Tag: The Beatles

The Cupid Question – Premiering October 8, 2024!

THE CUPID QUESTION by Jadi Campbell featuring THE NEATLES on Monday, October 7 @ MERLIN!

Girl Groups of The ’60s – Pre-Beatles Queens of The Pop Chart

 

THE NEATLES – Jasmine Thorn, Gabby Nelson, Vanessa Wagner, Jasmina Dordevic, Elena Gallego Jimenez, Ashley Remus, Samantha Mohr, Paula Gil-Casares, Charles C. Urban – Photos by Uka Meissner deRuiz

THE CUPID QUESTION by Jadi Campbell featuring THE NEATLES & Storyteller Derrick Jenkins

Girl Groups of The ’60s – Pre-Beatles Queens of The Pop Chart

“The Girl Group music was perhaps the most carefully, beautifully crafted in all of Rock & Roll – one reason why none of the twenty or so best records in the genre have dated in the years since they were made.”  – Author and Music Critic Greil Marcus

In Pop Music History, the phenomenon between early Rock & Roll and the mid-1960s British Invasion is known as the Era of the “Girl Groups.” They offered a style rich in vocal harmonies that was eagerly embraced by a wide audience. The girl group era produced a clearly identifiable hybrid of gospel, rhythm & blues, doo-wop, and quirky pop that epitomized the ebullient hopes of early 1960s culture and feminized rock music, providing a model for male beat groups such as the Beatles, who covered many Girl Group hits on their early albums.

Flourishing between 1958 and 1965 – between Elvis and The Beatles – Girl Groups were genuine, authentic Rock & Roll! The music of The Shirelles, The Angels, The Ronettes, The Chiffons, The Marvelletes, The Shangri-las, The Bobettes, etc. thrived in the fallow years of Rock & Roll while much of the rest of the music in this time grew tame, predictable and dull.

The original sound was characterized by raw-edged lead vocal, echoing harmonies from the backing vocalists, fulsome string arrangements, and a driving beat. Groups sang of teen concerns like romance, sexual etiquette, and marriage, as well as love, loss, and abandonment. It was music of celebration – of simple joy, of innocence, of sex, of life itself. It was utopian stuff – a utopia of love between a boy and a girl, a utopia of feeling, of sentiment, of desire most of all.

The sound exploded in 1961, following the release in late 1960 of The Shirelles’ WILL YOU LOVE ME TOMORROW – the first girl group single to reach number one. Over the next five years, hundreds of girl group records were released. During the Classic Girl Group Period, between 1961 – 1965, when this distinctive sound filled the radio air waves, some 750 Girl Groups put singles onto the pop chart. This is some of the most timeless, transporting pop ever recorded; when you hear a Girl Group hit today, you feel like it’s 1963 all over again.

Author and Music Critic Greil Marcus states: “The music was perhaps the most carefully, beautifully crafted in all of Rock & Roll – one reason why none of the twenty or so best records in the genre have dated in the years since they were made.”

THE CUPID QUESTION by Jadi Campbell featuring THE NEATLES…!

PERFORMANCE – Monday, October 7 at 20:00 hrs in MERLIN

TICKETS – https://loveyourartist.com/de/profiles/kulturverein-merlin-ev-GQI0JA/events/dark-monday-neatles-stuttgart-0QOYEP

In cooperation with: DAZ – Deutsch-Amerikanisches Zentrum, Staatministerin für Kultur und Medien, Kulturverein Merlin e.V.

NOTES: First posted on September 11, 2024 by urbanspy777. This is my sixth collaboration with NEAT! If you are in the Stuttgart area, come see our show! It repeats in November and December. © 2024 Jadi Campbell. To see Uwe’s photos and pics from our trips go to viewpics.de.

My books are Broken In: A Novel in Stories, Tsunami Cowboys,  Grounded and The Trail Back Out.

Tsunami Cowboys was longlisted for the 2019 ScreenCraft Cinematic Book Award. Broken In: A Novel in Stories was semifinalist for the international 2020 Hawk Mountain Short Story Collection Award from Hidden River Arts and Finalist for Greece’s 2021 Eyelands Book of the Year Award (Short Stories). The Trail Back Out was the 2023 San Francisco Book Festival Winner for General Fiction, American Book Fest 2020 Best Book Award Finalist: Fiction Anthologies, Runner-Up for the 2021 Top Shelf Award, 2021 IAN Book of the Year Award Short Story Collection Finalist, and awarded a 2021 Wishing Shelf Red Ribbon. The title story The Trail Back Out was longlisted for the 2021 ScreenCraft Cinematic Short Story Award.

Click here for my author page to learn more about me and purchase my books.

Robert Fripp + My Schizoid Loop

Robert Fripp, guitarist and founder of the group King Crimson was born on May 16, 1946 in Wimborne Minster in the United Kingdom. I’ve seen King Crimson in concert twice and the term PHENOMENAL doesn’t begin to do those concerts justice. Fripp has also famously played and collaborated with David Bowie, Peter Gabriel and Talking Heads, among others…. In his honor I am reprinting the post I wrote about feeling schizoid during the COVID-19 lockdown. – Jadi

Concert catelog from the second time I saw them!

King Crimson is infamous for a song named 21st Century Schizoid Man.

Cat’s foot iron claw
Neurosurgeons scream for more
At paranoia’s poison door
Twenty first century schizoid man

Blood rack, barbed wire
Politicians’ funeral pyre
Innocents raped with napalm fire
Twenty first century schizoid man

Death seed blind man’s greed
Poets starving, children bleed
Nothing he’s got he really needs
Twenty first century schizoid man

Songwriters: Robert Fripp/Michael Rex Giles/Greg Lake/Ian Mcdonald/ Peter John Sinfield. 21st Century Schizoid Man (2004 original master edition) lyrics © Universal Music Publishing Group

That’s the opening soundtrack to days that are hard in lockdown. I’m fine most of the time. The sky is a blue I cannot remember ever seeing. Less pollution and few cars on the roads mean more and louder birds than before.

And I go for walks, and practice self-care. I love to cook, so that’s more than all right. I can take my time with elaborate recipes. Great way to channel my restlessness. Uwe and I live together in lockdown harmoniously most of the time.

Last night’s quiche

Some days, though,  I exist in a schizoid loop. I’m trapped in repeating cycles of WTF WTF WTF? Every couple of days I feel this: boom. I understand how we got to where we are right now. We’ve been pushing the envelope for decades. Why did we think we’d be exempt? Boom! But hard as I try, I cannot grasp how swiftly our world changed once that final roll of the cosmic dice was set in play.

We’ve been taken down by a virus, something you can’t even see without a microscope.

BOOM!

And fuck doing yoga, and meditating, and the crap version that’s all I can remember of the tai chi I learned from a Chinese man in my San Francisco neighborhood 40 years ago. What’s happening now overwhelms me. Forget trying to understand the point of view that claims we just need to get back to business as usual. That bullshit is literally killing us.

I gather myself back into a little ball and slowly unwind my cramped limbs and psyche. Writing helps more than anything. My first collection of short stories is taking shape as I try to deal with what’s happening. [1]

I have friends with health issues who  live in  deadly serious lockdown. A few weeks into the self-quarantine the radio station I listen to played It’s All Too Much, a song from the Yellow Submarine album.  I’ve always loved this song! The Beatles were a big part of life’s soundtrack for my entire family, including my parents when they were alive.

My friend and her husband are Beatles fans too, and they turned me onto Radio Paradise in the first place. I was all smiles that morning, such fond associations and sweet memories all around. I thought, Hey, I’m gonna call her, and she answered her cell phone with a really cheery “Hi there!”

I lost it. I burst into tears and couldn’t stop crying. She hung on and waited for me to be able to speak, because that’s what friends do, and at some point my  crying jag stopped just as abruptly as it began. “That was not my plan when I dialed your number!” I said. “That’s the first time this has happened to me since this crisis began. I have a feeling it won’t be the last.”

And we had a really good laugh. I’m learning how to be less careful with my emotional balance, I figure if I need to weep then bring it on, because on some days crying is the single response that even approaches appropriate. I haven’t broken down since, but when I’m out for a walk and I see a family with little children in the distance, I feel those tears. Or when I hear from people I know in my present life, or from my past. Or anywhere else on the globe.

WTF WTF WTF?? I’m a hot mess, and that’s as it should be. If I find myself crying again, I’ll be in good company.

When I look into your eyes, your love is there for me
And the more I go inside, the more there is to see

It’s all too much for me to take
The love that’s shining all around you
Everywhere, it’s what you make
For us to take, it’s all too much

Songwriter: George Harrison. It’s All Too Much lyrics © Sony/ATV Music Publishing LLC

Stay safe everyone. Stay healthy.

NOTES: © Text Jadi Campbell 2020.  Previously published as My Schizoid Loop. Photos Uwe Hartmann 2020. To see Uwe’s photos and pics from our trips go to viewpics.de. Source: LyricFind [1] I finished that book: My short story collection The Trail Back Out was honored as 2021 IAN Book of the Year Award Short Story Collection Finalist for the Independent Author Network and with a Red Ribbon by the 2021 Wishing Shelf Book Awards of England. In addition, The Trail Back Out was an American Book Fest 2020 Best Book Award Finalist: Fiction Anthologies. The title story The Trail Back Out was longlisted for the 2021 ScreenCraft Cinematic Short Story Award. 

My other books are Broken In: A Novel in Stories, Tsunami Cowboys, and Grounded. Tsunami Cowboys was longlisted for the 2019 ScreenCraft Cinematic Book Award. Broken In: A Novel in Stories was a semifinalist for the international 2020 Hawk Mountain Short Story Collection Award from Hidden River Arts, and named a Finalist for Greece’s international 2021 Eyelands Book of the Year Award (Short Stories).

Click here for my author page to learn more about me and purchase my books.

My Schizoid Loop

King Crimson is infamous for a song named 21st Century Schizoid Man.

Cat’s foot iron claw
Neurosurgeons scream for more
At paranoia’s poison door
Twenty first century schizoid man

Blood rack, barbed wire
Politicians’ funeral pyre
Innocents raped with napalm fire
Twenty first century schizoid man

Death seed blind man’s greed
Poets starving, children bleed
Nothing he’s got he really needs
Twenty first century schizoid man

Songwriters: Robert Fripp/Michael Rex Giles/Greg Lake/Ian Mcdonald/ Peter John Sinfield. 21st Century Schizoid Man (2004 original master edition) lyrics © Universal Music Publishing Group

That’s the opening soundtrack to days that are hard in lockdown. I’m fine most of the time. The sky is a blue I cannot remember ever seeing. Less pollution and few cars on the roads mean more and louder birds than before.

And I go for walks, and practice self-care. I love to cook, so that’s more than all right. I can take my time with elaborate recipes. Great way to channel my restlessness. Uwe and I live together in lockdown harmoniously most of the time.

Last night’s quiche

Some days, though,  I exist in a schizoid loop. I’m trapped in repeating cycles of WTF WTF WTF? Every couple of days I feel this: boom. I understand how we got to where we are right now. We’ve been pushing the envelope for decades. Why did we think we’d be exempt? Boom! But hard as I try, I cannot grasp how swiftly our world changed once that final roll of the cosmic dice was set in play.

We’ve been taken down by a virus, something you can’t even see without a microscope.

BOOM!

And fuck doing yoga, and meditating, and the crap version that’s all I can remember of the tai chi I learned from a Chinese man in my San Francisco neighborhood 40 years ago. What’s happening now overwhelms me. Forget trying to understand the point of view that claims we just need to get back to business as usual. That bullshit is literally killing us.

I gather myself back into a little ball and slowly unwind my cramped limbs and psyche. Writing helps more than anything. My first collection of short stories is taking shape as I try to deal with what’s happening.

I have friends with health issues who  live in  deadly serious lockdown. A few weeks into the self-quarantine the radio station I listen to played It’s All Too Much, a song from the Yellow Submarine album.  I’ve always loved this song! The Beatles were a big part of life’s soundtrack for my entire family, including my parents when they were alive.

My friend and her husband are Beatles fans too, and they turned me onto Radio Paradise in the first place. I was all smiles that morning, such fond associations and sweet memories all around. I thought, Hey, I’m gonna call her, and she answered her cell phone with a really cheery “Hi there!”

I lost it. I burst into tears and couldn’t stop crying. She hung on and waited for me to be able to speak, because that’s what friends do, and at some point my  crying jag stopped just as abruptly as it began. “That was not my plan when I dialed your number!” I said. “That’s the first time this has happened to me since this crisis began. I have a feeling it won’t be the last.”

And we had a really good laugh. I’m learning how to be less careful with my emotional balance, I figure if I need to weep then bring it on, because on some days crying is the single response that even approaches appropriate. I haven’t broken down since, but when I’m out for a walk and I see a family with little children in the distance, I feel those tears. Or when I hear from people I know in my present life, or from my past. Or anywhere else on the globe.

WTF WTF WTF?? I’m a hot mess, and that’s as it should be. If I find myself crying again, I’ll be in good company.

When I look into your eyes, your love is there for me
And the more I go inside, the more there is to see

It’s all too much for me to take
The love that’s shining all around you
Everywhere, it’s what you make
For us to take, it’s all too much

Songwriter: George Harrison. It’s All Too Much lyrics © Sony/ATV Music Publishing LLC

Stay safe everyone. Stay healthy.

NOTES: © Text Jadi Campbell 2020.  © Photos Uwe Hartmann 2020. To see Uwe’s photos and pics from our trips go to viewpics.de. Source: LyricFind

SPECIAL NOTE: If you try to comment in the wordpress.com reader and get the message “Sorry – there was a problem posting your comment”, click on the title of this post to get to jadicampbell.com and post your comment there. Sorry for the ongoing problem.

Click here for my author page to learn more about me and purchase my books.

A Boogie with the Bootlegs

I’m beginning 2017 with a fun post …

One year when Uwe and I took a vacation in Asia, I jumped at the chance to fly early and visit my sister Pam and my nephew Nikolai in Hong Kong. They lived in the city for a few years, and Pam had made a game out of finding as many cultural events as possible.

We attended a Japanese hip hop performance, fascinated to see how a form that began with black America was interpreted into Japanese. We got tickets for electrifying (and surprisingly political) Chinese modern dance. Not everything we saw was good; we had to suffer through an hour of really bad flamenco. We fled as soon as politely possible.

And Pam got us tickets for the Bootleg Beatles.

Asians retain a fierce love of the Beatles to this day, and the Bootleg Beatles aren’t your average cover band. The Bootlegs are the Beatles’ first and oldest tribute band. They have been playing for over 36 years! “George”, “Ringo”, “John” and “Paul” sing and play, complete with costume changes to track the evolution of the group. An eight-piece orchestra backs them up. They. Are. Terrific.

The Lyric Theatre of the Hong Kong Academy for Performing Arts is a classic amphitheater space. Our seats must have been the last three sold: Pam, Nikolai and I sat high, high up in the last row.

Once they started playing, it was clear why the concert was completely sold-out. It was like the Bootlegs were channeling the original band. My sister and I got up and danced.

But a strange thing happened: during the entire concert, we were the only people dancing. The amphitheater was filled to capacity with more than a thousand Hong Kong residents and visitors – and everyone was far too well-behaved to get on their feet.

We were surprised that no one else danced. Had we missed something? Was there some kind of Asian protocol about performances? We looked at one another, at Nikolai (sitting between us with his face covered, totally absorbed in listening to the band and not about to join us) and the proper people sitting all around. Like I say: we had seats in the final row up in nose-bleed territory. The only thing behind us was a cement wall. Who would it disturb if we danced?

So we did. From Please Please Me to Back in the USSR to All You Need is Love, we rocked out. Pam and I had a ball. There is something about giving yourself over to the ecstasy and joy of great music. These are the tunes of our childhoods and teenage years.

We grew up with the Beatles. The night in 1964 the band played on The Ed Sullivan Show, Mom came and got us out of bed. “Come see the Beatles!” she urged. I was a little kid at the time. I remember dashing to the black and white television set in excitement… only to watch bewildered as four men in black sang. Where were the insects? (Our dad Bobbo was an entomologist, so my confusion was genuine.)  Later the band and their music became – and remain – an integral part of the weave of my life.

These are just the albums I have in CD form. The others are records and downloads…

So. Fast-forward almost 50 years to an amphitheater in Hong Kong, and you’ll understand why we simply had to get up and boogie.

Before the first break, “George” said how nice it was everyone had come out for the show. He added, “Especially you at the back. We’re really glad you’re here. You’re great!”

“Hey!” I exclaimed. “Do you think he means us?” At the end of the show, “George” and the boys thanked the audience for coming, with “A special thank you to the two girls in the top row. You made the show.”

Some events remain live. In a parallel universe and all my dreams, I’m still dancing.

Love Me Do!

NOTES: The Bootleg Beatles; Photo Copyright © 2017 Jadi Campbell.

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