I’m honored to post this advertisement for The Vagina Monologues as presented by NEAT (New English American Theater) in Stuttgart. For two years I appeared on stage with real actresses and actors, women and men engaged and passionate about ending violence against women and children. This year I’m Stage Manager in order to remain involved in any way I can to support this important cause.
Wherever you are in our world, please support and pass the word about V-Day activities! —Jadi
NEAT is proud to be presenting Eve Ensler’s iconic The Vagina Monologues. All proceeds benefit local women’s crisis centers in the Stuttgart area. Please see descriptions of our beneficiaries on their Facebook page!
Funny, moving, and most of all, thought-provoking, The Vagina Monologues is a play that has been breaking down walls for the last 25 years. The monologues are a wonderful mix of well written human experiences and local stories of survival in today’s world. This year’s theme, resistance, is punctuated in the daily headlines we read.
Please see our two other performance dates- on February 15 at Theater am Olgaeck, and February 25 at Kulturwerk Ost-all in Stuttgart!
Happy New Year, Everyone!!! My gift to you is Installment #20 from my blog thread describing what to call groups of animals … See how many you can guess. Answers listed at the bottom of the page.
It’s time again for the Weihnachtsmärkte. Stuttgart’s Christmas Market runs from 29 November to 23 December. Uwe and I always go to drink a glühwein with friends. You should, too!
The Christmas Market began as a short winter market. [1] Europe has held seasonal markets for centuries. Vienna, Austria’s Dezembermarkt dates all the way back to 1294/1296. But a Weihnachtsmarkt is special, and signals the beginning of the Advent season leading up to Christmas. This tradition is found in Germany, Austria, Switzerland and the Alsace region of France. [2]
Medieval guilds tightly controlled who could produce or sell wares, so each city market was unique and had a distinct, regional flavor. This remains true today. At a German Christmas Market, you’ll find these items for sale at open-air booths:
Tin, blown glass, wooden, and straw ornaments
Round wooden presses or molds for cookies known as Springele
Nutcrackers
Gebrannte Mandeln (candied toasted almonds)
Magenbrot and Lebkuchen gingerbread (Lebkuchen is often sold in beautiful and reusable decorative tins)
Eierpunsch (eggnog)
Candles
Clothes, including hand knit hats and gloves and scarves
Hot sausages and
Glühwein: a magical drink of mulled wine served from huge brass vats, with a shot of liquor added if you want to get extra-warm [2]
Our city of Stuttgart’s Weihnachtsmarkt is famous for its decorated booth roofs.
The market attracts more than 3,000,000 visitors each year! Tour busses pull up and unload shoppers from all over Europe. The Weihnachtsmarkt takes over several piazzas downtown; the 3x weekly Wochenmarkt for fresh produce and flowers moves to the Königstraße, the main pedestrian street.
I try to go a couple times each year. I head for the weekly market for fruits and vegetables and then meet a friend for a Bratwurst and a Glühwein. Or I arrange to meet Uwe after work.
We wend our way through rows of booths, enjoying hearing so many different languages along with the local Schwäbisch dialect.
NOTES on NOTES: [4] ….and nothing is better than a starry winter night, a hot mug of Glühwein, snow gently falling as you stand with your sweetie, the sounds of talk and laughter of other Weihnachtsmarkt visitors all around you as carolers sing in the courtyard of the 16th century castle across the plaza. Prosit, und Fröhe Weihnachten!
Go to my earlier post A Guy Goes to a Christmas Market to read an excerpt set in the Stuttart Weihnachtsmarkt. Click here for my author page to learn more about my books and me.
The sun occasionally shines. But the air has a nip today, the wind gusts, and clouds traverse watery blue skies. (In my head the entire cast of A Game of Thrones mutters, “Winter is coming ….”)
Summer’s about to end. I still hear crickets at night outside our windows, but how much longer? When their voices (legs?) go silent, it’s the final signal that autumn is taking over.
Autumn is a beautiful time of year. We went to the Stuttgarter Weindorf last weekend, the annual Wine Village. My meal included sauerkraut (a food I’ve come to love only since living in Germany) and homemade spätzle, the egg noodles that are a specialty of Baden-Württemberg. For dessert I ordered a plum tart, Zwetschgenkuchen. Uwe agreed with me: the Weindorf version tasted like Mama’s. My mother-in-law baked it often, with plums from the fruit trees in their yard. And there it was, a sense of nostalgia.
I’m listening to Radio Paradise as I write this post. They play Jackson Browne’s For a Dancer, from his 1974 album Late for the Sky. Lyrics and melody from long ago weave into this afternoon.
One of my last acts before returning to Germany from the USA two weeks ago was to harvest coins from the money plants in a friend’s garden. I love this description of money plants: “Also known as Honesty, of the genus Lunaria, silver dollar plants are named for their fruit, with pods dry to flat silverish discs about the size of — you guessed it! — silver dollars. They hail from Europe and were one of the first flowers grown in the dooryard gardens of the New World for their pods and edible roots.” [1] I’m harvesting fruit from American plants that were originally European flowers. I myself am a strange kind of transplant, with roots in both places now.
The coins of the flowers are tissue-thin, each containing several dark seeds. I’ll plant them in pots for my balcony, come springtime. What will grow? Will their seeds take root? But I like the uncertainty. These are the seeds of summer, and even as summer dies (don’t forget: “Winter is coming!…”) in them is a chance to grow something new. Numerous chances, actually.
As we enjoy summer’s bounty, reaping what was sown, it’s comforting to know they’ll carry over into seasons to come.
Here is installment #16 from my now ginormous blog thread describing what to call groups of animals … See how many you can guess. Answers listed at the bottom of the page.
I’m a girl who moved to the damp Pacific NW from upstate NY, where it can snow in April. When Uwe and I first fell in love, it was springtime in Europe. Flowers bloomed everywhere, the sun shone, we sat at outdoor tables in cafés holding hands… Mid-April and I’m in a t-shirt drinking wine at lunch with my sweetie ? Now this is the life!
I didn’t know it at the time, but I was falling in love with a way of life, too.
It’s twenty-five years later and I’m still here. I remain in love with the way of life. But we joke that if the weather had been different I might not have been so quick to agree to stay. Some years it snows here in April, too. On April 18 & 19, it came down hard and then melted.
Possible snow showers are in this week’s forecast.
But two weeks ago we were in Paris and the temperature hit 22° C (71° F). Everywhere the trees and flower beds were in bloom, and yes, we sat at outdoor cafés…
We made a day trip to Amiens’ magnificent cathedral, the largest Gothic cathedral in France. I was excited to discover that Amiens contains one of the few labyrinths still in existence. [1]
While I wait for the weather to decide if it really is springtime, I’m enoying the photos from the City of Lights.
Paris remains the most satisfying of cities.
It doesn’t matter if I’m in Paris for the art, the food, the shops, or the French way of life. Paris appeals to allof my senses. Whenever I’m there I fall right back in love with being alive. J’aime la vie!
I’m a little slow sometimes. I recently realized that my new-and-improved wordpress website jadicampbell.com had a birthday in January and is now a year old. (Yes, I’m aware it’s already March!) So, what did I do with a year of blogging?
Last summer I lost my mother-in-law, an old friend, and my dad Bobbo, all within a shocking three-month period. Those were by far the hardest posts to write. But I discovered something: the most personal blog essays are the ones my readers (i.e., all of you) respond to most.
What you can look forward to in the Year of the Rooster: a huge blog thread for my father Bobbo that I’m calling The Animal Kingdom. Occasional notes about my volunteer work with refugees. Lots more quirky posts about places Uwe and I visit. And on-going musings about life, the Universe and everything in-between as I deepen the process of saying goodbye to those who have left.
May you find something here that makes you laugh, creates a spark of connection, and moves you enough so that you reenter your own life with a sense of touching upon mine. That would make the new year of blogging – and all the years to come – worthwhile. As Mae West says, “Come on up, I’ll tell your fortune.” [1]
He passed a large skating rink and a children’s train track. When he wandered under an arch, Guy discovered a Christmas Market. His inner child gasped with delight.
Rows and rows of wooden market booths had been set up to create lanes.
At last distracted from visions of doom and gloom, he watched a gigantic nutcracker swallow a continually rotating nut.
A larger-than-life music box twirled on a roof top, the ballerina and her dancing bear partner going ’round and ’round. Real fir boughs and even little trees bedecked the stands.
The roofs were wrapped in shiny paper with tinsel ribbons and bows that transformed them into oversized gifts. Big Saint Nicholases drove twinkly sleighs pulled by reindeer whose heads bobbed.
He discovered a large fountain, turned off for the winter and surrounded by German food booths. Candles burned everywhere.
Guy looked at their pale flames and shivered. Flames, like those of a crash site….
He took a deep breath, and all at once the day smelled of almonds roasting in sugar. Customers laughed and chatted, indifferent to the cold. A couple stood in the frigid air and shared strawberries dipped in chocolate. The girl nibbled from the skewer her boyfriend held. Men and women stood at little tables with beers, and some people cupped steaming mugs.
Long-time followers of this blog will know that I post at 2-week intervals. I’m stepping outside my rhythm to tell you about 2 very special projects. The first is all about rhythms of song and speech, so perhaps I’m not breaking my pattern after all.
I Like a Gershwin Tune, How About You? will perform at Theater am Olgaeck in Stuttgart on December 15 at 20:00. For photos of the performers and more information, click on the link I’ve provided.
Cheers, Jadi
I LIKE A GERSWHIN TUNE, HOW ABOUT YOU? is an evening of beautiful music; instrumentals, solos, duets and four part harmony featuring the song stylists Jeanne Ragonese, Sara Conway, Anthony King, Joerg Witzsch, pianist Florian Eisentraut, narrator Derrick Jenkins, and a story by Jadi Campbell.
Ira Gershwin is the lyricist to musical composer and younger brother George Gershwin. This brotherly collaboration created some of the most memorable songs of the 20th century.
The compositions of George & Ira Gershwin are among the masterpieces of THE GREAT AMERICAN SONGBOOK; which is the most popular source of material for singers and musicians today. After George’s untimely death at an early age, Ira went on to work with other composers, such as Jerome Kern, Harold Arlen and Kurt Weill; with whom he continued to write many successful Broadway Musicals.
With this musical project we aim to celebrate the 120th Birthday of Song Lyricist Ira Gershwin; whom many consider to be a Modern American Poet. Heartfelt, high-spirited, sparkling with vernacular eloquence, the lyrics of Ira Gershwin defined the spirit of an era and have lived on as part of the American tradition. Ira distilled ordinary American speech into indelible verse; embodying his wit romance and dazzling virtuosity.
I have to relearn how to feel. My mother-in-law went into the hospital with a lung infection for a long week and a half. She rallied, and returned to the nursing home. I finished my third novel Grounded and began preparing it for publication on Amazon. Then Mama grew weaker again. A few days later we got the call we’d been expecting. The home phoned and said that we should come. Uwe and I had the blessing of being at her side as she died. Less than 48 hours later, my book became available.
We were busy with all the details that follow a death. People had to be contacted, and a funeral arranged, and Mama’s body transported to the town where she would be interred next to Uwe’s father. We drove down to meet with the funeral hall director and a pastor, and to visit Mama’s sister and her family. We cleaned out her room in the nursing home, sorted through the little that remained, moved furniture. The book would wait. I’d celebrate its release later. And I wanted to stay strong and present for Uwe, because these are the moments when your partner is so much more important than anything else.
When we finally got done with all the details a few days ago, I turned my attention back to a very special project that will take place next Monday, June 6th. My first-ever writing commission has been to write a story to connect an evening of Gershwin songs. In February I wrote in a 2-week blaze of inspiration for NEAT, the New English American Theater in Stuttgart. The four singers and a pianist rehearsed the songs. A Welsh actor will read my story. All I have to do is show up and sit in the audience and marvel and enjoy the talent on the stage.
I went to a rehearsal a few nights ago and heard my story spoken aloud for the first time. It is a surreal experience to hear one’s creative work interpreted and combined into a greater artistic work. I was speechless as I watched and listened. Up to that night, I’ve been numb. I figured I could finally allow myself to feel proud, to be satisfied with all the hard work I’ve done with my writing. I gave myself permission to be excited about my book and the Gershwin evening. But when I let myself open up to feeling something emotional, a tidal wave of grief hit me. I’m mourning my mother-in-law of course. I’m grieving for her, even knowing she was ready to go and had given us the gift of waiting until we got to her bedside to leave us. One of us, Uwe or I, have visited her pretty much every other day for the two years that she lived in the nursing home near us. I don’t have to feel bad about not seeing her enough, or caring enough. But I write this in the present tense, because it’s all occurring in real time still. The birth of my book, the death of Mama, the use of my words to connect the magic of timeless songs, it all weaves together for me, I can’t separate out any of the strands. I’m a hot mess, trying to remember how to feel again. I remind myself that any one of these emotions is huge, fraught with anticipation and months or years of living and taking form and interconnecting with hopes and expectations. Love, sorrow, hope, creativity, illness, dying, death, coming into being, leaving this earthly plane…. Trying to remember how to feel any one of these emotions, let alone all of them all at once, overwhelms me.
But mostly, mostly, perhaps what I feel is gratitude. To know what I have in my mother-in-law and my art. To literally feel in body and soul how it all connects. To be able to feel again, even if it leaves me in tears.