We began our trip to southern Spain in Granada. When I stood inside Granada’s Cathedral, I suddenly – and very vividly – remembered what and how I’d seen it 40 years earlier. At the Alhambra, my memories were blurry remembrances of running water.
A few days later in Córdoba, I had a further experience with spatial imprinting. We spent a half day in the Mezquita, a UNESCO World Heritage site.
The Mezquita was first built in the mid-6th century as a Visogoth church, built up in the 780s as The Great Mosque of Córdoba, and finally re-dedicated as the Cathedral of Our Lady of the Assumption (Catedral de Nuestra Señora de la Asunción) in 1236. The Mezquita’s altar incorporates and blends Catholic iconography and design into the original Moorish structure.
The early Muslim prayer hall is filled with rows of arches in colored bands of stone. They seem to stretch into Eternity.
This hypostyle hall (meaning that the roof rests on pillars) contains a grand 856 columns of finest jasper, marble, onyx and granite. These columns are topped with the arches, which are futher topped with more arches.
If Granada’s Cathedral is all soaring heights, the Mezquita in Córdoba is an endless repetition of forms. Gaze in any direction and turn your body in a slow circle. The repeating arches always bring the viewer back to the beginning again.
The repeating patterns are beautiful. They’re haunting, too; it’s no accident that what I recall best from my first trip to Andalusia are deeply buried memories of graceful forms in plaster, stone and tiles.
What would I say if you were to ask me to select one thing I remember most after my first visit to the Mezquita as a teenager, all those years ago? I’d say: A sense of wonder.
Islamic architects and artists are masters of geometric decoration. Their patterns’ deeper purpose is to bring visitors and viewers to a sense of another, underlying reality. Maybe it’s just the beauty in the world. Perhaps it’s the presence of God. I’m perfectly fine with either explanation.
I rediscovered the whimsical and the wondrous as I gazed at repeating, interlocking, intertwined squares, circles, triangles, flowers, tessellations and stars.
Artwork both secular and sacred is woven into every stroke of calligraphy that embellishes gorgeous walls and doorways and niches at both the Alhambra and in Córdoba. The effect is one of standing in a house of mirrors or an echo chamber with lights and patterns extending on and out into Forever.
No single detail stayed. Just… a fleeting glimpse of the Divine.
NOTES: Sacred Geometry; Crystalinks; Islamic geometric patterns. © Jadi Campbell 2017. All photos © Uwe Hartmann. Uwe’s photography may be viewed at viewpics.de. Go to my earlier posts to read more about our visit to Andalusia.
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I just made a second trip to southern Spain. It had been over forty years between visits, and I had no idea what – if anything – I might remember. My first trip was with my high school Spanish Club. We were all young, and boy were we excited to be able to drink legally for a change!
I can remember loving the symmetry. I sure don’t remember any specific part of it. As I say, my memories are a blurry recollection of warm stone walls with ingenious decorations. Just… an impression of a harmony that contains a hundred thousand details you will get lost in once you begin examining the space more closely.
Water, water, everywhere…. The former Islamic rulers built a sophisticated system of fountains and pools. Those fountains were designed to include the sound of flowing waters, and flowers and fruit trees were planted to delight the senses with their perfumes.
On my first visit to Bagan I discovered artists had covered a temple’s altar with bags of colored sands. The artists brought them as offerings to Buddha. When I returned to Bagan this past spring, I didn’t find that temple again. But I remain delighted to know that it exists.
While I wait for the weather to decide if it really is springtime, I’m enoying the photos from the City of Lights.
It doesn’t matter if I’m in Paris for the art, the food, the shops, or the French way of life. Paris appeals to all of my senses. Whenever I’m there I fall right back in love with being alive. J’aime la vie!
We hired a driver and sweet young man named Ley to guide us around. We made an outing to Paksong on the Bolaven Plateau, home of small, superb Laotian coffee plantations. 
On our drive back we stopped at a market hall. Taxis were filling with local workers who stopped to buy groceries. 
Rows of vendors sold grades of rice, 
eggs, fresh fruit, coffee (natch), bolts of cloth, dried fishes, 
vegetables and herbs, freshly cooked food and plastic bags of marinades and sauces.
The variety of fresh produce is tremendous: alone in these photos I can identify three different sizes and shapes of eggplant, tomatoes, cilantro, parsley, Thai basil, oranges, peppers in every size and grade of hotness, cucumber, bitter melon, carrots, zuccini, onions, garlic, bok choy, green and Napa (Chinese) cabbages, ginger, limes, long beans, shallots, spring onions, chives, squash, rose apples.
Women from the hill tribes had wares for sale. An older woman had set up a stand away from most of the others. Curious, I walked over.
She had images of the Buddha, and items for religious and medical purposes. Talons, hooves, 
deer skulls, 
bundles of herbs and animal horns. 
The pairs called to me on some strange level…. “What are they for?” I asked. Ley explained to me that they are placed in a home to protect it and the family that lives there.
The Virupaksha temple was a pyramid topped with a spire and a red flag. Impressive from a distance, up close the temple was gargantuan. It towered a hundred and fifty feet above their heads.
“Tonight this chariot will carry the god Shiva to the river for the Nandi Purnima,” Nupur informed them. “It’s a Nandi full moon. Nandi’s the bull who attends Shiva, so this is extra auspicious.”
The garter snake is Massachusetts’ official state snake, and is endemic to most of North America. It’s the most common snake species, and closely related to water snakes, the genus Nerodia.
I find snakes fascinating. [2] Sacred snakes were used by the Oracle at Delphi and in ancient Minos. Recall the cobra, who spread its hood to shelter the Buddha. St. Patrick supposedly drove the snakes out of Ireland. [3] On a practical level, the garter snakes in Barb and Javier’s yard will eliminate any pest threat from rodents. (They also eat snails and slugs, common garden problems in the wet Northwest.)
As I admire the yard and go look from time to time for the two snakes I’ve seen in different parts of the garden, I think mostly about the fact that the presence of snakes means the small biosphere of my sister’s home is a healthy one. It’s not a coincidence that garter snakes are often referred to as ‘garden snakes’.
