Today’s Birthday: Annelies Marie Frank

Anne Frank was born on June 12, 1929 in Frankfurt am Main, Germany. Her unexpectedly discovered journal The Diary of Anne Frank is a testament to the endurance of the human spirit. In honor of her life I am reprinting my first post about Stolpersteine, the Stumbling Stones laid throughout the world to remember the lives of those killed by repressive regimes. – Jadi

***

She placed her unbandaged left hand over his on the table top. “Don’t think I’m only a cynic. If I lost my faith in nations, I find huge bravery and kindness in individuals. I kept my faith – and how can that be, after what religion did to my country? But I did. I believe in God. You saved my life so I am saved again. It’s more than a woman could hope for.” She squeezed his hand. “How long do you stay in Stuttgart?”

For the first time his regret about leaving had to do with a person and not with his phobia. “I should take a train tomorrow. Actually, I’m scared to fly,” Guy admitted. “I was in a forced landing once. I’m afraid of being in another.”

“Why fear a statistic chance? Why worry about an abstraction?” Nadia’s shoulders rose and fell in the Eastern European’s shrug, a slow, weary movement that expressed the futility of every question. “Think about the poor people who are in tsunamis. Or a war zone, where real fear is to think, how do you keep walking on the street as a rocket hits somewhere near, or you hear thwack!, and the person in front of you falls down? First you think, this time it isn’t me. It took years for me to stop looking over my shoulder. Stuttgart is civilized, but even here I stumble over Stolpersteine.”

“Over what?”

“Stolpersteine.”

Guy shook his head. “Never heard of it.”

“Them. Come, I will show you. There are some up around the corner.” Nadia refused to explain further.

She insisted on paying the bill and tucked her arm in his as the two of them headed up the Königstrasse. She led him to a stop in front of a store. “What do you see?”

Guy saw Europeans out Christmas shopping, happy people laughing and drinking glühwein, store windows filled with beautifully displayed consumer goods. Was it something special about the storefront? He shifted his weight and his heel came down on an uneven spot in the cement. When he glanced down, Guy saw gold cubes embedded in the sidewalk. He squatted to get a better look. Königstrasse 60, a stone with the name of Clothilde Mannheimer, another beside it for Jakob Mannheimer.

Nadia crouched down next to him. “The Mannheimers lived in this building. They were moved by train to Theresienstadt and died in the concentration camp there,” she translated. “These are their Stolpersteine, their stumbling stones. Wherever we go, we stumble over reminders of the past. The stones make sure we don’t forget the dead, these make sure that people today can’t push the dead from our memories.”

Guy traced the imprint of the names. The little golden cubes were weightier than their size. “Are there more?”

“All over Germany. Other countries, too. The Stolpersteine groups wish to mark the last free place where the persons lived, not where they were sent. Sometimes a family asks for a stumbling block; sometimes a local group did research for victims. And Stolpersteine are for everyone. Especially the Jews, but also the Behinderte, the ones with handicaps,” she corrected herself, “the mentally slow or physically handicapped. And gypsies, Communists. All were killed or did have to leave.”

“Knowing all this it wasn’t hard for you to become a German citizen?”

She gave another slow Eastern European shrug. “I gave up my old passport a decade ago. It was less hard than I expected. My home country is one in the heart.” – from the chapter What A Guy in Tsunami Cowboys, longlisted for the 2019 ScreenCraft Cinematic Book Award.

A newly laid Stolperstein
A newly laid Stolperstein

In memory of Anne Frank, 12 June 1929 – February or March 1945

NOTES: Text and Photos Copyright © 2015 Jadi Campbell. Previously published as Stolpersteine 1: Tsunami Cowboys’ Stumbling Stones. Uwe’s photography may be viewed at viewpics.de.

My books are Broken In: A Novel in Stories, Tsunami Cowboys, Grounded, and The Trail Back Out

Tsunami Cowboys was longlisted for the 2019 ScreenCraft Cinematic Book Award. The Trail Back Out was honored as 2021 IAN Book of the Year Award Short Story Collection Finalist for the Independent Author Network and with a Red Ribbon by the 2021 Wishing Shelf Book Awards of England. In addition, The Trail Back Out was an American Book Fest 2020 Best Book Award Finalist: Fiction Anthologies. The title story The Trail Back Out was longlisted for the 2021 ScreenCraft Cinematic Short Story Award. Broken In: A Novel in Stories was a semifinalist for the international 2020 Hawk Mountain Short Story Collection Award from Hidden River Arts, as well as a Finalist for Greece’s 2021 Eyelands Book Awards.

Click here for my author page to learn more about me and purchase my books.

 

My Imaginary Friends: #9 The Tidal Wave

Current events often find their way into my books. I wrote about the tsunami in Japan not long after it occurred. One of my characters in Tsunami Cowboys (the title I am most proud of thinking up!) can dream the future:

Ronnie’s coworker Yoshiko Sakei appeared in the next vision. Yoshiko came to the States for college and ended up marrying Erik Gross. She became an American citizen forty years ago. She’s nearing retirement, and she and Erik plan to move to Honshu. Yoshiko feels a secret guilt: she’s enjoyed the irresponsible freedom of a Japanese person living outside the home country.

Kyoto parade
Kyoto parade

Yoshiko tells Erik, “Let’s go back and care for my parents.” Erik likes the idea, because a Western man in Asia has lots of advantages. Gaigin aren’t expected to fit in.

They sell their home and plan to move as soon as Yoshiko stops working.

Miyajima
Miyajima
Kyoto train station
Kyoto train station
Kagoshima Aquarium
Kagoshima Aquarium

The vision shifts. Zen landscapes,

Bamboo forest
Bamboo forest
Zen garden
Zen garden

crowded city streets with tall buildings,

Tokyo
Tokyo

monks in yellow,

Kyoto temple
Kyoto temple

geishas in colorful kimonos,

Geishas

salarymen in somber business suits all kaleidoscope through the dream. A few exquisite pieces of lacquer ware and a hand painted folding screen decorate a small space.

Zen interior
Zen interior

Yoshiko and Erik sit at a table across from an old Japanese couple with gentle smiles and parchment paper skins. The four of them drink tea. In the next scene they lie asleep in blankets on spotless tatami mats.

All four open their eyes as the light wood of the house splinters into match sticks. They look shocked in Ronnie’s direction – and the dream blows apart.

– from my chapter Precognitious in Tsunami Cowboys.

Notes: © Jadi Campbell 2021. All photos and images © Uwe Hartmann. Uwe’s photos of our trip to Japan and his photography may be viewed at viewpics.de.  Tsunami Cowboys was longlisted for the 2019 ScreenCraft Cinematic Book Award. Books make great gifts!

The Trail Back Out was honored as 2021 IAN Book of the Year Award Short Story Collection Finalist for the Independent Author Network. In addition, The Trail Back Out was an American Book Fest 2020 Best Book Award Finalist: Fiction Anthologies. The title story The Trail Back Out was longlisted for the 2021 ScreenCraft Cinematic Short Story Award. Broken In: A Novel in Stories was a semifinalist for the international 2020 Hawk Mountain Short Story Collection Award from Hidden River Arts and is currently a Finalist for Greece’s international 2021 Eyelands Book of the Year Award (Short Stories).

Click here for my author page to learn more about me and purchase my books.

My Sister & Maurice Sendak

NOTE: Illustrator/author Maurice Sendak was born on 10 June, 1928 in England. In his honor I am reprinting the post I wrote upon hearing that he had died. —Jadi

Our first experiences learning to speak seem to involve rhymes. [Twinkle twinkle and Dr. Suess, anyone?] We recite as children, loving language’s sing-song chants.

One of the very first pieces I memorized as a child (to this day I can recite it) was ‘The Cow’ from A Child’s Garden of Verses and Underwoods by Robert Louis Stevenson, printed in 1913.

                                                           The Cow
The friendly cow all red and white
  I love with all my heart:
She gives me cream with all her might,
  To eat with apple-tart.
She wanders lowing here and there,

         5

  And yet she cannot stray,
All in the pleasant open air,
  The pleasant light of day;
And blown by all the winds that pass
  And wet with all the showers,

  10

She walks among the meadow grass
  And eats the meadow flowers.

Can’t you see her?? In my child’s brain she was white and a funny shade of red (who ever heard of a red cow? I mean, really.) And she was named Flossie, or Maisie, or Bessie. Placid Maisie meanders in a huge field, chewing her cud and surrounded by fairy rings of little flowers.

I have to be in the right mood for poetry, but I still have the used copy of The Norton Anthology of Modern Poetry from my college days of long ago. (How long ago? Decades. A couple of ’em.) My edition of Robert Frost’s complete works came to me when my mother died. When I read Frost, his poems of New England keep me linked to her, too.

Emily Dickinson still knocks me out, and every word Shakespeare penned is poetry in exalted form.

Poetry is emotion and experience expressed in crystalline shapes, no matter whether it’s metered or free verse. Prose works by poets betray themselves through the beauty of the writing. Think of The English Patient. I read that book slower and slower, and found myself rereading pages over and over, savoring Ondaatje’s mastery with language. Or anything by Ray Bradbury: each of his strange magical visions contains a goodly dose of poetry.

Hmm. I just went back and read what I’ve got here so far… Scratch the comment about needing to be in a certain mood to read poetry.

The Muses pay a very special visit on those they gift with the ability to speak through poems. For me it’s the hardest of all forms of writing. Sadly, the poetic Muses Erato (love poetry), Calliope (epic poetry), Euterpe (songs and elegiac poetry), and their sister Polyhymnia (hymns and sacred poetry) just don’t knock on my door more than once a decade or so. An impulse to even attempt a poem is the sighting and citing of a rare bird. The last time, and it came over me in a total rush of surprise and inspiration, was the death of Maurice Sendak.

File:Sendak illustration.gif

(Photo from Wikipedia)

Mr. Sendak accompanied my childhood and probably yours too, and he was particularly part of my sister Pam’s early years. I remember his Nutshell Library books, extra small to fit the hands of children. There were 4 of them: Alligators All Around, Chicken Soup With Rice, One Was Johnny, and Pierre (A Cautionary Tale). Pammy read them repeatedly, relating especially to the contrary Pierre. A few years ago I spotted an interview with Sendak in The New York Times (click here for the interview).

The article brought back those little books and how much my sister loved Maurice Sendak. I promptly sent the link to Pam and we spent several weeks emailing back and forth about his wonderful art and our childhood memories.

In May last year, Maurice passed away. My sister was teaching in Japan; had she heard yet? For some reason I wanted to be the person to break the news to her. I debated how to contact Pam and gently let her know.

The next morning I awoke preoccupied with way too much to do. I began my tasks with the radio on. NPR mentioned that Terry Gross was doing a special Fresh Air show in honor of Maurice Sendak’s passing (a much older interview with Sendak and a more recent one recorded not long before his death). Despite really having no time to spare, I sat down to give 5 minutes to Sendak.

An hour later I still sat. By now tears were streaming down my face. Sendak’s wise, sweet old voice came over the airways, speaking of the secret fears of children, of his inability to believe in God after the horrors of the Holocaust (he lost his entire extended family), his more than half a century with the man he loved, Dr. Eugene Glynn, a NYC psychoanalyst his parents never knew about… Sendak told his story as the tears continued to pour.

I forgot everything, the chores that had seemed so important that morning, the things I had wanted to cross off my to-do list that day. The interview ended, I got shakily out of my chair, found some tissues and blew my nose, wiped my eyes, and sat down to write my sister. “Pam,” I said, “I just heard an incredibly moving interview with Maurice Sendak. He’s died, and I wanted you to get the news from me…. but really you need to hear this interview and listen to his voice.”

And as I sat, a Muse spoke. I wrote the first version of the following poem in one take.

Maurice

Maurice Sendak

Your words and drawings,

depictions transcribe

the soul&depths

of my sister, Pammy.

You died yesterday,

83 years old and not a day

older than the children now grown

adults weeping, mourning

your passing theirs passing

something of childhood gone beyond

retrieving.

Maurice.

I listen to recordings of your voice

You speak, the New Yorker

in you       so     obvious

I love your sense of place

your first generation voice

of Polish immigrants

of your humanity

your humility

your atheism

your embrasure of

a definition of the world

in which God is

everywhere

in the Wild Things

where they are

My Wild Things salute you.

My Wild Things weep.

Gnash our teeth.

Our King has left us.

Our island, and not just New York

is so much smaller with your passing.

We will cook a meal

Eat a supper and

wish

You were still with us.

(In loving memory of Maurice Sendak, June 10, 1928 to May 8, 2012.)

Copyright © 2013 Jadi Campbell.

Click here for my author page to learn more about my books and me.

What a Year!

2016 was the Year of the Monkey. Wong Tai Sin Medicine Temple, New Territories, China

I’m a little slow sometimes. I recently realized that my new-and-improved wordpress website jadicampbell.com had a birthday in January and is now a year old. (Yes, I’m aware it’s already March!) So, what did I do with a year of blogging?

My usual bounce of topics around the world….

If you want humor, dance to the world’s oldest Beatles cover band in A Boogie With the Bootlegs and survive a terrible trip at The H(ot)ell in Dubrovnik. Mess with the wedding caterers in You Can Have Your Cake and Eat It Too and listen in as I gleefully confess to embarrassing my long-suffering spousal unit in The Honeymooners. Attend an office party that goes south with a whole lot of alcohol in Holiday Insurance 1 & 2.

I weighed in on current events with both outrage and compassion: Ending the Year Pregnant with Hope, Our House is on Fire, Outrage, Role Models and Positive Acts, and my continued thread on refugees The Long Haul. Helping Refugees: Part 5, 6 & 7.

Last summer I lost my mother-in-law, an old friend, and my dad Bobbo, all within a shocking three-month period. Those were by far the hardest posts to write. But I discovered something: the most personal blog essays are the ones my readers (i.e., all of you) respond to most.

Phew. And, thank you for your comments regarding Breath, Loss and Remembering How to Feel.

I wrote seasonal posts about Christmas Holiday Insurance 1 & 2, A Guy Goes to a Christmas Market…, the Hindu Nandi Purnima in Holy CowsBazaar/Bizarre, watching the World Cup from The H(ot)ell in Dubrovnik, and the (in)famous Oregon Country Fair.

Somewhere last year I managed to finish and publish a new novel, Grounded. Here are excerpts: Holiday Insurance 1 & 2, Holy Cows and Bazaar/Bizarre, The Reluctant Pilgrim, Save the Recriminations, History’s Loop 1, 2, & 3.

I took part in wonderful projects with NEAT (New English American Theater) involving Gershwin 1 & 2 and The Vagina Monologues.

I wrote about Nature’s waterfalls and snakes.

As always, I blogged about places we’ve visited on this incredible planet. Hong Kong, Laos markets & waterfalls, Hampi, India here and twice again in The Reluctant Pilgrim & Bazaar/Bizarre; Croatia and (the bus) to Canada.

2017 is the Year of the Rooster! Wong Tai Sin Medicine Temple, New Territories, China

What you can look forward to in the Year of the Rooster: a huge blog thread for my father Bobbo that I’m calling The Animal Kingdom. Occasional notes about my volunteer work with refugees. Lots more quirky posts about places Uwe and I visit. And on-going musings about life, the Universe and everything in-between as I deepen the process of saying goodbye to those who have left.

May you find something here that makes you laugh, creates a spark of connection, and moves you enough so that you reenter your own life with a sense of touching upon mine. That would make the new year of blogging – and all the years to come – worthwhile. As Mae West says, “Come on up, I’ll tell your fortune.” [1]

266080joqn_w.jpg

I’m now posting once a week!

NOTES: [1] Quoted in She Done Him Wrong (1933). Photo of Mae West courtesy of Worth1000.com at http://jeanrojas.tripod.com/ Copyright © 2017 Jadi Campbell. Photos Copyright © 2012 Uwe Hartmann or Jadi Campbell. More of Uwe’s photography may be viewed at viewpics.de.

Bazaar/Bizarre

Kim’s view was simultaneously filled and obstructed. The front courtyard and Hampi Bazaar Road were crammed with bodies. Worshippers raised their arms to touch Shiva’s massive chariot. Mandapams, porch-like structures once used for commerce or the homes of wealthy traders, lined the sides of the street. Pilgrims claimed spots in them, trying to find shade.

Women in brilliant saris walked past. Old crones with henna-patterned arms carried small children. Turbaned men sampled fruit from a pyramid of dates. An all-white cow rested serenely on a pile of garbage. A painted bus had parked in the dust; a pilgrim dozed on one of the seats with his bare feet sticking out through the open window.

Kim peeked in a shop selling cheap clothes and plastic sunglasses. When she turned, she banged her head on a string of water bottles hanging in the doorway. Sunlight reflected off the mirrored insets of embroidered bags and shirts in the next little shop.

She pushed on through the crowds, trying to spot her group. A couple in a patch of shade looked up as she walked past. Their oxen leant against the cool stones of an ancient wall. The bovine pair had their forelegs tucked under them. Their curved horns were painted crimson and capped in metal. Magenta pompoms with orange and blue tassels hung from the tips; a pile of cow shit steamed.43220_Ind_04_06_j_036

In the middle of the road a clump of pilgrims whispered among themselves, pointing. A man crouched in the dirt. He was perhaps thirty years old, mustachioed and handsome. Thick hair brushed across the white bands smeared on his forehead. He wore a peach-orange cotton shirt and pants. The man knelt, barefoot, on all fours on a rug. A big copper pot dappled with white streaks and red dots balanced on his shoulders. A string of beads wound around the pot’s lip. A long cobra slid clockwise over the beads, flicking an orange tongue. Hands darted out from the crowd to touch the snake and drop coins into the pot.42740_Ind_04_06_j_031

Bang! Bang! Bang! Bang! Bang! Bang! Bang! Bang! Bang! Bang! Bang! Bang!

Kim forgot the snake handler and the crowds.

Bang! Bang! Bang! Bang! Bang! Bang! Bang! Bang! Bang! Bang! Bang! Bang!

She forgot the coiling cobra.

Bang! Bang! Bang! Bang! Bang! Bang! Bang! Bang! Bang! Bang! Bang! Bang!

© Jadi Campbell 2016. From Grounded. Go to following link to order my books: https://www.amazon.com/author/jadicampbell

NOTES: Go to my earlier posts The Erotic Architecture of Khajuraho, Travel Karma, The Reluctant Pilgrim, and Remind Me Again: What Are We Doing Here? to read about our visits to India. Photos Copyright © 2014 Uwe Hartmann. All photographs can be enlarged by simply clicking on the image. More of Uwe’s photography may be viewed at viewpics.de.

Grounded

Grounded_for_web

My new novel Grounded is finally in print and available as an eBook! Use the following link to see it: https://www.amazon.com/author/jadicampbell  

Grounded is the story of how two people react when cyberattacks lame the world. It’s also the tale of a father’s love for his son, a woman’s search to feel alive again, and what the Arctic Circle and a temple in a remote corner of India reveal.

I wrote the first draft in 2002, worked on it for over a year, and put it aside for a decade. I returned to the manuscript last year and reworked and rewrote. This book has had a very long gestation period, and I believe it was worth the wait. Please read it and let me know if you agree.

 

 

 

Save the Recriminations

Keith starts a new conversation now that Glen has left the table. “So, you two have children?”

“Glen has a son. I have three kids of my own: two girls and a boy. They’re somewhere camping with their father this week. I’ve been going insane not knowing where they are or if they know yet. I can’t stop worrying about how my children will hear the news.

“I can’t even get them on the phone. We’re supposed to meet in Seattle, but since planes or trains are out of commission Glen and I are driving from California.”

Keith’s look travels from the wedding band on my hand up to my face. “I see,” he says slowly.

His wife’s next words surprise me again. “I don’t know the particulars (and I suspect I don’t need to) but clearly you and your young man love each other. That’s not a bad thing, Nicole. You’re right: the main thing right now is to reach your children and be with your family. Save the self-recriminations. The rest will sort itself out.”

I can’t speak. I want to thank her and can’t force any words out of my throat.

She’s standing beside my chair with a hand placed on my shoulder when I can bring myself to look back up. “It’s okay. It’s okay, Nicole.”

Joley and Cass watch us without blinking. They stay silent, listening intently as if they know something important is transpiring, as if it’s important that they understand.

We all watch Glen come back in the room. His eyes glitter and I can’t tell if it’s tears from missing Petey. Or being moved by the connection to these four people at the next table. Or a perfect storm of the lives and choices and events that led to Ocean Beaches and a candid conversation about the last time someone believed it could be the end of the world.

Keith smiles as Glen reaches our table. “After eighty plus years on this earth one thing I’m confident about is that answers are seldom pat. And they’re never what we first think. If only life were simple…. And if this is my last night on earth, I’ll have spent it with good people.”

We stand and everyone shakes hands, then hugs. “Don’t skip dessert. You have to try both the cheesecakes. Nectar and ambrosia, I’m telling you. That’s how this lovely evening’s conversation with you two all began,” his smile grows wider. “Life begins and ends happy when it involves food options!”

And with that grounding comment the four of them leave the dining room. Cass hands her grandfather his cane and takes his arm.

© Jadi Campbell 2016. From Grounded. Go to following link to order my books: https://www.amazon.com/author/jadicampbell

Good Things Come in Threes

There is an old saying that ‘good things come in threes’. Right now this is true for my writing at bookoftheday.org ! I am in the unique position of being featured 3 times around the site. Broken In: A Novel in Stories is one of the books of the day. Tsunami Cowboys stayed on the ‘Trending’ list for weeks, and remains on the The Trending Jumbotron Top Ten page (http://bookoftheday.org/top-ten/). And I have an author page.  It’s not often that a writer gets to share news this good! Please take a look at the site and explore the pages. In our electronic age, clicks add up.

My Next Public Reading

To learn about the Writers in Stuttgart and our public reading on Friday, March 18, visit this link : NEAT Recommends the Writers in Stuttgart.
PS: For your added amusement, click on the bottom left photo to the right of the link’s screen under Dark Monday in February. That’s me on stage, in our first performance of The Vagina Monologues!

History’s Loop 3

“The danger was all the candles. I’d set some on the back of the toilet and on the edge of the tub so people could see to use the facilities. And we placed an old candelabra in the living room. Lynn bent over it and just about lit her bangs on fire. After that just grownups were allowed to go near any candles or handle the lanterns or grill. Responsible adults only.” Her eyes focus far in the past.

“But it was like a party.” Keith contributes, “We were all together. The Robinsons were our best friends and our kids were all roughly the same ages and in the same grades and played together. If this was the end of the world, I was glad the kids were safe and well fed, I’d just eaten a great steak, and I was with the people I care for most. Although if I’m honest, if I remember right that steak had freezer burn. And it was cold outside; it was November. But I remember it this way, the best meal and one of the best nights of my life. Isn’t that funny?”

“Funny….” Sue’s voice trails off.

I don’t know if she considers it funny ha-ha or funny terrible. Maybe both. Cass and Jolie have finished their meals and sit. Their eyes move in their faces as they follow our conversation.

“We didn’t talk about what was happening. It’s not that it happened fast; just the opposite. It was all so gradual. Information kind of trickled out.”

Our own meals arrive, and they fall silent. The waiter leaves, Timber and I start to eat, and only then do they return to the story.

“On the drive home from work,” Keith continues, “I listened to the radio. And while no one reported it as a possible attack, I know that’s what I suspected. I was going to keep that to myself and not worry my family. But when I walked in the house I took one look at Sue’s face and knew that she was thinking the exact same thing. But all she asked was, ‘The city too?’ and before I could do anything more than nod a yes the kids burst through the door to tell me all about the lights in the whole neighborhood going out. We just kind of looked at one another over their heads and it was parents’ mental telepathy, as parents we were going to guarantee their last night on Earth was, like Lynn kept saying about the house being lit up with candles, ‘magic’. And, Jeff.” Keith takes a big swallow of water and resumes in a low pitch.

Timber leans forward to hear.

“He wanted to help. Together we filled a bunch of gallon jugs and pitchers with water. Then the sinks and the bathtub. Later when all the kids had gone to bed we sat with Jerry and Irene and had a night cap. They left and went back next door.”

“’I want to check on the kids,’ Jerry told you,” recalls Sue. “That night was the first time I thought of him as a good dad. Irene always had to haul him home once the two of you got going drinking beer or shooting the breeze out back.”

“Beer drinking doesn’t make someone a bad parent. But yeah, he liked his booze. A twenty-year old Scotch on the last night on earth isn’t a bad thing.”

Sue turns to the girls. “Cass, you referred earlier to Nine-Eleven. In 1965, the scariest thing was the not knowing. Nine-Eleven was a different story. With that one it was clear pretty quick who the enemy was. We used that information as an excuse to act out our lowest common denominators.”

Cass tenses. “Gram, you don’t really think that, do you?” It’s not a question; it’s a plea.

Timber, Sue, Keith and I exchange glances. Keith and Sue sit up a little straighter. “Never get old people rambling about the past,” Sue smiles at her granddaughter, asking forgiveness. “My story happened half a century ago, and kind of feels like more than a world away from what’s going on now. But it’s the same historic loop: humans scared this time we’ve blown it. But,” she folds the pleat in her cloth napkin, running an arthritic index finger along its seam, “maybe not. We’ll pull through. And the important thing is to be with the people you care about.”

“If you’ll excuse me.” Timber pushes his chair back and heads for the restrooms at the back of the restaurant.

 

© Jadi Campbell 2016. From Grounded. Go to following link to order my books: https://www.amazon.com/author/jadicampbell