In Namibia we drove a long way to reach Twyfelfontein. We had a great tent as our lodging that night.
We spent the next afternoon on a guided tour of a UNESCO World Heritage site.
Twyfelfontein, also known as /Ui-//aes, is the home of one of Africa’s biggest concentrations of petroglyphs. It’s an open-air gallery in the Namib Desert, with 1,000- to 10,000-year-old images carved on slabs of basalt. A petroglyph was sent to the National Museum in Windhoek in the early part of the 20th century, but otherwise the site is mostly intact.
San (Bushmen) hunter-gatherers had long lived in this area. They carved and occasionally painted animals they were familiar with or hunted. Lions and more than 200 giraffes and 100 rhino are depicted, along with hippos, ostrich, impala, elephant and zebra. And we were astonished to see shore birds and a seal!
The San had traveled across the desert to the ocean and back, recording what they’d seen and hunted there!
Along with figures with bows and arrows, foot and paw prints, some petroglyphs depict magical creatures. One engraving is of a lion with human toes, portraying a shaman who had crossed over into the animal world.
According to the explanatory signs in the Visitors’ Center and the excellent article https://www.africanworldheritagesites.org/cultural-places/rock-art-pre-history, “Rock art was the preserve of medicine people, or shamans, and had two functions: as a means to enter the natural world and to record the shamans’ experiences in that world. … The shaman’s vision became disturbed at the start of trance, and he would ‘see’ patterned flashes of light. Produced in the brain, these flashes are also known as entoptic images or images ‘in the eye’. They are depicted in the seemingly abstract geometric images in the rock art. Meanders, dots, lines, grids, spirals and whorls resemble entoptic or inner-eye images recorded in neurophysiological experiments. Although entoptic images are similar for all people in the world, the associations formed in a state of trance are contextual. The shaman fuses his hallucinatory visions with images of animals and other potent spiritual symbols.
…. Engravings of human footprints and animal tracks are frequently placed next to or inside tunnels, deep fissures and inaccessible surfaces, as if these indicate paths and entrances into the spirit world. It was believed that a shaman could move through solid rock, using entrances not visible to the normal eye. To the artist the rock face was not merely a canvas but rather a veil serving as the threshold to a parallel spiritual world.” [1]
The petroglyphs also provided practical information, like where to find watering holes.
The region is sere and beautiful in a severe way.
I’ve said this before, and will go on saying it: UNESCO World Heritage sites are for everyone who cares about our shared history and planet. Go visit!
NOTES: [1] https://www.africanworldheritagesites.org/cultural-places/rock-art-pre-history/twyfelfontein.html For more information go to Info Namibia.com/ © 2024 Jadi Campbell. Photos © 2023 Uwe Hartmann. To see more of Uwe’s photos and pics from our trips go to viewpics.de.
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Victoria Falls wasn’t at full force when we visited but we still got soaking wet from the mists blowing over from the other side. We were happy to be wet as it was over 100 degrees that day. 
And then, when I looked in the viewfinder hoping I’d managed to get a few shots that didn’t include my thumb in the upper left hand corner, there was the breathtaking sweep and scope of Victoria Falls, dry season or wet season or any season. Even the fuzziness in my photo is supposed to be there – that’s the mists blowing up from Victoria Falls. Maybe the best photo I’ve ever taken with my phone!
They will all be taking their vacations. Spots that are usually crowded anyway are going to be jam-packed. This is not an experience for visitors with weak hearts or fear of crowds.
We heard it before we saw it. Drums, lots of drums…
What tickles me most about the walls is that once you’re on them, you could be on a wide boulevard anywhere in the world. Except that this is China, and this isn’t a boulevard…. It’s a wide street located on top of Xi’an’s city walls. Travel doesn’t get any better than this.
Our first stop was the UNESCO World Heritage city of Würzburg. [1]
Würzburg’s Residential Palace was built from 1720-1744 by Balthasar Neumann and is the most important building from the Southern German Baroque era. Definitely worth a visit! But I want to talk about a little statue I found in the Court Gardens in the back.
NOTES: [1] My readers know that Uwe and I make a beeline for World Heritage sites. They’ve always, always been worth the effort! [2] 
A bold boast, but true. For starters, it contains the world’s largest Romanesque crypt. The crypt has been described as ‘the most sublime monument on German ground.” [1] Speyer is the last resting place of both kings and emperors. The Pope had to crown a king (always men, natch) for him to be officially titled Holy Roman Emperor. Depending on political conditions, the Pope might – or might not – name the ruler “Imperator Romanum”.
I blame everything to do with my health on the Great Wall of China.
I calculated the Wall’s height and the angle of the steps and knew I was going to regret this. In typical Campbell fashion my next thought was roughly, “You may never get another chance to climb the Great Wall. Suck up, shriner. Start climbing.” And I did.
We didn’t allow for much down time. Our entire trip was terrific, but somewhere in Japan I began to hear an alarming clicking sound when I moved: bony eminences rubbing against one another. Or something. I’d figure that problem out once we got home again.