We’ve come to Paris for a quick getaway, and Stuttgart is less than 4 hours by direct fast train. As we think about what we want to do and see, we realize neither of us have ever visited Chartres.
Uwe and I go out of our way to see sacred places around the globe. (See my posts The Cult of Bà Chúa Xứ or The Music of the Heavenly Spheres for some photos and tales from other sacred spots.) Energies gather in some unlikely places. Sometimes I stand in famous spots and am disappointed, while a place less known for religion makes me feel the presence of the divine.
Chartres. I’ve been trying for days – weeks, actually – to summarize the “facts” about this site. It was built 1140-1260 and the labyrinth was laid in the first decade of the 13th century. I wonder what to mention about Chartres’ 1,000 years as a pilgrimage destination, or the female energies of the cathedral and their tenderness. Mary’s tunic, the Sancta Camisia worn at the birth of Jesus Christ, was brought here by Charlemagne. The king in turn had been given the relic as a gift during a trip to Jerusalem.
When the earlier church building burned on June 10, 1194, the Sancta Camisia miraculously survived. Chartres remains an important Marian pilgrimage center, and the faithful still come from around the world over to honor it.
Chartres is one of the most impressive Gothic cathedrals on Earth. Back in my college days at the University of Oregon, Professor James Boren in his Chaucer and Medieval Literature classes explained Chartres as literally turning the architectural form inside out. For the first time the ribs holding up the entire structure had been placed outside, allowing the inside heart of the structure to soar up into the Heavens, seemingly without limits. The support of flying buttresses was necessary because of the unprecedented size and heights of the stained glass windows and the nave. Professor Boren’s face glowed; this stern and learned man radiated as he lectured about a place that he said changed him when he saw it. That lecture and the look on his face stayed with me. Chartres: someday I would see it.
Chartres Cathedral contains one of the few remaining medieval labyrinths. It’s large with a circumference of 131 feet, almost exactly the same size as the West Rose window.
In the Middle Ages, French church labyrinths were the sites of Easter dances involving clergy and the tossing of a leather ball. Sadly, the labyrinths were destroyed, covered over, or hidden by Church authorities suspicious of their powers and pagan beginnings. (Labyrinths, including Chartres’, traditionally had an disk or placque of Theseus and Ariadne and the Minotaur at their centers. In fact, another name for a cathedral that contained a labyrinth was the “Domus Daedali” [House of Daedalus], a nod to antiquity’s Daedalus, designer of the labyrinth that held the Minotaur in Knossos.) *
But, Chartres’ labyrinth survived. I learn that while it’s covered by chairs most of the time, the labyrinth is made free for visitors to enter on Fridays. My one request to Uwe for our trip becomes, “Please let’s go to Chartres on Friday!”
So here we are, entering one of the holy pilgrimage destinations in Christianity.
Chartres. Once inside, the cathedral’s beauty immediately takes my breath away. I am so deeply moved that in the next moment I’m close to tears. Whatever I expected, this sacred soaring space is beyond all imagination. Light streams in through the windows and illuminates the visitors, pilgrims, and the simply curious. All of us are suffused in colors.
For a while I just walk around. Uwe’s already moved off with his camera, ready as always to use his art with photography to capture in images what my brain grapples with in words.
As the minutes pass I grow more and more stunned. And I remain dangerously, or is that gorgeously, close to breaking into tears. There is an energy to this place, a sense of the holy and the really, really blessed, that I have seldom felt anywhere.
The Schwedagon Pagoda in Burma comes to mind. It is the most important pagoda in the country, and I felt the top of my head buzz like it was going to blow off from the concentration of religious energies. Or a back pond in the Adirondacks with only my family as fellow witnesses: loons with a pair of chicks calling in low cries to one another as they eyed us but didn’t swim away. Or a tiny Greek Orthodox church in Thessaloniki, supposedly built on the site where Apostle Paul preached. I attended on Sunday with my friend Cynthia and our Greek host Fotis, who led us up to an altar surrounded by burning, hand-dipped wax tapers. Fotis insisted we take bread from the common basket. Tears streamed on both our faces; I finally felt the deeper meaning of breaking bread in fellowship.
All of these places’ sacred energies are present in Chartres. It is so much more than I deserve or had awaited. I take a deep breath to center myself, and move forward to stand poised at the entry to the labyrinth.
“A labyrinth is an ancient symbol that relates to wholeness. It combines the imagery of the circle and the spiral into a meandering but purposeful path. …
“A labyrinth is an archetype with which we can have a direct experience. … It is a metaphor for life’s journey. It is a symbol that creates a sacred space and place and takes us out of our ego to “That Which Is Within.” At its most basic level the labyrinth is a metaphor for the journey to the center of your deepest self and back out into the world with a broadened understanding of who you are. …
“A labyrinth is not a maze. A maze is like a puzzle to be solved. It has twists, turns, and blind alleys. It is a left brain task that requires logical, sequential, analytical activity to find the correct path into the maze and out. A labyrinth has only one path. It is unicursal. The way in is the way out. There are no blind alleys. The path leads you on a circuitous path to the center and out again.
“A labyrinth is a right brain task. It involves intuition, creativity, and imagery. With a maze many choices must be made and an active mind is needed to solve the problem of finding the center. With a labyrinth there is only one choice to be made. The choice is to enter or not. A more passive, receptive mindset is needed. The choice is whether or not to walk a spiritual path.” – Dan Johnston, Ph.D. at www.lessons4living.com
While I walk the labyrinth and contemplate the mystery of the sacred**, Uwe photographs me. When I see his photos later I’m surprised, and glad.
NOTES: * Another name for the eleven-circuit labyrinth is the “Chemin de Jerusalem” or Road of Jerusalem. Walking the labyrinth in Chartres or other places could be made instead of making the pilgrimage to Jerusalem.
** I haven’t even tried to talk about the lunations of the labyrinth. Their meaning is still debated. A celestial calendar? Esoteric design of the deeper mysteries?
Walking a Sacred Path. Rediscovering the Labyrinth as a Spiritual Tool. Dr. Lauren Artress, Riverhead Books, 1995.
I’m more than thrilled to repost the interview I just did with Steve Wellings at Write A Revolution. My thanks to Steve for his terrific close reading of the text and thoughtful questions.
Interview with self-published author Jadi Campbell
Posted by Steve on December 2nd, 2013
This week we are delighted to welcome over talented self-published author Jadi Campbell, the creator of Broken In, the latest collection of stories that we have found extremely hard to put down. Jadi is a well-travelled writer currently residing in Germany who has taken her varied cultural experiences and moulded into her latest offering. We know you’ll love Broken In and our interview with Jadi.
Hi Jadi, congratulations on Broken In, it was a fantastically crafted collection of stories and we thoroughly enjoyed reading through the book.
It is enormously satisfying to be told that you noticed how I crafted the book.
The stories show how you can skilfully develop characters. No lead role is wasted and each has varying dimensions to their persona. What is the secret behind writing such strong characters?
Take the time to get to know them. In Punctured, for example, I knew that Jeremy’s wife Abigail was younger than he and quite shy. But something was missing and the tone (because this story is pretty tragic) felt terribly somber. I set it aside for a while and when I returned to it I had the key: Abby has a wicked sense of humor that only her husband is allowed to see. It gives a needed lightness to their story, and suddenly she became 3-dimensional. If your characters don’t feel real, allow them the time to develop.
Is there any part of the story or side to the characters that is autobiographical or taken from people you know or knew? I like to think that a feisty real life Lisa exists somewhere out there!
Thanks! I want to create realistic characters. One of my strengths (from what my readers tell me) is that as you read, you recognize yourself or people you know. No character is based solely on someone I know in real life… and all my characters are amalgams of who I know and what I witness every day in the real world.
Lisa’s experiences to Bangkok are my own and definitely autobiographical. But I had to express them through the lens of a 20 year old rather than my own adult age. It was fascinating to try and figure out what such an inexperienced young person would make of Bangkok’s chaos and decadence.
You split Broken In into separate, interconnecting stories rather than chapters in a straight-running novel. Why did you decide to approach the book in this manner?
When the Muse started tapping on my shoulder I wasn’t sure if it was she planned to stick around. I took the opportunity to experiment with short stories, a new genre for me. It was great fun and then the idea to base a novel on interconnected tales came from the story Surprises. I realized that I could tell the story of everyone of the characters in it, and the book was born.
Can you explain why you chose to call the book Broken In?
The term is active and passive: you break in new shoes to make them comfortable, and learn the ropes at a new job that way, too. But it’s also what happens to us. It’s the break ins, losses, challenges, and things that intrude on our lives or break our wills. I like the way ‘broken in’ is both ominous and promising.
Do you write elsewhere, like on a personal blog or website where you flesh out ideas and/or connect with readers?
I blog at jadicampbell.wordpress.com and belong to 2 writers’ groups. We share works-in-progress and give each other thoughtful, honest criticism and feedback.
As the passage below shows, the dialogue and prose is often raw, direct and uncompromising. Did you write the stories to fit a particular genre or did you just write naturally and leave in, basically, whatever hit the page? Does this extract generally encapsulate your writing style?
“It was Steve, naturally, back with the same old bullshit. How he didn’t want to live life without me, and how he hadn’t slept in weeks. That part was probably true. He looked awful. At first I felt bad for him. But I was pissed. Who the hell did he think he was, sneaking around my yard waiting for me to come home, looking to see if Freddie was downstairs or not? Was he turning into a stalker? The little bubble of emotions I had left for him dried up right then and there. I owed him nothing, as far as I was concerned, nothing. Stalking behavior cancelled out the slate and left it dry.
“Here Judy’s words took on the cadence of a carefully rehearsed speech.”
This is a great question. I wish I could leave whatever hits the page, but find constant revisions are the way to hone down to the true heart of a story. This particular passage is someone speaking, and dialog has to sound natural. I’ll write conversations and then read them aloud, looking for the rhythms of speech. I hope that the naturalness of this passage does reflect my characters when they are talking. As far as my writing being raw, direct and uncompromising (and thank you for that!), I shape scenes until I find their essence. I love writing descriptive passages, and seek the beauty in a moment or emotion perfectly described.
In JJ’s, the bartender and a teenaged patron plan exotic trips. JJ’s chef meets several men who’d kill for her. Valuables and peace of mind literally get stolen. Couples celebrate, or split up. In a rainy night accidents happen and people vanish. These are the stories of people whose paths cross – or crash. The tales begin in a bistro and move on to Bangkok, a carnival midway, and the bottom of a lake, among other places. Broken In: whether totally random or according to plan, after tonight life will never be the same.
What are you reading at the moment and what could you recommend to us?
I just finished David Eggers’ book Zeitoun about Hurricane Katrina. For fiction, anything by Geraldine Brooks is a feast. I recently reread all of Ray Bradbury.
What are you currently working on or what can we expect next?
I’m about 3/4s finished writing my next book. I’m at the hardest stage of the writing, and that’s figuring out both what to cut and how to join any still disparate parts together. It’s tentatively titled ThanksGiving. I have a third book in the works as well: a short story collection.
What are the major challenges that you have faced in your writing career?
Marketing. I did the writing first and the self-promotion afterwards. Aspiring writers (and all artists) need a marketing plan, or a manager. Preferably a manager…
What do you advise new writers to do? Best practice, writing tips, etc.
Join a writers’ group! The feedback of your peers is invaluable. And you’ll realize that you aren’t alone with your fears and hopes. Most writers create in isolation, so discovering others who think and feel like you do is a lifesaver in a sea of self-doubt. An added bonus is if you can find a group that likes to write together, the combined creative energies will inspire all of you! I meet every Friday with a group at a café and something wonderful happens when we’re all typing away on our laptops…
What is your background away from the writing desk and how did you get into penning novels?
I earned a B.A. in English Literature but wanted experience working in the real world for a while. I spent time in a San Francisco corporation in Marketing and Underwriting, and then became a massage therapist. I wrote as European Correspondent (great title, little dough) for a massage magazine for a decade. Took some years off from writing after that. Then the Muse returned stronger than before, and I’ve been following where she leads ever since. I still love massage work, so I’ve kept my hand (sorry, couldn’t resist) in a very people-oriented profession. It’s the perfect foil to the isolation writing demands.
Getting a self-published book noticed and into the hands of readers can be tough. Could you offer our readers any tips/hints or advice on promotion or marketing?
Send out emails to everyone you know. Start a blog and find your voice. Join a writers’ group that does public readings. Work to get your book reviewed: those reviews in turn allow you to contact fine websites like this one. AND – take the long view. It requires a year or longer to write a book; don’t expect to experience overnight success. It’s all baby steps and frustratingly slow… but each success builds on the prior ones.
What is your opinion on the power and potential of social media? Do you use the likes of Facebook, Goodreads, Google+ etc to connect with fans and promote your work?
I link my blog posts to Facebook. As for the power of social media, I find it’s a fine line to walk between developing a public presence online and giving away details about my private life. But yes, with the right amount of care the power of the Internet and social media can – and in many cases, do – help me promote my work effectively.
Who did you get to do your cover design, eBook formatting/conversion to Kindle and the like? And editing…was this all outsourced or did you do some yourself?
For the cover artwork I turned to Walter Share, an artist in Seattle. He has a website at Waltercolors.com. I am hoping he’ll agree to do all my covers! My husband did all the formatting work. I edited a guidebook for a trusted friend, and she returned the favor and edited Broken In.
Do you read self-published work yourself and could you recommend any independent authors’ work that we may enjoy reading?
Valerie Davies is a British woman now living in New Zealand and writes a gorgeous blog filled with her meditations on life. Valerie’s stories are collected together in Chasing the Dragon: An Addiction to Living.
Where can readers pick up a copy of your books from and what formats are available?
Broken In: A Novel in Stories is available on Amazon all around the world in paperback and eBook forms. My blog provides a link to the books as well. Jadi Campbell
Where can readers find out more about you, and/or get in touch?
I invite readers to visit me at jadicampbell.com. I’m also on Facebook.
Many thanks for talking to us Jadi and best of luck with your future projects!
Thank you so much for featuring me. It was a pleasure to answer your questions.
The scent of floating roses is the first thing I notice. The smell comes from the pots of flowers set in front of a deep tub. Eventually I smell a burning stick of incense. The bamboo walls don’t reach the ceiling, and smoke simply wafts up and out to the palm trees outdoors. Only later when the sun goes down do I detect a burning mosquito coil.
My therapist here on Java is named Bu Tami Juguk. Bu Tami asks me to remove all of my clothes and lie on the low bamboo bed covered with batik sheets. Since the temperature is about 30 degrees Centigrade (86 degrees Fahrenheit) I don’t mind lying naked without a drape. She goes to the tub and turns on the taps. The sound of running water is in the background during the entire massage.
Bu Tami is 41 years old, and the Bu title is the shortened version of Ibu, a term of respect used to address an older woman. Bu Tami doesn’t speak much English, but has wise hands. Indonesian massage knowledge passes down through the family, and Bu Tami learned massage from her mother.
She starts at my feet and massages me with a press – push – squeeze routine. She doesn’t forget to massage my abdomen. Her strokes go deep and radiate, always leading inwards to my navel. She finishes by massaging my head with sweeping strokes. She grasps at the roots of my hair and her hands draw out to the ends with an unusually firm grip.
She uses sandalwood oil, flowers cooked into it for their essence. This oil is only for the initial part of the massage, though. As I lie there, Bu Tami takes a clay jar down from a shelf. She scoops out a greeny-yellow substance and slathers it onto my body.
I am being covered with lulur, an exfoliating scrub derived from a Javanese plant combined with rice meal. Lulur may include ginger extract, tumeric, sandalwood, jasmine oil and water. This lulur treatment is utilized as a beauty peeling for everyone except babies. Jogjakarta city still has the special status of a sultanate, and lulur was first used by the women at the Kraton, the sultan’s palace.
Javanese men and women use lulur before marrying. Lulur is traditionally applied at home on each of the 3 days preceding a wedding ceremony. The lulur sloughs off old skin and makes both bride and groom more radiant and beautiful. I learn that a Javanese plant called kunir is also used, and on the island of Sumatra people use a plant called param.
The lulur is slightly gravelly, and cool on my skin. I turn over and Bu Tami lulur-s my back, buttocks, legs and feet. Then we head towards the tub. She has me sit at the small recessed foot bath. Bu Tami fills a bowl with water dipped from the tub and rinses me off. Another bowl is dumped on my head and water runs off me in streams.
Bu Tami reaches for another pot. She lathers my head with the shampoo and washes my hair. Her strong, sure hands massage my scalp at the same time – heaven! She squeezes my skull with more strength than I am used to for head massages, but it does not feel too hard.
She rinses away the shampoo with more bowls of water. Bu Tami has me stand up. She takes a bar of soap and lathers my entire body front and back.
“I feel like a baby being washed by her mother!,” I say.
“Yes, baby and mama,” smiles Bu Tami. She doesn’t speak much English, but she definitely understands.
The soap is washed away; another bowl from the shelf is selected; and now the first real surprise comes. Bu Tami smears me with yogurt. The yogurt calms and softens the skin after the purifying effects of lulur. She slathers me completely from head to foot in the yogurt, then rinses me off one final time.
She turns off the taps of the full tub and points for me to climb in. I happily comply. Bu Tami gathers handfuls of the roses from the big bowls. She crumbles them and strews the petals over the warm bath waters and me.
Bu Tami returns with a glass of fresh-pressed orange, banana, and papaya juice. She leaves me to soak. I lay in the tub swishing flower petals around my body.
A male voice begins to wail. His voice rises and falls. It must be time for sundown prayers. This, in turn, must mean that I have been in this sumptuous massage treatment for 90 minutes. Sunset is abrupt in the equatorial tropics, and occurs punctually at 6:00 every evening we’ve been in Indonesia. My massage session began at 4:30, so I can time the treatment with certainty by the calls to the faithful sounding outdoors.
As most buildings have roofs of bamboo and rattan – or walls that don’t reach the ceiling, like the walls in this massage room – it is impossible not to hear the muezzin’s voice. I lie floating in my heavenly bath and listen to rhythmic wailing calls in Arabic. I am certainly in another country, and I would call it Paradise.
Some time later (5 minutes? 10 minutes?) Bu Tami returns. I climb out of the tub and she towels me dry. The session is not over, though. I lie back down on the low bed, and Bu Tami rubs a rose and hibiscus lotion into my skin. This ends my two-hour session, and I slowly get dressed and leave.
At the attached restaurant a young man stands with a menu in his hand. He is asking the receptionist about the massage advertisement on the second page. “Could I get a massage tonight?” he asks.
“I just got one of these massages!” I tell him. “Go for the 2-hour session. You’ll literally come out smelling like a rose. I’m a massage therapist myself and the only thing I regret is that we’re leaving Jogja tomorrow, or I’d come back for another!”
“Really?!,” the young man answers. “A bath would be perfect! I don’t have a hotel room here and I’m taking the all-night train to Jakarta tonight. I won’t be able to clean up before I leave.”
“You’ve come to the right place. The massage will set you back 100,000 rupiahs, about $13. It’s worth every penny.” As Uwe and I leave he’s booking his appointment with Bu Tami. I just know he was in for a special treat.
Like most tourists, we stayed in Jogjakarta in order to visit Borobodur. Jogjakarta bustles with a marvelous mix of becaks (rickshaws), taxis, bicycles, cars, pony carts, and motorcycles. We either ride in becaks like the natives do or walk in the quieter side streets with their surprising gardens and yards.
Occasionally I spot women walking along with buckets or plastic bowls balanced on their heads. In the buckets are bottles and jars containing different colored herbs or fluids. These are jamu women, the native herbalists who go from door to door carrying their apothecaries with them. A jamu woman will mix up an elixir for her patient on the spot. Jamu products are produced commercially as well, and over 100 million Indonesians take jamu daily.
We discovered the massage center on a side street lined with restaurants and smaller hotels. The boss at the Lotus Garden Restaurant and Hotel had noticed how many visitors carried in their luggage with one hand, while the other hand held onto sore backs or legs. He decided to offer massage. We visited Indonesia in 1999, but a look on the Internet indicates the restaurant still exists. I whole heartedly recommend the massage services.
NOTES:  “Jamu is the Javanese word for any of a great number of traditional Indonesian herbal medicines and health concoctions…There are about 100 jamu recipes in use, but only a dozen or so are really popular.” Fred B. Eiseman, Jr., Bali: Sekala and Niskala. Volume II: Essays on Society, Tradition, and Craft (Periplus Editions Ltd. CV Java Books, Indonesia, 1990), p. 299.
Lou became a different person when he talked about his dead brother. Each time he mentioned Joey’s name Lou’s own plain, pleasant face would animate. It was as if a locked cabinet door suddenly swung open, each time letting out bright treasures long stacked up and locked away for safekeeping.
Margaret learned not to interrupt the flow of memories; when she asked too many questions the stories might derail. Plus Lou tossed out medical terms that meant nothing to her. She had no idea he knew so much about medicine and genetic diseases.
She preferred the details about what his days with Joey had been like. “We’d sit on an old couch in the rec room and watch TV,” Lou recalled, and it took shape as he spoke. It was yellow and brown plaid and really ugly. Mrs. Bocci had covered it with a clashing afghan, luckily out of sight down in the remodeled cellar. Lou and Joey watched television down there in the darkened room, drinking cokes and eating candy bars. Or Lou did; Joey had to avoid sugar as his parents and medical team tried successive diet regimes to control his myriad conditions.
Lou and Joey were exactly the same height, and they had the same features. The boys were monozygotic, what they call identical twins. They were truly identical. Only 8% of twins are monozygotic, and double births like Lou and Joey make up only 3 in every 1,000 deliveries worldwide, regardless of race. The chances of a fertilization ending in monozygotic twins are the same, for every population everywhere, all around the world.
Lou’s voice took on a slightly lecturing tone as he recited each fact about Joey and his life. Margaret ate them up. The more facts he imparted the smarter she became, both about the topic of twins and about her boyfriend. With fraternal twins, Lou told her, the most frequent occurrence is brother/sister births. In identical or monozygotic twins, brother/brother births are the rarest births of all.
When the boys were out together in public it was more than obvious something was wrong. Clearly Joe was confined to a wheelchair or needed to use a cane to walk. If the viewer didn’t see the handicaps, though, Joey and Lou were identical. Without the cane or braces in plain sight, it was only when Joey coughed that someone could identify which twin was which.
As they aged they would likely become more alike, with the same IQ and personality. How twins are brought up, whether in the same house or separated at birth – that factor makes surprisingly little difference. Of course, the fact Joey was born with congenital defects complicated the math equation for the prediction. But the boys loved being twins; it was cool. Because of his brother, because of Joey, Lou was automatically special. While Joey was still alive, Lou stopped wanting to be an astronaut. For a time he wanted to go into genetic research.
Margaret went home each evening to sleep that was attended by strange dreams. Cells replicated in her dreams, forming up on the left into a perfectly regular human shape. On the opposite side, a tragically beautiful über-human took form. The gestalt was unquestionably male. But then the contour of the image blurred and curled at the edges, unable to hold his ideal form.
She woke up thinking about Lou and his frail, pale double.
Margaret began looking at Lou with different eyes. He simply wasn’t the same person as before. Lou hadn’t changed, of course, but his past and the absent twinned half that had been tragically cut down by illness, the part of him inexorably gone was the part Margaret found mysterious. The lost duplicate cells were of endless fascination for her.
In the hours between dates with Lou, Margaret daydreamed about her lover. How many other seemingly ordinary men and women might there be in the world, persons who seemed so common on the outside, all of them with their secrets and old tragedies. How many people had strange cloned or parallel universe doubles, tragically vanished and never to be retrieved? Maybe, she mused, maybe we all have doubles we sense on some strange level, and we mourn them without ever realizing it. When we talk about the search to find your soul mate, maybe what we really mean is your other half, the part you lost in some earlier life. And when you meet again in the current incarnation, you come together to be whole without even recognizing it’s happened. It’s just your missing twin, whom you’ve refound.
She scoffed at herself for such fanciful notions, but Margaret was a little bit envious of her boyfriend’s past history. Strangely, his incompleteness made him whole. Lou wasn’t a decent guy with a good if boring career. He was somehow so much more than the sum of his parts, both those existing and the ones that had vanished. Or maybe especially those parts that were dead. Not only did Margaret observe Lou with new eyes; she really saw him for the first time. Margaret began to fall in love.
– from my short story “Hit and Run” in Broken In: A Novel in Stories. Available online at amazon.com,amazon.de, and amazon in countries everywhere. Go to my posts Hit & Run 2 & 3 for more on Joey, Lou and Margaret.
In the early 60s Mom had 3 small girls and was the leader of a troop of Brownie Scouts. My mother was a sucker for holidays, and she loved Halloween. From personally answering the door with big bowls of apples and candy (both ‘good’ and ‘bad’ treats) she progressed to dressing up as a witch in cape and hat.
We had a Walt Disney ”Chilling, Thrilling Sounds of the Haunted House” record that played over and over in the background. Mom began to dye her face and hands a rather convincing green. She perfected a witch’s cackle and would slowly open the front door to a dark living room. The yarn cobwebs and paper skeletons hanging from the ceiling then became visible in the lights from the candles.
Needless to say, our house became cult. Little kids (and their parents, who discovered it had to be seen to be believed) saved our house for last to visit on the trick-or-trick circuit. We ended up having to buy lots more apples and candies every year as the number of visitors grew.
Mom was always slightly hoarse and had a sickly green-y pallor for days after that holiday. Green food coloring does not wash off easily….
I wish I had some pictures from those days but this one will have to suffice. As a massage therapist I have a (not-real) skeleton standing in my treatment room as a visual aide. Each year on October 31st I set him in a window backlit by candles, to honor my mother and all the dead.
Happy Halloween, everyone!
NOTES: This was one of my earliest posts, I think my 4th? (I know I had about 5 blog followers.) I still love Halloween, so today marks the very first time I’m repeating a post. First posted on October 27, 2012
I’m hard at work on my next novel. You’ll meet a psychotherapist with a fear of flying, cult members, and a woman with strange dreams. One character visits a food bank. It’s a brief scene, one page or maybe two, tops. Easy enough. Nonetheless, the scene matters.
I spent hours trolling the Web for information. The back of my brain always insists, Get it right, Jadi. Then I remembered I actually know several people who work at non-profits… and I’d never visited a food bank. So, in the interests of research (and a wonderful excuse to see what a friend does all day) I made an appointment to interview Beverlee Hughes, Executive Director of Food For Lane County [FFLC] in Eugene, Oregon.
I thought I knew about the reality of hunger. Uwe and I travel to out of the way places, and God knows we’ve seen poverty and malnutrition in countries and regions all around the globe. But the visit to FFLC brings it back home.
Fact: 20% of the U.S. population lives in poverty
Fact: 46 million Americans are on food stamps
Fact: The number of people needing services has tripled in a decade
Fact: 1 in every 5 people in Oregon is eligible for food assistance
Fact: Oregon State has highest rate of childhood hunger in the country (29.0%)
Fact: 30% of children in Oregon are food insecure *
Fact: 39% of Lane County residents are eligible for emergency food assistance
Fact: In some Lane County schools, 95% of all children are eligible for free or reduced cost lunches
What do you do with these facts? If you’re Beverlee, you get to work. She and her staff of 58 achieve an astonishing range of goals:
Emergency & Mobile food pantries (distributing just under 8millionlbs. of food/year)
Emergency Meal sites & shelters
3 Child Nutrition Programs
Food Rescue Express & Fresh Alliance (distributing 1 million lbs. of food/year)
2 gardens & a 6-acre farm that grow food & build self-esteem. FFLC hires at-risk kids and through internships teaches them teamwork, punctuality, customer services, etc. Daily lunches at the gardens teach people what freshly harvested produce tastes like.
Extra Helping, food for low-income housing sites
Delivery of once-a-month food boxes for low-income seniors
A farm stand outside PTA meetings where parents can pick up food as they leave
The Dining Room, the food bank’s sit-down restaurant in downtown Eugene, offering free 4-5 course meals. They serve up to 300 meals a night.
Shopping Matters, classes to teach people on limited budgets how to shop for food
Cooking Matters, free cooking & nutrition classes to begin in January 2014
Part 2 will be posted tomorrow.
* Food insecurity—the condition assessed in the food security survey and represented in USDA food security reports—is a household-level economic and social condition of limited or uncertain access to adequate food.
The first thing I noticed is that the food bank takes up an entire warehouse. Outside the front doors a lovely mural depicts people harvesting a garden for an old-fashioned produce stand. The next wall has a quote from Pablo Neruda.
The reception area has tall walls with high windows, metal filing cases and the ubiquitous, moveable office divider walls. Boxes in the gigantic pantries are stacked impossibly tall, 10-15 palettes high. Signs direct donors to head to Dock 1; at another dock, vans load food to be delivered to distribution centers.
Beverlee moved to Eugene from the Oregon coast where she was one of the humans instrumental in releasing an orca back to the ocean (you know that story as “Free Willie”). She’s always loved community development work.
Bev says, “In the non-profit world you wear so many hats. You can be responsible for so many things. If I like coming to work, I certainly want my employees to enjoy coming to work…it’s a whole lot easier to manage an organization where folks are happy. It’s great to keep my finger on the pulse.”
Of the staff of 58, thirty-six employees are full time, and 6 of those are involved in fund raising and marketing. Many of the workers have been with the non-profit for 18-20 years. All are passionately committed to FFLC’s goals.
A typical employee “is a guy who had a really good job, great bennies, and a good salary. But it wasn’t meaningful work. So at a certain age he decided that he needed to change gears and do something more meaningful.
“It’s a paradox sometimes,” Bev says. “We have people working here who need our services. A liveable minimum wage is $15/hour. But all of our full time employees get health care and retirement benefits.”
Entry-level employees usually are young people (frequently part-time), working their way into careers. Other positions are filled by a highly educated group who usually hold graduate degrees and have an interest in non-profit management. Many are Peace Corps veterans or people with experience as volunteers. The 16 men who work in the warehouse are a range of ages, all of them interested in physical labor.
FFLC runs 13 food programs, each with a unique way of distributing food to the hungry. Most of the food bank’s 140 partner organizations are staffed by volunteers.
Bev wanted to know first-hand what it’s like to budget for food on a limited income. “The first thing that happens when people are strapped,” she said, “is they decide not to eat. They want to pay the bills and keep the roof over their heads.” Persons on food stamps provided by the Supplemental Nutritional Assistance Program, or SNAP, feed themselves on what comes to $31.50 a week, or $1.50 a meal. Bev had to think ahead and prepare food all the time to make it work. She realized that “[a] person who has limited access to food by necessity spends a lot of energy trying to figure out how to meet that hunger.”
Food For Lane County is Eugene’s most popular non-profit, and she hears stories every day about people who have been touched by their services. Bev volunteers at FFLC’s programs and especially loves FFLC’s restaurant. The Dining Room serves nightly free meals with a piano playing in the room, artwork on the walls, and newspapers to read. The homeless and the hungry are fed with dignity. Bev describes being there as “a Buddhist moment”.
I asked her for any last thoughts. She notes that America has no national discussion about hunger and poverty. People cared when the recession first hit, but events have moved on in terms of dialog or visibility. And in the meantime the problems of hunger and the hungry in the USA have worsened.
Before the afternoon ended I knew I was going to blog about Beverlee and Food For Lane County.
FFLC’s vision: To eliminate hunger in Lane County.
Their mission: “To alleviate hunger by creating access to food. We accomplish this by soliciting, collecting, rescuing, growing, preparing and packaging food for distribution through a network of social services agencies and programs and through public awareness, education and community advocacy.”
* Food insecurity—the condition assessed in the food security survey and represented in USDA food security reports—is a household-level economic and social condition of limited or uncertain access to adequate food.
“No one must ever come here,” Danny commented. Jilly was focused on the forest floor and didn’t answer, but he was right. The carpet of woods was undisturbed, and the trail she and her brother were following was unmarked by old boot tracks from anybody else.
Danny stopped to sit back on his heels and look up into the clear sky. The sound of Jilly’s woodpecker was louder; either they’d gotten nearer, or else the bird (or whatever was making the noise; he still wasn’t convinced it was necessarily a pecker) had flown in their direction. Tap tap tap tap thwock tap thwock. He stood back up. “Come on. Let’s go find your not-bird.”
Obediently Jilly followed, too happy with the day and the peace in the woods to respond to the comment. The trail narrowed, and the siblings walked single file without making noise as they followed an occasional tap thwock. The noise was less frequent and had stabilized itself to a point somewhere not far off.
Jilly looked behind her to see if she’d missed anything back down the trail, and promptly ran into her brother. Danny stood in the middle of it, concentrating on something ahead.
“Someone lives out here.” He pointed left. The trail rose a little, and they stood on the only point where the building could be seen clearly at all. Jilly squinted; she would need glasses soon, but so far nobody had noticed. Jilly’s quick wits compensated for what she lacked in visual acuity. Jilly narrowed her eyes into slits until she made out a dull brown building. It was a small hut, and the builder hadn’t bothered to clear out any of the trees or surrounding underbrush.
Danny and Jill went nearer, moving more slowly but intensely curious. Danny didn’t say anything as they kept following the trail. He ignored the No Trespassing sign nailed to a tree; Danny knew his sister hadn’t seen the other signs either, all warning they were on private property.
The trail ended abruptly. They stood at the edge of a wall of brambles, towering 4 feet above their heads. The screen of thick blackberry canes shielded the cabin from sight. Sharp points grabbed onto Danny’s knap sack when he went nearer, and he shrugged the pack off his shoulders and set it on the ground as he searched for a way through the thorny wall. The surrounding ground was awkward with rocks.
“We’ll never get through this,” Danny said.
“Over here.” His sister had found a path cunningly cut into the bramble, low enough that an adult would need to duck down to see it at all. The two children were just the right height to make out the path, visible only if you were searching for a way through the thicket. Jilly and her brother made their way into the low brush, moving carefully to avoid getting snagged.
They came out on the opposite side of the briar hedges and discovered they were close to the dwelling. It was constructed of smooth planks of wood and had a single door that was closed, and no windows. Jill moved back to the trees beyond the cabin, still looking for her bird. She vanished almost immediately into the darkness created by shadows of the tall trees. Danny circled around the side of the cabin.
He stepped into a messy clearing filled with wire cages, some of them with busted wire netting, all of them empty. Other than the ground under the abandoned cages, nothing had been cleaned or cleared. He discovered another, smaller hut almost completely hidden by the bushes and saplings crowding back into the forest.
There was no longer any sound of the hammering. “Told you there wasn’t a wood pecker,” Danny began to call after his sister. Before he could finish the words a shrill yapping drowned out his voice.
Danny shrieked and something banged against the hut’s inner walls. It went on banging without pause, as if a gigantic creature with fifty frantic scrabbling legs climbed up the wall in a desire to attack him. The yaps didn’t let up for a second. Things were hurling themselves against the planks, rabid with anger. For a moment the clearing was suddenly, terribly still, all sound sucked out of the day and into the creatures trying to break their way out of the cabin.
Danny glanced wildly around the clearing. He ran over to the cages and put his weight on the nearest one to see if they were stable enough for him to climb up out of biting range. He was testing the surprisingly thick wooden frames when the cabin’s owner stepped out in front of him.
Danny wondered why the burly man was wearing boots on a warm day, but the shovel the man carried took up his attention. “What’s your name? What do you think you’re doing?” The adult went on talking without waiting for an answer.
“I’m Danny Tarbery,” Danny answered. “I was just riding around, out exploring, that’s all.”
“Danny? Why, that’s my name, too.” The man came closer. “Danny. Dan. You can call me Big Dan. Little Danny, you’re a long ways from town for exploring.” Danny swallowed hard and tried not to make a face. Big Dan smelled unbelievably bad. It was a stench of very old sweat, the crusty plaid shirt he wore, and the mud caking the shovel and his boots with a combination of earth and partially decomposed swamp grasses.
Big Dan was directly in front of Danny but he didn’t stop coming. Danny backed up until he was cornered between the man, the cages, and the cabin. He stumbled a little as his body touched the back wall. The dogs became aware of his presence against it outside and Danny felt the boards yield. They threw themselves against the wood over and over, the movements harder and more insistent.
The man bared his lips and brown teeth showed in an incongruously attractive smile. He flicked almost white hair out of his face and never let go of the dirty shovel. “What d’you think you’re exploring for?”
There was a pause inside as the canines heard the older man’s voice. The thudding began again even harder. Danny literally felt them as they scrabbled up and down the other side of the thin planks. The frame and walls shuddered; the dogs were rabid to get outside. Danny began trembling, and couldn’t stop.
“You had to come looking even though the road out there has a bunch of No trespassing signs, right?” The owner pointed in the direction of the dirt track, clearly indicating it as the road in question. “You saw the signs, don’t pretend you didn’t.” He looked at Danny, calculating. “Boy, how old are you?”
“My step father’s waiting for me,” Danny began.
He heard the snapping of brush littering the ground off to the right on the far side of the cabin. The door to the cabin creaked as it opened and there was silence for four seconds. The air filled back up with shrill barking. Danny listened terrified as dogs sniffed the air and dashed towards where he stood trapped against the back wall of the cabin.
Calmly the man with the terrible smell turned and called out, “We got a visitor here. Stop!”
Danny watched in incomprehension as three dogs, far too small to have produced the huge amount of chaotic noise, immediately stood at attention. He wanted to laugh, but he was too scared. “Chihuahuas?” Danny said.
(Photo from Wikipedia)
– from my short story “Just Riding Around” in Broken In: A Novel in Stories. Available online at amazon.com,amazon.de, and amazon in countries everywhere.
Upstate NY; then the NW; and finally, Europe. Home is now a 1,200 year-old village near Stuttgart, Germany.
What do you do when you are not writing?
Ideally, travel. In my daily life I enjoy physical activity, exploring the cultural offerings here, cooking, and reading.
Do you have a day job as well?
I’ve been a massage therapist for 25 years. The intense one-on-one work is the perfect foil to the solitude writing requires. Also, working deeply with other peoples’ mind-body-spirit process provides a wonderful source of material for my stories.
Do you ever experience writer’s block?
I like each part of the writing process, so on days when new ideas aren’t coming, I’ll edit work-in-progress, or write blog posts.
Is there any particular author or book that influenced you in any way either growing up or as an adult?
Shakespeare. As a child I saw a college production of A Midsummer Night’s Dream. The theatre was filled to capacity, so my sister and I sat on the edge of the stage. When Puck sprinkled magical dew on the sleeping humans, we were showered as well. The drops that hit my skin were real to me! From that moment on, I was hooked. Later in college I studied Shakespeare and revere the way he knew us in all our foibles and flaws… and loved us in all our humanity anyway.
Tell us about your book…
Broken In: A Novel in Stories
Broken In may be read as a novel or as individual short stories.
Can you summarise the book for us?
In JJ’s, the bartender and a teenaged patron plan exotic trips. JJ’s chef meets several men who’d kill for her. Valuables and peace of mind literally get stolen. Couples celebrate, or split up. On a rainy night accidents happen and people vanish. These are the stories of people whose paths cross – or crash.
The tales begin in a bistro and move on to Bangkok, a carnival midway, and the bottom of a lake, among other places. Small acts have a huge impact, and people are connected in ways they never imagined.
How did you come up with the title?
Broken in can refer to comfortable shoes. It might be the way new employees learn the ropes, and how we adapt to our lives. But it’s often ominous, and signifies the theft of what we value. Each of my characters is forced to react to loss or the challenge of adjusting to being broken in, one way or another.
Is it going to be available as an ebook only or are you planning to print it too?
Broken In is available as a paperback and also as an eBook with Kindle.
How are you planning to price your book?
The paperback is £6.98 ($11.95) and the eBook is £2.49 ($3.99) on Kindle. The pricing in Euros is equivalent. These prices mean my book is reasonably priced for everyone.
Can you give us a little taster?
Here is an excerpt from “Looms Large” in Broken In: A Novel in Stories.
Judy reached the wading pool. Parents young and old dangled tiny children by their waists down into the shallow water. Other adults lurched, strangely hunched from the back. She walked past and saw the tiny people gripping index fingers and attempting the great walk of the upright, little feet between those of their parents, everybody’s legs sloshing happily through the water. At least 70 children had to be crowding into the pool: the surface was a dazzling panorama of tender sunbonnets in every possible color and configuration of flowers and cartoon characters.
Finally she found Steve. He’d been waving at her for some minutes to get her attention. Judy waved back. He’d laid a large brown blanket on the grassy verge at the edge of the lake. Tree shade just covered half of the blanket.
The park lawns were filled with bodies seeking the heat like winter creatures coming out of a long hard hibernation, but everyone was in a good mood. A family had claimed the next section of grass. The mother determinedly lay on her stomach with her breasts nestled in a pillow and her chin propped on the backs of her hands. Her entire concentration was focused on a popular paper back mystery opened on the blanket in front of her.
Her husband was left to supervise their children. A boy sat just above the water by two little girls in matching lime green swimsuits. The sisters bobbed inside bright orange life rings as they played in the lake. Their father was propped on his left elbow, leaving his right hand free for the beer hidden in a stubby can cooler. “Keep to where I can see you,” he ordered, but he wasn’t too concerned. He was sure they would be in less danger of getting drowned than they were in of being trampled. “If you go in deeper, you don’t go in without the life rings!” Okays drifted up the lawn towards him and all three turned back to their games.
“You wouldn’t believe the road traffic!” Judy gave Steve a hug and set down the food she’d carried halfway around the lake looking for him.
“You wouldn’t believe the traffic here on the lake front.” Steve yawned loudly and stretched back out on the blanket. Judy nudged him with her foot as she unpacked the lunch. “Hey. Don’t go to sleep on me, I just got here.”
“No chance of falling asleep with this racket,” Steve assured her. It was true: the water out in the deeper part of the lake was filled with people swimming or floating on air mattresses, while closer to the shore line a hundred small children laughed and splashed and shrieked. They made a joyous sounding, truly loud racket.
It fit the afternoon though, the languid mood of summer time when shadows move slowly across park lawns and picnic blankets. A slight breeze riffled the water into little waves; each one would send small children shrieking excited back out of reach for a second or two. On blankets and towels all around them people turned on their sides like sunflowers following the rays of the sun, or curled like large sleeping cats. The mother remained absorbed in her paperback mystery. Her husband’s head lolled where he’d fallen asleep still propped on his side.
Steve and Judy played Old Maid, and Judy kept winning. She’d figured out a system for cheating as a child, and couldn’t stop laughing as Steve became more and more frustrated with each hand he lost. “Just one more round!” he kept insisting.
A low, insistent shriek broke Steve’s concentration. It was similar to the piercing sounds made all afternoon by the lungs of the small children who filled the park. This one sounded different, though, a wail preceding the announcement of a disaster.
He dropped his hand of cards and the blanket bunched as he jumped up. Steve got to the water just as the little boy lost the life ring he’d pulled away from his sister. The little girl gurgled and vanished under the surface. Out in the water the bright orange ring bobbed, now empty. The little boy stood up to his neck in the lake shrieking. The ring floated further out and away. His other sister began to scream; only she and Steve had seen what had happened.
Their voices were drowned under the hundreds of other shrieking, laughing children, tinny radio music and the baseball game being broadcasted on a loud speaker, all the chatter of a hot summer afternoon on a waterfront in a city park.
Steve ran into the lake. He swam in the direction of the floating life ring, hoping the little girl had sunk somewhere in the general vicinity. When he reached what he thought was the point where she’d gone under, he began to dive.
Visibility was murky under the surface. He swam with outstretched hands and eyes searching desperately for signs of a body. Something kicked him hard in the cheek, and Steve resurfaced choking. The small child snug in his life vest simply paddled on past Steve in the water and flailed with skinny arms; he hadn’t even noticed the adult under the surface. Steve gasped in more air and dove again.
This time he was luckier and spotted a lime green object wafting in the under current. Steve grabbed her by the first part he could clutch, which was her shoulder strap. He swam back to the surface with strong strokes. Steve pulled the child’s head into the crook of his arm and made his way back to the shore.
When he emerged from the lake everything sounded far away at first, as though God had pressed a button and the world had been put on mute. With a rush his hearing returned, and the sensation of his own raspy breathing. He felt the water running off of his clothes as he lay the child on the grass and felt for a pulse. She lay as limp as a deboned fish.
Steve pumped her chest and turned her body onto the side. The lake water she’d swallowed came up in a sudden gush, and the child began to cough. Steve let out a high laugh with a feeling of exhilaration: she was alive after all. She arched her back to take in new breaths of the air. As she breathed in Steve felt his vision come tunneling back, whistling in with her new air. Her lungs expanded and compressed, and the colors of the world dimmed and glowed brighter along the ragged edges of each one of her breaths. The multiple layers of colors in the kites flying overhead, the fluttering sound they made in the suddenly windy afternoon, the breeze creating gooseflesh over his entire body, and the shadows flying back and forth over the edge of the water were almost unbearable.
Nobody except Judy witnessed the rescue. There was simply too much other activity in the lake and on the shoreline. The child’s parents listened in dozy incomprehension as the girl’s little sister and brother hysterically tried to explain where she’d gone. Incomprehension turned to puzzlement, and to horror. They scanned the lake surface, frantic by the time they finally spotted Steve resuscitating their daughter. They rushed over, the father’s eyes spilling with tears even though he could see she was going to be fine.
“She’s alive? How could I have? What sort of parent? In just a matter of seconds?” He spoke in fractures, unfinished questions, knowing there could be no answer to the enormity of the monstrous disaster that had almost happened. His muscles shivered in hard spasms, matching Steve’s.
Steve had begun to shake so hard that he had to sit down abruptly, almost falling on the child as she tried to sit up. The father grabbed Steve by the arm and helped him sit while he pumped his hand over and over, a wordless thank you. Everyone except Judy was crying.
Let’s talk a little more about your story…
Who is your favourite character in your book and why?
My favourite character is Gabe Burgess, the bartender at JJ’s. Gabe is adopted, and comes from a mixed background. One month out of every year, Gabe travels the globe looking for his roots. He comes to see the world as his home and that he’s connected to everything, everywhere. Gabe never stops questioning or attempting to see the world as it is. He’s the sort of human being I would most like to know, and to be.
How did you go about developing your characters?
While they aren’t based on actual people, I write characters who are real. Readers should pick up the book and identify themselves and people they know in my characters. To begin with a character, I flesh out with emotions and a background, and give them a situation or event to respond to. What interests me are 3-dimensional characters; you will not meet good vs. evil stereotypes in my stories.
Is there anything you’d change about your novel?
I learned so much writing this first book and hope the books to follow will reflect that fact. But, no, I would not change anything. Once I decided to publish, I had to let go of my book and send it off into the world!
Tell us about your publishing journey…
Why did you choose the self-publishing route?
I spent over a year trying to find an agent, without any luck. The one agency kind enough to write me a detailed response explained that with the advent of the Internet they couldn’t keep up with requests. Where they used to get 100 letters a week, they now receive 200 queries a day. It was clear that I’d need to find another route to publication!
I did a lot of research and it felt right to try self-publishing. My desire to see my work in print pushed me to take the risk.
Did you make any mistakes along the way?
Is there anything you’d like to recommend to other authors?
Yikes. A marketing plan is vital. Like most writers, my weak point is self-promotion. (My words should speak for themselves, right?) I am still figuring out that piece to the puzzle and am slowly getting better at it.
Have you used any professional author services?
What was your experience with them?
No. However, I belong to a terrific writers’ group and get steady feedback from my peers.
Is this your first self-published book?
While this is my first published novel, I wrote for over a decade as a European Correspondent for international massage magazines.
What has been the toughest criticism given to you as an author? What has been the best compliment?
I took a writing class in college and the professor was clearly bored. We were a group of insecure young 18-year-olds, and her indifference was devastating. I would rather have a sincere critic than someone who just doesn’t care.
In terms of the best compliment, I have been told that dinner wasn’t cooked and conversations were delayed so that my readers could finish just one more page of my story! The second best compliment was that the story stayed with the readers long after they finished the novel.
How do you market your work? What avenues have you found work best for your genre?
I have a blog at http://jadicampbell.com/ and use it as a platform to build an audience and community. I email my contacts with information and updates as well. And my writers’ group does public readings several times a year.
What can we expect from you in the future?
I’m working steadily on my next novel. In it you’ll meet a former cult member and a therapist with a fear of flying. A collection of short stories is also in the works and receives all the tales that don’t seem to fit anywhere else for now. The blog has been surprisingly fun (and way more work than I ever expected). The huge world of bloggers out there constitute a generous and fascinating community.
My husband and I are avid travellers and impressions from around the world have found their way into all of my stories. I write about universal themes, sometimes in exotic settings, with characters we can all relate to.
Is there anything else you’d like to say?
Writing is like breathing for me. I’ve wanted to write since the age of 6. It’s given me enormous joy and satisfaction to make that dream a reality. All readers are welcome!
Bronwyn is in charge of our editorial services here at standoutbooks. You will generally find her helping our authors perfect their work. Unsurprisingly, she loves reading and is always on the lookout for that next great book.
Classes of children, schooled in knowledge of what
stand for photos before the fountain with the flame
in the center burning
until the last nuclear weapon is dismantled;
Before the cenotaph shielding
names of the dead, reopened, names
added on August 6th.
The Peace Park, the terrible
And the tourists with cameras?
We bear witness. We come to
angels danced on the head of a pin?
We come to see The Truth or
as much truth as we can bear.
Seeing demands the clearest sight
possible when your eyes are filled
with the pin pricks of tears
like the water the burned begged for as they died
The peace fountains spouting outside the museum
the river that flows
near the A-Bomb Dome,
where the cranes have taken up residence.
(17 October 2010 21:27 p.m.)
NOTES: I wrote the first version of this poem while we visited Japan in 2010. The atomic bomb was dropped on Hiroshima at 8:15 a.m.on August 6, 1945. Sadako Sasaki lived 2 kilometers from the epicenter. She was 2 years old at the time, and died of the radiation exposure 10 years later. Sadako is famous for folding origami cranes. According to the Japanese legend, anyone who folds 1,000 cranes will be granted a wish: Sadako hoped to be healed. Today classrooms of children all around the world send strings of paper cranes to be displayed at Sadako Sasaki’s memorial in the Peace Park. Her statue and story are a powerful reminder of the innocent lives lost.
The cenotaph is opened each August 6th and the newest names of the dead are added. Its arched form provides a shelter to the souls of the victims.
The Peace Park contains statues dedicated by countries around the world; a museum; and monuments. We visited at night and the Dome (the only building left standing after the blast) was occupied by cranes. The image of this World Heritage Monument and the symbolic birds took a powerful hold on my imagination. When we returned at daylight to visit the park it overflowed with classes of laughing children, stunned tourists, and an atmosphere that is impossible to describe. It is a place of shared tragedy, and humanity.
The cranes were still there, perching in the Dome.
(All photographs can be enlarged by simply clicking on the image.)
More pictures from our trip to Japan and of Uwe’s photography may be viewed at viewpics.de.