Dylan Thomas was born on October 27, 1914 in Swansea, Wales, United Kingdom. Dylan was a poet, reporter, playwright, radio broadcaster, author, master of the English language…. In college I was required to read Portrait of the Artist as a Young Man by James Joyce. It was good, but I found it self-serious and a bit pompous. Then I discovered Thomas’s glorious answer, Portrait of the Artist as a Young Dog. I was hooked.
Dylan Thomas was a notorious drinker. He died too young, at age 39 on reading tour. In honor of this artist who is impossible to categorize I am reprinting the post I wrote after my writers’ group did a reading in an Irish pub.
The evening did not go as planned. – Jadi

I’ve belonged to a writers’ group since 2011. How did I survive so long without the company of my crazy peers and fellow wordsmiths? I have no idea what I did before I hooked up with these people.
Over the years the group has included writers of short stories. Essays. Erotic (really erotic) poetry. Autobiographies. Plays. Novels. Urban fantasy. Flash fiction. Song lyrics. Wistful thinking (how a member explained what he writes, and I loved his description).
We come together to share and critique works-in-progress. We use writing exercises to loosen up our creative muscles. And we’re committed to public readings.
![]()
A little café named Wir Sind Babel was one venue. A brightly lit coffee house with marble floors and comfy chairs was another. And a third one…. well, that venue gets a blog post all its own.
An Irish pub I’ll call The Blarney Stone seemed like the ideal spot. The bar’s slowest weeknight was the perfect time.
We could use a side room for our event. The space resembled a library room filled with bookcases, a perfect setting for our brilliant words. Even better, the owner promised us if we could total 50 people we’d get the main room – they often feature live musical acts and the entire bar was already wired to hear us. He had a microphone we could use! Sweet!
A Toast Master offered to be our MC. He’d read short bios to introduce each reader. We printed up fliers for the tables and info sheets to hand out ahead of time. It was all perfect…
Doesn’t this sound too good to be true?
That Tuesday we arrived with high expectations. Our side room grew too small for all our friends and guests, but the main room was already filled with patrons who, sadly, were not there for our earthshaking literary creations.
Every chair was taken and people sat and stood everywhere. Waiters and waitresses had to slither their way with plates and drinks through the crowds. Then we realized our side room had no door, and that meant no barriers against the noise levels that kept increasing.
No worries. We were as cool as the collective cucumber, because we had the ultimate secret weapon: the microphone. The first reader began to recite her piece.
The m crophone we were loan d began sh rt ng out w th ever sec nd sente ce and nex with ev ry thi d word. It g t wors . The m ke beg n to let o t awf l and ear splitt ng sccccrrre eee ee ech hhhhiiiing fee eeedb ck. We checked that the batteries were fresh and the wiring solid. We tried holding the mike in different parts of the room, closer to our lips, away from our mouths, up in the air. We recited louder, and then more quietly; none of it made a difference.
At that point every writer in the room knew we’d been rat f cked. Without saying much (not that we could have heard one another anyway over the noise in the pub) we had that group moment of grokking that this evening would not be the literary triumph we’d all awaited.
The first reader gamely made it through her piece. The second reader performed in a different corner of the room. When it was my turn to read I lay the mike down on the pult and basically yelled out my story, observing every pause, emphasis and careful nuance I’d practiced. No one heard a word over the pub din.
But I am so very proud of all of us. We observed grace under pressure. We went forward despite impossible conditions (and false promises made to us). We made the best out of the debacle… and it really brought us together as fellow failed performers.
The pub owner got more than fifty extra paying guests on what was his slowest night of the week! I’d like to say he bought us a round of drinks to make up for it. I’d really like to say that our words triumphed over noise decibels. But no, that night the gift of gab got stuck in a malfunctioning microphone.
![]()
![]()
![]()
Our next public reading was not held in an Irish pub. The first moral of the story? To get over stage fright, sometimes you have to scream. The second moral to the story? Don’t mess with writers, because at some point we will write about you and what you did.
In memory of Dylan Thomas, 27 October 1914 – 9 November 1953
NOTES: Text and book cover © Jadi Campbell 2014. Previously published as The Gift of Gab. Images courtesy of dreamstime.com
Click here for my author page to learn more about me and purchase my books.


Enter Mr. Cleese and his cheerful irreverence. May John Marwood Cleese, Minister of Silly Walks, continue to make us all laugh for many years to come. I fart in your general direction, Mr. Cleese!



Aw, come on. King’s Landing! Cercei’s Walk of Shame! Tyrion sightings!





I remind myself Dubrovnik is all romantic corners and silly tourists taking selfies.
and the European Cup soccer matches!




March 2019 Journal entry: Just returned from an exhilarating 2 and ½ hours night tour with nature guide and tour guide at Kubah National Park. We saw frogs on trees, leaves, vines, boles, the sides of the road…. Two rare horned frogs! Mahogany frogs! A teeny pitcher plant frog – just one – it jumped away before we could look more closely but I did see the tiny thing leap (the narrow-mouth frog first described in 2010). Three different lizards. White-lipped frogs. Cinnamon frogs. Firebelly toads. Harlequin tree frogs. We had to head up to 1,000 feet up a road in the dark, the ranger with a head light. Unreal how he could spot the frogs. Glorious sounds of running water and night sounds of the jungle all around, my glasses fogging over with the heat and humidity, a large frog pond formed by wild pigs’ rutting. The frogs surprisingly calm, not jumping at our presence, just hanging out in their domain. I was in the moment, totally blissed out, just there, present with each frog we spotted. The guide and ranger and I backlighting each critter with our flashlights so Uwe could photograph it. The deep jungle trees and vegetation and clicks and buzzes and calls of frogs all around us. Nature’s Symphony. Glorious. An Australian recorded just this place and won an international competition for the most beautiful sounds in the world. Borneo’s really promoting sustainable growth, they recognize what they have here. The Malaysian part of Borneo, that is. I feel hopeful about a corner of the planet for the first time in a very, very, very long and sad time. Man, I like Borneo.







But I’d rather tell you about hearing him play.




Thirty minutes later we’re back at the park entrance’s buildings. The downpour vanishes. Uwe gets out his telefoto lens to capture the 7 varieties of blue, emerald, crimson, orange, purple hummingbirds darting in and out to the feeders on the porch. A white nosed coatimundi scurries under the hummingbird feeders, licking up the sugar water that’s dripped down onto the floorboards.
“A walking stick!” I murmur.


Environmental activist, writer, wilderness traveler, Zen Buddhist student and teacher, Peter Matthiessen was born May 22, 1927 in New York City, New York. He was a CIA officer in his early 20s, one of the few acts of his life that he regretted. He co-founded The Paris Review, one of English language’s most important literary journals. His book Shadow Country won the National Book Award for fiction, and he won again in nonfiction for The Snow Leopard. He remains the only writer to have won in both categories.























