I’m a girl who moved to the damp Pacific NW from upstate NY, where it can snow in April. When Uwe and I first fell in love, it was springtime in Europe. Flowers bloomed everywhere, the sun shone, we sat at outdoor tables in cafés holding hands… Mid-April and I’m in a t-shirt drinking wine at lunch with my sweetie ? Now this is the life!
I didn’t know it at the time, but I was falling in love with a way of life, too.
It’s twenty-five years later and I’m still here. I remain in love with the way of life. But we joke that if the weather had been different I might not have been so quick to agree to stay. Some years it snows here in April, too. On April 18 & 19, it came down hard and then melted.
Possible snow showers are in this week’s forecast.
But two weeks ago we were in Paris and the temperature hit 22° C (71° F). Everywhere the trees and flower beds were in bloom, and yes, we sat at outdoor cafés…
We made a day trip to Amiens’ magnificent cathedral, the largest Gothic cathedral in France. I was excited to discover that Amiens contains one of the few labyrinths still in existence. 
While I wait for the weather to decide if it really is springtime, I’m enoying the photos from the City of Lights.
Paris remains the most satisfying of cities.
It doesn’t matter if I’m in Paris for the art, the food, the shops, or the French way of life. Paris appeals to allof my senses. Whenever I’m there I fall right back in love with being alive. J’aime la vie!
I’m a little slow sometimes. I recently realized that my new-and-improved wordpress website jadicampbell.com had a birthday in January and is now a year old. (Yes, I’m aware it’s already March!) So, what did I do with a year of blogging?
Last summer I lost my mother-in-law, an old friend, and my dad Bobbo, all within a shocking three-month period. Those were by far the hardest posts to write. But I discovered something: the most personal blog essays are the ones my readers (i.e., all of you) respond to most.
What you can look forward to in the Year of the Rooster: a huge blog thread for my father Bobbo that I’m calling The Animal Kingdom. Occasional notes about my volunteer work with refugees. Lots more quirky posts about places Uwe and I visit. And on-going musings about life, the Universe and everything in-between as I deepen the process of saying goodbye to those who have left.
May you find something here that makes you laugh, creates a spark of connection, and moves you enough so that you reenter your own life with a sense of touching upon mine. That would make the new year of blogging – and all the years to come – worthwhile. As Mae West says, “Come on up, I’ll tell your fortune.” 
Grounded is the story of how two people react when cyberattacks lame the world. It’s also the tale of a father’s love for his son, a woman’s search to feel alive again, and what the Arctic Circle and a temple in a remote corner of India reveal.
I wrote the first draft in 2002, worked on it for over a year, and put it aside for a decade. I returned to the manuscript last year and reworked and rewrote. This book has had a very long gestation period, and I believe it was worth the wait. Please read it and let me know if you agree.
We visited Massachusett’s Old Sturbridge Village in the fall, the perfect time to enjoy this open air museum.
The costumed employees and volunteers at Old Sturbridge harvest the land as the earlier settlers would have.
Apples, pumpkins and squash had been carefully collected, sometimes in unexpected free spaces. The settlers needed a dry area away from weather and animals, and floor space was a great (and, one hopes, temporary) storage spot.
Crops needed to be gathered while other jobs still had to be performed.
Men and boys set type and did the printing, while women stiched and bound books. Country printers also brought out pamphlets, broadsides, sermons, legal forms, advertisements, and public notices.
This bridge, one of the 12 remaining in Massachusetts, was saved from demolition to make way for a new highway in 1951. Fewer than 200 covered bridges still stand in New England.
Along with shoeing horses and making nails, the village blacksmith (often a town had more than one) produced items of metal needed for everyday life. The Fenno House is Sturbridge’s oldest building.
Artisans on the Old Sturbridge Village grounds make traditional products in the old way. Many are available for sale in the gift shop. 
Old Sturbridge Village was born from the collective vision of a family. The three Wells brothers of the American Optical Company in Southbridge, Massachusetts, Albert B., Joel Cheney, and Channing M. founded the massive collection that makes up Old Sturbridge. It is the world’s finest collection of rural New England artifacts. 
They purchased David Wight’s farm with the vision of showing their collection in the context of a working village. The living museum received its first visitors on June 8, 1946. To date more than 21 million adults and children have visited the Village, and 250,000 people visit every year.
NOTES:  The ruby red glass flask I purchased there winks at me from the window as I write this.
 Old Sturbridge Village began with a 1926 golf date cancelled due to Vermont rain: A.B. Wells went on an antiquing quest instead and became obsessed with collecting New England antiques and artifacts. Click here for more on the history of Old Sturbridge Village or for their website: www.osv.org/visit.
All photogaphs can be enlarged by simply clicking on the image. More of Uwe’s pictures from New England and his photography may be viewed at viewpics.de.
When my friend Liz lived in Germany, she and I would go exploring. One lovely spring day she suggested a trip to the nearby town of Weinstadt. It lies in the Rems Valley, a region known for vinyards and orchards. Weinstadt has charming villages, wooded hills, wine and sculptures… all mixed together.Weinstadt is actually five towns that joined together in 1975: Beutelsbach, Endersbach, Großheppach, Schnait and Strümpfelbach. We walked through the streets and the Sculpture Trails in the latter two (Strümpfelbach and Schnait).Weinstadt’s slogan is „Kultur trifft Natur“ or “Art Meets Nature”. A family with three (3!) generations of artists reside in Weinstadt. It is their art that decorates this already gorgeous area.Bronze and stone sculptures are tucked into bushes and vinyards, yards and walls.Professor Karl Ulrich Nuss first started the Scupture Route initiative. Karl is in the middle of the art dynasty that includes his father Professor Fritz Nuss (1907-1999), and two grandchildren of Fritz: Christoph Traub (born in 1964) and Felix Engelhardt (born in 1970).
Liz and I wandered through the vinyard’s sloped hills with our cameras.
Spring was running riot with blooming trees and flowers everywhere. The flowering Nature made the perfect backdrop to the artwork …
or was it the other way around?
Amongst other places, Fritz Nuss’s work is displayed in the British Museum and the Liederhalle in Stuttgart.
Most of our time in New Zealand I felt the landscape was alive. Especially on the North Island, I had the eerie sensation of standing on a very active volcano. The ground steams in places, thanks to the underground hot springs everywhere.
Three things remain fresh in my memory: Maori culture and architecture; the crisp Sauvignon Blancs that were all we drank; and the utter alive-ness of the nature.
The charming city of Rotorua contains all three.
We could view the wharenui (meeting house) of the Māori people from outside. I was taken by the use of local materials, symbolism, and the symmetry and beauty of every traditional building.
The Kiwis make great wine. When it comes to bottled grapes, I’m amused by the jargon. My own descriptions used to run to statements like, “A naughty little vintage. If this was a small child, I’d spank it and send it to bed without supper.” I loved it when I discovered that New Zealand’s Sauvignon Blancs are described as releasing a heavy whiff of cat pee when you first open the bottle. (I’m not making this up. Wine expert Jancis Robinson remarks, “Indeed one branded Sauvignon Blanc on sale in Britain is actually sold under the brand name Cat’s Pee on a Gooseberry Bush.”)* Yuck! If that’s the first impression you get from a wine, what could make anyone want to go past just opening the dang thing?
It was worth the adventure to try one.
We bought a bottle and opened it in our hotel room. Phew-ee! Sure enough, there was a heady stink of feral cat which thankfully faded immediately. I dared to fill a glass, took a sip… and was greeted by an explosion of quince, green apples, citrus fruits, kiwis and gooseberries. Those Sauvignon Blancs are so delicious that I never even bothered trying any other grape varietal while we were there. Why mess with kitty litter box perfection?
And then there is the natural world.
We visited parks where everything burbled, bubbled, exploded or engulfed us in clouds of steam. We did all of the hiking loops and were wowed by the spectacle of shooting geysers, blubbering springs, and mineral ponds containing colors I had no idea normally appear in Nature.
In one park gift shop I purchased mud for facials that someone dipped out of a pond on the park grounds. No small feat as most of the park waters are at boiling point!
The park had to post signs warning people not to step in the springs. I say, let Darwin’s theory of natural selection and Nature take their course…
We’ve come to Paris for a quick getaway, and Stuttgart is less than 4 hours by direct fast train. As we think about what we want to do and see, we realize neither of us have ever visited Chartres.
Uwe and I go out of our way to see sacred places around the globe. (See my posts The Cult of Bà Chúa Xứ or The Music of the Heavenly Spheres for some photos and tales from other sacred spots.) Energies gather in some unlikely places. Sometimes I stand in famous spots and am disappointed, while a place less known for religion makes me feel the presence of the divine.
Chartres. I’ve been trying for days – weeks, actually – to summarize the “facts” about this site. It was built 1140-1260 and the labyrinth was laid in the first decade of the 13th century. I wonder what to mention about Chartres’ 1,000 years as a pilgrimage destination, or the female energies of the cathedral and their tenderness. Mary’s tunic, the Sancta Camisia worn at the birth of Jesus Christ, was brought here by Charlemagne. The king in turn had been given the relic as a gift during a trip to Jerusalem.
When the earlier church building burned on June 10, 1194, the Sancta Camisia miraculously survived. Chartres remains an important Marian pilgrimage center, and the faithful still come from around the world over to honor it.
Chartres is one of the most impressive Gothic cathedrals on Earth. Back in my college days at the University of Oregon, Professor James Boren in his Chaucer and Medieval Literature classes explained Chartres as literally turning the architectural form inside out. For the first time the ribs holding up the entire structure had been placed outside, allowing the inside heart of the structure to soar up into the Heavens, seemingly without limits. The support of flying buttresses was necessary because of the unprecedented size and heights of the stained glass windows and the nave. Professor Boren’s face glowed; this stern and learned man radiated as he lectured about a place that he said changed him when he saw it. That lecture and the look on his face stayed with me. Chartres: someday I would see it.
Chartres Cathedral contains one of the few remaining medieval labyrinths. It’s large with a circumference of 131 feet, almost exactly the same size as the West Rose window.
In the Middle Ages, French church labyrinths were the sites of Easter dances involving clergy and the tossing of a leather ball. Sadly, the labyrinths were destroyed, covered over, or hidden by Church authorities suspicious of their powers and pagan beginnings. (Labyrinths, including Chartres’, traditionally had an disk or placque of Theseus and Ariadne and the Minotaur at their centers. In fact, another name for a cathedral that contained a labyrinth was the “Domus Daedali” [House of Daedalus], a nod to antiquity’s Daedalus, designer of the labyrinth that held the Minotaur in Knossos.) *
But, Chartres’ labyrinth survived. I learn that while it’s covered by chairs most of the time, the labyrinth is made free for visitors to enter on Fridays. My one request to Uwe for our trip becomes, “Please let’s go to Chartres on Friday!”
So here we are, entering one of the holy pilgrimage destinations in Christianity.
Chartres. Once inside, the cathedral’s beauty immediately takes my breath away. I am so deeply moved that in the next moment I’m close to tears. Whatever I expected, this sacred soaring space is beyond all imagination. Light streams in through the windows and illuminates the visitors, pilgrims, and the simply curious. All of us are suffused in colors.
For a while I just walk around. Uwe’s already moved off with his camera, ready as always to use his art with photography to capture in images what my brain grapples with in words.
As the minutes pass I grow more and more stunned. And I remain dangerously, or is that gorgeously, close to breaking into tears. There is an energy to this place, a sense of the holy and the really, really blessed, that I have seldom felt anywhere.
The Schwedagon Pagoda in Burma comes to mind. It is the most important pagoda in the country, and I felt the top of my head buzz like it was going to blow off from the concentration of religious energies. Or a back pond in the Adirondacks with only my family as fellow witnesses: loons with a pair of chicks calling in low cries to one another as they eyed us but didn’t swim away. Or a tiny Greek Orthodox church in Thessaloniki, supposedly built on the site where Apostle Paul preached. I attended on Sunday with my friend Cynthia and our Greek host Fotis, who led us up to an altar surrounded by burning, hand-dipped wax tapers. Fotis insisted we take bread from the common basket. Tears streamed on both our faces; I finally felt the deeper meaning of breaking bread in fellowship.
All of these places’ sacred energies are present in Chartres. It is so much more than I deserve or had awaited. I take a deep breath to center myself, and move forward to stand poised at the entry to the labyrinth.
“A labyrinth is an ancient symbol that relates to wholeness. It combines the imagery of the circle and the spiral into a meandering but purposeful path. …
“A labyrinth is an archetype with which we can have a direct experience. … It is a metaphor for life’s journey. It is a symbol that creates a sacred space and place and takes us out of our ego to “That Which Is Within.” At its most basic level the labyrinth is a metaphor for the journey to the center of your deepest self and back out into the world with a broadened understanding of who you are. …
“A labyrinth is not a maze. A maze is like a puzzle to be solved. It has twists, turns, and blind alleys. It is a left brain task that requires logical, sequential, analytical activity to find the correct path into the maze and out. A labyrinth has only one path. It is unicursal. The way in is the way out. There are no blind alleys. The path leads you on a circuitous path to the center and out again.
“A labyrinth is a right brain task. It involves intuition, creativity, and imagery. With a maze many choices must be made and an active mind is needed to solve the problem of finding the center. With a labyrinth there is only one choice to be made. The choice is to enter or not. A more passive, receptive mindset is needed. The choice is whether or not to walk a spiritual path.” – Dan Johnston, Ph.D. at www.lessons4living.com
While I walk the labyrinth and contemplate the mystery of the sacred**, Uwe photographs me. When I see his photos later I’m surprised, and glad.
NOTES: * Another name for the eleven-circuit labyrinth is the “Chemin de Jerusalem” or Road of Jerusalem. Walking the labyrinth in Chartres or other places could be made instead of making the pilgrimage to Jerusalem.
** I haven’t even tried to talk about the lunations of the labyrinth. Their meaning is still debated. A celestial calendar? Esoteric design of the deeper mysteries?
Walking a Sacred Path. Rediscovering the Labyrinth as a Spiritual Tool. Dr. Lauren Artress, Riverhead Books, 1995.