Along the Nile. More of Uwe’s pictures from Egypt and his photography may be viewed at viewpics.de.

My books are Broken In: A Novel in Stories, Tsunami Cowboys, The Trail Back Out and Grounded.

Click here for my author page to learn more about me and purchase my books.

Dorothy Leib Harrison Wood Eustis + Life Off-Leash

Dorothy Eustis was born May 30, 1886 in Philadelphia, Pennsylvania, USA. She was an American dog breeder breeding German shepherds in Switzerland, to work as police dogs. Later she founded The Seeing Eye, a United States school to train guide dogs to work with the blind. As Wikipedia says, her “legacy has been long-lasting. Her work helped spawn dog guide schools in the United States and around the world, and also paved the way for using service animals to help people with various disabilities. Because The Seeing Eye refused to see its students as charity cases, Eustis is also credited with helping to change public attitudes toward the disabled and contributing to the disability rights movement that began in the 1970s.”

I toured The Guide Dogs for the Blind, Inc. campus in San Rafael, California, where puppies are trained and selected to work as guide dogs. It was a lot of fun and surprisingly moving. I have to admit my favorite participant was the resident cat who lives there to test the doggies’ resolve!

Ms. Eustis has been inducted into the Women’s Hall of Fame. In her honor I am reprinting the post I wrote after visiting the dog park at Lake Washington. – Jadi

Beatrice: I had rather hear my dog bark at a crow, than a man swear he loves me. —Shakespeare, Much Ado About Nothing Act I, Scene 1

Friends of mine live with a large, enthusiastic, energetic hound named Jessie. Picture a black dog with white paws and the unnerving golden eyes of a goat: that’s Jess.

She’s ten years old and her owners claim she’s slowed down. But Jessie still takes fences with an easy bound, even if her paws now touch the top railing rather than simply sailing right on over it.

When I visit, our time always includes a trip to the dog park. A dog with this much energy needs a lot of exercise.

This is where good dogs go before they die. Located on Lake Washington in Seattle, the Warren G. Magnuson Park – Off Leash Area is property set aside for the use of canines. Once you’re inside the grounds, all the dogs are allowed off leash to run, play, chase balls, chase one another, and generally act like… dogs.

From the largest and meanest-looking to the smallest frou frou doggy, they love it here. The first time I visited I was amazed to see how well dogs can play with one another. Somehow they know: the park is theirs. The space belongs to them. There’s no territory to be defended or persons to be snarled for.

Instead of dog fights, the park is filled with the joyous barking of canines wanting to play. Magnuson Park includes an area for timid dogs (usually but not always littler dogs that are intimidated by the bands of boisterous bigger dogs) plus lots of play areas and trails. The park has a beach front area where dogs can swim, and even a place to wash off pets and get a gulp of water before leaving.

It’s a dog’s life!

In memory of Dorothy Eustis, 30 May 1886 – 8 September 1946

My books are Broken In: A Novel in Stories, Tsunami Cowboys, Grounded, and The Trail Back Out.

The Trail Back Out was honored as 2021 IAN Book of the Year Award Short Story Collection Finalist for the Independent Author Network and with a Red Ribbon by the 2021 Wishing Shelf Book Awards of England. In addition, The Trail Back Out was an American Book Fest 2020 Best Book Award Finalist: Fiction Anthologies. The title story The Trail Back Out was longlisted for the 2021 ScreenCraft Cinematic Short Story Award. Broken In: A Novel in Stories was a semifinalist for the international 2020 Hawk Mountain Short Story Collection Award from Hidden River Arts, as well as a Finalist for Greece’s 2021 Eyelands Book Awards. Tsunami Cowboys was longlisted for the 2019 ScreenCraft Cinematic Book Award.

Click here for my author page to learn more about me and purchase my books.

Brutus: I had rather be a dog, and bay the moon…
— Shakespeare, Julius Caesar, Act IV, Scene 4

We can't wait to get out of this stupid car — We can’t wait to get out of this stupid car

King Lear + Rabbit Holes + Today’s Birthday: Thomas Geoffrey Wilkinson

I spent most of a chilly Sunday diving into an increasingly deeper series of rabbit holes. A theater friend and I were talking about seeing plays in London, and I mentioned that the greatest performance I’d ever seen was a production of King Lear. Interested, my friend asked if I recalled who had directed, who played Lear, which theater I saw it at,

I told him it might have been the Royal Shakespeare Company, maybe in the Barbican Theater? And then I completely blanked on who was in the cast. It was at least twenty years ago, after all. I realized how fuzzy my memories were.

from my edition of A.L. Rowse’s The Annotated Shakespeare

Those memories wouldn’t stop teasing me, so a couple days later I dove down the Internet rabbit hole to see what I could retrieve….

“My wits begin to turn.
Come on, my boy: how dost, my boy? art cold?
I am cold myself. Where is this straw, my fellow?
The art of our necessities is strange,
That can make vile things precious. Come,
your hovel.
Poor fool and knave, I have one part in my heart
That’s sorry yet for thee.” – King Lear (Act III, Scene ii)

I began with the Royal Shakespeare Company website and none of the actors from their King Lear productions in the early 90s looked at all familiar from the show I’d seen with my sister, nor did the staging… where to look next?

An illustration of King Lear in the old book Shakespeare, by N. Kozhevnikov, 1894, Moscow — King Lear with his daughter Cordelia

The only detail I remembered clearly is that not long after I was in London a film about the Troubles came out, it had a wild plot, I’ve certainly never forgotten that plot, and I’d recognized the actor who’d played Edmund, who (in my opinion) had been the weakest actor in the King Lear cast. But I couldn’t recall the name of the film, so I googled films released in the 1990s about the Troubles in Ireland and there it was, The Crying Game, of course, and I clicked on the link to the movie’s website and tracked down the name of the actor again, then googled him for playing in King Lear, and leapfrogging across websites I finally landed on the Royal Court Theater, and the English Stage Company, and their 1993 King Lear. Not at all the RSC or the Barbican, but with a jolt I recognized several names from the cast, male actors who have gone on to have illustrious acting careers, Tom Wilkinson as King Lear, I remember being electrified by the anguished resonance of Lear’s speeches on the heath and how I’d believed every word he spoke. And of all people portraying The Fool it was Andy Serkis, now wildly successful and better known to audiences as Gollum. As The Fool his character was a shaved head cross-dresser in heels, the play was staged with Lear as a retiring general/leader, in Eastern Europe maybe, and at the end The Fool was dead, hanging in the air from the end of a noose for an entire scene, it was horrifying, my sister and I talked a lot after the show about how uncomfortable it must have been for the actor playing The Fool to remain motionless for so long. The next day I traveled down yet another rabbit hole for the other members in the cast, and discovered Edgar had been played by none less than a young Ian Glen – yes, him – Ser Jorah Mormont of Game of Thrones.

After these revelations I had long phone calls with both my sister and my best friend about how incredible and wonderful, magical, mind-bendingly great those performances were, and my God it wasn’t twenty years ago, it was thirty years ago,

and I am quite sure I’ll never see a production to match that one ever again, ever, and I shall die a lucky and changed human being, a better person for having watched and listened to Tom Wilkinson, Andy Serkis, and Ian Glen in what is possibly the greatest play ever written by the greatest writer who ever lived.

This post is especially dedicated to Thomas Geoffrey Wilkinson, born on this day 5 February 1948 in Wharfedale, Yorkshire, England. Mr. Wilkinson has been nominated twice for the Academy Award and has won the British Academy Film Award, Primetime Emmy Award, and a Golden Globe. But for me he is forever King Lear, baying on the heath. -Jadi

NOTES: I even tracked down some photos! Andy Sirkis as The Fool: www.photostage.co.uk, King Lear, The Fool, Edmund and Kent: www.photostage.co.uk ©Jadi Campbell 2022. Image of Lear and Cordelia courtesy of Dreamstime.

My books are Broken In: A Novel in Stories, Tsunami Cowboys, The Trail Back Out and Grounded.

Click here for my author page to learn more about me and purchase my books.

The Death of Robin Williams

NOTE: The brilliant Robin Williams was born on 21 July, 1951 in Chicago. In honor of his upcoming birthday and his incredible gifts, here is my original post written at the news of his death. — Jadi

Feste the Fool: “This cold night will turn us all to fools and madmen.” —Shakespeare King Lear, Act III, Scene 4

Robin Williams is dead. He killed himself.

Both of these statements shock and sadden me. Put together, they are almost unbearable. Since his passing the nights have been cold indeed, and it’s taken days to reach a place where I can try to write about him.

Caren Miosga is an anchor for the major evening news program in Germany, and German journalism is a serious business. Caren reported the news of his death barefoot and standing on top of her news desk. “O Captain! My Captain!” she recited from there. There is no more fitting way to salute him.

I remember when he burst onto the world stage. He was incredibly funny, his wit like lightening. His brain and mouth moved so fast that it still takes repeat viewing (and listening) to catch up to him. And even then you wonder how he could improvise like that. He would recite Shakespeare – and play all the roles himself.

A good word to describe him is irrepressible. Robin seemed impossible to hold back, stop, or control. And he embodied the next meaning of the word: very lively and cheerful. But like all clowns he knew the flip side of laughter is sadness. He was a fiercely observant social critic and he spoke about what he saw. As our greatest court jesters have always done, Robin told us the truth.

During the 1980s I lived in San Francisco, and I remember going with friends to the newly opened Hard Rock Café. As we sat there, a murmur rippled through the big room. Robin Williams, two women, and two very young children had just been seated for lunch. As the news spread, people stopped eating and turned in their chairs to stare.

Robin was a guy who’d simply come in for lunch, and looked uncomfortable with all the attention. But he signed autographs and smiled. I was struck by how youthful he looked, and how shy. He didn’t have a glamorous aura. I tried to figure out what was remarkable about how he looked. In the end, I was startled by a sense that he was terribly vulnerable.

And that is the secret to his magic. Robin Williams didn’t just make us laugh. He made us feel the absurdity of our prejudices and fears, and yes, our hopes and desires, too. He reminded us at all times of our humanity. He was searingly honest about his own short comings and dreams. He turned himself inside out with a candor and lovingkindness that made his humor a healing force.

Our world is a sadder place for his passing. It’s a better place for his having lived and shared his immense gifts with us.

He is already greatly missed.

R.I.P. Robin McLaurin Williams 21 July 1951 – 11 August 2014

Click here for my author page to learn more about my books and me.

The Animal Kingdom: 2

This is the second installment from my blog thread describing what to call groups of animals … See how many you can guess. Answers listed at the bottom of the page.

“Double double, toil and trouble, fire burn and caldron bubble,” she cackled. Then the witch threw another cauldron into the caldron. [1]
The prickle prickled no one that day.
And the clutch clutched at the edges of the baskets.
Exaltation exalted the evening with the complex songs of the family Alaudidae.
A smack smacks into goo on the rocks.
The romping romp are some of my favorite critters.

Answers:

Cauldron of bats [2]
Prickle of porcupines
Clutch of birds
Exaltation of larks
Smack of jellyfish
Romp of otters [3]

Cauldron, Khao Yai National Park, Thailand

NOTES: [1] Shakespeare Macbeth, Act IV, Scene 1. [2] Currently 77 bats are listed as Endangered and Critically Endangered on the IUCN Red List of Threatened Species. Bat Conservation International batcon.org [3] Sea otters are Endangered IUCN © Jadi Campbell 2017. All photos © Uwe Hartmann. To see more of Uwe’s animal photos and pics from our trips go to viewpics.de. Fun animal names from www.writers-free-reference.com, Mother Nature Network and www.reference.com.

# 99 # 99 # 99 # 99 # 99 #

I always feel a little strange when I recognize it’s time to mark milestones and I have several to announce.

This is my 99^th blog post.

I’ve posted in these virtual pages twice a month since I began way back in September of 2012. It all started with my husband’s suggestion that I establish an Internet presence….

My published books are fiction, and this blog serves as a good place to present excerpts. Potential readers of my books might want a sample of my writing and a glimpse of the human being behind the words. It’s also a place for non-fiction essays. I get to explore ideas and topics that don’t need to be transformed for novels. Posting every other week is great writerly discipline. I’ve never missed a bi-monthly posting date!

My topics bounce all over the place like gleeful ping pong balls. I’ve written about current events like The Death of Robin Williams, Helping Refugees: Part 1 and Tunisia Without Terrorism, to the World Cup in The Year the World Came to Party.

I occasionally write about historic events, too. Several are 8:15 A.M., Amsterdam, and Stolpersteine 1: Tsunami Cowboy’s Stumbling Stones.

I riff on artists in Meet the One-Tracks and art, like the sacred sublime in Cathédrale Notre-Dame de Chartres or sacred sexual in The Erotic Architecture of Khajuraho. I profile art made by human hands Wine and Sculpture, Wildly Creative in Upstate NY: The Ferros of Little York, Egypt 1: We had the entire Valley of the Kings to Ourselves or found in Nature: The Music of the Heavenly Spheres, Steamy Rotorua! and It Was a Bitterly Cold -22°.

Art can serve as reminders to bring us together, as in Stolpersteine 1: Tsunami Cowboy’s Stumbling Stones and The United Buddy Bears.

Of course, I write about writers: My Sister & Maurice Sendak and Baum, Bats, and Monkeys. I quote my beloved Shakespeare with Egypt 2: Along the Nile. Even Colleen McCullough gets a mention in The Outback!

And I write about writing itself: The Gift of Gab, Someone Burned My Book.

Food has been a topic: My Mother-In-Law’s Cookies, Despair Is An Exotic Ingredient, Adventures in China’s New Territories 3: The 100-Pound Fish, Deep Fried and Served with Sweet & Sour Sauce, The Fork is Mightier than the Sword. A Blog Post in Which I eat Paris, The Salt Pits and A Visit to the Food Bank, Part 1 & 2.

Holidays have been fun, from You Rang? (the worst/best Valentine’s Day in history) to Happy Halloween!

My day job is as massage therapist, and sometimes I write about healing and medicine. Helping Refugees: Part 1, Massage in Indonesia: Lombok, Adventures in China’s New Territories 4: The Gods of Medicine, A Massage at Wat Pho are a few of the posts.

…. and this all began simply as a way to introduce my two novels Tsunami Cowboys and Broken In: A Novel in Stories. Both are available at amazon.com in book and eBook form.

It’s been a fun journey these last three years! Thanks to all of you for visiting these pages. I wish everyone the happiest of holidays. I’ll be back in the new year with an announcement. Milestone #2 is on the way!!!

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Woof

Beatrice: I had rather hear my dog bark at a crow, than a man swear he loves me. —Shakespeare, Much Ado About Nothing Act 1, Scene 1

Friends of mine live with a large, enthusiastic, energetic hound named Jessie. Picture a black dog with white paws and the unnerving golden eyes of a goat: that’s Jess.

When I visit, our time always includes a trip to the dog park. A dog with this much energy needs a lot of exercise.

This is where good dogs go before they die. Located on the edge of Lake Washington in Seattle, the Warren G. Magnuson Park – Off Leash Area is property set aside for the use of canines. Once you’re inside the grounds, all the dogs are allowed off leash to run, play, chase balls, chase one another, and generally act like… dogs.

Instead of dog fights, the park is filled with the joyous barking of canines wanting to play. Magnuson Park includes an area for timid dogs (usually but not always littler dogs that are intimidated by the bands of boisterous bigger dogs) plus lots of play areas and trails. The park has a beach front area where dogs can go swimming, and even a place to wash off pets and get a gulp of water before leaving.