Laos Journal

This is a brand new feature for this blog: I’m transcribing selected entries from my old travel journals. Currently I’m working on a batch of new posts set in Laos. I hauled out the journal I kept on our first visit to make sure that my memories match up with the facts. My descriptions from that trip are raw. I use a travel diary to record first impressions and get down the details to go over later (like now, years later). I’ve decided to post some of them here for your amusement.  — Jadi

“13 March. The heat and humidity are too huge to move quickly. Despite them we’ve kept up an ambitious sight-seeing program.

A 1,000-year-old site we visited with our guide on yesterday’s tour:

Buddhas in the Angkor Wat style carved out of boulders in the jungle. And, not twenty feet away, a spirit altar by a tall tree. [1]

No one’s allowed to build anything on or near the site. But the locals come there for ceremonies and celebrations. It had a rather hushed and holy air as we stood on the jungle (forest) floor in the welter of the afternoon heat at Vang Sang. An elephant graveyard was once found nearby!

90 kilometers north of Vientiane we stopped for a boat trip on Ang Nam Ngum, an artificial dammed lake.

A long boat of Laos with packages waited on the adjacent boat docked there. They were from one of the many islands and had come in on a once-a-week boat trip to do their shopping.

The buildings all high on stilts for the rainy times. We had my favorite meal so far in this trip: a soup with fresh Chinese vegetables and tofu and vermicelli noodles – it may be the freshest ingredients in a soup of this kind I can remember. And a lake fish grilled whole with garlic and ginger and lemon grass and cilantro; and it was all just too delicious for words.

… I’m quite intrigued with the very old spiritual energy this country possesses. Little spirit houses beside trees. Sticky rice offerings on tree trunks.…

Now we’re down at an open pavilion-style café on the Mekong River. It’s receded with the dry season, almost to Thailand. Weird to think Thailand is so close. The river’s so low you could practically walk there.”

NOTES: [1] The Lao believe spirits called phi (similar to nats in Myanmar) inhabit certain places such as rivers, mountains, rice fields and groves of trees. animism in Laos ©Jadi Campbell 2018. All photos © Uwe Hartmann. To see more of Uwe’s photos and pics from our trips go to viewpics.de.

Click here for my author page to learn more about my books and me.

Introducing Pia Newman

Pia Newman, Übersetzerin / Webtexterin / Virtual Assistant, currently in Cape Town, South Africa

Allow me to introduce an amazing woman! One of my writing buddies and best friends here is Pia Newman, aka the Planelope. [1] She spent a weekend here recently, to visit with me and the others from a group of friends who used to write together on a regular basis. And drink while talking about writing. And laugh. And laugh. And laugh.

Pia’s been off on a grand adventure. Make that: Grand Adventure. She’s seeing the world with an entity known as the WiFi Tribe. We as her friends are living vicariously, following along as Pia resided and worked first in Bali, then in Chiang Mai, Thailand, and now in South Africa.

Pia first discovered the WiFi Tribe last year on FB. She was looking for a way to travel more while working, and not necessarily by herself. She’s gained a community of like-minded digital nomads who travel and grow together. Pia gets new motivation from shared creative energy, just like what she used to have with her local writing group (us). But with the WiFi Tribe, she gets to see the world….

A maximum of 25 (usually 20) people in any spot at any given time makes the experience intimate and truly tribal. At the moment there are 3 tribes for 2018: Africa/Asia, Europe, and South America.

Working at home has lots of distractions (don’t I know!).  What excites her most about the WiFi Tribe is that it’s a work group that really, truly works. As Pia says, “If you work around other people typing away 40, 50, or 60 hours a week, it will motivate and inspire you too…”

But I’ll let Pia speak for herself. She writes an awesome blog about her experiences. You can get information on her book projects, too. So, everyone, without further ado, here’s Pia!

Pia Newman: Writer & Digital Nomad/

NOTES: [1] We call her the Planelope because no one plans like Pia. No one. She used to get up to write at 6:00-7:00 before going to a full-time job. If her dedication isn’t bad enough, her productivity puts the rest of us to shame too: she’s already written 8 first drafts of novels and polished 3 of them. And in 2012-13 she did a one-year course online to get credentialed as a screenwriter. If she wasn’t so wonderful we’d seriously hate her. ©Jadi Campbell 2018. Photo by Julia Kallweit.

Click here for my author page to learn more about my books and me.

The Vagina Monologues

I’m honored to post this advertisement for The Vagina Monologues as presented by NEAT (New English American Theater) in Stuttgart. For two years I appeared on stage with real actresses and actors, women and men engaged and passionate about ending violence against women and children. This year I’m Stage Manager in order to remain involved in any way I can to support this important cause.

Wherever you are in our world, please support and pass the word about V-Day activities! —Jadi

Stuttgart Vagina Monologues: Kulturwerk Ost

NEAT is proud to be presenting Eve Ensler’s iconic The Vagina Monologues. All proceeds benefit local women’s crisis centers in the Stuttgart area. Please see descriptions of our beneficiaries on their Facebook page!

Funny, moving, and most of all, thought-provoking, The Vagina Monologues is a play that has been breaking down walls for the last 25 years. The monologues are a wonderful mix of well written human experiences and local stories of survival in today’s world. This year’s theme, resistance, is punctuated in the daily headlines we read.

Please see our two other performance dates- on February 15 at Theater am Olgaeck, and February 25 at Kulturwerk Ost-all in Stuttgart!

Merry Christmas

MERRY CHRISTMAS !!

Here’s the annual round-up of my blog offerings. I grew insanely prolific this year, and went from biweekly posts to once a week. Happy Holidays and we’ll meet again in 2018. —Jadi

Art: Burma took center stage with A Burmese Spirit Guide and Sand Paintings. Food as Art was a tasty diversion. Andalusia was featured in Granada Heights, Alhambra Walls & Water, and Cordoba’s Arches. And we always have Paris! J’aime la Vie

Book excerpt: From my first book Broken In: A Novel in Stories, about a little boy and other people’s belongings. Carl Possessed 1 & 2

Current Events: I opined (quietly) concerning the mood in America, hurricanes, and the refugee crisis with Flags and Houston, We Have a Problem

Food: Always a fun subject…. A Cornucopia, The Seeds of Summer, Food as Art, and the local specialties here in Christmas Markets, Flammkuchen, and The Seeds of Summer

History & Cultural Heritage: Flags, In Search of Inspiration, J’aime la Vie, Christmas Markets and Death by Yawning

Holidays: Halloween, Japan’s Jidai Matsuri, plus Germany’s Christmas Markets

Memory: A tricky topic involving both emotions and events. I explored memory in The Seeds of Summer, Going Home (this one resonated deeply with readers), Granada Heights, Alhambra Walls & Water, Cordoba’s Arches, and Sevilla Song and Dance

Music: The sound of castanets and flamenco guitar in Sevilla Song and Dance

Nature: I went nuts writing a thread dedicated to my father. It began with The Animal Kingdom: 1 and so far 19 (!) posts have gone live. Since that wasn’t enough for me, I wrote special posts concentrating on individual critter families, such as A Clowder, A Cluster, A Cornucopia, and A Brood. I wrote a post on natural disasters, too: Houston, We Have a Problem

Places: America, Andalusia, Burma, Estonia, Germany, Japan, Latvia, Paris…

Religion: I was lucky to revisit a glorious spot where Christianity and Islam coexisted in Granada Heights, Alhambra Walls & Water, and Cordoba’s Arches

Writing: A goodly dose of humor helps on those baaad days… In Your Shoes or  In Search of Inspiration

Take a look around and see if you find old friends or stumble upon posts you may have missed. I like to think that these blog posts are my gifts to the world. As always, I welcome any and all feedback. See you next year!

NOTES: © Jadi Campbell 2017. To see  Uwe’s animal photos and pics from our trips, go to viewpics.de

Click here for my author page to learn more about my books and me.

Christmas Markets

It’s time again for the Weihnachtsmärkte. Stuttgart’s Christmas Market runs from 29 November to 23 December. Uwe and I always go to drink a glühwein with friends. You should, too!

The Christmas Market began as a short winter market. [1] Europe has held seasonal markets for centuries. Vienna, Austria’s Dezembermarkt dates all the way back to 1294/1296. But a Weihnachtsmarkt is special, and signals the beginning of the Advent season leading up to Christmas. This tradition is found in Germany, Austria, Switzerland and the Alsace region of France. [2]

The Stuttgarter Weihnachtsmarkt

Medieval guilds tightly controlled who could produce or sell wares, so each city market was unique and had a distinct, regional flavor. This remains true today. At a German Christmas Market, you’ll find these items for sale at open-air booths:

  • Tin, blown glass, wooden, and straw ornaments
  • Round wooden presses or molds for cookies known as Springele
  • Nutcrackers
  • Gebrannte Mandeln (candied toasted almonds)
  • Magenbrot and Lebkuchen gingerbread (Lebkuchen is often sold in beautiful and reusable decorative tins)
  • Eierpunsch (eggnog)
  • Candles

  • Clothes, including hand knit hats and gloves and scarves
  • Hot sausages and
  • Glühwein: a magical drink of mulled wine served from huge brass vats, with a shot of liquor added if you want to get extra-warm [2]

Our city of Stuttgart’s Weihnachtsmarkt is famous for its decorated booth roofs.

The market attracts more than 3,000,000 visitors each year! Tour busses pull up and unload shoppers from all over Europe. The Weihnachtsmarkt takes over several piazzas downtown; the 3x weekly Wochenmarkt for fresh produce and flowers moves to the Königstraße, the main pedestrian street.

A huge carousal, lit up and spinning
This larger-than-life nutcracker eats a constantly revolving nut

I try to go a couple times each year. I head for the weekly market for fruits and vegetables and then meet a friend for a Bratwurst and a Glühwein. Or I arrange to meet Uwe after work.

We wend our way through rows of booths, enjoying hearing so many different languages along with the local Schwäbisch dialect.

Stuttgart’s Christmas Market

NOTES: © Jadi Campbell 2017. Last photo courtesy of Wikipedia; all other photos © Jadi Campbell 2017. [1] Also called Christkindlmarkt, Marché de Noël, Christkindlesmarkt, or Christkindlmarket. [2] The tradition has since spread to Romania, England, and other countries. [3] Nothing is worse than a glass of hot Glühwein if the weather refuses to get properly cold. It’s just, wrong, on too many levels….[4]

NOTES on NOTES: [4] ….and nothing is better than a starry winter night, a hot mug of Glühwein, snow gently falling as you stand with your sweetie, the sounds of talk and laughter of other Weihnachtsmarkt visitors all around you as carolers sing in the courtyard of the 16th century castle across the plaza. Prosit, und Fröhe Weihnachten!

Go to my earlier post A Guy Goes to a Christmas Market to read an excerpt set in the Stuttart Weihnachtsmarkt. Click here for my author page to learn more about my books and me.

https://en.wikipedia.org/wiki/Christmas_market

http://www.germany-christmas-market.org.htm

http://www.german-way.com

http://www.christkindlmarktleavenworth.com

 

 

Andalusia Memories 4: Sevilla Song and Dance

Uwe and I spent a recent holiday in southern Spain. My first trip to Andalusia took place when I was barely 17, and the memories that flooded me so many years later are all from deep recesses in my senses.

We traveled by bus between Granada and Córdoba, and later to Sevilla. I didn’t remember a thing about what Sevilla looks like. Memories came back anyway. In Granada they involved spatial proportions; in Córdoba, infinity and water. In Sevilla, my recollections arrived with sound.

Parque María Luisa

We strolled through the lovely Parque de María Luisa to the Plaza de España.

Plaza de España

The Plaza was constructed in 1929 when the city of Sevilla hosted the Ibero-American Exposition World’s Fair. A building façade curves, with lovely tilework depicting each Spanish state. Uwe took photos while I admired the details.

I heard an insistent, rhythmic clacking: a young man with castanets stood in the plaza. Near him a guitarist played as a dancer’s heels pounded out a hypnotic dance.

She was astonishingly poised, with the self-confident grace required of flamenco dancers. Her skirts swirled as she dipped and turned. Her dance in the square     the pluck of guitar strings     the click         clack        click clack clack clack clack of castanets…. I was thrust back in a relived moment so deeply entrenched that I cannot tell you when or where it first occurred.

For as long as I recall, flamenco always moves me to the edge of tears. I never understood why until my mother told me that she’d developed a short-lived taste for flamenco guitar music when she was pregnant with me. After I was born the craving promptly disappeared. So do these relived audio memories come from the womb? From that first trip abroad so long ago?

I had my coins out and ready when the dancer came around with a hat. I was surprised to see how young she was under her make-up. She might have been 17… just the age I was when I first visited this beautiful region.

Perfect. She and my faulty memory were perfect.

© Jadi Campbell 2017. All photos © Uwe Hartmann. Uwe’s photos of our trips and his photography may be viewed at viewpics.de. Go to my earlier posts to read more about our visit to Andalusia.

Click here for my author page to learn more about my books and me.

Andalusia Memories 3: Córdoba and the Arches of Infinity

Uwe’s camera always captures the exquisite details

We began our trip to southern Spain in Granada. When I stood inside Granada’s Cathedral, I suddenly – and very vividly – remembered what and how I’d seen it 40 years earlier. At the Alhambra, my memories were blurry remembrances of running water.

A few days later in Córdoba, I had a further experience with spatial imprinting. We spent a half day in the Mezquita, a UNESCO World Heritage site.

The outer wall to the Mezquita, Córdoba
A door to the Mezquita, Córdoba

The Mezquita was first built in the mid-6th century as a Visogoth church, built up in the 780s as The Great Mosque of Córdoba, and finally re-dedicated as the Cathedral of Our Lady of the Assumption (Catedral de Nuestra Señora de la Asunción) in 1236. The Mezquita’s altar incorporates and blends Catholic iconography and design into the original Moorish structure.

The early Muslim prayer hall is filled with rows of arches in colored bands of stone. They seem to stretch into Eternity.

This hypostyle hall (meaning that the roof rests on pillars) contains a grand 856 columns of finest jasper, marble, onyx and granite. These columns are topped with the arches, which are futher topped with more arches.

No, this is not a repeat of the earlier photo. This angle gazes in another direction in the prayer hall

If Granada’s Cathedral is all soaring heights, the Mezquita in Córdoba is an endless repetition of forms. Gaze in any direction and turn your body in a slow circle. The repeating arches always bring the viewer back to the beginning again.

I didn’t know until later that Uwe had photographed me, standing quiet in awed delight

The repeating patterns are beautiful. They’re haunting, too; it’s no accident that what I recall best from my first trip to Andalusia are deeply buried memories of graceful forms in plaster, stone and tiles.

What would I say if you were to ask me to select one thing I remember most after my first visit to the Mezquita as a teenager, all those years ago? I’d say: A sense of wonder.

Islamic architects and artists are masters of geometric decoration. Their patterns’ deeper purpose is to bring visitors and viewers to a sense of another, underlying reality. Maybe it’s just the beauty in the world. Perhaps it’s the presence of God. I’m perfectly fine with either explanation.

The mihrab niche. The Mezquita’s mihrab ((Arabic: محراب‎‎ miḥrāb) is exceptional because it points south rather than southeast and to Mecca

I rediscovered the whimsical and the wondrous as I gazed at repeating, interlocking, intertwined squares, circles, triangles, flowers, tessellations and stars.

Artwork both secular and sacred is woven into every stroke of calligraphy that embellishes gorgeous walls and doorways and niches at both the Alhambra and in Córdoba. The effect is one of standing in a house of mirrors or an echo chamber with lights and patterns extending on and out into Forever.

No single detail stayed. Just… a fleeting glimpse of the Divine.

NOTES: Sacred Geometry; Crystalinks; Islamic geometric patterns. © Jadi Campbell 2017. All photos © Uwe Hartmann. Uwe’s photography may be viewed at viewpics.de. Go to my earlier posts to read more about our visit to Andalusia.

Click here for my author page to learn more about my books and me.

Andalusia Memories 2: Alhambra Walls and Water

“Perhaps there never was a monument more characteristic of an age and people than the Alhambra; a rugged fortress without, a voluptuous palace within; war frowning from its battlements; poetry breathing throughout the fairy architecture of its halls.” ― Washington Irving, Tales of the Alhambra [1]

 I just made a second trip to southern Spain. It had been over forty years between visits, and I had no idea what – if anything – I might remember. My first trip was with my high school Spanish Club. We were all young, and boy were we excited to be able to drink legally for a change!

In an earlier post I wrote about my spatial memories in Granada. At the Alhambra I had strange wavy recollections of reflecting pools and intricate walls.

To visit the palace rooms of the Alhambra is like stepping inside one gigantic extended scrollwork of interlocking geometric design.

I can remember loving the symmetry. I sure don’t remember any specific part of it. As I say, my memories are a blurry recollection of warm stone walls with ingenious decorations. Just… an impression of a harmony that contains a hundred thousand details you will get lost in once you begin examining the space more closely.

Southern Spain is frequently the hottest region in Europe. At the peak of summer, it stays oppressively hot (100°F and above) and very dry. We visited Andalusia at the very end of September/start of October, and the temperatures were still in the 90s. You seek relief in rooms with the latticed windows that let in light but not heat. Or you walk in the walled gardens.

Water, water, everywhere…. The former Islamic rulers built a sophisticated system of fountains and pools. Those fountains were designed to include the sound of flowing waters, and flowers and fruit trees were planted to delight the senses with their perfumes.

Memory returned vivid and at the same time somehow distorted at the Alhambra palaces’ innermost courtyard spaces. Only those wonderful carved lions at the private fountain were just as I remembered them.

And those were more than enough to make me very, very happy.

“In the present day, when popular literature is running into the low levels of life, and luxuriating on the vices and follies of mankind; and when the universal pursuit of gain is trampling down the early growth of poetic feeling, and wearing out the verdure of the soul, I question whether it would not be of service for the reader occasionally to turn to these records of prouder times and loftier modes of thinking; and to steep himself to the very lips in old Spanish romance.” ― ― Washington Irving, Tales of the Alhambra 

NOTES: [1] Washington Irving is a lifetime favorite, beginning with my childhood: The Legend of Sleepy Hollow! Rip Van Winkle! I’d forgotten that he stayed and wrote at the Alhambra in 1829, when it was a neglected  ruin. Now, that’s artistic inspiration. © Jadi Campbell 2017. All photos © Uwe Hartmann. To see more of Uwe’s pics from our trips go to viewpics.de.

Click here for my author page to learn more about my books and me.

Andalusia Memories 1: Granada Heights

Uwe and I recently went on a holiday in southern Spain. I was excited when we decided Andalusia would be a good spot for an autumn getaway. We’d each been there before, but it would be our first trip to the region as a couple. He was there in his PJ (pre-Jadi) days. I visited much earlier, with a group for my high school Spanish Club. I was 17 years old and on my very first trip out of the country.

I thought back to that high school trip over 40 years ago and wondered what, if anything, I’d remember. That first trip was so exotic! And I had a revelation as I looked back. I realized the chaperoned trip was what set me up for a lifetime of loving travel.

Memory is a funny thing. For the first day or two I felt somehow disappointed. Nothing I saw struck me with that aha! feeling. I didn’t get that rush that comes when you see a beloved place or face again. And then that sense of wonder arrived after all.

We’d started off our trip in Granada and sure enough, memories came back to me. They weren’t at all what I expected, though. I didn’t recognize the lay-out of old city streets or a particular sight. Instead, what happened is this: we went to the Cathedral.

Uwe was off taking photos, so I wandered around the huge space by myself. All at once I had a memory, but the memory that overwhelmed me was spatial. I couldn’t recall a single religious image or statue. What I did recall was all about proportion. What I suddenly knew again was the thickness and height of the cathedral’s pillars as I gazed up.

Take a good look at how the Granada Cathedral pillars soar over the visitors inside!

I was re-experiencing the vastness of this structure. Then, the instant I looked down from the pillars to the floor, all at once I recognized the pattern of black and white floor tile squares.

The tiles seem to extend off into multiple dimensions, don’t they?
Space both massive and delicate

It was the oddest déjà vu I’ve ever felt. I had visited this space before and tucked a Dimensional memory away in my brain. And it wasn’t just the usual 3-Dimensional memory. I was living an experience occuring on four planes, if you include Time.

In a split second I finally ‘got’ what Einstein told us a century ago about time and space.

It happened several times on this trip. I’ll return soon with new posts to tell you more.

NOTES: © Jadi Campbell 2017. All photos © Uwe Hartmann. To see more of Uwe’s pics from our trips go to viewpics.de.

Click here for my author page to learn more about my books and me.

 

Kyoto the Opaque

NOTE: The Jidai Matsuri, or Festival of Ages is held every year on 22 October, the date Japan’s ancient capitol of Kyoto was founded. Here is an earlier post from when we attended the festival and parade.  — Jadi

Uwe and I visited both China and Japan on a trip. We were startled when Japan felt  much more foreign than China. For a First World country, Japan is opaque and surprisingly difficult to grasp.

Huh?
Huh?

We made sure we had plenty of time in Kyoto, traditionally Japan’s cultural heart.* Tokyo is modern and young and moves swiftly. Ancient Kyoto also seemed to have an older population, although the Kyoto train station was by far the most wonderfully futuristic we’ve ever visited. Our autumn visit coincided with the Jidai Matsuri, or Festival of Ages, held every year on October 22nd.

For a millennium Kyoto was the country’s capitol. In 1868 the emperor moved his imperial court to Tokyo. The Kyoto Prefecture was afraid that Kyoto’s thousand years of history would fade from memory. To make sure this didn’t happen they built the Heian Shrine to house the spirit of Emperor Kammu, who founded Kyoto in 794. The Jidai Gyoretsu, a parade for the Jidai Matsuri, was first staged in 1895.

Chairs are set up along the parade route and reserved well in advance. The parade  started at noon at the Imperial Palace. We positioned ourselves on the grass 4.5 kilometers away, not far from the giant red torii gates of the Heian Shrine where the parade would end.

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The parade commemorates the continuous ages of Kyoto history with truly spectacular costumes and objects. It begins with participants dressed in the styles of the Meiji Era (1868-1912) and then goes back in time to the Heian Era (794-1185). Musicians and buskers, riders on horse back and flag carriers all march.

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The outfits are accurate from the samurai warriors’ headdresses and armor down to the last dot of face make up. Every detail has been researched.** Over 2,000 people take part in the parade.

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The procession lasted for hours and Uwe took hundreds of photographs. Occasionally I made a run for bottles of water and snacks. We fell in love with onigiri, an ingenious salmon and rice treat wrapped in seaweed. It comes in a deceptively simple looking package that holds all of the ingredients separate until you open it.

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I’ll need a separate post to talk about the shrines and temples we visited and the geishas we saw. Or to describe the cloths and scarves I bought, each with its special weaving technique and materials. Or the lacquerware bowls I fell in love with, first developed by monks as the perfect receptacle for rice…

NOTES: *Kyoto contains 17 World Heritage sites and is a UNESCO World Heritage City. **The methods used to make the costumes are traditional, too.

© Jadi Campbell 2017. All photos © Uwe Hartmann. Uwe’s photos of our trip to Japan and his photography may be viewed at viewpics.de. Go to my earlier post 8:15 A.M.to read more about our visit to Japan.

Additional information: http://www.lonelyplanet.com/japan/travel-tips-and-articles/77406#ixzz2zEtAXf7i or www.kyotoguide.com

Click here for my author page to learn more about my books and me.

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