It all began with my friend Charles Urban. He suggested that I read not just one but two brand-new biographies of Bob Dylan.
You want details? Is this ever the book for you
The first book, The Double Life of Bob Dylan: A Restless, Hungry Feeling, 1941-1966 is by Clinton Heylin. Known as the world’s foremost expert on His Bobness, Heylin was asked to examine the papers Dylan sold to Tulsa. When he did so, Heylin decided he needed to revise his Dylan biography. This new book is meticulous and exhaustive.
Weaves a spell like Dylan’s lyrics
The second book, You Lose Yourself, You Reappear. The Many Voices of Bob Dylan was written by Paul Morley. This book is more stream-of-consciousness, weaving back and forth through the influences on Dylan’s life and personas.
I read the books in tandem and had a blast. Not only did they revise my opinion of Bob Dylan (I loved his music but could take or leave his voice). I vanished into Dylan’s myriad rivers’ flows….
Now I listen with fresh appreciation. And the experience of reading about Dylan somehow inspired me to mix and match my own personal, + cultural, + worldly reference points. I became suddenly – and wildly – prolific. In a week I came up with more than fifty (50!!!) posts. A new blog thread was born, which (and what else did I expect after 2 books on Dylan) is actually two new threads spun together: Today’s Birthday and A Person + Place/Time/Things.
My last major blog thread was The Animal Kingdom, written in honor of another Bob – my dad.
Watch this space. Today’s Birthday and A Person + Place/Time/Things will be debuting soon.
My books are Broken In: A Novel in Stories, Tsunami Cowboys, Grounded, and The Trail Back Out. Books make great gifts!
Tsunami Cowboys was longlisted for the 2019 ScreenCraft Cinematic Book Award. My newest book The Trail Back Out was a 2020 Best Book Award Finalist for Fiction Anthologies. The title story was longlisted for the 2021 ScreenCraft Cinematic Short Story Award. My first book, Broken In: A Novel in Stories, was named a semifinalist for the 2020 Hawk Mountain Short Story Collection Award.
Click here for my author page to learn more about me and purchase my books.
Available now for free viewing on YouTube: Hard Times in Sugar Town! This show presents parallels and insights into our present-day crises….
Filmed in nostalgic black and white, Hard Times in Sugar Town is an evening of songs from the Depression Era and an original story by yours truly, featuring Derrick Jenkins, Tiffany Estrada, and Frank Eisele.
Directed by Charles Urban with Enel Kerler as Assistant Director and Susan Schwarz as The Host.
“History does not repeat itself – at best it sometimes rhymes.” – Mark Twain
HARD TIMES IN SUGAR TOWN by Jadi Campbell
July 5 at 20:00 hrs in MERLIN
HARD TIMES IN SUGAR TOWN is an evening of songs from the Depression Era and an original story by Jadi Campbell featuring Derrick Jenkins, Tiffany Estrada, Frank Eisele. This show is the FIRST LIVE installment of the DARK MONDAY @ series in 2021!
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The Dirty Thirties were a time of failed crops and banks, repossessed farms, and massive unemployment. The decade generated a great creative response to the country’s suffering, with the brilliant banter of screen stars, and poignant and pointed music lyrics.
When the U.S. stock market crashed in October 1929, it brought HARD TIMES to the nation. The Great Crash soon became the Great Depression – for millions of businesses and individuals, fear and failure became as commonplace as the optimism and prosperity had been before the economic collapse during the high spirited Roaring Twenties. In the downward spiral which lasted for a decade, society was devastated. During the bleakest point of the Great Depression, about a quarter of the U.S. workforce was unemployed. Those that were lucky enough to have steady employment often saw their wages cut or their hours reduced to part-time. Sound familiar?
Mark Twain states – “History does not repeat itself – at best it sometimes rhymes.”
During the 1920s, business owners pretty much did whatever they wanted and the rich got obscenely richer. Like today’s corona virus-driven economic crash, the Great Depression devastated a nation where things were already awful for a lot of people. Like the opportunists of today, business titans of the 1930’s, such as the 18 year old millionaire Howard Hughes, actually grew their fortunes thanks to shrewd investments, fortuitous timing and entrepreneurial vision.
The downtrodden population was in dire need of distraction and uplifting entertainment to take their minds off the troubling times at hand. Even as many Americans struggled to survive, they still found ways to have affordable fun. Miniature Golf became fashionable and a plethora of Board Games such as Scrabble and Monopoly were introduced.
The opportunity to earn money while having “fun” drew many desperate couples to participate in Dance Marathons. These became more than just a form of recreation and could last for days or weeks. As long as the dancers kept dancing, they had food (usually 12 meals a day), shelter and the chance to win a cash prize. Each hour they were allowed a break for 15 minutes, during which they might lay down on a cot and have a nurse attend to them. Because they had to stay moving for the other 45 minutes per hour, dancers learned to sleep while their partner held them up and dragged them across the dance floor.
Radio was at the height of its popularity and a pleasantly inexpensive form of entertainment for 83 percent of the population that owned a wireless set. New program formats were created – Daily Soap Operas, Game Shows, Radio Westerns, Crime Shows, Mystery Programs. Listeners tuned in to hear about current events, the latest baseball scores or juicy Hollywood gossip. In 1933, Franklin Delano Roosevelt revolutionized the way presidents communicated with Americans by talking directly to them through the radio. During his“fireside chats,” as they became known, he spoke of issues that affected everyone; like the banking crisis, the New Deal and the Dust Bowl.
This was also the Golden Age of the Hollywood Film Industry. Tickets prices were under a quarter for the whole of the 1930s – down from 35 cents in 1929, so spending time in the cinema was an affordable form of escapism for many. The technical transition from Silent Movies to Talkies was fully achieved and many revolutionary new genres were created such as Screw Ball Comedies, feature length Cartoons by Walt Disney, lavish film musicals featuring the dizzying choreography of Busby Berkley, as well as the popular series of dance themed movies starring America’s Sweethearts – Fred Astaire & Ginger Rodgers. What better way to forget your troubles for a few hours?
Many composers of what is today considered the Great American Songbook, wrote songs specifically for the movie industry; among them George & Ira Gershwin, Irving Berlin, Harold Arlen, Cole Porter, Jerome Kern. These were melodies with words to console, lift spirits and have the audience leaving the lavishly designed and decorated cinemas whistling and singing… ready to face yet another dreary day.
As lyricist Dorothy Fields wrote in one of her popular songs in 1936 – Pick yourself up, dust yourself off and start all over again!
Photos by Uka Meissner deRuiz
NOTES: Original post by Charles Urban and New English American Theater (NEAT). The show will be posted on YouTube and available for viewing from July 6th-onwards!
