Today’s Birthday: Maurice Bernard Sendak

Illustrator/author Maurice Sendak was born on 10 June, 1928 in England. In his honor I give you the post I wrote upon hearing that he had died. – Jadi

My Sister & Maurice Sendak

Our first experiences learning to speak seem to involve rhymes. [Twinkle twinkle and Dr. Suess, anyone?] We recite as children, loving language’s sing-song chants.

One of the very first pieces I memorized as a child (to this day I can recite it) was ‘The Cow’ from A Child’s Garden of Verses and Underwoods by Robert Louis Stevenson, printed in 1913.

 The Cow
The friendly cow all red and white
  I love with all my heart:
She gives me cream with all her might,
  To eat with apple-tart.
She wanders lowing here and there,

         5

  And yet she cannot stray,
All in the pleasant open air,
  The pleasant light of day;
And blown by all the winds that pass
  And wet with all the showers,

  10

She walks among the meadow grass
  And eats the meadow flowers.

Can’t you see her?? In my child’s brain she was white and a funny shade of red. (Who ever heard of a red cow? I mean, really.) She was named Flossie, or Maisie, or Bessie. Placid Maisie meanders in a huge field, chewing her cud and surrounded by fairy rings of little flowers.

I have to be in the right mood for poetry, but I still have the used copy of The Norton Anthology of Modern Poetry from my college days of long ago. (How long ago? Decades. A couple of ’em.) My edition of Robert Frost’s complete works came to me when my mother died. When I read Frost, his poems of New England keep me linked to her, too.

Emily Dickinson still knocks me out, and every word Shakespeare penned is poetry in exalted form.

Poetry is emotion and experience expressed in crystalline shapes, no matter whether it’s metered or free verse. Prose works by poets betray themselves through the beauty of the writing. Think of The English Patient. I read that book slower and slower, and found myself rereading pages over and over, savoring Ondaatje’s mastery with language. Or anything by Ray Bradbury: each of his strange magical visions contains a goodly dose of poetry.

Hmm. I just went back and read what I’ve got here so far… Scratch the comment about needing to be in a certain mood to read poetry.

***

The Muses pay a very special visit on those they gift with the ability to speak through poems. For me it’s the hardest of all forms of writing. Sadly, the poetic Muses Erato (love poetry), Calliope (epic poetry), Euterpe (songs and elegiac poetry), and their sister Polyhymnia (hymns and sacred poetry) just don’t knock on my door more than once a decade or so. An impulse to even attempt a poem is the sighting and citing of a rare bird. The last time, and it came over me in a total rush of surprise and inspiration, was the death of Maurice Sendak.

File:Sendak illustration.gif

(Photo from Wikipedia)

Mr. Sendak accompanied my childhood and probably yours, too, and he was particularly part of my sister Pam’s early years. I remember his Nutshell Library books, extra small to fit the hands of children. There were 4 of them: Alligators All Around, Chicken Soup With Rice, One Was Johnny, and Pierre (A Cautionary Tale). Pammy read them repeatedly, relating especially to the contrary Pierre. A few years ago I spotted an interview with Sendak in The New York Times (click here for the interview).

The article brought back those little books and how much my sister loved Maurice Sendak. I promptly sent the link to Pam and we spent several weeks emailing back and forth about his wonderful art and our childhood memories.

In May 2012, Maurice passed away. My sister was teaching in Japan; had she heard yet? For some reason I wanted to be the person to break the news to her. I debated how to contact Pam and gently let her know.

The next morning I awoke preoccupied with way too much to do. I began my tasks with the radio on. NPR mentioned that Terry Gross was doing a special Fresh Air show in honor of Maurice Sendak’s passing (a much older interview with Sendak and a more recent one recorded not long before his death). Despite really having no time to spare, I sat down to give 5 minutes to Sendak.

An hour later I still sat. By now tears were streaming down my face. Sendak’s wise, sweet old voice came over the airways, speaking of the secret fears of children, of his inability to believe in God after the horrors of the Holocaust (he lost his entire extended family), his more than half a century with the man he loved, Dr. Eugene Glynn, a NYC psychoanalyst his parents never knew about… Sendak told his story as the tears continued to pour.

I forgot everything, the chores that had seemed so important that morning, the things I had wanted to cross off my to-do list that day. The interview ended, I got shakily out of my chair, found some tissues and blew my nose, wiped my eyes, and sat down to write my sister. “Pam,” I said, “I just heard an incredibly moving interview with Maurice Sendak. He’s died, and I wanted you to get the news from me…. but really you need to hear this interview and listen to his voice.”

And as I sat, a Muse spoke. I wrote the first version of the following poem in one take.

Maurice

Maurice Sendak

Your words and drawings,

depictions transcribe

the soul&depths

of my sister, Pammy.

You died yesterday,

83 years old and not a day

older than the children now grown

adults weeping, mourning

your passing theirs passing

something of childhood gone beyond

retrieving.

Maurice.

I listen to recordings of your voice

You speak, the New Yorker

in you       so     obvious

I love your sense of place

your first generation voice

of Polish immigrants

of your humanity

your humility

your atheism

your embrasure of

a definition of the world

in which God is

everywhere

in the Wild Things

where they are

My Wild Things salute you.

My Wild Things weep.

Gnash our teeth.

Our King has left us.

Our island, and not just New York

is so much smaller with your passing.

We will cook a meal

Eat a supper and

wish

You were still with us.

In loving memory of Maurice Sendak, June 10, 1928 to May 8, 2012

NOTES: © 2013 Jadi Campbell. Previously published as My Sister and Maurice Sendak. To see Uwe’s photos and pics from our trips go to viewpics.de.

My books are Broken In: A Novel in Stories, Tsunami Cowboys, The Trail Back Out and Grounded.

Broken In: A Novel in Stories was  semifinalist for the international 2020 Hawk Mountain Short Story Collection Award and Finalist for Greece’s 2021 Eyelands Book of the Year Award (Short Stories). Tsunami Cowboys was longlisted for the 2019 ScreenCraft Cinematic Book Award. The Trail Back Out was American Book Fest 2020 Best Book Award Finalist: Fiction Anthologies, Runner-Up for the 2021 Top Shelf Award, 2021 IAN Book of the Year Award Short Story Collection Finalist, and awarded a 2021 Wishing Shelf Red Ribbon. The title story The Trail Back Out was longlisted for the 2021 ScreenCraft Cinematic Short Story Award.

Click here for my author page to learn more about me and purchase my books.

 

Edgar Rice Burroughs + Dad’s Childhood Books

Edgar Rice Burroughs was born on September 1, 1875 in Chicago, Illinois. My father owned all  of his books when he was a boy. They were red, cloth-covered hardback editions that cost a dime apiece. When I was young I read my way through Dad’s copies of everything in the Tarzan of the Apes series and Burroughs’ books about Mars. Ray Bradbury would later state that those books inspired countless scientists to dream of visiting other planets. In Burroughs’s honor I am reprinting a portion of a chapter I wrote, paying homage to his book Thuvia, Maid of Mars. – Jadi

Charlene pulled the wooden lid back and peered in. Sure enough, Linda’s missing photograph of Rob and herself laying on their sofa was on very top of the box, just where Carl had claimed it would be. Underneath lay a jumble of boy’s treasures, the usual collection of any adult. Charlene lifted the picture out carefully, the old photo thick and heavy in her fingers. Careful as well of her husband’s privacy, gently she placed the lid back and returned the box to its place at the bottom of the closet floor.

Charlene began to dial Linda’s number on her cell phone as she turned back to the room to retrieve the photograph. The image of Linda and Rob looked up at her from the red bedspread, stained a color like wine in the bright afternoon sunshine from the window. Linda would be relieved to hear it was safe and sound.

Charlene picked the photograph back up and more photos fell and fluttered down to the bedspread. Apparently they’d stuck to the back of the first photograph after years of laying in the darkness of Carl’s treasure trove.

Charlene stared down at photos she’d never seen and hadn’t known her husband possessed. The first one was a gray photo, slightly blurry and out of focus, taken from the railing of a ship. A whale’s flukes were just visible in the background. The only elements clearly in focus were Rob’s huge grin and outstretched hand, pointing excitedly at the gigantic mammal.

Two photographs were close ups of a radiant, exhausted Linda holding Jennifer, their newborn baby. The infant couldn’t be seen through the swaddling of the baby blanket wrapping her, but it was clear these were photographs Rob had snapped as he welcomed home his wife and first born child in the middle of winter, snow piled at either side of the front doorway.

Charlene fanned the photos out on the bed and she sat down. She looked the images of a baby in winter and felt frozen. What in the world? Charlene dropped the cell phone. The phone call to Linda would have to wait.

Carefully she put the photos in a perfect stack and set them on the mound of the pillow on her side of the bed. She pulled the box back out of its hiding place and placed it in the very center of the bedspread where she’d have the most room. Her heart pounding, Blue Beard indeed! Charlene reopened her husband’s childhood box.

Charlene grimaced as she looked down into a jumble. It was a random collection, the emotional residue of any small boy’s life. But this didn’t explain what the photographs belonging to Linda and Rob were doing there. She began to slowly remove objects to review each of them more carefully.

The sun moving across the bed winked at her when light glinted off ruby glass in the box. Charlene gasped out loud as she recognized the eighth Venetian cordial glass that had gone missing so many years ago. The last time she’d seen it was at the dinner party to introduce Carl into her circle of intimates. In all the years since, she’d thought two glasses had broken. Carl had never bothered to correct her assumption and now Charlene knew why: that night, he stole one of those glasses.

Charlene sat very still. Then, with one swift motion, she upended the box and dumped its contents out onto the bed. A golf ball rolled off the spread and bounced over into a corner. She retrieved it and turned it over in her palm, biting her lips. It was signed in red ink with the name Jack Nicklaus, 1980.

“I hate golf,” Carl claimed; he found the game mind numbingly boring to watch on television, and not much of a sport to play in real life. Charlene thought, What’s he doing with a golf ball signed by the man considered to be the greatest PGA Championship player of all time?

Terry Rundell, she thought with the next breath. Terry and Carl worked together, and Terry was an absolute golf freak. Charlene had no actual proof that her husband stole the ball. But she knew. In light of all the other tokens she was looking at on the bed, Charlene knew.

Suddenly they were no longer random. With her fingertips Charlene picked up the single, ominous pearl colored silk stocking she’d overlooked. Charlene draped it over her left forearm and held it out in the sunlight in front of her where she perched on the red bedspread. One stocking. One. Stolen from a clothesline, maybe. Or filched from the back of a dresser drawer from a house where they’d been invited for dinner, or drinks, or an innocuous social gathering. Who had it belonged to, and what was it about the woman to compel Carl to steal her stocking?

Her mouth twisted in disgust and she dropped the silky, filmy thing into a pile. She continued to sort through the other items.

An old paperback had landed on the bed half-opened. Its cover was yellowed, the edges of the pages cracked and cuThuvia Maid of Mars-1920.jpgrling. Charlene placed it with the cover up in front of her. Thuvia, Maid of Mars, by Edgar Rice Burroughs. Her brain racing, Charlene recalled that Edgar Rice Burroughs had written the popular Tarzan series. This book must be one of his potboilers.

She turned cautiously to the first page. For Timmy, as promised! With love from Grandpa Brent was written on the flyleaf in an old man’s shaky, old-fashioned penmanship. Underneath he’d added, Xmas 1966. It had to be the treasured present of a boy from Carl’s grade school class, or later. Charlene knew adults have even stronger emotional attachments to items from their childhoods than children do. Well, wherever Timmy might be, this book left his possession years ago. She placed a tender palm on the cover as she closed the book and set it by the crumpled stocking.

– from the chapter “Carl Possessed” in Broken In: A Novel in Stories

In memory of Edgar Rice Burroughs, September 1, 1875 – March 19, 1950

NOTES: ©2014 Jadi Campbell. Previously published as Thuvia, Maid of Mars. Edgar Rice Burroughs, Thuvia, Maid of Mars & A Princess of Mars, A. C. McClurg Publisher, 1920 (Photos from Wikipedia). Photos Uwe Hartmann 2020. To see Uwe’s photos and pics from our trips go to viewpics.de.

My books are Broken In: A Novel in Stories, Tsunami Cowboys, Grounded, and The Trail Back Out

Tsunami Cowboys was longlisted for the 2019 ScreenCraft Cinematic Book Award. Broken In: A Novel in Stories was a semifinalist for the international 2020 Hawk Mountain Short Story Collection Award from Hidden River Arts and a Finalist for Greece’s international 2021 Eyelands Book of the Year Award (Short Stories). The Trail Back Out was American Book Fest 2020 Best Book Award Finalist: Fiction Anthologies, Runner-Up for the 2021 Top Shelf Award, 2021 IAN Book of the Year Award Short Story Collection Finalist for the Independent Author Network, and 2021 Wishing Shelf Red Ribbon. The title story The Trail Back Out was longlisted for the 2021 ScreenCraft Cinematic Short Story Award.

Broken In: A Novel in Stories was a semifinalist for the international 2020 Hawk Mountain Short Story Collection Award from Hidden River Arts, and named a Finalist for Greece’s international 2021 Eyelands Book of the Year Award (Short Stories).

Click here for my author page to learn more about me and purchase my books.

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