…Here’s the next installment from my blog thread describing what to call groups of animals! … See how many you can guess. Answers listed at the bottom of the page.
Grain needs a grist!
The sound of the sounder almost gave her a heart attack.
The flock flocked on his poor kids.
Wow, the muster mustered such gaudy colors.
When my bike ran over the bike, I knew I was in big trouble.
The drove drove towards us in the dirt road.
Grist of bees 
Sounder of wild boar
Flock of lice
Muster of peacocks
Bike of hornets
Drove of horses
NOTES:  Status: Endangered “….[P]ollinators are under threat around the world…about 40 percent of invertebrate pollinator species (such as bees and butterflies) are facing extinction.” This could have major implications for world food supply, because “about 75 percent of the world’s food crops … depend at least partly on pollination.” NPR Report
I’m a little slow sometimes. I recently realized that my new-and-improved wordpress website jadicampbell.com had a birthday in January and is now a year old. (Yes, I’m aware it’s already March!) So, what did I do with a year of blogging?
Last summer I lost my mother-in-law, an old friend, and my dad Bobbo, all within a shocking three-month period. Those were by far the hardest posts to write. But I discovered something: the most personal blog essays are the ones my readers (i.e., all of you) respond to most.
What you can look forward to in the Year of the Rooster: a huge blog thread for my father Bobbo that I’m calling The Animal Kingdom. Occasional notes about my volunteer work with refugees. Lots more quirky posts about places Uwe and I visit. And on-going musings about life, the Universe and everything in-between as I deepen the process of saying goodbye to those who have left.
May you find something here that makes you laugh, creates a spark of connection, and moves you enough so that you reenter your own life with a sense of touching upon mine. That would make the new year of blogging – and all the years to come – worthwhile. As Mae West says, “Come on up, I’ll tell your fortune.” 
I dedicate this new blog thread to my father Bobbo, who worked for the Forest Service. On one of our last family visits we sat around and gleefully read out a list describing groups of animals … See how many you can guess. Answers listed at the bottom of the page.
The shrewdness shrewdly assessed the jungle floor.
This obstinacy obstinately refused to budge.
The covert covertly hid, migrating only at night.
The big bask basked in the river, seemingly aware nothing would dare attack them.
In spite of myself I was charmed by the pitiful piteousness.
One year when Uwe and I took a vacation in Asia, I jumped at the chance to fly early and visit my sister Pam and my nephew Nikolai in Hong Kong. They lived in the city for a few years, and Pam had made a game out of finding as many cultural events as possible.
We attended a Japanese hip hop performance, fascinated to see how a form that began with black America was interpreted into Japanese. We got tickets for electrifying (and surprisingly political) Chinese modern dance. Not everything we saw was good; we had to suffer through an hour of really bad flamenco. We fled as soon as politely possible.
And Pam got us tickets for the Bootleg Beatles.
Asians retain a fierce love of the Beatles to this day, and the Bootleg Beatles aren’t your average cover band. The Bootlegs are the Beatles’ first and oldest tribute band. They have been playing for over 36 years! “George”, “Ringo”, “John” and “Paul” sing and play, complete with costume changes to track the evolution of the group. An eight-piece orchestra backs them up. They. Are. Terrific.
The Lyric Theatre of the Hong Kong Academy for Performing Arts is a classic amphitheater space. Our seats must have been the last three sold: Pam, Nikolai and I sat high, high up in the last row.
Once they started playing, it was clear why the concert was completely sold-out. It was like the Bootlegs were channeling the original band. My sister and I got up and danced.
But a strange thing happened: during the entire concert, we were the only people dancing. The amphitheater was filled to capacity with more than a thousand Hong Kong residents and visitors – and everyone was far too well-behaved to get on their feet.
We were surprised that no one else danced. Had we missed something? Was there some kind of Asian protocol about performances? We looked at one another, at Nikolai (sitting between us with his face covered, totally absorbed in listening to the band and not about to join us) and the proper people sitting all around. Like I say: we had seats in the final row up in nose-bleed territory. The only thing behind us was a cement wall. Who would it disturb if we danced?
So we did. From Please Please Me to Back in the USSR to All You Need is Love, we rocked out. Pam and I had a ball. There is something about giving yourself over to the ecstasy and joy of great music. These are the tunes of our childhoods and teenage years.
We grew up with the Beatles. The night in 1964 the band played on The Ed Sullivan Show, Mom came and got us out of bed. “Come see the Beatles!” she urged. I was a little kid at the time. I remember dashing to the black and white television set in excitement… only to watch bewildered as four men in black sang. Where were the insects? (Our dad Bobbo was an entomologist, so my confusion was genuine.) Later the band and their music became – and remain – an integral part of the weave of my life.
So. Fast-forward almost 50 years to an amphitheater in Hong Kong, and you’ll understand why we simply had to get up and boogie.
Before the first break, “George” said how nice it was everyone had come out for the show. He added, “Especially you at the back. We’re really glad you’re here. You’re great!”
“Hey!” I exclaimed. “Do you think he means us?” At the end of the show, “George” and the boys thanked the audience for coming, with “A special thank you to the two girls in the top row. You made the show.”
Some events remain live. In a parallel universe and all my dreams, I’m still dancing.
Long-time followers of this blog will know that I post at 2-week intervals. I’m stepping outside my rhythm to tell you about 2 very special projects. The first is all about rhythms of song and speech, so perhaps I’m not breaking my pattern after all.
I Like a Gershwin Tune, How About You? will perform at Theater am Olgaeck in Stuttgart on December 15 at 20:00. For photos of the performers and more information, click on the link I’ve provided.
I LIKE A GERSWHIN TUNE, HOW ABOUT YOU? is an evening of beautiful music; instrumentals, solos, duets and four part harmony featuring the song stylists Jeanne Ragonese, Sara Conway, Anthony King, Joerg Witzsch, pianist Florian Eisentraut, narrator Derrick Jenkins, and a story by Jadi Campbell.
Ira Gershwin is the lyricist to musical composer and younger brother George Gershwin. This brotherly collaboration created some of the most memorable songs of the 20th century.
The compositions of George & Ira Gershwin are among the masterpieces of THE GREAT AMERICAN SONGBOOK; which is the most popular source of material for singers and musicians today. After George’s untimely death at an early age, Ira went on to work with other composers, such as Jerome Kern, Harold Arlen and Kurt Weill; with whom he continued to write many successful Broadway Musicals.
With this musical project we aim to celebrate the 120th Birthday of Song Lyricist Ira Gershwin; whom many consider to be a Modern American Poet. Heartfelt, high-spirited, sparkling with vernacular eloquence, the lyrics of Ira Gershwin defined the spirit of an era and have lived on as part of the American tradition. Ira distilled ordinary American speech into indelible verse; embodying his wit romance and dazzling virtuosity.