I met my sister Pam in London for ten great days. One of the best parts about traveling with family members is that you’re guaranteed to do things you’d never have thought of on your own. Like, going to meet the mudlarks….
Pam follows several mudlarks on Instagram and she was beyond excited to learn that the Museum of London Docklands was hosting the city’s mudlarks for two days when we were there.
Pictured here is mudlark Sean Clark, who takes part in a long-standing (and previously grim) activity. The term ‘mudlark’ is from the Victorian age. Early mudlarks were poor and hungry Londoners, almost always little kids, who combed the riverbanks for items they could resell. They darted up and down the shore like mudlark birds. Now they’re history buffs finding objects that reveal how people here lived, some items going back to the Romans!
Sean offered us a wax imprint from a 17th Century Matrix Seal. I was holding the imprint of a stamp that had rested in the water for four hundred years until Sean found it.
It could have been made in Shakespeare’s time.
York Museums Trust has this to say: “Seals were a common part of everyday life of Medieval England. They were used by a variety of social classes to authenticate documents such as land agreements, business exchanges, official court documents or charters, which needed a proof of identity or a royal seal of approval. They could also simply be used to keep a document or letter sealed or closed. Therefore owners of businesses, merchants, farmers, members of the clergy, government officials and kings all used seals, which they would imprint using their own unique seal matrix.” [1]
Sean discovered this wonderful seal on the foreshore of the Thames River. As a registered mudlark he gets to keep whatever he finds after reporting it to an official, historical registry at the Museum of London.
Pipes prefilled with tobacco were sold and then tossed away after being smoked. Now mudlarks find them on the foreshore of the Thames. For more on the clay pipes, go here: Mudlarking-the-art-of-smoking.
Mudlarks are an exuberant bunch. They aren’t allowed to dig into the banks of the Thames, so finding an exposed object is really a fun event. Every lark we talked to was more than happy to tell us about their finds and let us examine the objects more closely.
My books are Broken In: A Novel in Stories, Tsunami Cowboys, Grounded, and The Trail Back Out.
Tsunami Cowboys was longlisted for the 2019 ScreenCraft Cinematic Book Award. Broken In: A Novel in Stories was semifinalist for the international 2020 Hawk Mountain Short Story Collection Award from Hidden River Arts and Finalist for Greece’s 2021 Eyelands Book of the Year Award (Short Stories). The Trail Back Out was the 2023 San Francisco Book Festival Winner for General Fiction, American Book Fest 2020 Best Book Award Finalist: Fiction Anthologies, Runner-Up for the 2021 Top Shelf Award, 2021 IAN Book of the Year Award Short Story Collection Finalist, and awarded a 2021 Wishing Shelf Red Ribbon. The title story The Trail Back Out was longlisted for the 2021 ScreenCraft Cinematic Short Story Award.
Click here for my author page to learn more about me and purchase my books.
I first published this post almost a decade ago. I reprint it as a prayer for our world. —Jadi
The anniversary of 9/11 is here.
I was back in the States when the attack occurred. When I returned to Germany a few weeks later, I was in turmoil. I felt all the contradictions of my life. I’m a resident alien on another continent. I’ve been the target of instant hate when someone found out I’m American. This only has to happen once to convince you that prejudice is awful. What the hell was I doing so far away from my own country? What was going on in the world, and could anywhere feel safe? It seemed like everything was getting sucked into a swirling vortex. My identity as a US citizen, as a foreigner, as a human being, came crashing down.
A few months later my epidemiologist friend Elena came to Europe for a conference. I took an unplanned trip to Amsterdam with her. Maybe 2 days away would give me a break from how heavy life felt. Below is the account from those 2 days and how they affected me:
“I people-watch as we travel to Holland. On a German train near the border, the train car is full of local residents heading home. An African couple talk over their baby. Another young couple sit by me with their own child. The wife’s exquisite black scarf frames her face. Her husband reads from a small leather bound Koran. Both of them keep an eye on the baby carriage. The rest of the car is full with the usual students, professionals, commuters.
An old man goes into the WC. Later the door slides open without his realizing it. He stands helpless, then fumbles at the door. We all see the prosthetic leg strapped to his upper thigh. Everyone looks away. The door slides open again and he looks up, stricken. I rise and go to the door and close it. When the door inevitably opens again a few minutes later, the man with the Koran closes it for him.
A cell phone rings. The African man pulls out his phone and answers, then switches to English. I realize they’ve understood every word of the conversations Elena and I have been having about global health issues, world politics, and travel.
The woman in the headscarf looks at me steadily. When she finally catches my eye she holds me in a gaze of tenderness and our connectedness as human beings. We see one another for a few minutes, and then the train stops and they detrain.
The train reaches Amsterdam. I’ve been here before and always feel as if I’m coming home to an old friend. We walk along the canal streets, and brick building facades reflect in the Amstel as it flows under the bridges. The Egyptian bellhop at the hotel asks where we’re from. “I love this city! You meet people from all over the world,” he declares.
In 2 days Elena flies back to the US. Later that morning I stand waiting to catch the tram from our hotel. A dark-haired woman at the street bus stop carries a backpack. I offer her my tram pass; I won’t need it beyond the central train station. She thanks me, but says she’s heading home. She’s an Israeli airline stewardess, in Amsterdam for a few days’ holiday.
“I live in Tel Aviv, and I’m afraid to go out of my house,” she tells me. “Everyone is scared of more terrorist attacks there. The situation is out of control.” I listen to her and say, “The rest of the world says, ‘just make peace!’ If only it were so easy.”
Once I’m on board my train I read a Newsweek, then dive back into a novel. The quiet man next to me asks in English if this train stops at the Frankfurt airport. I offer him the magazine. We begin to talk: he is Iranian, in Germany for an international banking and finance conference. He lectures at the University of Cardiff. His wife is a dentist, he tells me. They live in Britain and go back to Iran, to their home in the northeast by the mountains at the Afghani border, each summer for vacation.
He lifts the suitcase at his feet and sets it on his lap. Opening it, he pulls out framed photographs of 2 smiling boys. “These are my children.” We discuss their names, their ages, their personalities. At the airport station he leaves for his flight, and I wish him a safe trip home.
The woman sitting across from us changes trains with me in Mannheim. We stand shivering in the evening air on the platform. She is a Dutch physical therapist, doing an apprenticeship in Munich. She asks what I think of Holland. We talk about the coffee shops. I mention the small scale that guides decision-making in her country. I give her my leftover Dutch coins and she buys the tram pass from me.
Late that night I finally arrive home. In the space of 48 hours I touched on what seemed to be the entire planet. And I didn’t learn the names of any of the people who talked to me.
Travel isn’t just seeing and exploring other countries and cultures or the threads that weave those peoples’ histories with the present. Travel is the journey we make every day into other people, other lives, other ways of being and thinking and feeling.
Travel is about the interconnectedness of us all. Each person with whom we interact leaves behind traces that can change the world. Travel is about holding onto hope.
A part of me remains in every place I’ve ever stood. My image was impressed in a snow angel I made up in the Arctic Circle, which vanished years ago. But who can say if some part of my spirit still wavers there like the Northern Lights? Or in my interactions with all those people on the trains between Stuttgart and Amsterdam? I don’t know…. but we should live as if every act matters, as if choosing to love and be open to the rest of the world and each other can transform us.”
My books are Broken In: A Novel in Stories, Tsunami Cowboys, The Trail Back Out and Grounded.
Tsunami Cowboys was longlisted for the 2019 ScreenCraft Cinematic Book Award. Broken In: A Novel in Stories was semifinalist for the international 2020 Hawk Mountain Short Story Collection Award from Hidden River Arts and Finalist for Greece’s 2021 Eyelands Book of the Year Award (Short Stories). The Trail Back Out was the 2023 San Francisco Book Festival Winner for General Fiction, American Book Fest 2020 Best Book Award Finalist: Fiction Anthologies, Runner-Up for the 2021 Top Shelf Award, 2021 IAN Book of the Year Award Short Story Collection Finalist, and awarded a 2021 Wishing Shelf Red Ribbon. The title story The Trail Back Out was longlisted for the 2021 ScreenCraft Cinematic Short Story Award.
Click here for my author page to learn more about me and purchase my books.
I was interviewed recently by Adam Atkinson at North Country Now. He wrote a beautiful article. Click on the link to read about one of the most remote and serene places I’ve ever spent time in.
Peter Benenson was born Peter James Henry Solomon on July 31, 1921 in London, England. Poet WH Auden was his private tutor as a boy. Benenson was a cryptographer during WWII and later worked as a lawyer.
He founded Amnesty International in 1961. Here, in his article The Forgotten Prisoners are the grounds for creating the NGO: “Open your newspaper any day of the week and you will find a story from somewhere of someone being imprisoned, tortured or executed because his opinions or religion are unacceptable to his government… The newspaper reader feels a sickening sense of impotence. Yet if these feelings of disgust could be united into common action, something effective could be done.”
To that end, AI supporters write letters and focus public opinion on governments to stop repression, torture, and the denial of human rights.
Amnesty International was awarded the Nobel Peace Prize in 1977 and the UN’s Prize in the Field of Human Rights the following year. Beneson refused all personal honours; his family convinced him to accept the Pride of Britain Award for Lifetime Achievement in 2001.
More than 10,000,000 members around the globe work for “a world in which every person enjoys all of the human rights enshrined in the Universal Declaration of Human Rights and other international human rights instruments.” In his honor and that of prisoners of politics, religion, or conscience all around the world I am reprinting a post I wrote visiting the surreal North Korean pavilion at the 2010 World Expo held in Shanghai, China. – Jadi
We were heading to China, and the World Expo was taking place in Shanghai that year. Oh man, did I ever want to go. When I was a kid, my family made the trip to the World’s Fair in New York City. I still remember the excitement of the Space Park, the talking, moving Lincoln robot statue in the Illinois Pavilion, and the Bel-Gem Brussels waffles smothered in strawberries and whipped cream that we all ate for the first time. [1]
Expo in Shanghai! Surely we had to see it. But there was just one teeny problem: all the on-line sources for tickets had been sold out for months. I wrote my friend Weiyu in Beijing and asked her, could she get us tickets? She checked in the capitol… all the ticket options there were sold out, too! But, ever resourceful, she called in a favor from a friend who lived in Shanghai, and he managed to secure two tickets for the time period we’d be visiting.
With passports in hand (your passport allowed you to skip the unbelievably long lines in front of most of the pavilions and enter your country’s VIP door), we headed out early in the morning.
That Expo was terrific. Some countries had put incredible thought and creativity into their presentations. And visiting Expo was a way to glimpse certain countries in places that I feel pretty sure I’ll never visit in real life.
Like North Korea. North Korea is shrouded in permanent mystery. I don’t know if their pavilion at the Shanghai Expo cleared up many of the mists, but it was an eye-opener in other ways.
I had no idea that Jeff Koons designed their central fountain, for instance. [2] Frolicking naked cherubs (minus the wings) showed off their muscular buttocks. They held hands in a circle as they released a bird. Cherubs and bird all gazed up into the heavens…. I have a funny bone that gets amused by kitsch, and from the second I saw that fountain my funny bone began to tickle. I started laughing and couldn’t stop.
The selection of literature for sale was slim on choice but heavy on message. Who can forget that classic of North Korean literature, “The Immortal Woman Revolutionary”?
The dour saleswoman didn’t crack a smile. Maybe humor doesn’t translate as easily as I’d hoped. Or maybe she knew there’s nothing in North Korea to laugh about.
In memory of Peter Benenson, 31 July 1921 – 25 February 2005
My books are Broken In: A Novel in Stories, Tsunami Cowboys, Grounded, and The Trail Back Out.
Tsunami Cowboys was longlisted for the 2019 ScreenCraft Cinematic Book Award. Broken In: A Novel in Stories was semifinalist for the international 2020 Hawk Mountain Short Story Collection Award from Hidden River Arts and Finalist for Greece’s 2021 Eyelands Book of the Year Award (Short Stories). The Trail Back Out was the 2023 San Francisco Book Festival Winner for General Fiction, American Book Fest 2020 Best Book Award Finalist: Fiction Anthologies, Runner-Up for the 2021 Top Shelf Award, 2021 IAN Book of the Year Award Short Story Collection Finalist, and awarded a 2021 Wishing Shelf Red Ribbon. The title story The Trail Back Out was longlisted for the 2021 ScreenCraft Cinematic Short Story Award.
Click here for my author page to learn more about me and purchase my books.
Illustrator/author Maurice Sendak was born on 10 June, 1928 in England. In his honor I give you the post I wrote upon hearing that he had died. – Jadi
My Sister & Maurice Sendak
Our first experiences learning to speak seem to involve rhymes. [Twinkle twinkle and Dr. Suess, anyone?] We recite as children, loving language’s sing-song chants.
One of the very first pieces I memorized as a child (to this day I can recite it) was ‘The Cow’ from A Child’s Garden of Verses and Underwoods by Robert Louis Stevenson, printed in 1913.
The Cow
The friendly cow all red and white
I love with all my heart:
She gives me cream with all her might,
To eat with apple-tart.
She wanders lowing here and there,
5
And yet she cannot stray,
All in the pleasant open air,
The pleasant light of day;
And blown by all the winds that pass
And wet with all the showers,
10
She walks among the meadow grass
And eats the meadow flowers.
Can’t you see her?? In my child’s brain she was white and a funny shade of red. (Who ever heard of a red cow? I mean, really.) She was named Flossie, or Maisie, or Bessie. Placid Maisie meanders in a huge field, chewing her cud and surrounded by fairy rings of little flowers.
I have to be in the right mood for poetry, but I still have the used copy of The Norton Anthology of Modern Poetry from my college days of long ago. (How long ago? Decades. A couple of ’em.) My edition of Robert Frost’s complete works came to me when my mother died. When I read Frost, his poems of New England keep me linked to her, too.
Emily Dickinson still knocks me out, and every word Shakespeare penned is poetry in exalted form.
Poetry is emotion and experience expressed in crystalline shapes, no matter whether it’s metered or free verse. Prose works by poets betray themselves through the beauty of the writing. Think of The English Patient. I read that book slower and slower, and found myself rereading pages over and over, savoring Ondaatje’s mastery with language. Or anything by Ray Bradbury: each of his strange magical visions contains a goodly dose of poetry.
Hmm. I just went back and read what I’ve got here so far… Scratch the comment about needing to be in a certain mood to read poetry.
***
The Muses pay a very special visit on those they gift with the ability to speak through poems. For me it’s the hardest of all forms of writing. Sadly, the poetic Muses Erato (love poetry), Calliope (epic poetry), Euterpe (songs and elegiac poetry), and their sister Polyhymnia (hymns and sacred poetry) just don’t knock on my door more than once a decade or so. An impulse to even attempt a poem is the sighting and citing of a rare bird. The last time, and it came over me in a total rush of surprise and inspiration, was the death of Maurice Sendak.
(Photo from Wikipedia)
Mr. Sendak accompanied my childhood and probably yours, too, and he was particularly part of my sister Pam’s early years. I remember his Nutshell Library books, extra small to fit the hands of children. There were 4 of them: Alligators All Around, Chicken Soup With Rice, One Was Johnny, and Pierre (A Cautionary Tale). Pammy read them repeatedly, relating especially to the contrary Pierre. A few years ago I spotted an interview with Sendak in The New York Times (click here for the interview).
The article brought back those little books and how much my sister loved Maurice Sendak. I promptly sent the link to Pam and we spent several weeks emailing back and forth about his wonderful art and our childhood memories.
In May 2012, Maurice passed away. My sister was teaching in Japan; had she heard yet? For some reason I wanted to be the person to break the news to her. I debated how to contact Pam and gently let her know.
The next morning I awoke preoccupied with way too much to do. I began my tasks with the radio on. NPR mentioned that Terry Gross was doing a special Fresh Air show in honor of Maurice Sendak’s passing (a much older interview with Sendak and a more recent one recorded not long before his death). Despite really having no time to spare, I sat down to give 5 minutes to Sendak.
An hour later I still sat. By now tears were streaming down my face. Sendak’s wise, sweet old voice came over the airways, speaking of the secret fears of children, of his inability to believe in God after the horrors of the Holocaust (he lost his entire extended family), his more than half a century with the man he loved, Dr. Eugene Glynn, a NYC psychoanalyst his parents never knew about… Sendak told his story as the tears continued to pour.
I forgot everything, the chores that had seemed so important that morning, the things I had wanted to cross off my to-do list that day. The interview ended, I got shakily out of my chair, found some tissues and blew my nose, wiped my eyes, and sat down to write my sister. “Pam,” I said, “I just heard an incredibly moving interview with Maurice Sendak. He’s died, and I wanted you to get the news from me…. but really you need to hear this interview and listen to his voice.”
And as I sat, a Muse spoke. I wrote the first version of the following poem in one take.
Maurice
Maurice Sendak
Your words and drawings,
depictions transcribe
the soul&depths
of my sister, Pammy.
You died yesterday,
83 years old and not a day
older than the children now grown
adults weeping, mourning
your passing theirs passing
something of childhood gone beyond
retrieving.
Maurice.
I listen to recordings of your voice
You speak, the New Yorker
in you so obvious
I love your sense of place
your first generation voice
of Polish immigrants
of your humanity
your humility
your atheism
your embrasure of
a definition of the world
in which God is
everywhere
in the Wild Things
where they are
My Wild Things salute you.
My Wild Things weep.
Gnash our teeth.
Our King has left us.
Our island, and not just New York
is so much smaller with your passing.
We will cook a meal
Eat a supper and
wish
You were still with us.
In loving memory of Maurice Sendak, June 10, 1928 to May 8, 2012
My books are Broken In: A Novel in Stories, Tsunami Cowboys, The Trail Back Out and Grounded.
Broken In: A Novel in Stories was semifinalist for the international 2020 Hawk Mountain Short Story Collection Award and Finalist for Greece’s 2021 Eyelands Book of the Year Award (Short Stories). Tsunami Cowboys was longlisted for the 2019 ScreenCraft Cinematic Book Award. The Trail Back Out was American Book Fest 2020 Best Book Award Finalist: Fiction Anthologies, Runner-Up for the 2021 Top Shelf Award, 2021 IAN Book of the Year Award Short Story Collection Finalist, and awarded a 2021 Wishing Shelf Red Ribbon. The title story The Trail Back Out was longlisted for the 2021 ScreenCraft Cinematic Short Story Award.
Click here for my author page to learn more about me and purchase my books.
Objects appear in my books. This is never random. Items can have numens, just like places do.
Take, for example, the cowbell.
When my mother died, Barb and Dad and Pam and I spent some sad days together in Asturias where Pam was teaching. It was a miserable time. All four of us were in deep shock. But there were moments of intense magic amidst all that grief. One of them came on a late spring afternoon, punctuated by the continuous music of unseen cowbells just over the foggy hills. We were alone, just my family minus Mom, and the air reverberated with grazing cows we couldn’t see, wearing metal necklaces that called to us.
My father surprised me with an old and well-used cowbell for Christmas the following year. When I rang it, the sound of that bell transported us right back to a remote Spanish hillside. He told me he got it in memory of that day.
It is one of the few gifts for me he ever picked out himself.
Later – many year later, when I wrote my first book, that afternoon of sound made a special guest appearance. When I began to write the scene I rediscovered all the details, with perfect clarity.
“When he first met Naomi, they hiked to a pilgrimage point in northwestern Spain up in the startlingly verdant Asturian hills. They ate a picnic lunch in a field filled with small wild irises and tea roses. At the end of the day it grew colder and fogs blew in. They gathered up their blankets and basket to the clanging of cowbells someplace off in a valley in the mists, heard but not seen.
The next day they returned to visit the shrine. The altar overlooking the valleys was busy with worshippers and a statue of Our Lady of Covadonga. But the narrow neck to the cave at the back of the sanctuary literally glowed with thousands of votive candles. They crouched in the cave in wonder. Whatever incarnation of the mother of God they honored up in front, her older chthonic image ruled undisputed within the earth.” – from the chapter Waiting in Broken In: A Novel in Stories.
A few years ago my friend Nancy gifted me with a Tibetan singing bowl. It keeps company with the distinctive clank of a cowbell from northwestern Spain. I’m not sure which item possesses the more powerful numen.
My books are Broken In: A Novel in Stories, Tsunami Cowboys, Grounded and The Trail Back Out.
Broken In: A Novel in Stories was semifinalist for the international 2020 Hawk Mountain Short Story Collection Award and Finalist for Greece’s 2021 Eyelands Book of the Year Award (Short Stories). Tsunami Cowboys was longlisted for the 2019 ScreenCraft Cinematic Book Award. The Trail Back Out was American Book Fest 2020 Best Book Award Finalist: Fiction Anthologies, Runner-Up for the 2021 Top Shelf Award, 2021 IAN Book of the Year Award Short Story Collection Finalist, and awarded a 2021 Wishing Shelf Red Ribbon. The title story The Trail Back Out was longlisted for the 2021 ScreenCraft Cinematic Short Story Award.
Click here for my author page to learn more about me and purchase my books.
Some twenty years ago I was having a bad visit with my dad. Bad. My thoughts were dark, and my mood was gloomy. I was filled with the kind of despair that only a fight with a family member can give you. Like, stabbing-knives kind of misery. To escape for a few hours Barb and I took our nephew and the canoe out to an island on the lake. We camped on it every summer as children.
We discovered that someone, now decamped and nowhere in sight, had built a magical sandcastle and town. Suddenly the black clouds lifted and I felt as filled with wonder as my nephew Niko.
The paths of the sandcastle town were lined with wild mushroom caps, still fresh and unblemished. Someone made the sandcastle just hours before we got to the island.
My photographs are decades old and pretty grainy. But you can see the sandcastle is truly in the middle of the Adirondacks wilderness (i.e. the middle of nowhere)… Only the shores of Cranberry Lake are all around.
Who built it? What whimsy inspired the person or persons to erect a fairy town on the waterfront of an island that few people ever visit?
The memory of that discovery and its gift of magic in the middle of a very hard place have remained as detailed as every bit of love and care that someone spent building it for us to find.
For those who want to know what happened next: Dad and I resolved our differences and grew closer again. I never found out who built that fairy town. But I still wonder why it appeared in my life at just that point and I remain grateful and filled with wonder that it did.
HAPPY NEW YEAR, WITH MY DEEPEST THANKS TO MY READERS AND FOLLOWERS. MAY THE COMING YEAR BRING ALL OF YOU DISCOVERIES OF SANDCASTLES WHERE YOU EXPECT THEM LEAST AND WHEN YOU NEED THEM MOST.
My books are Broken In: A Novel in Stories, Tsunami Cowboys, Grounded, and The Trail Back Out.
Tsunami Cowboys was longlisted for the 2019 ScreenCraft Cinematic Book Award. Broken In: A Novel in Stories was semifinalist for the international Hawk Mountain Short Story Collection Award from Hidden River Arts and Finalist for Greece’s 2021 Eyelands Book of the Year Award (Short Stories). The Trail Back Out was American Book Fest 2020 Best Book Award Finalist: Fiction Anthologies, Runner-Up for the 2021 Top Shelf Award, 2021 IAN Book of the Year Award Short Story Collection Finalist, and awarded a 2021 Wishing Shelf Red Ribbon. The title story The Trail Back Out was longlisted for the 2021 ScreenCraft Cinematic Short Story Award.
Click here for my author page to learn more about me and purchase my books.
Samuel L. Jackson was born December 21, 1948 in Washington, D.C. Mr. Jackson is one of the most versatile and talented actors in Hollywood. My personal favorite of his films is 1997’s Jackie Brown; one of his funniest turns on the screen is in the overwrought Snakes on a Plane. In his honor I am reprinting an earlier post I wrote in praise of snakes. – Jadi
I’ve written elsewhere about how nice my sister Barb’s garden is. [1]
She and her husband have created a space that invites you to stay and relax. Along with fruit trees and blueberries, garden beds and flowering bushes, there are ceramics made by both Barb and Javier.
Each time I return, they’ve made it even more beautiful. My recent visit included a new delight: garter snakes have taken up residence!
The garter snake is Massachusetts’ official state snake, and is endemic to most of North America. It’s the most common snake species, and closely related to water snakes, the genus Nerodia.
Garters communicate with and seek one another via pheromones. All garter snakes, regardless of color, have a side and a back stripe. The similarity to the garters men used to wear to hold up their socks gives the snake its name.
Barb has thoughtfully created ceramic dens for the snakes in her yard. They curl in the sun to get warm, and head for spots under rocks when it’s too hot or they feel threatened. Garters are mostly harmless, and seldom attack or strike unless cornered or threatened.
I find snakes fascinating. [2] Sacred snakes were used by the Oracle at Delphi and in ancient Minos. Recall the cobra, who spread its hood to shelter the Buddha. St. Patrick supposedly drove the snakes out of Ireland. [3] On a practical level, the garter snakes in Barb and Javier’s yard will eliminate any pest threat from rodents. (They also eat snails and slugs, common garden problems in the wet Northwest.)
As I admire the yard and go look from time to time for the two snakes I’ve seen in different parts of the garden, I think mostly about the fact that the presence of snakes means the small biosphere of my sister’s home is a healthy one. It’s not a coincidence that garter snakes are often referred to as ‘garden snakes’.
NOTES: [1] See my earlier post Meet the One-Tracks. [2] Fun science facts: some garter snake species have two-colored tongues. They are ovoviviparous, meaning they give birth to live young. Garter snakes go into something called brumation before mating. [3] Ireland didn’t have snakes….
My books are Broken In: A Novel in Stories, Tsunami Cowboys, Grounded, and The Trail Back Out. Books make great gifts!
Tsunami Cowboys was longlisted for the 2019 ScreenCraft Cinematic Book Award. Broken In: A Novel in Stories was semifinalist for the international 2020 Hawk Mountain Short Story Collection Award from Hidden River Arts and Finalist for Greece’s 2021 Eyelands Book of the Year Award (Short Stories). The Trail Back Out was American Book Fest 2020 Best Book Award Finalist: Fiction Anthologies, Runner-Up for the 2021 Top Shelf Award, 2021 IAN Book of the Year Award Short Story Collection Finalist for the Independent Author Network, and awarded a 2021 Wishing Shelf Red Ribbon. The title story The Trail Back Out was longlisted for the 2021 ScreenCraft Cinematic Short Story Award.
Click here for my author page to learn more about me and purchase my books.
The office of the United Nations High Commissioner for Refugees (UNHCR) was founded on December 14, 1950 to help millions of Europeans who had fled or lost their homes following WWII. In 1954, the UNHCR was awarded the Nobel Peace Prize.
Their headquarters are located in Geneva, Switzerland. The work of the organization to protect and help refugees all over the globe is more vital than ever. You can donate by clicking on this link: Donate.unhcr.org
In honor of the work that the UNHCFR tirelessly does on behalf of our world, I am reprinting the post I wrote about why I decided to offer trauma massage for refugees. – Jadi
After more than a decade, it was back. An insidious, slowly increasing unease, a worried feeling that the world was spinning out of control. For months I’d watched news reports about refugees drowning off the coast in places like Libya or Lampadusa, Italy.
The reports came with more frequency, their tone more urgent. One night I saw the tragic footage of a small child, lifeless where he’d washed up on a beach in Turkey.
That Turkish beach is in Bodrum, and I once set foot there. Two years after I got married we spent a vacation in Turkey. Uwe and I began with the magic of Istanbul. We visited ancient Greek and Roman ruins, took off our shoes at the Blue Mosque, and travelled down the coast as tourists on a local bus line. At rest stops the driver came around with rose water for passengers to wash their hands and faces.
We bought rugs in Bodrum and had them shipped home. I joked about magic carpet rides. We put a wool rug I’d chosen in the center of our living room. Its wavy stripes had reminded me of the ribbon candy my grandparents always gave us when we visited.
Now, when I looked from the television to the floor, I saw waves in a treacherous ocean. I saw the long voyage of those desperately trying to save themselves and their families from wars.
Images of bombs and flight began to haunt my dreams. I had trouble sleeping and for a while I stopped watching the news. It was too close. The borders between frivolous holidays and grim realities had blurred. Actually, they’ve never really existed to begin with.
I was slipping into a spiral of feeling overwhelmed, and helpless, and very sad.
A German friend came for her monthly massage. “I’ve begun volunteering with refugees here,” she said. We talked through much of the session and I asked question after question, curious to know how she came to the decision to help refugees. I began to rethink how to respond to my encroaching depression and what I could do.
I talked it over with Uwe. A few weeks later, I called the Rathaus (Town Hall) to offer my services.
My books are Broken In: A Novel in Stories, Tsunami Cowboys, Grounded, and The Trail Back Out. Books make great gifts!
Tsunami Cowboys was longlisted for the 2019 ScreenCraft Cinematic Book Award. Broken In: A Novel in Stories was semifinalist for the international 2020 Hawk Mountain Short Story Collection Award from Hidden River Arts and Finalist for Greece’s 2021 Eyelands Book of the Year Award (Short Stories). The Trail Back Out was American Book Fest 2020 Best Book Award Finalist: Fiction Anthologies, Runner-Up for the 2021 Top Shelf Award, 2021 IAN Book of the Year Award Short Story Collection Finalist, and awarded a 2021 Wishing Shelf Red Ribbon. The title story The Trail Back Out was longlisted for the 2021 ScreenCraft Cinematic Short Story Award.
Click here for my author page to learn more about me and purchase my books.
Stacey Abrams was born December 9, 1973 in Madison, Wisconsin. A Democrat, Abrams is a politician, lawyer, author, and activist for voting rights. In 2018 she founded an organization to deal with voter supression called Fair Fight Action. Ms. Abrams’ efforts got out the vote in Georgia.
I would love to see her put in charge of assuring voting booth access for every state in the USA. Stacey Abrams has brought international attention to solutions that address inequality in access to voting, especially for blacks and minorities. In her honor I am reprinting the post I wrote about election night, 2016. – Jadi
On November 8, America voted for a new president. I sent my overseas ballot off weeks before the election.
I live in Germany, so it was early evening our time when the first results started being tallied. Uwe and I watched the nightly news and listened as stations began live reports from around the US. The living room glowed with candles. Around 10:30 p.m. Uwe said, “I think something’s burning,” and went out on our balcony. I got up and followed him. Sure enough, red flames were visible in the house right across the street from us.
“Hilfe!” voices shouted, and from blocks away came the blare of fire trucks. By now smoke was billowing. Teams of firemen raced around to the back of the building. People hung out of windows waving their arms, or watched from neighbors’ houses. The firemen put up klieg lights and a long ladder to rescue people from windows and then aimed water hoses at the roof.
They quickly had the situation under control: it was more smoke than fire, so to speak. I kept ducking back in the living room to watch the election returns.
Life felt suddenly, completely, dizzingly surreal. The election-cycle reminder that I’m an American citizen living overseas; an election unlike any other; a house burning. Maybe the entire goddamned street where we live is on fire.
Later – days later – I learned that the whole thing had only been a drill. A practice fire.
I’ve spent a lot of time thinking about the metaphors inherent in this experience. As I turn it around inside my heart and head I get dizzy again. I leave it to my readers to take from this story what you can.
My books are Broken In: A Novel in Stories, Tsunami Cowboys, Grounded, and The Trail Back Out. Books make great gifts!
Tsunami Cowboys was longlisted for the 2019 ScreenCraft Cinematic Book Award. Broken In: A Novel in Stories was semifinalist for the international 2020 Hawk Mountain Short Story Collection Award from Hidden River Arts and Finalist for Greece’s 2021 Eyelands Book of the Year Award (Short Stories). The Trail Back Out was American Book Fest 2020 Best Book Award Finalist: Fiction Anthologies, Runner-Up for the 2021 Top Shelf Award, 2021 IAN Book of the Year Award Short Story Collection Finalist for the Independent Author Network, and awarded a 2021 Wishing Shelf Red Ribbon. The title story The Trail Back Out was longlisted for the 2021 ScreenCraft Cinematic Short Story Award.
Click here for my author page to learn more about me and purchase my books.