Tag: traditional art forms

Borneo: Shaman Medicine

I was going to tell you about Malaysian Borneo when I got sidetracked by their neighbor Brunei. Moving on quickly (which is what we did as we flew over the sultanate on our way to the state of Sarawak), we landed in Kuching. What a lovely, lovely city. Kuching should get its own post, and likely will. We roamed along the riverfront walk and slurped down laksa noodle dishes with gusto. Kuching is a great spot to head out to various national parks to see wildlife.

Borneo is home of the native Dayak tribes. Remember childhood tales of the wild headhunters of Borneo? The Dayak call this ritual Ngayau. We visited Dayak long houses. Smoked skulls still hang at the hearth in the central long house.

The most important tribal figure is the head chief, closely followed by the shaman. This medicine man, also known as a balian [1] is responsible for the health of the tribe as well as interceding between the worlds.

During our time in Kuching I’d been glancing in shops without actually entering any of them. Among the streets of tourist trinkets, one store fascinated me. On the last day I made a beeline for that shop. [2]

And then I made a beeline for a shelf lined with containers topped by human figures.

Jerry Ang, the soft-spoken shop owner, kindly answered all my questions. He told me these were Dayak shaman medicine containers. The figures are hand carved from polished buffalo or cow bone. A shaman had hand-etched the jar with scrimshaw patterns. Dayak shamans used the containers to store herbs, magic powders and betal lime to make medical potions. Some still contained resins – Jerry and I opened each jar and sniffed.

The carved figure indicates the illness the potion was intended to treat. Some of the figures held their heads (aches and pains of the head) or their stomachs. Some figures even depicted a person crouched over… the traveler’s curse of diarrhea for sure.

My piece has a prawn carved on the back: Jerry thought maybe prawns were one of the main ingredients in the medicine. Or perhaps the prawn indicated the woman who made the potion (he said the figure was female), or an ancestor. An on-line source tells me the scrimshaw work represents animals that bring good luck. If anyone can give me more information, I’d be most grateful!

NOTES: [1] Balian is the term used for traditional healers on Bali, too. Healing arts are passed down through generations. Twenty years ago I did a massage exchange with the son of a balian there; he had been taught by his father. To learn more about the Dayak shamans go to http://factsanddetails.com. The article gives the following information: “Shamanic curing, or balian, is one of the core features of these ritual practices. Because illness is thought to result in a loss of the soul, the ritual healing practices are devoted to its spiritual and ceremonial retrieval. In general, religious practices focus on the body, and on the health of the body politic more broadly. Sickness results from giving offense to one of the many spirits inhabiting the earth and fields, usually from a failure to sacrifice to them. The goal of the balian is to call back the wayward soul and restore the health of the community through trance, dance, and possession.” [Source: Library of Congress, 2006] Or see Wikipedia: The Dayak People [2] See also Unika Borneo, the shop where I found my figure. I receive no commission for mentioning the store. I just think they deserve to be mentioned.  More figures can be admired at https://borneoartifact.com and https://www.esotericstuff.com

© Jadi Campbell 2019. All photos © Uwe Hartmann. To see more of Uwe’s pics from our trips go to viewpics.de.

Click here for my author page to learn more about my books and me.

The Sand Painters of Burma

One of the most unique art forms you’ll ever see is the sand paintings of Bagan, Burma. Artists paint on cloth using sand. I visited a hut on stilts where the artists crouched over spanned cloth, painstakingly applying the grains by candle light.

Buddhist image painted with sand, image from a Bagan temple, Burma

Traditionally, artists reproduce religious murals found on the walls of Bagan’s 1,300 temples. [1] Sand paintings may be black and white, or composed of colored sands. When I visited Burma for the first time with Uwe in 2009 there were few tourists. We reached the temples by horse carriage; now mopeds and air-conditioned vans carry visitors to the sites.

Sand painters still sell their work inside or outside small temples or in the courtyards as you approach. Some artists are branching out and painting their personal riffs on traditional images, or creating their own modern ones. Take your time if you are interested in purchasing a painting. Be wary of any artist who claims too aggressively, “This image is my own. I discovered this new technique.” (Amazing how many sand painters simultaneously invented an image involving contemporary animals.…)  But the work is mostly beautiful, and the artists are carrying on a unique tradition.

Foot print of the Buddha

Bagan is also famous for lacquerware, a costly and time-consuming art form. Sand-painting is an easier and less expensive way for local craftspeople to make money. Unlike lacquerware, sand painters can simply roll up and carry their wares to potential customers.

Eturbonews explains the history and process so well that I’ll quote them in entirety here:

“[T]here are dozens of mostly young artists displaying their paintings on the floor of temple compounds. They generally take inspiration from 700-year-old murals who adorn some of the most famous temples, such as Ananda or Gubyaukgyi, where paintings depict the life of the Buddha.

According to locals, Bagan’s artist community emerged following a terrible earthquake in 1975. In the turmoil generated by the earthquake, which saw hundreds of pagodas collapsing, locals got access to the temples and started to copy the murals on carbon. Paintings sold at temples are drawn using a sand technique, a peculiar aspect of Bagan art.

It consists of sketching replicas of murals with a stylus on a piece of cloth, which is then covered by acrylic glue. Then sand is sprinkled over the cloth, precisely following the lines from the drawing. Once the glue is dried, painting is added, giving the finishing a colorful touch to the motif. It takes a couple of days to finish a large-scale painting. The technique requires patience and skill.” [2]

I have given sand paintings as gifts to special friends.

A painting can be expensive to frame as the canvas needs to be stabilized so it won’t sag. On that first visit I purchased 3 paintings that took me forever to finally get framed. Uwe had selected an image with two tigers: I surprised him years later with the framed sand painting for his birthday.

On my first visit to Bagan I discovered artists had covered a temple’s altar with bags of colored sands. The artists brought them as offerings to Buddha. When I returned to Bagan this past spring, I didn’t find that temple again. But I remain delighted to know that it exists.

NOTES: [1] See my earlier post A Burmese Spirit Guide for more on Bagan’s temples and the talented wood carvers who work there. [2] Eturbonews.com   [3] When I view the sand paintings that hang here in my home, I am reminded of the mandalas that Tibetan Buddhist monks paint with colored sand. When the painting is finished, the monks sweep the sands away. It is art as meditation on the temporary nature of all things. Sand mandalas  © Jadi Campbell 2017. To see Uwe’s photos and pics from our trips go to viewpics.de.

Click here for my author page to learn more about my books and me.

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