One of the most unique art forms you’ll ever see is the sand paintings of Bagan, Burma. Artists paint on cloth using sand. I visited a hut on stilts where the artists crouched over spanned cloth, painstakingly applying the grains by candle light.
Traditionally, artists reproduce religious murals found on the walls of Bagan’s 1,300 temples. [1] Sand paintings may be black and white, or composed of colored sands. When I visited Burma for the first time with Uwe in 2009 there were few tourists. We reached the temples by horse carriage; now mopeds and air-conditioned vans carry visitors to the sites.
Sand painters still sell their work inside or outside small temples or in the courtyards as you approach. Some artists are branching out and painting their personal riffs on traditional images, or creating their own modern ones. Take your time if you are interested in purchasing a painting. Be wary of any artist who claims too aggressively, “This image is my own. I discovered this new technique.” (Amazing how many sand painters simultaneously invented an image involving contemporary animals.…) But the work is mostly beautiful, and the artists are carrying on a unique tradition.
Bagan is also famous for lacquerware, a costly and time-consuming art form. Sand-painting is an easier and less expensive way for local craftspeople to make money. Unlike lacquerware, sand painters can simply roll up and carry their wares to potential customers.
Eturbonews explains the history and process so well that I’ll quote them in entirety here:
“[T]here are dozens of mostly young artists displaying their paintings on the floor of temple compounds. They generally take inspiration from 700-year-old murals who adorn some of the most famous temples, such as Ananda or Gubyaukgyi, where paintings depict the life of the Buddha.
According to locals, Bagan’s artist community emerged following a terrible earthquake in 1975. In the turmoil generated by the earthquake, which saw hundreds of pagodas collapsing, locals got access to the temples and started to copy the murals on carbon. Paintings sold at temples are drawn using a sand technique, a peculiar aspect of Bagan art.
It consists of sketching replicas of murals with a stylus on a piece of cloth, which is then covered by acrylic glue. Then sand is sprinkled over the cloth, precisely following the lines from the drawing. Once the glue is dried, painting is added, giving the finishing a colorful touch to the motif. It takes a couple of days to finish a large-scale painting. The technique requires patience and skill.” [2]
I have given sand paintings as gifts to special friends.
A painting can be expensive to frame as the canvas needs to be stabilized so it won’t sag. On that first visit I purchased 3 paintings that took me forever to finally get framed. Uwe had selected an image with two tigers: I surprised him years later with the framed sand painting for his birthday.
On my first visit to Bagan I discovered artists had covered a temple’s altar with bags of colored sands. The artists brought them as offerings to Buddha. When I returned to Bagan this past spring, I didn’t find that temple again. But I remain delighted to know that it exists.
NOTES: [1] See my earlier post A Burmese Spirit Guide for more on Bagan’s temples and the talented wood carvers who work there. [2] Eturbonews.com [3] When I view the sand paintings that hang here in my home, I am reminded of the mandalas that Tibetan Buddhist monks paint with colored sand. When the painting is finished, the monks sweep the sands away. It is art as meditation on the temporary nature of all things. Sand mandalas © Jadi Campbell 2017. To see Uwe’s photos and pics from our trips go to viewpics.de.
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The café’s interior has exposed timber beams and archives date the building all the way back to 1566. I want to pinch myself when I am in both spots: I write here! How lucky can I get? Other days I’m more severe: If I can’t get inspired by views and surroundings like these, I’d better hand in my writer’s badge now.
It’s an easy bus ride from the capitol Riga to the museum. (Go to my recent post Food as Art and salivate over the delicious foods you can order in Baltic restaurants.)
Existence was harsh and hard, like the overcast skies much of the day we visited. [4] Along with simple huts, the site includes windmills.
A store building is filled with dowry chests and traces of Latvia’s long history serving in the Hanseatic League.
NOTES: [1] 
While I wait for the weather to decide if it really is springtime, I’m enoying the photos from the City of Lights.
It doesn’t matter if I’m in Paris for the art, the food, the shops, or the French way of life. Paris appeals to all of my senses. Whenever I’m there I fall right back in love with being alive. J’aime la vie!
I was delighted that he’d survived the trip intact. A spirit guide now stands in my home, pointing the way towards the path to enlightenment. [4]
The garter snake is Massachusetts’ official state snake, and is endemic to most of North America. It’s the most common snake species, and closely related to water snakes, the genus Nerodia.
I find snakes fascinating. [2] Sacred snakes were used by the Oracle at Delphi and in ancient Minos. Recall the cobra, who spread its hood to shelter the Buddha. St. Patrick supposedly drove the snakes out of Ireland. [3] On a practical level, the garter snakes in Barb and Javier’s yard will eliminate any pest threat from rodents. (They also eat snails and slugs, common garden problems in the wet Northwest.)
As I admire the yard and go look from time to time for the two snakes I’ve seen in different parts of the garden, I think mostly about the fact that the presence of snakes means the small biosphere of my sister’s home is a healthy one. It’s not a coincidence that garter snakes are often referred to as ‘garden snakes’.
