Ah, the perfect day to repeat a post. In honor of the start of the 2014 World Cup! This is an earlier post on the year Germany hosted the world’s greatest party.
Ah, the perfect day to repeat a post. In honor of the start of the 2014 World Cup! This is an earlier post on the year Germany hosted the world’s greatest party.
I’ve belonged to a writers’ group for two years. How did I survive so long without the company of my crazy peers and fellow wordsmiths? I have no idea what I did before I hooked up with these people.
In my group you find: Short stories. Essays. Erotic (really erotic) poetry. Autobiographies. Journalism. Novels. Urban fantasy. Flash fiction. Song lyrics. Wistful thinking (this is how a member explains what he writes, and I love his description).
We come together to share and critique works-in-progress. We use writing exercises to loosen up our creative muscles. And we’re committed to public readings.
A little café named Wir Sind Babel was one venue. A brightly lit coffee house with marble floors and comfy chairs was another. And the last one…. well, that venue gets a blog post all its own.
An Irish pub I’ll call The Blarney Stone seemed like the ideal spot. The bar’s slowest weeknight was the perfect time.
We could use a side room for our event. The space looked like a library room filled with bookcases, a perfect setting for our brilliant words. Even better, the owner promised us if we could total 50 people we’d get the main room – and he had a microphone we could use! They often feature live musical acts and the entire bar was already wired to hear us. Sweet!
A Toast Master offered to be our MC. He’d read short bios to introduce each reader. We printed up fliers for the tables and info sheets to hand out ahead of time. It was all perfect…
Doesn’t this sound too good to be true?
That Tuesday we arrived with high expectations. The bar was packed. Our side room grew too small for all our friends and guests, but the main room had filled with patrons who, sadly, were not there for our earthshaking literary creations.
Every chair was taken and people sat and stood everywhere. Waiters and waitresses had to slither their way with plates and drinks through the crowds. Then we realized our side room had no door, and that meant no barriers against the noise levels that kept increasing.
No worries. We were as cool as the collective cucumber, because we had the ultimate secret weapon: the microphone. The first reader began to recite her piece.
And then the m crophone we were loan d began sh rt ng out w th ever sec nd sente ce and nex with ev ry thi d word. It g t wors . The m ke beg n to let o t awf l and ear splitt ng sccccrrre eee ee ech hhhhiiiing fee eeedb ck. We checked that the batteries were fresh and the wiring solid. We tried holding the mike in different parts of the room, closer to our lips, away from our mouths, up in the air. We recited louder, and then more quietly; none of it made a difference.
At that point every writer in the room knew we’d been rat f cked. Without saying much (not that we could have heard one another anyway over the noise in the pub) we had that group moment of grokking that this evening would not be the literary triumph we’d all awaited.
The first reader gamely made it through her piece. The second reader performed in a different corner of the room. By the time it was my turn to read I lay the mike down on the pult and basically yelled out my piece, observing every pause, emphasis and careful nuance I’d practiced.No one heard a word over the pub din.
But I am so very proud of all of us. We observed grace under pressure. We went forward despite impossible conditions (and false promises made to us). We made the best out of the debacle… and it really brought us together as fellow failed performers.
The pub owner got more than fifty extra paying guests on what was his slowest night of the week! I’d like to say he bought us a round of drinks to make up for it. I’d really like to say that our words triumphed over noise decibels. But no, that night the gift of gab got stuck in a malfunctioning microphone.
Our next public reading is in a month, and it will not be held in an Irish pub. The first moral of the story? To get over stage fright, sometimes you have to scream. The second moral to the story? Don’t mess with writers, because at some point we will write about you and what you did.
We’ll be back at the newly renovated Wir Sind Babel. The date is Thursday, May 22. Doors open at 1900. Hope to see you all there!
Eckladen Uhlandstrasse 26 am Olgaeck /70182 Stuttgart
Images courtesy of dreamstime.com
Many people feel Berlin is now the cultural heart of Europe. Creative impulses come from Germany’s capitol and spread from there. One of the quirkiest is the Buddy Bears.
The Buddy Bears creators were inspired by the cow parades in New York and Zurich. Eva and Klaus Herlitz of Berlin wanted to initiate a similar street art project. The bear is the icon of Berlin, and thus in 2001, the Herlitzes created the first bear with a sculptor named Roman Strobl.
Their projected expanded, and in 2002 it went international. They had a bear created for every country the UN acknowledges, all designed by artists native to each country. To date 148 2-meter high fiberglass United Buddy Bears have been painted. The bears have their arms raised as if they’re holding hands. (This can also be described as the laughing Buddha pose.)
The first display took place in a circle around Berlin’s Brandenburg Gate. One and a half million people saw the exhibit, always free of charge. The circle symbolizes the Art of Tolerance. Since then, they’ve toured 5 continents and stood in an alphabetical circle in the centers of 17 host cities.*
In 2008 the Buddy Bears came to the Schlossplatz in downtown Stuttgart. (Read my post The Year the World Came to Party about how the 2006 Soccer World Cup transformed Germany. The Schlossplatz is where Uwe and I went each night with friends to watch the games on big screens.)
The United Buddy Bears send a message about peace, understanding, love and tolerance among the world’s nations, cultures and religions. Each bear is painted with images of the culture, history, landscape, economy, art and music of its country.
When new bears are commissioned, the older ones are auctioned off. All monies go to UNICEF and other childrens’ charities. To date (December 2013), over 2 million Euros have been raised for charities such as Eva Herlitz’s Buddy Bear Help!
Over 240 artists have been involved in the project, and more than 30 million visitors have seen the United Buddy Bears. A smaller circle of United Buddy Bears-The Minis (1 meter high) also tours.
The United Buddy Bears exhibitions are always opened by national and foreign dignitaries. They even have a Special Ambassador: the actress Dennenesch Zoudé. After he saw the bears in Berlin, actor Jackie Chan made sure the bears came to Hong Kong. UNICEF Goodwill Ambassador Sir Peter Ustinov saw them and he insisted that Iraq be represented.
There is one very special grey and white bear, a polar bear. He has the image of Albert Einstein and the following quote: ‘Peace cannot be kept by force. It can only be achieved by understanding’.
NOTE: * It’s fascinating to consider that United Buddy Bears change their order as they travel. The circle is always organized in the language of the host country. Buddy Bears may suddenly hold hands with distant or hostile neighbors…
Herlitz, Eva & Klaus, United Buddy Bears — Die Kunst der Toleranz. Bostelmann & Siebenhaar Publishers, 2003. ISBN 3-936962-00-6.
Herlitz, Eva & Klaus, United Buddy Bears — World Tour. NeptunArt Publisher, 2006. ISBN 3-85820-189-8.
Herlitz, Eva & Klaus, United Buddy Bears — The Art of Tolerance. 384 pages, English/German, December 2009, ISBN 978-3-00-029417-4.
Photos Copyright © 2013 Jadi Campbell. (All photographs can be enlarged by simply clicking on the image.)
Uwe and I go out of our way to see sacred places around the globe. (See my posts The Cult of Bà Chúa Xứ or The Music of the Heavenly Spheres for some photos and tales from other sacred spots.) Energies gather in some unlikely places. Sometimes I stand in famous spots and am disappointed, while a place less known for religion makes me feel the presence of the divine.
Chartres. I’ve been trying for days – weeks, actually – to summarize the “facts” about this site. It was built 1140-1260 and the labyrinth was laid in the first decade of the 13th century. I wonder what to mention about Chartres’ 1,000 years as a pilgrimage destination, or the female energies of the cathedral and their tenderness. Mary’s tunic, the Sancta Camisia worn at the birth of Jesus Christ, was brought here by Charlemagne. The king in turn had been given the relic as a gift during a trip to Jerusalem.
When the earlier church building burned on June 10, 1194, the Sancta Camisia miraculously survived. Chartres remains an important Marian pilgrimage center, and the faithful still come from around the world over to honor it.
Chartres is one of the most impressive Gothic cathedrals on Earth. Back in my college days at the University of Oregon, Professor James Boren in his Chaucer and Medieval Literature classes explained Chartres as literally turning the architectural form inside out. For the first time the ribs holding up the entire structure had been placed outside, allowing the inside heart of the structure to soar up into the Heavens, seemingly without limits. The support of flying buttresses was necessary because of the unprecedented size and heights of the stained glass windows and the nave. Professor Boren’s face glowed; this stern and learned man radiated as he lectured about a place that he said changed him when he saw it. That lecture and the look on his face stayed with me. Chartres: someday I would see it.
Chartres Cathedral contains one of the few remaining medieval labyrinths. It’s large with a circumference of 131 feet, almost exactly the same size as the West Rose window.
In the Middle Ages, French church labyrinths were the sites of Easter dances involving clergy and the tossing of a leather ball. Sadly, the labyrinths were destroyed, covered over, or hidden by Church authorities suspicious of their powers and pagan beginnings. (Labyrinths, including Chartres’, traditionally had an disk or placque of Theseus and Ariadne and the Minotaur at their centers. In fact, another name for a cathedral that contained a labyrinth was the “Domus Daedali” [House of Daedalus], a nod to antiquity’s Daedalus, designer of the labyrinth that held the Minotaur in Knossos.) *
But, Chartres’ labyrinth survived. I learn that while it’s covered by chairs most of the time, the labyrinth is made free for visitors to enter on Fridays. My one request to Uwe for our trip becomes, “Please let’s go to Chartres on Friday!”
So here we are, entering one of the holy pilgrimage destinations in Christianity.
Chartres. Once inside, the cathedral’s beauty immediately takes my breath away. I am so deeply moved that in the next moment I’m close to tears. Whatever I expected, this sacred soaring space is beyond all imagination. Light streams in through the windows and illuminates the visitors, pilgrims, and the simply curious. All of us are suffused in colors.
For a while I just walk around. Uwe’s already moved off with his camera, ready as always to use his art with photography to capture in images what my brain grapples with in words.
As the minutes pass I grow more and more stunned. And I remain dangerously, or is that gorgeously, close to breaking into tears. There is an energy to this place, a sense of the holy and the really, really blessed, that I have seldom felt anywhere.
The Schwedagon Pagoda in Burma comes to mind. It is the most important pagoda in the country, and I felt the top of my head buzz like it was going to blow off from the concentration of religious energies. Or a back pond in the Adirondacks with only my family as fellow witnesses: loons with a pair of chicks calling in low cries to one another as they eyed us but didn’t swim away. Or a tiny Greek Orthodox church in Thessaloniki, supposedly built on the site where Apostle Paul preached. I attended on Sunday with my friend Cynthia and our Greek host Fotis, who led us up to an altar surrounded by burning, hand-dipped wax tapers. Fotis insisted we take bread from the common basket. Tears streamed on both our faces; I finally felt the deeper meaning of breaking bread in fellowship.
All of these places’ sacred energies are present in Chartres. It is so much more than I deserve or had awaited. I take a deep breath to center myself, and move forward to stand poised at the entry to the labyrinth.
“A labyrinth is an archetype with which we can have a direct experience. … It is a metaphor for life’s journey. It is a symbol that creates a sacred space and place and takes us out of our ego to “That Which Is Within.” At its most basic level the labyrinth is a metaphor for the journey to the center of your deepest self and back out into the world with a broadened understanding of who you are. …
“A labyrinth is not a maze. A maze is like a puzzle to be solved. It has twists, turns, and blind alleys. It is a left brain task that requires logical, sequential, analytical activity to find the correct path into the maze and out. A labyrinth has only one path. It is unicursal. The way in is the way out. There are no blind alleys. The path leads you on a circuitous path to the center and out again.
“A labyrinth is a right brain task. It involves intuition, creativity, and imagery. With a maze many choices must be made and an active mind is needed to solve the problem of finding the center. With a labyrinth there is only one choice to be made. The choice is to enter or not. A more passive, receptive mindset is needed. The choice is whether or not to walk a spiritual path.” – Dan Johnston, Ph.D. at www.lessons4living.com
While I walk the labyrinth and contemplate the mystery of the sacred**, Uwe photographs me. When I see his photos later I’m surprised, and glad.
NOTES: * Another name for the eleven-circuit labyrinth is the “Chemin de Jerusalem” or Road of Jerusalem. Walking the labyrinth in Chartres or other places could be made instead of making the pilgrimage to Jerusalem.
** I haven’t even tried to talk about the lunations of the labyrinth. Their meaning is still debated. A celestial calendar? Esoteric design of the deeper mysteries?
Walking a Sacred Path. Rediscovering the Labyrinth as a Spiritual Tool. Dr. Lauren Artress, Riverhead Books, 1995.
(All photographs can be enlarged by simply clicking on the image.)
More pictures from France and of Uwe’s photography may be viewed at viewpics.de.
I’ve lived in Germany for over 20 years. Stuttgart has become my second home (third? fourth? It’s hard to say when you moved every few years as a child). Stuttgart is the ideal city, with all you could want:
What a great place to live! I used to think, If only Germans would relax and have more fun… and then the World Cup came to Germany.
It was 2006. May was cold and damp, and June was no different. Everyone waited anxiously for the start of the soccer tournament and prayed for good weather.
The weather gods decided to smile. Our prayers were heard and a few days before the tournament opened, the skies cleared and the temperature rose. We suddenly had perfect, sunny summer weather. The country let out collectively held breaths and said, Let the Games Begin!
Stuttgart set up 3 gigantic outdoor viewing screens in the heart of downtown.
Every restaurant and café had flat screen t.v.s. For once, patrons all wanted the set on and the sound turned UP!
I arranged my work schedule around the games and each afternoon my friends and I headed in to town to watch the afternoon matches. We never knew what we’d see on the UBahn trains or on the streets. An Aussie might be carrying a life-sized blow up kangaroo, or we’d spot French fans with their hair and faces dyed in the tricolors of the French flag.
Downtown Stuttgart swam in soccer fans.
The entire city turned orange on the days the Dutch team played.
One early afternoon several hundred British fans partied hard, getting more sunburned – and more inebriated – by the minute as they cheered on England.
Another day the Brazilians draped themselves in flags and samba-ed their way up our main pedestrian street, the Königstrasse, accompanied by musicians.
My husband joined us each night after he finished work. We’d grab a bite to eat and then head back to the main plaza for the evening match. The sides of the area that erupted with cheers when a team scored let you know: that was where the Italians were sitting. Or Portuguese. Or Americans. Or…
The German team was coached by Jürgen Klinsmann, a Schwab whose family still runs a bakery in a Stuttgart neighborhood. The team kept advancing! The mood in Germany grew more animated! EVERYONE stayed in a good mood.
It didn’t matter who won. (Okay, it did, it did!) Let me rephrase that: Fans cheered and groaned and stayed civil and good-natured no matter how the matches ended. The crowds swelled to over 100,000 people as it got closer to the finals.
The Königstrasse literally became a sea of happily excited fans.
It was a social happening: people from all over the world came to Germany to share these games together. You wanted to be in a beer garden or plaza or outdoor café, anyplace with a crowd of people. The 2006 World Cup Games is the greatest international event I’ve ever attended.
My adopted country is one hell of a host. Forget dour and uptight: these people know how to throw a party! Now if they could just hold the World Cup annually instead of every four years. And let Germany host it again, soon. I’ll be wearing a team shirt and face paint. And I will be hollering, Let the Games Begin!
(All photogaphs can be enlarged by simply clicking on the image.)