The Cupid Question – Premiering October 8, 2024!

THE CUPID QUESTION by Jadi Campbell featuring THE NEATLES on Monday, October 7 @ MERLIN!

Girl Groups of The ’60s – Pre-Beatles Queens of The Pop Chart

 

THE NEATLES – Jasmine Thorn, Gabby Nelson, Vanessa Wagner, Jasmina Dordevic, Elena Gallego Jimenez, Ashley Remus, Samantha Mohr, Paula Gil-Casares, Charles C. Urban – Photos by Uka Meissner deRuiz


THE CUPID QUESTION by Jadi Campbell featuring THE NEATLES & Storyteller Derrick Jenkins

Girl Groups of The ’60s – Pre-Beatles Queens of The Pop Chart

“The Girl Group music was perhaps the most carefully, beautifully crafted in all of Rock & Roll – one reason why none of the twenty or so best records in the genre have dated in the years since they were made.”  – Author and Music Critic Greil Marcus

In Pop Music History, the phenomenon between early Rock & Roll and the mid-1960s British Invasion is known as the Era of the “Girl Groups.” They offered a style rich in vocal harmonies that was eagerly embraced by a wide audience. The girl group era produced a clearly identifiable hybrid of gospel, rhythm & blues, doo-wop, and quirky pop that epitomized the ebullient hopes of early 1960s culture and feminized rock music, providing a model for male beat groups such as the Beatles, who covered many Girl Group hits on their early albums.

Flourishing between 1958 and 1965 – between Elvis and The Beatles – Girl Groups were genuine, authentic Rock & Roll! The music of The Shirelles, The Angels, The Ronettes, The Chiffons, The Marvelletes, The Shangri-las, The Bobettes, etc. thrived in the fallow years of Rock & Roll while much of the rest of the music in this time grew tame, predictable and dull.

The original sound was characterized by raw-edged lead vocal, echoing harmonies from the backing vocalists, fulsome string arrangements, and a driving beat. Groups sang of teen concerns like romance, sexual etiquette, and marriage, as well as love, loss, and abandonment. It was music of celebration – of simple joy, of innocence, of sex, of life itself. It was utopian stuff – a utopia of love between a boy and a girl, a utopia of feeling, of sentiment, of desire most of all.

The sound exploded in 1961, following the release in late 1960 of The Shirelles’ WILL YOU LOVE ME TOMORROW – the first girl group single to reach number one. Over the next five years, hundreds of girl group records were released. During the Classic Girl Group Period, between 1961 – 1965, when this distinctive sound filled the radio air waves, some 750 Girl Groups put singles onto the pop chart. This is some of the most timeless, transporting pop ever recorded; when you hear a Girl Group hit today, you feel like it’s 1963 all over again.

Author and Music Critic Greil Marcus states: “The music was perhaps the most carefully, beautifully crafted in all of Rock & Roll – one reason why none of the twenty or so best records in the genre have dated in the years since they were made.”

THE CUPID QUESTION by Jadi Campbell featuring THE NEATLES…!

PERFORMANCE – Monday, October 7 at 20:00 hrs in MERLIN

TICKETShttps://loveyourartist.com/de/profiles/kulturverein-merlin-ev-GQI0JA/events/dark-monday-neatles-stuttgart-0QOYEP


In cooperation with: DAZ – Deutsch-Amerikanisches Zentrum, Staatministerin für Kultur und Medien, Kulturverein Merlin e.V.

NOTES: First posted on September 11, 2024 by urbanspy777. This is my sixth collaboration with NEAT! If you are in the Stuttgart area, come see our show! It repeats in November and December. © 2024 Jadi Campbell. To see Uwe’s photos and pics from our trips go to viewpics.de.

My books are Broken In: A Novel in Stories, Tsunami Cowboys,  Grounded and The Trail Back Out.

Tsunami Cowboys was longlisted for the 2019 ScreenCraft Cinematic Book Award. Broken In: A Novel in Stories was semifinalist for the international 2020 Hawk Mountain Short Story Collection Award from Hidden River Arts and Finalist for Greece’s 2021 Eyelands Book of the Year Award (Short Stories). The Trail Back Out was the 2023 San Francisco Book Festival Winner for General Fiction, American Book Fest 2020 Best Book Award Finalist: Fiction Anthologies, Runner-Up for the 2021 Top Shelf Award, 2021 IAN Book of the Year Award Short Story Collection Finalist, and awarded a 2021 Wishing Shelf Red Ribbon. The title story The Trail Back Out was longlisted for the 2021 ScreenCraft Cinematic Short Story Award.

Click here for my author page to learn more about me and purchase my books.

Hard Times in Sugar Town!

Available now for free viewing on YouTube: Hard Times in Sugar Town! This show presents parallels and insights into our present-day crises….

Filmed in nostalgic black and white, Hard Times in Sugar Town is an evening of songs from the Depression Era and an original story by yours truly, featuring Derrick Jenkins, Tiffany Estrada, and Frank Eisele.

Directed by Charles Urban with Enel Kerler as Assistant Director and Susan Schwarz as The Host.

NOTES: Story © Jadi Campbell 2021. Enjoy our show!

Hard Times in Sugar Town

POSTED ON  by URBANSPY777

 

HARD TIMES IN SUGAR TOWN by Jadi Campbell

“History does not repeat itself – at best it sometimes rhymes.” –  Mark Twain

HARD TIMES IN SUGAR TOWN by Jadi Campbell

July 5 at 20:00 hrs in MERLIN

HARD TIMES IN SUGAR TOWN is an evening of songs from the Depression Era and an original story by Jadi Campbell featuring Derrick Jenkins, Tiffany Estrada, Frank Eisele. This show is the FIRST LIVE installment of the DARK MONDAY @ series in 2021!

…………………………….

The Dirty Thirties were a time of failed crops and banks, repossessed farms, and massive unemployment. The decade generated a great creative response to the country’s suffering, with the brilliant banter of screen stars, and poignant and pointed music lyrics.

Today’s soaring unemployment, small business failures, and uncertainty about the future are reminiscent of a bygone era: the Great Depression, which lasted from 1929 until 1939 and was the worst economic downturn in modern history. The historical parallel to the Pandemic Present is remarkable and the results quite similar: insolvent businesses, shuttered store fronts, financially concerned families fearful to make large purchases, and long lines forming at food banks.

When the U.S. stock market crashed in October 1929, it brought HARD TIMES to the nation. The Great Crash soon became the Great Depression – for millions of businesses and individuals, fear and failure became as commonplace as the optimism and prosperity had been before the economic collapse during the high spirited Roaring Twenties. In the downward spiral which lasted for a decade, society was devastated. During the bleakest point of the Great Depression, about a quarter of the U.S. workforce was unemployed. Those that were lucky enough to have steady employment often saw their wages cut or their hours reduced to part-time. Sound familiar?

Mark Twain states – “History does not repeat itself – at best it sometimes rhymes.”

During the 1920s, business owners pretty much did whatever they wanted and the rich got obscenely richer. Like today’s corona virus-driven economic crash, the Great Depression devastated a nation where things were already awful for a lot of people. Like the opportunists of today, business titans of the 1930’s, such as the 18 year old millionaire Howard Hughes, actually grew their fortunes thanks to shrewd investments, fortuitous timing and entrepreneurial vision.

The downtrodden population was in dire need of distraction and uplifting entertainment to take their minds off the troubling times at hand. Even as many Americans struggled to survive, they still found ways to have affordable fun. Miniature Golf became fashionable and a plethora of Board Games such as Scrabble and Monopoly were introduced.

The opportunity to earn money while having “fun” drew many desperate couples to participate in Dance Marathons. These became more than just a form of recreation and could last for days or weeks. As long as the dancers kept dancing, they had food (usually 12 meals a day), shelter and the chance to win a cash prize. Each hour they were allowed a break for 15 minutes, during which they might lay down on a cot and have a nurse attend to them. Because they had to stay moving for the other 45 minutes per hour, dancers learned to sleep while their partner held them up and dragged them across the dance floor.

Radio was at the height of its popularity and a pleasantly inexpensive form of entertainment for 83 percent of the population that owned a wireless set. New program formats were created – Daily Soap Operas, Game Shows, Radio Westerns, Crime Shows, Mystery Programs. Listeners tuned in to hear about current events, the latest baseball scores or juicy Hollywood gossip. In 1933, Franklin Delano Roosevelt revolutionized the way presidents communicated with Americans by talking directly to them through the radio. During his“fireside chats,” as they became known, he spoke of issues that affected everyone; like the banking crisisthe New Deal and the Dust Bowl.

This was also the Golden Age of the Hollywood Film Industry. Tickets prices were under a quarter for the whole of the 1930s – down from 35 cents in 1929, so spending time in the cinema was an affordable form of escapism for many. The technical transition from Silent Movies to Talkies was fully achieved and many revolutionary new genres were created such as Screw Ball Comedies, feature length Cartoons by Walt Disney, lavish film musicals featuring the dizzying choreography of Busby Berkley, as well as the popular series of dance themed movies starring America’s Sweethearts – Fred Astaire & Ginger Rodgers. What better way to forget your troubles for a few hours?

Many composers of what is today considered the Great American Songbook, wrote songs specifically for the movie industry; among them George & Ira Gershwin, Irving Berlin, Harold Arlen, Cole Porter, Jerome Kern. These were melodies with words to console, lift spirits and have the audience leaving the lavishly designed and decorated cinemas whistling and singing… ready to face yet another dreary day.

As lyricist Dorothy Fields wrote in one of her popular songs in 1936 – Pick yourself up, dust yourself off and start all over again!

Photos by Uka Meissner deRuiz

NOTES: Original post by Charles Urban and New English American Theater (NEAT). The show will be posted on YouTube and available for viewing from July 6th-onwards!

Our film version will be broadcast in wonderfully nostalgic and appropriate Black & White beginning Tuesday, July 6 on the MERLIN YouTube Channel – https://www.youtube.com/c/MERLINSTUTTGART0711/videos

I Like a Gershwin Tune

Long-time followers of this blog will know that I post at 2-week intervals. I’m stepping outside my rhythm to tell you about 2 very special projects. The first is all about rhythms of song and speech, so perhaps I’m not breaking my pattern after all.

I Like a Gershwin Tune, How About You? will perform at Theater am Olgaeck in Stuttgart on December 15 at 20:00. For photos of the performers and more information, click on the link I’ve provided.

Cheers, Jadi

I LIKE A GERSWHIN TUNE, HOW ABOUT YOU? is an evening of beautiful music; instrumentals, solos, duets and four part harmony featuring the song stylists Jeanne Ragonese, Sara Conway, Anthony King, Joerg Witzsch, pianist Florian Eisentraut, narrator Derrick Jenkins, and a story by Jadi Campbell.

Ira Gershwin is the lyricist to musical composer and younger brother George Gershwin. This brotherly collaboration created some of the most memorable songs of the 20th century.

The compositions of George & Ira Gershwin are among the masterpieces of THE GREAT AMERICAN SONGBOOK; which is the most popular source of material for singers and musicians today. After George’s untimely death at an early age, Ira went on to work with other composers, such as Jerome Kern, Harold Arlen and Kurt Weill; with whom he continued to write many successful Broadway Musicals.

With this musical project we aim to celebrate the 120th Birthday of Song Lyricist Ira Gershwin; whom many consider to be a Modern American Poet. Heartfelt, high-spirited, sparkling with vernacular eloquence, the lyrics of Ira Gershwin defined the spirit of an era and have lived on as part of the American tradition. Ira distilled ordinary American speech into indelible verse; embodying his wit romance and dazzling virtuosity.

Source: NEAT Stuttgart Gershwin Evening

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