travel – Page 6 – Jadi Campbell

The Fork is Mightier Than the Sword. A Post in Which I Eat Paris.

As someone who believes in freedom of thought and speech, I was horrified by the attacks in Paris. I’m only a few train hours away and visit there gladly. The murders were way too close to where I live, on every single literal and metaphoric level you care to mention.

Uwe and I spent our honeymoon here. We visited eight museums in three days with our city pass and rewarded ourselves with great meals every evening. My husband has business trips to Paris, and sometimes I meet him before or afterwards. On the last trip we dined in a small restaurant where I ordered a meal that came with french fries. One bite, and I knew I was tasting something I’d read about but never had the pleasure of trying: potatoes fried in duck fat. They were sublime.

On another trip the Metro was on strike. We decided not to wait on the platform for a crowded city train. Instead, we went to a bistro with tables so tiny and close together that Uwe and I bumped knees under ours. A portly man sat at the next table with a salad that included slices of pear and fois gras on toast points. Beside his plate was a half carafe of house wine and a carafe of water. An entire fish baked on fennel halves arrived. He expertly dissected the fish and ordered more wine.

My salade nicoise was salty with anchovies. I watched waiters make their way through the packed bistro, food trays held above their heads. The patrons were businessmen and women, students, and families with small children. Not a seat was free. When we left, my neighbor had a platter of cheeses in front of him and showed no signs of slowing eating. I was sorry we had to leave before he got dessert.

My friend Shaun met me for a week one year. We washed lettuce in the bathroom sink of our obnoxiously small apartment. Warning to future travelers to Paris, triple check when a holiday rental promises it has a real working kitchen! This kitchen was two burners in a closet. [1] But we sat on a park bench and shared a cheese crepe we’d bought from a vendor on the street. She introduced me to (and got me hooked on) vibrant, dry Sancerres. And we ordered steak and pommes frites from the menu written on a little chalk board in a café with red checked table cloths and candles in wine bottles. We found that place by walking a block past the tourist spots.

D30_9448_DxO — I bet whatever they were cooking was delicious

Once I traveled to Paris with my sisters and our friend Chris. Paris with three artists is daunting. We went to one museum per day and I’d watch as all three of them sketched madly in concentration. Then we’d go shopping for ingredients to cook that night. A moveable feast indeed.

If Bangkok is the most sexual city I’ve ever been to, Paris is the most sensual. A simple omelette is a marvel, with beaten eggs of impossibly silky texture. Pastries nestle in windows. Each bakery, patisserie, café and place to eat calls out “Come here, mon petit!”

And, like any wise lover of food, I go. Je mange Paris.

NOTES: [1] You read that correctly. The kitchen was two burners in a closet and a miniature sink too small to wash a head of lettuce.

[2] For a more political response to the attacks, I refer you to cartoonist Robert Crumb’s answer. http://observer.com/2015/01/legendary-cartoonist-robert-crumb-on-the-massacre-in-paris/

New England's Old Sturbridge Village, Part 2

We visited Massachusett’s Old Sturbridge Village in the fall, the perfect time to enjoy this open air museum.

Freeman Farm Sturbridge, Massachusetts, c. 18081725 — Freeman Farm
Originally from Sturbridge, Massachusetts, c. 1808

The costumed employees and volunteers at Old Sturbridge harvest the land as the earlier settlers would have.

Apples, pumpkins and squash had been carefully collected, sometimes in unexpected free spaces. The settlers needed a dry area away from weather and animals, and floor space was a great (and, one hopes, temporary) storage spot.

Crops needed to be gathered while other jobs still had to be performed.

Printing Office Worcester, Massachusetts, c. 1780 — Printing Office
Originally from Worcester, Massachusetts, c. 1780

Men and boys set type and did the printing, while women stiched and bound books. Country printers also brought out pamphlets, broadsides, sermons, legal forms, advertisements, and public notices.

Vermont Covered Bridge Dummerston, Vermont, c. 1870 — Vermont Covered Bridge
Originally from Dummerston, Vermont, c. 1870

This bridge, one of the 12 remaining in Massachusetts, was saved from demolition to make way for a new highway in 1951. Fewer than 200 covered bridges still stand in New England.

Blacksmith Shop Bolton, Massachusetts, c. 1810 — Blacksmith Shop
Originally from Bolton, Massachusetts, c. 1810

Along with shoeing horses and making nails, the village blacksmith (often a town had more than one) produced items of metal needed for everyday life. The Fenno House is Sturbridge’s oldest building.

Fenno House Canton, Massachusettts, c. 1725 — Fenno House
Originally from Canton, Massachusettts, c. 1725

Artisans on the Old Sturbridge Village grounds make traditional products in the old way. Many are available for sale in the gift shop. [2]

Old Sturbridge Village was born from the collective vision of a family. The three Wells brothers of the American Optical Company in Southbridge, Massachusetts, Albert B., Joel Cheney, and Channing M. founded the massive collection that makes up Old Sturbridge. It is the world’s finest collection of rural New England artifacts. [3]

They purchased David Wight’s farm with the vision of showing their collection in the context of a working village. The living museum received its first visitors on June 8, 1946. To date more than 21 million adults and children have visited the Village, and 250,000 people visit every year.

Churning butter — And his beard’s real, too!

Anyone care for a johnnycake? — Johnnycake, anyone?

NOTES: [2] The ruby red glass flask I purchased there winks at me from the window as I write this.

[3] Old Sturbridge Village began with a 1926 golf date cancelled due to Vermont rain: A.B. Wells went on an antiquing quest instead and became obsessed with collecting New England antiques and artifacts. Click here for more on the history of Old Sturbridge Village or for their website: www.osv.org/visit.

All photogaphs can be enlarged by simply clicking on the image. More of Uwe’s pictures from New England and his photography may be viewed at viewpics.de.

Madeira’s Verticals

I laugh and say I’m a travel tramp. A new place to see? How soon can we leave? After a holiday is really just the break before the next trip. But a few months ago I was working very very hard to finish my second novel. In my family we’re One-Tracks, and when we’re focused on a project the outside world vanishes. For the first time in our marriage, this year Uwe had to bribe me to go on vacation….

“How about a week on Madeira?” he suggested. “You can write while we’re there. What do you say to a working holiday?”

We were on the island a decade ago, and I liked the idea of returning. A place has a personality. You just can’t talk about the Greek islands or the Tunisia coastline without making mention of the quality of light and blue paint contrasting with whitewashed stairs and walls. My visit to Uwe when he was working in northern Sweden was all about snow and the aurora borealis.

Madeira means verticals. This Portuguese possession is located 520 km (280 nautical miles) from the coast of Africa. It’s lush. Madeira advertises itself as the garden island, and it’s a paradise of vivid flowering plants and trees.

Madeira is also impossibly steep.

Funchal cable car — Cable car from Funchal, southern coast of Madeira

We took the cable cars from the capitol of Funchal up to the various parks and botanical gardens. Later we rented a car and went exploring. Achadas da Cruz (Porto Moniz), population 159, on the northwest corner was a delightful highlight. The fields are down on the waterfront. To reach them the farmers use the cable car known as teleférico, a descent of 500 meters or over 1,500 feet. Prior to the opening of the teleférico in 2004, they made a steep hike of 5 kilometers down to their fields. Now, that’s dedication!

While the teleférico is popular with tourists and costs only 3€ for a one-way trip, the cable car really is used by farmers to transport crops.

Madeira was voted Europe’s Leading Island Destination in 2013. There are ample opportunities for hiking along the traditional water canals known as levadas. The island’s famous for Madeira wine, forests of bay laurels, and black scabbard fish.

Fresh catch of black scabbard fish at Funchal Market

The black scabbard or Espada Preta is one ugly fish. It is found only in extremely deep waters like those of Madeira’s coastline. The fish are abundant in waters between 800 and 1300 meters deep; adult fish swim at depths of 200-2000 metres and easily live and feed at substantially greater depths. Almost nothing is known about its life cycle!

A dish of black scabbard and bananas is the island meal (it’s okay. We preferred the fish cooked other ways: with garlic and wine, or in a fish soup, or…) The fish has no scales, and the delicate flesh melts in your mouth no matter how it’s prepared.

Bom Proveito!

NOTES: All photogaphs can be enlarged by simply clicking on the image. More of Uwe’s pictures from Madeira and his photography may be viewed at viewpics.de. For more on the One-Tracks go to: Meet the One-Tracks. Northern Sweden: It Was a Bitterly Cold -22°. My new novel: Tsunami Cowboys.

Egypt 2: Along the Nile

Cleopatra: He’s speaking now, Or murmuring ‘Where’s my serpent of old Nile?’ — Shakespeare Antony and Cleopatra, Act I, Scene 4

This is Part 2 to my post about our brief trip to Luxor, Egypt. As I look through Uwe’s photographs from that week I’m struck by his images of the Nile.

There is something sensuous about this river… One of my very favorite Shakespeare plays is Antony and Cleopatra. Here is the description of Cleopatra floating down the Nile:

Enobarbus: The barge she sat in, like a burnished throne,
Burned on the water; the poop was beaten gold,
Purple the sails, and so perfumed, that
The winds were love-sick with them, the oars were silver,
Which to the tune of flutes kept stroke, and made
The water which they beat to follow faster,
As amorous of their strokes.

…From the barge
A strange invisible perfume hits the sense
Of the adjacent wharfs. The city cast
Her people out upon her, and Antony,
Enthroned i’ the market-place, did sit alone,
Whistling to the air; which, but for vacancy,
Had gone to gaze on Cleopatra too
And made a gap in nature.

Agrippa: Rare Egyptian! (Act II, Scene 2)

The Nile is iconic. It’s the longest river in the world, around 4,160 miles or 6,670 kilometers The Nile originates at Lake Victoria and Lake Tana, and ends at the Mediterranean. It flows northward through Tanzania, Rwanda, Kenya, Uganda, Burundi, Ethiopia, Democratic Republic of the Congo, Sudan, South Sudan, and Egypt.

It is the largest oasis on the planet. When we visited in May 2013 tourism had declined so far that there were no longer any direct flights to Luxor. Instead, we flew to Hurghada on the Red Sea and a van met us. We drove for four hours across the barest desert landscape imaginable. No nomads, no towns, no vegetation or animal life to be seen. When we reached the Nile, visible signs of life appeared again.

All of the great ancient cities we visited are on the river’s banks. Karnak, Luxor/Thebes. Dendera, Edfu. From our hotel balcony we gazed directly across the river to the Valley of the Kings. The Valleys of the Kings, the Queens and the Nobles are on the west bank of the Nile River as you must be buried on that side in order to enter the afterlife.

We sailed downriver to Dendera, enjoying the scenery that flowed slowly past.

The fertile Nile was the original source of Egypt’s wealth and today 40 million Egyptians (50% of the population) live near its banks. There was life on the shores and in the water everywhere we looked.

Cleopatra: …we’ll to th’ river: there, My music playing far off, I will betray Tawny-finned fishes. (Act II, Scene 5)

Antony: The higher Nilus swells, The more it promises; as it ebbs, the seedsman Upon the slime and ooze scatters his grain, And shortly comes to harvest. (Act II, Scene 7)

The Egyptian calendar was based on the Nile’s three flood cycles. According to Wikipedia, “[t]hese seasons, each consisting of four months of thirty days each, were called Akhet, Peret, and Shemu. Akhet, which means inundation, was the time of the year when the Nile flooded, leaving several layers of fertile soil behind, aiding in agricultural growth. Peret was the growing season, and Shemu, the last season, was the harvest season when there were no rains.^{” [1]}

As I looked out at the river and thought about my mother, I sensed the rhythms of life and death more clearly than ever before.

To the ancients, the Nile was the River Ar meaning “black” because of the rich, fertile sediment left on the banks from the Nile’s flooding. When the Aswan Dam was built in 1970, the annual flooding ended. But by the time we left I knew why Shakespeare’s hero confessed,

Antony: Egypt, thou knew’st too well My heart was to thy rudder tied by th’ strings, And thou shouldst tow me after. (Act III, Scene 9)

NOTES: [1] Wikipedia: Season of the Harvest

http://interesting-africa-facts.com/Africa-Landforms/Nile-River-Facts.html

http://www.ancient-egypt-online.com/river-nile-facts.html

http://www.sciencekids.co.nz/sciencefacts/earth/nileriver.html

All photogaphs can be enlarged by simply clicking on the image. More of Uwe’s pictures from Egypt and his photography may be viewed at viewpics.de.

Egypt 1: We had the entire Valley of the Kings to Ourselves

D31_8306_DxO8 — Karnak with almost no tourists

D31_8452_DxO8 — Medinet Habu, the Mortuary Temple of Ramses III, with none

Let’s get one thing clear right away: Uwe and I are NOT danger chasers. We don’t pick areas to visit that are experiencing unrest or natural disasters. When we went to Luxor for a week in May 2013, tourism in the area was wa-a-y down. But it’s so far from Cairo that we never felt threatened.

A week after we were there Egypt imploded, and we would not have made that trip. As it was we had Luxor, the Valley of the Kings, and the ruins up and down the Nile banks to ourselves. What an experience, like getting a private tour of the world’s greatest antiquities!

Egypt was a special wish of mine for decades. My mom was a teacher, and when she died the last unit she was teaching was on ancient Egypt. At her funeral my family was touched to receive drawings from the children she’d taught. They’d drawn mummies, and Mom’s spirit as a bird. There was even a drawing of a mummified feline with a caption: Mrs. Campbell’s cat.

Some of the world’s most spectacular ruins, and there were almost no other tourists. Occasionally a lone bus pulled in with a group from a cruise ship or daytrippers from Hurghada on the coast, but most of the week we wandered in amazement all by ourselves.

D31_8379_DxO8 — Deir el-Bahari, Temple of Queen Hathsephut

I can’t even begin to understand Egyptian iconography. Gods with the heads of cows?

or an ibis? how about an alligator? A giant scarab as an object of worship — huhhh? It’s so foreign to me that Luxor was a glorious dip into an age that I didn’t even bother trying to grasp.

The scale of what we were looking at was also beyond my imagination, both in age and in sheer height! At each site we admired impossibly high ceilings. We could see the original paint, thousands of years later.

Original blue paint 1 — Original blue paint

Even the air feels like it contains the dusty molecules of ancient dynasties…. We sat each evening on the hotel balcony and enjoyed the view and the heat. On the day that I became older than my mother was when she passed away, I sat looking out over the Nile.

Aside from dishonest horse carriage drivers, the Egyptians were all kind, helpful, and incredibly friendly. I look forward to returning!

NOTES: All photogaphs can be enlarged by simply clicking on the image. More of Uwe’s images from Egypt and his photography may be viewed at viewpics.de.

The Erotic Architecture of Khajuraho

Uwe and I put an exclamation point at the end whenever we talk about Khajuraho! We visited last January, and we’re still talking about it.

In the interests of proper grammar I’m leaving out the exclamation point from now on. You may add it in for yourselves if you like.…

When we visited, Khajuraho could only be reached via a long trek on bad roads. Since we’re talking about India, this means the roads are bad indeed.

Where'd the road go? — Where’d the road go?

The driver we’d hired was there to meet us at our hotel in Agra, and off we went. Five bone-jolting hours later we reached our destination.

Along with its inaccessibility, Khajuraho is notorious for 1,000 year old, perfectly preserved, UNESCO World Heritage erotic carvings.

Somehow this site survived a millennia (millennia, people!), in a spot that had no fortresses or fortifications to speak of. The temple complex existed simply for the purpose of worship.

And what worship. Every single inch of the temple buildings are carved in high relief, depicting gods, tender lovers, voluptuous attendants, monkeys, elephants, assistants for the sexual act….

Hundreds of skilled stonemasons were hired to build the site. The Khajuraho region has excellent sandstone, and the sandstone temples were built with granite foundations. All were constructed without mortar! Instead, gravity holds the stones together with mortise and tenon joints. Some of these stones are megaliths weighing up to 20 tons.

The glory of sandstone is that it loans itself to delicate carving. Even viewing the temple walls from the ground we could see the wrinkles in Ganesh’s trunk; the fingernails of the apsaras and the beads in their strands of jewelry; the sheer layers of veils over their thighs and buttocks.

Uwe vanished almost immediately with his camera, leaving me alone with the young male guide. I could feel my face go red, and it wasn’t a hot flash or sunburn. I was terribly afraid of how embarrassed I was going to be. But the guide pointed out the various depictions of the act of love and spoke in a clear calm voice, explaining the significance (pull your minds of out the gutter, dear readers) in terms of energy, religion, and esoteric philosophy.

It was mid-January, past the usual Christmas tourist season. It was also a two-week period when northern and central India get swathed in fogs – something smarter tourists than we knew. As a result we had the pleasure of being two of the few Westerners at the site.

Most of the others were Indians on holiday, and I was touched to see that at Khajuraho, this meant young married couples. They walked around the compound, standing in front of particularly erotic carved panels, heads together in discussion.

D31_9631_DxO8 — Is that a new yoga position?

While only 10% of the carvings depict sexual acts, you can guess which panels elicited the most commentary. These were the love-making couples known as maithunas. Other carvings depict everyday activities: playing musicians, potters, farmers, soldiers on horseback, etc.

The temples were probably built in the one hundred year period between 950 and 1050 AD, during the Rajput Chandella dynasty. According to historical records, by 1100 Khajuraho contained 85 temples covering 20 square kilometers. Roughly 20 temples still stand. They were located 60 kilometers from Mahoba, the medieval capital of the Chandela kingdom.

Khajuraho was mentioned by the Arabic historian Abu Rihan-al-Biruni, in 1022 AD, and by Ibn Battuta, the Moroccan traveler, in 1335 AD.

When Muslim rulers took control, heathen places of worship were systematically destroyed. Ironically, even centuries ago the remoteness of these temples helped secure their survival. Nature did the rest as vegetation and forest reclaimed the site. For years the temples were covered by dense date palm trees which gave the city its name: in Hindi, Khajur = date. (The more ancient name was Vatsa.)

The scenes explain Hinduism’s four goals for life: dharma (right way of living), kama (aesthetic enjoyment), artha (prosperity) and moksha (liberation). The complexity of the geometric layout and the grid pattern of the temples with their circles, squares and triangles, the importance of geographic orientation and bodies of water and the carvings’ iconography is beyond my very weak grasp. Instead, here is an excerpt from the UNESCO website:

Greatly influenced by the Tantric school of thought, the Chandela kings promoted various Tantric doctrines through royal monuments, including temples. Sculptors of Khajuraho depicted all aspects of life. The society of the time believed in dealing frankly and openly with all aspects of life, including sex. Sex is important because Tantric cosmos is divided into the male and female principle. Male principle has the form and potential, female has the energy. According to Hindu and Tantric philosophy, one cannot achieve anything without the other, as they manifest themselves in all aspects of the universe. Nothing can exist without their cooperation and coexistence. In accordance with ancient treaties on architecture, erotic depictions were reserved for specific parts of the temples only. The rest of the temple was profusely covered with other aspects of life, secular and spiritual. Source: UNESCO/CLT/WHC

Khajuraho remained forgotten by the outside world until 1838 when a British army engineer, Captain T.S. Burt, was carried in via palanquin. I laughed so hard when I read that the Victorian officer was shocked by what he found….

Khajuraho!

NOTES :http://en.wikipedia.org/wiki/Khajuraho_Group_of_Monuments

http://www.lonelyplanet.com/india/madhya-pradesh-and-chhattisgarh/khajuraho/history#ixzz3JWuMCco9

http://whc.unesco.org/en/list/240

http://whc.unesco.org/en/list/240/video

Go to my earlier posts Travel Karma & Remind Me Again: What Are We Doing Here? to read about our visits to India. All photogaphs can be enlarged by simply clicking on the image. More of Uwe’s pictures from India and his photography may be viewed at viewpics.de.

Tsunami Cowboys

Prepare to meet Todd, a hero with dangerous fantasies. Coreen, trapped in a cult. Ronnie, dreaming other people’s futures. Guy, waiting for disaster at a Christmas Market. And Lynn, the connecting thread, taking a train with a seductive stranger. By turns terrifying and funny, this is the story of people riding life’s waves… the tsunami cowboys.

It’s official: My new novel Tsunami Cowboys is available in paperback and eBook versions. Look for it on Amazon around the world. The following links will get you there for the US and Germany:Tsunami Cowboys (for Amazon.com) Tsunami Cowboys (Amazon.de)

I’m excited and proud and tired and floating on air. This book is the results of the last two years of writing. Thanks for your encouragement and support. It has made this journey a real pleasure.

Book Excerpt: The Hostess 2

“I’m Lynn.”

“Josh. Nice to meet you, Lynn.”

“You’re joshing me, right?”

“Yeah, as in, I’m joshing you.” His voice had a strange note as if he were thinking, that old chestnut again.

His gaze swept me up and down. I sum myself up as average weight, median income, medium length brown hair (graying and dyed to hide that fact), and better than average features. Still attractive enough… for middle-aged. But Josh’s frank glance was admiring.

Bemused, I registered the fact that I was flattered.

We began the conversational short hand of strangers. “Lynn, where you off to?”

“I’m heading home.”

“I’m on my way to Portland,” Josh offered. “This is the tail end of a long business trip. I always take the train so I can work. I get a rental car after I arrive. But my God, this train’s packed!”

“I visit the coast the weekend before Thanksgiving, and bring back seafood,” I offered. “I barely fit my bags in the bin.”

The conversation stopped while we studied the menus the waiter brought. “Sea food stew,” I decided aloud. If the taste even remotely resembled the chowder I’d had at Mo’s Restaurant with my parents the day before, I’d be happy.

“The chicken,” Josh requested. “Can I talk the lady into joining me for some wine?”

“Actually, you can. I’d love a glass of rosé or white.” There’s something about train travel indeed… and it wasn’t like I’d be having airplane travel mile high sex with Josh in the bathroom. Is there a name for having sex on a moving train? I wondered suddenly.

Josh added, “…and the Semillon.” This time his smile was filled with promise.

I smiled back. When was the last time I’d flirted with someone?

The train staff had found their rhythms in the busy dining car. Our waiter was back almost immediately. He expertly opened a cabernet sauvignon. Josh swirled the wine in his glass and tried it, nodded his head. The waiter poured more and set the bottle down. Then he opened a second bottle, this one my white wine. “You don’t have to finish it,” Josh said when he saw my expression.

I decided to go with the flow. “Okay,” I nodded, and gave my approval. The wine tasted perfectly cold and crisply dry. The waiter set an ice bucket at the window. “Enjoy,” he said, and vanished back into the galley.

“Cheers.” Josh clicked his glass against mine and drank deeply. “Ah!” he set the empty glass back down and sighed with satisfaction. “So, are you getting out in Portland?”

***

Prepare to meet a hero with dangerous fantasies. A young woman trapped in a cult. A person who dreams other people’s futures. A man drinking glühwein at a Christmas Market as he waits for disaster. And Lynn, the connecting thread, taking a train trip with a seductive stranger. I’ll be posting the first pages to each chapter.

Committing my characters to an appearance on this blog makes them real. As of tonight, they exist beyond my imagination.

Here are the opening pages to my novel Tsunami Cowboys. This fifth chapter is titled, The Hostess.

Tsunami Cowboys will publish with Amazon in December, 2014.

Book Excerpt: The Hostess 1

“Time is the thing I am made of. Time is a river that sweeps me along, but I am the river; it is a tiger that tears me apart, but I am the tiger; it is a fire that consumes me, but I am the fire.” – Jorge Luis Borges, “New Refutation of Time”, Other Inquisitions, 1952.

Well Trained

We filled every car and our suitcases, bags and packs threatened to topple from the bins. On the Tuesday before Thanksgiving, the entire West coast was taking the train.

I tried to read. The book I held dated me: it was three-dimensional and had paper pages. In the seats around me people bent over electronic devices or talked in muted tones. A young couple slept with their arms around one another and a blanket draped across their legs and torsos. The retiree in the window seat ahead of me dozed, his head gently rocking.

The doors to the train car slid open and a good-looking man stepped through. Perhaps in his late forties, he wore a sweater over slacks and loafers, and carried a slim brief case.

I watched him tuck something into his pocket. Small change, I guessed.

His aura called out, inviting me to look closer. He had the tan of a man who went on golf safaris in the Southwest. His well-cut clothes hid the extra pounds around his waist. Perhaps he’d consulted with a wardrobe coordinator; shades of dark green in the nubby sweater suggested understated taste and male power. He passed my seat and I was at eye level to his crotch.

Ooh! I thought. This guy really is a big man.

When he reversed directions and backed up, I bent my head and pretended fascination with the cover of my book. He looked at the purse on the next seat. “I think this spot is mine.”

I moved my bag and he sat down. His smile vanished when he realized there was no room for the expensive brief case.

He stood back up and pushed at a large blue backpack on the rack across the aisle. The hiking boots laced to it swung, but otherwise nothing budged. He turned to the bin above my head as the train jolted. The man lost his balance and a hand smacked my shoulder; it would have stung if he’d been wearing a ring.

When I looked up, I was back at eye level with his crotch.

“I am so sorry,” he apologized as he fussed with the luggage over our seats. Satisfied, he moved out of my personal space. “Stupid space allowance!” He spoke to the air, but a smile was back.

I picked up my purse as he looked a question at me. “Lunch,” I said. I swayed my way through the train to the dining car.

A harried waiter led me to a table for two and asked, “Ma’am, would you mind sharing your table? I know you reserved a table for one, but we can use any free seats. These pre-holiday trains are always totally booked.”

“Of course!”

“We’d sure appreciate that.”

“It’s really no problem,” I assured him, and meant the words. I enjoy the random interaction with other train passengers. And I never cease to be amazed at how much information people willingly reveal about themselves to perfect strangers.

Dining on board a moving train as the landscape glides by is somehow magical. Who’d claim the chair across the table? Someone heading back home for the holidays or making a long trek cross-country? Or someone like me, visiting the coast?

Five minutes later there he was, sitting across rather than next to me: the man with the good clothes and big body. “Well, well. We meet again,” he said.

***

Committing my characters to an appearance on this blog makes them real. As of tonight, they exist beyond my imagination.

Here are the opening pages to my novel Tsunami Cowboys. This fifth chapter is titled, The Hostess.

Tsunami Cowboys will publish with Amazon in December, 2014.

Book Excerpt: What A Guy 3

They encountered air turbulence two hours into the flight and the pilots lost time. Air traffic was backed up when they reached European airspace. At last they landed in Frankfurt, ninety minutes late. Guy slumped over in a deep sleep and noticed nothing.

He woke to a strange sensation that was the absence of motion. Denice and Tia wore anxious expressions, waiting for him to rouse. Someone had gotten his carry on suitcase down for him.

Tia clapped her hands while Guy looked around and tried to understand why the plane was empty. “Mr. Guy, you were awfully brave! We hit bumpy air! I thought it was going to be bad, my mommy even got out a barf bag, just in case.”

“Tia!” Denice sighed.

“But Mommy, you didn’t use it. You were fine.” She drew the word out, fi-yine. “Mr. Guy, you slept like a baby, like there was nothing to worry about. That really gave me courage. You were zonked! I watched and did just like you.” Tia put her head against the side of the seat, closed her eyes, and snored loudly.

“I snored?” The child was informing him that he’d passed out.

“Like a trooper! No, that’s for when someone’s swearing! It’s okay, Mommy,” she added serenely. “Mr. Guy snored like a… a brick house. No, that’s not it. Like, a house on fire.”

Guy and Denice laughed and Tia joined in, all three laughing as if they’d never stop. The Lufthansa personnel watching in the aisle laughed too, relieved that they didn’t have a dead drunk – or worse, much worse – dead international passenger on their hands after all.

Denice and Tia retrieved their luggage at Baggage Claim and all three stood before a destinations board in the terminal. “Thanks again for waiting for me,” Guy repeated; he was still groggy. As he stared dispirited at the board, Guy knew he couldn’t face another flight, no matter how short.

They were taking a train on to Landstuhl. “I’ll walk you to the train platforms. I missed my connecting flight so I think I’ll just catch a train. Hey, I’ll go to Stuttgart. Aren’t Porsche and Mercedes Benz there? I’ve always wanted to go to the Porsche factory.” He lied, suddenly inspired. He and his therapist had worked out alternate plans in case Guy reached Europe too jittery to fly on. He’d arrived days before the conference began, so that he might take his time getting there. Progressive, systematic desensitization, he reminded himself.

They followed airport signs to the connected train station. Tia rode on top of the luggage trolley as Guy pushed. “So,” he asked, “will you get to see much in Germany?”

“It was planned as a family vacation. Our trip here.” Denice glanced up at Tia, perched humming. “Joe’s in the hospital,” Denice explained softly. “An IED; they’re telling me his condition is ‘serious but manageable’. Whatever that means. For his sake and Tia’s, I’m trying to stay optimistic. I want to wait until I see him before saying anything to her. It’s bad enough how much I worry.”

“Good heavens.” As they continued walking Guy held Denice’s hand in his for a long minute, a therapist unable to think of a single comforting word to say.

“I have to believe,” Denice’s eyes were tender as she checked again on Tia, “this will have been worth it. Joe still believes freedom to worship and vote and live as you choose are worth fighting for. Regardless of the deeper reasons for the war. My husband’s motivated by wanting a better world. They’re helping local groups rebuild.

“He was standing outside a school for girls when the explosion happened.” She looked at her daughter. “It’s the second time that school’s been destroyed. Like I said: whatever the other dynamics going on, we both hope for a better world for everybody’s children. They feel insurmountable at times, the problems,” she admitted. “But it’s all one world now. We have to believe that, because we’re parents ourselves.”

They reached the train station and Denice and Tia departed on the next train. Guy felt forlorn once they were gone, but he ignored the cold and his sense of foreboding. He tried to be stoic as he waited on the platform. No matter what, he wasn’t climbing on another plane! Maybe, just maybe, I can afford to sail home. I hear the QEII’s nice, he mused as a white and red ICE train approached.

***

Committing my characters to an appearance on this blog makes them real. As of tonight, they exist beyond my imagination.

Here are the opening pages to my novel Tsunami Cowboys. This fourth chapter is titled, What A Guy.

Tsunami Cowboys will publish with Amazon in December, 2014.

Tag: travel

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