The Gift of Gab

I’ve belonged to a writers’ group for two years. How did I survive so long without the company of my crazy peers and fellow wordsmiths? I have no idea what I did before I hooked up with these people.

In my group you find: Short stories. Essays. Erotic (really erotic) poetry. Autobiographies. Journalism. Novels. Urban fantasy. Flash fiction. Song lyrics. Wistful thinking (this is how a member explains what he writes, and I love his description).

We come together to share and critique works-in-progress. We use writing exercises to loosen up our creative muscles. And we’re committed to public readings.

Two roosters singing at a microphone, isolated Stock Photo

A little café named Wir Sind Babel was one venue. A brightly lit coffee house with marble floors and comfy chairs was another. And the last one…. well, that venue gets a blog post all its own.

An Irish pub I’ll call The Blarney Stone seemed like the ideal spot. The bar’s slowest weeknight was the perfect time.

We could use a side room for our event. The space looked like a library room filled with bookcases, a perfect setting for our brilliant words. Even better, the owner promised us  if we could total 50 people we’d get the main room – and he had a microphone we could use! They often feature live musical acts and the entire bar was already wired to hear us. Sweet!

A Toast Master offered to be our MC. He’d read short bios to introduce each reader. We printed up fliers for the tables and info sheets to hand out ahead of time. It was all perfect…

Doesn’t this sound too good to be true?

That Tuesday we arrived with high expectations. The bar was packed. Our side room grew too small for all our friends and guests, but the main room had filled with patrons who, sadly, were not there for our earthshaking literary creations.

Every chair was taken and people sat and stood everywhere. Waiters and waitresses had to slither their way with plates and drinks through the crowds. Then we realized our side room had no door, and that meant no barriers against the noise levels that kept increasing.

No worries. We were as cool as the collective cucumber, because we had the ultimate secret weapon: the microphone. The first reader began to recite her piece.

And then the m crophone we were loan d began sh rt ng out w th ever sec nd sente ce and nex with ev ry thi d word. It g t wors . The m ke beg n to let o t awf l and ear splitt ng sccccrrre eee ee ech hhhhiiiing fee eeedb ck. We checked that the batteries were fresh and the wiring solid. We tried holding the mike in different parts of the room, closer to our lips, away from our mouths, up in the air. We recited louder, and then more quietly; none of it made a difference.

At that point every writer in the room knew we’d been rat f cked. Without saying much (not that we could have heard one another anyway over the noise in the pub) we had that group moment of grokking that this evening would not be the literary triumph we’d all awaited.

The first reader gamely made it through her piece. The second reader performed in a different corner of the room. By the time it was my turn to read I lay the mike down on the pult and basically yelled out my piece, observing every pause, emphasis and careful nuance I’d practiced.No one heard a word over the pub din.

But I am so very proud of all of us. We observed grace under pressure. We went forward despite impossible conditions (and false promises made to us). We made the best out of the debacle… and it really brought us together as fellow failed performers.

The pub owner got more than fifty extra paying guests on what was his slowest night of the week! I’d like to say he bought us a round of drinks to make up for it. I’d really like to say that our words triumphed over noise decibels. But no, that night the gift of gab got stuck in a malfunctioning microphone.

Microphone Stock PhotographyMicrophone Stock PhotographyMicrophone Stock Photography

Our next public reading is in a month, and it will not be held in an Irish pub. The first moral of the story? To get over stage fright, sometimes you have to scream. The second moral to the story? Don’t mess with writers, because at some point we will write about you and what you did.

We’ll be back at the newly renovated Wir Sind Babel. The date is Thursday, May 22. Doors open at 1900. Hope to see you all there!

NOTES:

http://www.wirsindbabel.de/selbst.html

Eckladen Uhlandstrasse 26 am Olgaeck /70182 Stuttgart
0711-620 2118

Images courtesy of dreamstime.com

The United Buddy Bears

Many people feel Berlin is now the cultural heart of Europe. Creative impulses come from Germany’s capitol and spread from there. One of the quirkiest is the Buddy Bears.

Circle of United Buddy Bears, Stuttgart
Circle of United Buddy Bears, Stuttgart

The Buddy Bears creators were  inspired by the cow parades in New York and Zurich. Eva and Klaus Herlitz of Berlin wanted to initiate a similar street art project. The bear is the icon of Berlin, and thus in 2001, the Herlitzes created the first bear with a sculptor named Roman Strobl.

United Buddy Bear New Zealand
New Zealand

Their projected expanded, and in 2002 it went international. They had a bear created for every country the UN acknowledges, all designed by artists native to each country. To date 148 2-meter high fiberglass United Buddy Bears have been painted. The bears have their arms raised as if they’re holding hands. (This can also be described as the laughing Buddha pose.)

The first display took place in a circle around Berlin’s Brandenburg Gate. One and a half million people saw the exhibit, always free of charge. The circle symbolizes the Art of Tolerance. Since then, they’ve toured 5 continents and stood in an alphabetical circle in the centers of 17 host cities.*

Uzbekistan and Uruguay
Uzbekistan and Uruguay
IMG_2482
Panama

In 2008 the Buddy Bears came to the Schlossplatz in downtown Stuttgart. (Read my post The Year the World Came to Party about how the 2006 Soccer World Cup transformed Germany. The Schlossplatz is where Uwe and I went each night with friends to watch the games on big screens.)

The United Buddy Bears send a message about peace, understanding, love and tolerance among the world’s nations, cultures and religions. Each bear is painted with images of the culture, history, landscape, economy, art and music of its country.

IMG_2487When new bears are commissioned, the older ones are auctioned off. All monies go to UNICEF and other childrens’ charities. To date (December 2013), over 2 million Euros have been raised for charities such as Eva Herlitz’s Buddy Bear Help!

Over 240 artists have been involved in the project, and more than 30 million visitors have seen the United Buddy Bears. A smaller circle of United Buddy Bears-The Minis (1 meter high) also tours.

IMG_2492
South and North Korea, side by side
IMG_2451
Brazil and Bulgaria

IMG_2452 IMG_2453 IMG_2454The United Buddy Bears exhibitions are always opened by national and foreign dignitaries. They even have a Special Ambassador:  the actress Dennenesch Zoudé. After he saw the bears in  Berlin, actor Jackie Chan made sure the bears came to Hong Kong.  UNICEF Goodwill Ambassador Sir Peter Ustinov saw them and he insisted that Iraq be represented.IMG_2464

There is one very special grey and white bear, a polar bear. He has the image of Albert Einstein and the following quote: ‘Peace cannot be kept by force. It can only be achieved by understanding’.

IMG_2493
Kirgyzstan, Columbia, Congo and Congo-Brazzaville

NOTE: * It’s fascinating to consider that United Buddy Bears change their order as they travel. The circle is always organized in the language of the host country. Buddy Bears may suddenly hold hands with distant or hostile neighbors…IMG_2495

http://www.buddy-baer.com/en.html

Selected Bibliography:

Herlitz, Eva & Klaus, United Buddy Bears — Die Kunst der Toleranz. Bostelmann & Siebenhaar Publishers, 2003. ISBN 3-936962-00-6.

Herlitz, Eva & Klaus, United Buddy Bears — World Tour. NeptunArt Publisher, 2006. ISBN 3-85820-189-8.

Herlitz, Eva & Klaus, United Buddy Bears — The Art of Tolerance. 384 pages, English/German, December 2009, ISBN 978-3-00-029417-4.

Photos Copyright © 2013 Jadi Campbell. (All photographs can be enlarged by simply clicking on the image.)

Cathédrale Notre-Dame de Chartres

D31_2822_DxOWe’ve come to Paris for a quick getaway, and Stuttgart is less than 4 hours by direct fast train. As we think about what we want to do and see, we realize neither of us have ever visited Chartres.

Uwe and I go out of our way to see sacred places around the globe. (See my posts The Cult of Bà Chúa Xứ or The Music of the Heavenly Spheres for some photos and tales from other sacred spots.) Energies gather in some unlikely places. Sometimes I stand in famous spots and am disappointed, while a place less known for religion makes me feel the presence of the divine.

Chartres. I’ve been trying for days – weeks, actually – to summarize the “facts” about this site. It was built 1140-1260 and the labyrinth was laid in the first decade of the 13th century. I wonder what to mention about Chartres’ 1,000 years as a pilgrimage destination, or the female energies of the cathedral and their tenderness. Mary’s tunic, the Sancta Camisia worn at the birth of Jesus Christ, was brought here by Charlemagne. The king in turn had been given the relic as a gift during a trip to Jerusalem.

When the earlier church building burned on June 10, 1194, the Sancta Camisia miraculously survived. Chartres remains an important Marian pilgrimage center, and the faithful still come from around the world over to honor it.D31_2829_DxO

Chartres is one of the most impressive Gothic cathedrals on Earth. Back in my college days at the University of Oregon, Professor James Boren in his Chaucer and Medieval Literature classes explained Chartres as literally turning the architectural form inside out. For the first time the ribs holding up the entire structure had been placed outside, allowing the inside heart of the structure to soar up into the Heavens, seemingly without limits. The support of flying buttresses was necessary because of the unprecedented size and heights of the stained glass windows and the nave. Professor Boren’s face glowed; this stern and learned man radiated as he lectured about a place that he said changed him when he saw it. That lecture and the look on his face stayed with me. Chartres: someday I would see it.D31_2883_DxO

***

Chartres Cathedral contains one of the few remaining medieval labyrinths. It’s large with a circumference of 131 feet, almost exactly the same size as the West Rose window.

Rose Window
Rose Window

In the Middle Ages, French church labyrinths were the sites of Easter dances involving clergy and the tossing of a leather ball. Sadly, the labyrinths were destroyed, covered over, or hidden by Church authorities suspicious of their powers and pagan beginnings. (Labyrinths, including Chartres’, traditionally had an disk or placque of Theseus and Ariadne and the Minotaur at their centers. In fact, another name for a cathedral that contained a labyrinth was the “Domus Daedali” [House of Daedalus], a nod to antiquity’s Daedalus, designer of the labyrinth that held the Minotaur in Knossos.) *

But, Chartres’ labyrinth survived. I learn that while it’s covered by chairs most of the time, the labyrinth is made free for visitors to enter on Fridays. My one request to Uwe for our trip becomes, “Please let’s go to Chartres on Friday!”

So here we are, entering one of the holy pilgrimage destinations in Christianity.

Chartres. Once inside, the cathedral’s beauty immediately takes my breath away. I am so deeply moved that in the next moment I’m close to tears. Whatever I expected, this sacred soaring space is beyond all imagination. Light streams in through the windows and illuminates the visitors, pilgrims, and the simply curious. All of us are suffused in colors.

For a while I just walk around. Uwe’s already moved off with his camera, ready as always to use his art with photography to capture in images what my brain grapples with in words.

As the minutes pass I grow more and more stunned. And I remain dangerously, or is that gorgeously, close to breaking into tears. There is an energy to this place, a sense of the holy and the really, really blessed, that I have seldom felt anywhere.D31_2796_DxO

The Schwedagon Pagoda in Burma comes to mind. It is the most important pagoda in the country, and I felt the top of my head buzz like it was going to blow off from the concentration of religious energies. Or a back pond in the Adirondacks with only my family as fellow witnesses: loons with a pair of chicks calling in low cries to one another as they eyed us but didn’t swim away. Or a tiny Greek Orthodox church in Thessaloniki, supposedly built on the site where Apostle Paul preached. I attended on Sunday with my friend Cynthia and our Greek host Fotis, who led us up to an altar surrounded by burning, hand-dipped wax tapers. Fotis insisted we take bread from the common basket. Tears streamed on both our faces; I finally felt the deeper meaning of breaking bread in fellowship.

All of these places’ sacred energies are present in Chartres. It is so much more than I deserve or had awaited. I take a deep breath to center myself, and move forward to stand poised at the entry to the labyrinth.

***

“A labyrinth is an ancient symbol that relates to wholeness. It combines the imagery of the circle and the spiral into a meandering but purposeful path. …D31_2798_DxO

“A labyrinth is an archetype with which we can have a direct experience. … It is a metaphor for life’s journey. It is a symbol that creates a sacred space and place and takes us out of our ego to “That Which Is Within.” At its most basic level the labyrinth is a metaphor for the journey to the center of your deepest self and back out into the world with a broadened understanding of who you are. …D31_2790_DxO

“A labyrinth is not a maze. A maze is like a puzzle to be solved. It has twists, turns, and blind alleys. It is a left brain task that requires logical, sequential, analytical activity to find the correct path into the maze and out. A labyrinth has only one path. It is unicursal. The way in is the way out. There are no blind alleys. The path leads you on a circuitous path to the center and out again.D31_2788_DxO

“A labyrinth is a right brain task. It involves intuition, creativity, and imagery. With a maze many choices must be made and an active mind is needed to solve the problem of finding the center. With a labyrinth there is only one choice to be made. The choice is to enter or not. A more passive, receptive mindset is needed. The choice is whether or not to walk a spiritual path.” – Dan Johnston, Ph.D. at www.lessons4living.com

Exterior Chartres Cathedral
Exterior Chartres Cathedral

While I walk the labyrinth and contemplate the mystery of the sacred**, Uwe photographs me. When I see his photos later I’m surprised, and glad.

***

NOTES: * Another name for the eleven-circuit labyrinth is the “Chemin de Jerusalem” or Road of Jerusalem. Walking the labyrinth in Chartres or other places could be made instead of making the pilgrimage to Jerusalem.

** I haven’t even tried to talk about the lunations of the labyrinth. Their meaning is still debated. A celestial calendar? Esoteric design of the deeper mysteries?

Walking a Sacred Path. Rediscovering the Labyrinth as a Spiritual Tool. Dr. Lauren Artress, Riverhead Books, 1995.

http://www.sacred-destinations.com/france/chartres-cathedral

http://www.labyrinthos.net

http://www.lessons4living.com/chartres_labyrinth.htm

(All photographs can be enlarged by simply clicking on the image.)

More pictures from France and of Uwe’s photography may be viewed at viewpics.de.

Write A Revolution

Interview with self-published author Jadi Campbell

Posted by Steve on December 2nd, 2013

Massage in Indonesia: Java

Borobodur, Java, Indonesia
Borobodur, Java, Indonesia

The scent of floating roses is the first thing I notice. The smell comes from the pots of flowers set in front of a deep tub. Eventually I smell a burning stick of incense. The bamboo walls don’t reach the ceiling, and smoke simply wafts up and out to the palm trees outdoors. Only later when the sun goes down do I detect a burning mosquito coil.

My therapist here on Java is named Bu Tami Juguk. Bu Tami asks me to remove all of my clothes and lie on the low bamboo bed covered with batik sheets. Since the temperature is about 30 degrees Centigrade (86 degrees Fahrenheit) I don’t mind lying naked without a drape. She goes to the tub and turns on the taps. The sound of running water is in the background during the entire massage.

Bu Tami is 41 years old, and the Bu title is the shortened version of Ibu,  a term of respect used to address an older woman. Bu Tami doesn’t speak much English, but has wise hands. Indonesian massage knowledge passes down through the family, and Bu Tami learned massage from her mother.

She starts at my feet and massages me with a press – push – squeeze routine. She doesn’t forget to massage my abdomen. Her strokes go deep and radiate, always leading inwards to my navel. She finishes by massaging my head with sweeping strokes. She grasps at the roots of my hair and her hands draw out to the ends with an unusually firm grip.

She uses sandalwood oil, flowers cooked into it for their essence. This oil is only for the initial part of the massage, though. As I lie there, Bu Tami takes a clay jar down from a shelf. She scoops out a greeny-yellow substance and slathers it onto my body.

I am being covered with lulur, an exfoliating scrub derived from a Javanese plant combined with rice meal. Lulur may include ginger extract, tumeric, sandalwood, jasmine oil and water. This lulur treatment is utilized as a beauty peeling for everyone except babies. Jogjakarta city still has the special status of a sultanate, and lulur was first used by the women at the Kraton, the sultan’s palace.

Javanese men and women use lulur before marrying. Lulur is traditionally applied at home on each of the 3 days preceding a wedding ceremony. The lulur sloughs off old skin and makes both bride and groom more radiant and beautiful. I learn that a Javanese plant called kunir is also used, and on the island of Sumatra people use a plant called param.

The lulur is slightly gravelly, and cool on my skin. I turn over and Bu Tami lulur-s my back, buttocks, legs and feet. Then we head towards the tub. She has me sit at the small recessed foot bath. Bu Tami fills a bowl with water dipped from the tub and rinses me off. Another bowl is dumped on my head and water runs off me in streams.

Bu Tami reaches for another pot. She lathers my head with the shampoo and washes my hair. Her strong, sure hands massage my scalp at the same time – heaven! She squeezes my skull with more strength than I am used to for head massages, but it does not feel too hard.

She rinses away the shampoo with more bowls of water. Bu Tami has me stand up. She takes a bar of soap and lathers my entire body front and back.

“I feel like a baby being washed by her mother!,” I say.

“Yes, baby and mama,” smiles Bu Tami. She doesn’t speak much English, but she definitely understands.

The soap is washed away; another bowl from the shelf is selected; and now the first real surprise comes. Bu Tami smears me with yogurt. The yogurt calms and softens the skin after the purifying effects of lulur. She slathers me completely from head to foot in the yogurt, then rinses me off one final time.

She turns off the taps of the full tub and points for me to climb in. I happily comply. Bu Tami gathers handfuls of the roses from the big bowls. She crumbles them and strews the petals over the warm bath waters and me.

Bu Tami returns with a glass of fresh-pressed orange, banana, and papaya juice. She leaves me to soak. I lay in the tub swishing flower petals around my body.

A male voice begins to wail. His voice rises and falls. It must be time for sundown prayers. This, in turn, must mean that I have been in this sumptuous massage treatment for 90 minutes. Sunset is abrupt in the equatorial tropics, and occurs punctually at 6:00 every evening we’ve been in Indonesia. My massage session began at 4:30, so I can time the treatment with certainty by the calls to the faithful sounding outdoors.

As most buildings have roofs of bamboo and rattan – or walls that don’t reach the ceiling, like the walls in this massage room – it is impossible not to hear the muezzin’s voice. I lie floating in my heavenly bath and listen to rhythmic wailing calls in Arabic. I am certainly in another country, and I would call it Paradise.

Some time later (5 minutes? 10 minutes?) Bu Tami returns. I climb out of the tub and she towels me dry. The session is not over, though. I lie back down on the low bed, and Bu Tami rubs a rose and hibiscus lotion into my skin. This ends my two-hour session, and I slowly get dressed and leave.

Lotus Garden Restaurant
Lotus Garden Restaurant

At the attached restaurant a young man stands with a menu in his hand. He is asking the receptionist about the massage advertisement on the second page. “Could I get a massage tonight?” he asks.

“I just got one of these massages!” I tell him. “Go for the 2-hour session. You’ll literally come out smelling like a rose. I’m a massage therapist myself and the only thing I regret is that we’re leaving Jogja tomorrow, or I’d come back for another!”

“Really?!,” the young man answers. “A bath would be perfect! I don’t have a hotel room here and I’m taking the all-night train to Jakarta tonight. I won’t be able to clean up before I leave.”

“You’ve come to the right place. The massage will set you back 100,000 rupiahs, about $13. It’s worth every penny.” As Uwe and I leave he’s booking his appointment with Bu Tami. I just know he was in for a special treat.

That's me, in the far right corner
I’m  in the far right corner. We got up at the crack of dawn to reach Borobodur and had this sacred site virtually to ourselves.

Like most tourists, we stayed in Jogjakarta in order to visit Borobodur. Jogjakarta bustles with a marvelous mix of becaks (rickshaws), taxis, bicycles, cars, pony carts, and motorcycles. We either ride in becaks like the natives do or walk in the quieter side streets with their surprising gardens and yards.

Occasionally I spot women walking along with buckets or plastic bowls balanced on their heads. In the buckets are bottles and jars containing different colored herbs or fluids. These are jamu women, the native herbalists who go from door to door carrying their apothecaries with them. A jamu woman will mix up an elixir for her patient on the spot. Jamu products are produced commercially as well, and over 100 million Indonesians take jamu daily.[1]

We discovered the massage center on a side street lined with restaurants and smaller hotels. The boss at the Lotus Garden Restaurant and Hotel had noticed how many visitors carried in their luggage with one hand, while the other hand held onto sore backs or legs. He decided to offer massage. We visited Indonesia in 1999, but a look on the Internet indicates the restaurant still exists. I whole heartedly recommend the massage services.

 ****


NOTES: [1] “Jamu is the Javanese word for any of a great number of traditional Indonesian herbal medicines and health concoctions…There are about 100 jamu recipes in use, but only a dozen or so are really popular.”  Fred B. Eiseman, Jr., Bali: Sekala and Niskala. Volume II: Essays on Society, Tradition, and Craft (Periplus Editions Ltd. CV Java Books, Indonesia, 1990), p. 299.

Go to my post Baum, Bats, and Monkeys for more on our trip to Indonesia.

(All photographs can be enlarged by simply clicking on the image.)

More of Uwe’s photography may be viewed at viewpics.de.

Happy Halloween 2013

In the early 60s Mom had 3 small girls and was the leader of a troop of Brownie Scouts. My mother was a sucker for holidays, and she loved Halloween. From personally answering the door with big bowls of apples and candy (both ‘good’ and ‘bad’ treats) she progressed to dressing up as a witch in cape and hat.

We had a Walt Disney ”Chilling, Thrilling Sounds of the Haunted House” record that played over and over in the background. Mom began to dye her face and hands a rather convincing green. She perfected a witch’s cackle and would slowly open the front door to a dark living room. The yarn cobwebs and paper skeletons hanging from the ceiling then became visible in the lights from the candles.

Needless to say, our house became cult. Little kids (and their parents, who discovered it had to be seen to be believed) saved our house for last to visit on the trick-or-trick circuit. We ended up having to buy lots more apples and candies every year as the number of visitors grew.

Mom was always slightly hoarse and had a sickly green-y pallor for days after that holiday. Green food coloring does not wash off easily….

I wish I had some pictures from those days but this one will have to suffice. As a massage therapist I have a (not-real) skeleton standing in my treatment room as a visual aide. Each year on October 31st I set him in a window backlit by candles, to honor my mother and all the dead.

Happy Halloween, everyone!

NOTES: This was one of my earliest posts, I think my 4th? (I know I had about 5 blog followers.) I still love Halloween, so today marks the very first time I’m repeating a post. First posted on October 27, 2012