Tag: New English American Theater
Hard Times in Sugar Town!
Available now for free viewing on YouTube: Hard Times in Sugar Town! This show presents parallels and insights into our present-day crises….
Filmed in nostalgic black and white, Hard Times in Sugar Town is an evening of songs from the Depression Era and an original story by yours truly, featuring Derrick Jenkins, Tiffany Estrada, and Frank Eisele.
Directed by Charles Urban with Enel Kerler as Assistant Director and Susan Schwarz as The Host.
NOTES: Story © Jadi Campbell 2021. Enjoy our show!
The One Page Play Festival
I’m over the moon that New English American Theater festival is presenting two of my plays. This is a brand-new form for me as a writer and I had a blast trying my hand at comic drama. If you find yourself in the Stuttgart area for any reason, come on out to the show! David Burmedi, Director of the One Page Play Festival, explains how the festival came to life.
Click to see more. If you make it the show, don’t forget to cast your votes! Signing off from somewhere over Cloud 9,
NOTES: © Jadi Campbell 2019. My one page plays are Baby You Were Great and Bank on It ©2019 Jadi Campbell. All rights reserved.
Click here for my author page to learn more about my books and me.
What a Year!
I’m a little slow sometimes. I recently realized that my new-and-improved wordpress website jadicampbell.com had a birthday in January and is now a year old. (Yes, I’m aware it’s already March!) So, what did I do with a year of blogging?
My usual bounce of topics around the world….
If you want humor, dance to the world’s oldest Beatles cover band in A Boogie With the Bootlegs and survive a terrible trip at The H(ot)ell in Dubrovnik. Mess with the wedding caterers in You Can Have Your Cake and Eat It Too and listen in as I gleefully confess to embarrassing my long-suffering spousal unit in The Honeymooners. Attend an office party that goes south with a whole lot of alcohol in Holiday Insurance 1 & 2.
I weighed in on current events with both outrage and compassion: Ending the Year Pregnant with Hope, Our House is on Fire, Outrage, Role Models and Positive Acts, and my continued thread on refugees The Long Haul. Helping Refugees: Part 5, 6 & 7.
Last summer I lost my mother-in-law, an old friend, and my dad Bobbo, all within a shocking three-month period. Those were by far the hardest posts to write. But I discovered something: the most personal blog essays are the ones my readers (i.e., all of you) respond to most.
Phew. And, thank you for your comments regarding Breath, Loss and Remembering How to Feel.
I wrote seasonal posts about Christmas Holiday Insurance 1 & 2, A Guy Goes to a Christmas Market…, the Hindu Nandi Purnima in Holy Cows & Bazaar/Bizarre, watching the World Cup from The H(ot)ell in Dubrovnik, and the (in)famous Oregon Country Fair.
Somewhere last year I managed to finish and publish a new novel, Grounded. Here are excerpts: Holiday Insurance 1 & 2, Holy Cows and Bazaar/Bizarre, The Reluctant Pilgrim, Save the Recriminations, History’s Loop 1, 2, & 3.
I took part in wonderful projects with NEAT (New English American Theater) involving Gershwin 1 & 2 and The Vagina Monologues.
I wrote about Nature’s waterfalls and snakes.
As always, I blogged about places we’ve visited on this incredible planet. Hong Kong, Laos markets & waterfalls, Hampi, India here and twice again in The Reluctant Pilgrim & Bazaar/Bizarre; Croatia and (the bus) to Canada.
What you can look forward to in the Year of the Rooster: a huge blog thread for my father Bobbo that I’m calling The Animal Kingdom. Occasional notes about my volunteer work with refugees. Lots more quirky posts about places Uwe and I visit. And on-going musings about life, the Universe and everything in-between as I deepen the process of saying goodbye to those who have left.
May you find something here that makes you laugh, creates a spark of connection, and moves you enough so that you reenter your own life with a sense of touching upon mine. That would make the new year of blogging – and all the years to come – worthwhile. As Mae West says, “Come on up, I’ll tell your fortune.” 
I’m now posting once a week!
NOTES:  Quoted in She Done Him Wrong (1933). Photo of Mae West courtesy of Worth1000.com at http://jeanrojas.tripod.com/ Copyright © 2017 Jadi Campbell. Photos Copyright © 2012 Uwe Hartmann or Jadi Campbell. More of Uwe’s photography may be viewed at viewpics.de.
I Like a Gershwin Tune
Long-time followers of this blog will know that I post at 2-week intervals. I’m stepping outside my rhythm to tell you about 2 very special projects. The first is all about rhythms of song and speech, so perhaps I’m not breaking my pattern after all.
I Like a Gershwin Tune, How About You? will perform at Theater am Olgaeck in Stuttgart on December 15 at 20:00. For photos of the performers and more information, click on the link I’ve provided.
I LIKE A GERSWHIN TUNE, HOW ABOUT YOU? is an evening of beautiful music; instrumentals, solos, duets and four part harmony featuring the song stylists Jeanne Ragonese, Sara Conway, Anthony King, Joerg Witzsch, pianist Florian Eisentraut, narrator Derrick Jenkins, and a story by Jadi Campbell.
Ira Gershwin is the lyricist to musical composer and younger brother George Gershwin. This brotherly collaboration created some of the most memorable songs of the 20th century.
The compositions of George & Ira Gershwin are among the masterpieces of THE GREAT AMERICAN SONGBOOK; which is the most popular source of material for singers and musicians today. After George’s untimely death at an early age, Ira went on to work with other composers, such as Jerome Kern, Harold Arlen and Kurt Weill; with whom he continued to write many successful Broadway Musicals.
With this musical project we aim to celebrate the 120th Birthday of Song Lyricist Ira Gershwin; whom many consider to be a Modern American Poet. Heartfelt, high-spirited, sparkling with vernacular eloquence, the lyrics of Ira Gershwin defined the spirit of an era and have lived on as part of the American tradition. Ira distilled ordinary American speech into indelible verse; embodying his wit romance and dazzling virtuosity.
Source: NEAT Stuttgart Gershwin Evening
Outrage, Role Models & Positive Acts
It’s vital to my sense of well-being that I feel safe. I grew up in Cazenovia, one of upstate New York’s beautiful small villages. No one locked their doors and crime was of the DWI and who-got-stopped-for-speeding variety.
I roam the streets of every place I’ve ever lived in. Uwe and I travel to exotic spots and go exploring with glee. We’re not foolish. You can’t go into situations where you don’t speak the language without being careful and keeping your radar up. We always do our homework before going.
But lately the world feels like a strange, strange place. ISIS openly auctions sex slaves on the Internet. Mothers, daughters, and little girls get ranked by age and attractiveness. On New Year’s Eve in Köln, Germany, one thousand North African men gathered at the main train station for coordinated robbery, sexual assault and in some cases rape. Over 500 women filed police reports. 
What does this mean for women? While the police aren’t reporting higher crime statistics overall, the danger is that people will become scared to leave their homes. We’ll alter our habits and our style of life out of fear.
About this time, Claire Deromelaere asked me to take part in a production of Eve Ensler’s “The Vagina Monologues”. The play depicts women talking about sex and sexuality. Further, it raises funds for V-Day, a global activist movement to end violence against women and girls.
Claire is one very cool lady. I met her when I joined the Writers in Stuttgart. When she got up to read at our public readings, Claire owned the stage.
Her presence amazes me. Claire is poised and expressive, and her voice projects. She captivates an audience.
I have a beginner’s ego as a writer/reader. I can only get better; there’s nowhere to go but up. I was terrified at first by public readings. I wanted to read like Claire. I studied her, listening and watching. I talked to her about how to be confident (or at least less terrified) on stage.
It was probably inevitable that she got involved in language as performance. Claire left the writers’ group for NEAT, the New English American Theater. “The Vagina Monologues” is her first play as director.
So I’m getting renewed instruction on how to be a better reader from one of my role models. I’m involved in a positive, powerful response to the hate and violence directed at women and children. And I have met an outrageous, wonderful cast of women of all ages and backgrounds, united in the belief that art can change the world. Eve Ensler says it best:
- Art has the power to transform thinking and inspire people to act
- Lasting social and cultural change is spread by ordinary people doing extraordinary things
- Local women best know what their communities need and can become unstoppable leaders
- One must look at the intersection of race, class, and gender to understand violence against women 
I’ll come back to this topic in future posts.
© Jadi Campbell 2016.
NOTES:  I want to add that in the days after these attacks, some North African men held up signs in public squares in protest, saying the assaults in no way represent how the majority of foreigners living in Germany regard women.
 Click here to read about Stuttgart’s NEAT production of “The Vagina Monologues”: http://neatstuttgart.com/2016/02/05/tvm-opening/
 To learn more about how this powerful play is making a positive change in the world:
vday.org and https://en.wikipedia.org/wiki/The Vagina_Monologues