In Namibia we drove a long way to reach Twyfelfontein. We had a great tent as our lodging that night.
We spent the next afternoon on a guided tour of a UNESCO World Heritage site.
Twyfelfontein, also known as /Ui-//aes, is the home of one of Africa’s biggest concentrations of petroglyphs. It’s an open-air gallery in the Namib Desert, with 1,000- to 10,000-year-old images carved on slabs of basalt. A petroglyph was sent to the National Museum in Windhoek in the early part of the 20th century, but otherwise the site is mostly intact.
San (Bushmen) hunter-gatherers had long lived in this area. They carved and occasionally painted animals they were familiar with or hunted. Lions and more than 200 giraffes and 100 rhino are depicted, along with hippos, ostrich, impala, elephant and zebra. And we were astonished to see shore birds and a seal!
The San had traveled across the desert to the ocean and back, recording what they’d seen and hunted there!
Along with figures with bows and arrows, foot and paw prints, some petroglyphs depict magical creatures. One engraving is of a lion with human toes, portraying a shaman who had crossed over into the animal world.
According to the explanatory signs in the Visitors’ Center and the excellent article https://www.africanworldheritagesites.org/cultural-places/rock-art-pre-history, “Rock art was the preserve of medicine people, or shamans, and had two functions: as a means to enter the natural world and to record the shamans’ experiences in that world. … The shaman’s vision became disturbed at the start of trance, and he would ‘see’ patterned flashes of light. Produced in the brain, these flashes are also known as entoptic images or images ‘in the eye’. They are depicted in the seemingly abstract geometric images in the rock art. Meanders, dots, lines, grids, spirals and whorls resemble entoptic or inner-eye images recorded in neurophysiological experiments. Although entoptic images are similar for all people in the world, the associations formed in a state of trance are contextual. The shaman fuses his hallucinatory visions with images of animals and other potent spiritual symbols.
…. Engravings of human footprints and animal tracks are frequently placed next to or inside tunnels, deep fissures and inaccessible surfaces, as if these indicate paths and entrances into the spirit world. It was believed that a shaman could move through solid rock, using entrances not visible to the normal eye. To the artist the rock face was not merely a canvas but rather a veil serving as the threshold to a parallel spiritual world.” [1]
The petroglyphs also provided practical information, like where to find watering holes.
The region is sere and beautiful in a severe way.
I’ve said this before, and will go on saying it: UNESCO World Heritage sites are for everyone who cares about our shared history and planet. Go visit!
NOTES: [1] https://www.africanworldheritagesites.org/cultural-places/rock-art-pre-history/twyfelfontein.html For more information go to Info Namibia.com/ © 2024 Jadi Campbell. Photos © 2023 Uwe Hartmann. To see more of Uwe’s photos and pics from our trips go to viewpics.de.
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There are issues to deal with – the loss of domestic animals to predators. The way elephants eat or trample crops. The complicated cross-country agreements. But, as their website states, “Local communities participate with enthusiasm in management of the TFCA through the Transboundary Natural Resources Managment Forum. The aim of this forum is to maximize skills and resources to promote sustainable land use, conservation of wildlife and landscapes, and rural development.”
I’ve saved my favorite photo he took of the Southern carmine bee-eaters for this post:
Here are some photos of the other visitors to the watering hole. I’ve just given names and photos. Their presence speaks for them without needing any more words from me.
The feeling came to me as a revelation. When I climbed shakily out of what I considered a toy tin helicopter after our ride over the Okavango Delta, I was startled to realize I was feeling something unfamiliar:
It was also very, very funny, at times like being in a Monty Python sketch. Overcast, humid as hell and still hot as hell, even in the middle of the night. I dripped sweat and my glasses kept fogging up. Pitch black darkness, except for our flashlights…. which the two guides and I were shining on the frogs so that Uwe could capture them in photos. He didn’t want to use the camera flash, not wanting to startle the wild life and because light from a camera flash is too artificial. So I took his flashlight and held a torch in each hand, aiming them as directed. It was as though he were a mad director with a camera crew. It didn’t bother the critters one bit – they went on singing, and croaking, and hanging out on bole branch and vine…
The next morning we got up early to beat the worst of the sun’s heat and hike in to Deadvlei, a forest that petrified a thousand years ago.
Tourists come to climb the sand dunes.
Early morning is also a good time to spot oryx as they forage for plants and whatever dew has collected. The oryx is one of the few species that actually lives here year round. Oryx can go for long periods without water. Both males and females grow horns that they don’t shed. It’s the official national animal of Namibia.
Their marks are striking, aren’t they? In such a sere landscape, their horns and stripes both stood out and blended perfectly with the scenery. We would see them again, gathered with other animals at watering holes in national parks. But Sossusvlei was the place where we got to observe oryx the closest, and on their own. What a great introduction to the wildlife of Namibia!
and giraffes!
Later we surprised a lone giraffe crossing the path. When he ran off, there was nothing but the sounds of birds calling and his hooves thumping on the grassland.