Things are Different

Things are different now. Life goes on, I keep up my routines: Stretches of writing with occasional bursts of creativity. When the Muse does show up, it makes the trudgery worth it! Sporadic house cleaning (and when did our kitchen floor get so dirty?). Long walks out in the gardens five minutes from our apartment, those walks a get-me-out-of-the-house plea for freedom.

Some of the differences I can handle. Kind of. Stay at home to keep the world safe? I’m down with that idea. We are so all in this together.

But the small changes… those are the ones that make my stomach queasy. Here are the changes that are itty bitty things, letting me know life is altered:

  1. We know the owners of Diverso, the best Italian restaurant in our town. They initially had to close, of course. On the day Heidrun and Pasquale began offering takeaway, a Thursday, we ordered pizzas. We’ve done this every Thursday since then. Because we want to support our friends, because this is now the closest we can get to going out to eat, because Pasquale’s gourmet pizza includes gorgonzola cheese and shaved white truffle, and because there is nothing like cold pizza for breakfast the next day. Nothing.
  2. I use two ply of toilet paper now. I don’t know how many I used on average before the lockdown: I do know that the roll gets counted out now that it’s so hard to buy.
  3. There is a book exchange by the UBahn metro stop. It’s wonderful! – a red British phone booth, transformed into a spot to get new books and drop off old ones. I detour and go check it every single time I walk in that direction, because you never know when English language books might be on the shelves. I’ve seen Russian, Polish, French and Spanish books along with the majority German ones. After the first week of lockdown, I had a stack of finally-read books to pass along, and headed over to the phone booth. I entered it and when the heavy door swung shut, I thought “I just stepped inside a Petri dish. Ohhh shit.” I held my breath, shoved my books onto the top shelf where the foreign language books go, and got the hell out of there. Since then I scan the shelves for potential reading material before I open that door. I try not to breathe as I’m looking. And I hold the door open until I’m done.
  4. And then I use the little bottle of hand sanitizer that I began to carry everywhere with me. Touch a surface? Sterilize your hands. Repeat, as many times as needed.
  5. We have bottles of wine we got as gifts, or I’d been saving for a special occasion. Honey, if the current world situation doesn’t meet the definition of ‘special occasion’, nothing does. So I’m pulling those wines from the cellar to drink. I hope that if it’s a good bottle I won’t give into my desire to chug it. I want to treat life right now as special. If this is it, I want to celebrate the fact that Uwe and I are safe, and healthy, and have a roof over our heads, and are connected to everything.

 

 

Stay safe everyone. Stay healthy.

NOTES: © Text and photo Jadi Campbell 2020.  To see Uwe’s photos and pics from our trips go to viewpics.de.

SPECIAL NOTE: If you try to comment in the wordpress.com reader and get the message “Sorry – there was a problem posting your comment”, click on the title of this post to get to jadicampbell.com and post your comment there. Sorry for the ongoing problem.

Click here for my author page to learn more about me and purchase my books.

Tsunami Cowboys is Longlisted!

My second novel Tsunami Cowboys was just named a semifinalist in the ScreenCraft Cinematic Book competition. Over 1,200 books were considered. Here is the official notice. Click to go to the link and see the list of books still in the running, including mine!

Announcing the 2019 ScreenCraft Cinematic Book Competition Semifinalists 

Remembering How to Feel

I have to relearn how to feel. My mother-in-law went into the hospital with a lung infection for a long week and a half. She rallied, and returned to the nursing home. I finished my third novel Grounded and began preparing it for publication on Amazon. Then Mama grew weaker again. A few days later we got the call we’d been expecting. The home phoned and said that we should come. Uwe and I had the blessing of being at her side as she died. Less than 48 hours later, my book became available.

We were busy with all the details that follow a death. People had to be contacted, and a funeral arranged, and Mama’s body transported to the town where she would be interred next to Uwe’s father. We drove down to meet with the funeral hall director and a pastor, and to visit Mama’s sister and her family. We cleaned out her room in the nursing home, sorted through the little that remained, moved furniture. The book would wait. I’d celebrate its release later. And I wanted to stay strong and present for Uwe, because these are the moments when your partner is so much more important than anything else.

When we finally got done with all the details a few days ago, I turned my attention back to a very special project that will take place next Monday, June 6th. My first-ever writing commission has been to write a story to connect an evening of Gershwin songs. In February I wrote in a 2-week blaze of inspiration for NEAT, the New English American Theater in Stuttgart.  The four singers and a pianist rehearsed the songs. A Welsh actor will read my story. All I have to do is show up and sit in the audience and marvel and enjoy the talent on the stage.

I went to a rehearsal a few nights ago and heard my story spoken aloud for the first time. It is a surreal experience to hear one’s creative work interpreted and combined into a greater artistic work. I was speechless as I watched and listened. Up to that night, I’ve been numb. I figured I could finally allow myself to feel proud, to be satisfied with all the hard work I’ve done with my writing. I gave myself permission to be excited about my book and the Gershwin evening. But when I let myself open up to feeling something emotional, a tidal wave of grief hit me. I’m mourning my mother-in-law of course. I’m grieving for her, even knowing she was ready to go and had given us the gift of waiting until we got to her bedside to leave us. One of us, Uwe or I, have visited her pretty much every other day for the two years that she lived in the nursing home near us. I don’t have to feel bad about not seeing her enough, or caring enough. But I write this in the present tense, because it’s all occurring in real time still. The birth of my book, the death of Mama, the use of my words to connect the magic of timeless songs, it all weaves together for me, I can’t separate out any of the strands. I’m a hot mess, trying to remember how to feel again. I remind myself that any one of these emotions is huge, fraught with anticipation and months or years of living and taking form and interconnecting with hopes and expectations. Love, sorrow, hope, creativity, illness, dying, death, coming into being, leaving this earthly plane…. Trying to remember how to feel any one of these emotions, let alone all of them all at once, overwhelms me.

But mostly, mostly, perhaps what I feel is gratitude. To know what I have in my mother-in-law and my art. To literally feel in body and soul how it all connects. To be able to feel again, even if it leaves me in tears.

And to know I’ve got a lot more tears in me.

NOTES: In loving memory of Margaretha Hartmann.

%d bloggers like this: