When we visit the temples in Laos, we often see monks tying special white cotton strings to the wrist of a person’s right hand. Sometimes the monk ties connecting strings to whole groups of people. What are they, and what was the significance? The answer, it turns out, varies in the different regions of Laos (as well as the Sipsong Panna autonomous prefecture of the Tai Lü in the extreme south of Yunnan, China, and Northern and Isan Thai cultures) and depends on time and place….
The strings are tied in the Baci ceremony, and the meaning depends on the occasion. Take weddings, for instance. According to an old Laotian legend, the cotton threads are tied to ensure a happy marriage. We each have a tree in the heavenly garden, and that tree has branches intertwined with your predestined partner. When our trees come to this earthly existence, the cotton threads binding them are cut and we’re born separated and alone. If you can find your soul mate again after searching for him or her, at your marriage you are rejoined by retying the thread.
But in Laos, threads are also tied on newborn babies and their mothers [1], or on people going home or departing from home, which explained the many men, women, and children with these bracelets we saw at airports. The ceremony is performed for specific events in a life: success, health (both for the cured and the sick), and annual festivals like the sacred Wax Castle Procession in Vientiane (we witnessed a high number of Baci ceremonies during that time). [2] The ceremony is done after a death, too, to bring back any wandering, missing spirits and reinforce the harmony of the surviving family members.
The entire ceremony is rich is symbolism. The white color means purity, and the strings are believed to bind the 32 kwan, organs or parts to the soul, to prevent them from wandering away. (The Baci ceremony is also known by the term su kwan, “calling of the soul”.) [3] When kwan wander away from your body, this creates an imbalance in the soul that may lead to illness and bad luck.
The ceremonies take place in Buddhist temples, but kwan and the Baci ceremony predate Buddhism. [4] I’ve had strings tied to my right wrist in Buddhist and Hindu temples from Thailand to India, but have never taken part in a Baci ceremony. Regardless, the white bracelet should be worn for at least three days. Then the threads can be unknotted or allowed to fall off on their own, but should never be cut.
NOTES: [1] A Baci ceremony for new mothers and their babies is performed to welcome the baby, and to recall any kwan that may have wandered off from the mother during the birth. [2] The Wax Castle Procession falls on an especially auspicious lunar calendar date: the full moon of the seventh lunar month. [3] Concept of Kwan: Kwan are components of the soul but have a more abstract meaning than this. The kwan have been variously described by Westerners as: “vital forces, giving harmony and balance to the body, or part of it”, “the private reality of the body, inherent in the life of men and animals from the moment of their birth,” and simply as “vital breath”. – Pom Outama Khampradith, Bounheng Inversin, and Tiao Nithakhong Somsanith, writing for Lao Heritage Foundation. [4] Check out my posts about the Rocket Festival we saw on our first trip to Laos!
P.S: Baci in Italian means kisses, and it’s an awesome chocolate candy that contains a whole hazelnut at the center.
©Jadi Campbell 2018. All photos © Uwe Hartmann. To see more of Uwe’s photos and pics from our trips go to viewpics.de.
Click here for my author page to learn more about my books and me.
To learn more about kwan and the Baci ceremony: https://www.laos-guide-999.com/baci-ceremony.html
https://en.wikipedia.org/wiki/Baci
http://www.laoheritagefoundation.org/ceremonies/baci.jsp
https://www.laos-guide-999.com/that-luang-festival.html
This 3-day festival celebrates the start of the rainy season by shooting rockets off into the heavens. [1] Teams compete for awards with home made rockets. HOME MADE.
But what a terrific way to mark the change of seasons: throw a village party, give out some prizes (and these were significant: our guide told us a new house and a water buffalo were among the prizes to be awarded), and shoot off some fireworks. Just make sure that they’re home made, by a team of you and your friends.
We were in Laos and Vientiane for the first time, and only had a couple of days there. So we booked a car and driver and a guide, and left the city for a day. On the way back, we drove down a road filled with stands selling food and drinks. “It’s a rocket festival,” our guide exclaimed. “Would you like to stop and see it?”
What really drew our interest were the large numbers of men in dresses and skirts, wearing make-up. It was still the afternoon, and most of them were already hammered.
Laos’s most important religious festival opens with a parade led by monks and government officials, accompanied by musicians in ethnic costumes.
The festival brings everyone together, regardless of ethnic group or social standing. The procession shows solidarity among communities as people from all walks of life take part in the festival. Everyone dresses in their best clothes, and people from all over the country attend. Groups across Laos try to bring at least one wax castle to the stupa. The stupa itself is the country’s most important religious edifice, believed to contain a sacred relic of the Buddha.
We spent a long time on the grounds, quietly watching the comings and goings. People laugh and talk and play music as they make their offerings, but the solemnity of the procession made me sorry I didn’t have on a skirt or dress, or pay to rent a sarong for the event. Tourists are welcomed but there is nothing touristy about this sacred ritual. It was an overwhelmingly, intensely Laotian celebration. As always: I feel honored and lucky that Uwe and I were there for that full moon, and that we continue to get to witness the wonders of this precious world.
NOTES: “November 28, 2012 Wax Castle Procession” Vientiane Times, The First National English Language Newspaper
The That Luang Festival – Part 1
The festival is a holiday honoring Buddha at the That Luang stupa, Laos’s most sacred religious site. [1] Traditionally, the festival occurs during the full moon of the twelfth lunar month (November).
Part 2 will post next week.
This is a brand new feature for this blog: I’m transcribing selected entries from my old travel journals. Currently I’m working on a batch of new posts set in Laos. I hauled out the journal I kept on our first visit to make sure that my memories match up with the facts. My descriptions from that trip are raw. I use a travel diary to record first impressions and get down the details to go over later (like now, years later). I’ve decided to post some of them here for your amusement. — Jadi
A 1,000-year-old site we visited with our guide on yesterday’s tour:
Buddhas in the Angkor Wat style carved out of boulders in the jungle. And, not twenty feet away, a spirit altar by a tall tree. [1]
No one’s allowed to build anything on or near the site. But the locals come there for ceremonies and celebrations. It had a rather hushed and holy air as we stood on the jungle (forest) floor in the welter of the afternoon heat at Vang Sang. An elephant graveyard was once found nearby!
The buildings all high on stilts for the rainy times. We had my favorite meal so far in this trip: a soup with fresh Chinese vegetables and tofu and vermicelli noodles – it may be the freshest ingredients in a soup of this kind I can remember. And a lake fish grilled whole with garlic and ginger and lemon grass and cilantro; and it was all just too delicious for words.
It’s an easy bus ride from the capitol Riga to the museum. (Go to my recent post Food as Art and salivate over the delicious foods you can order in Baltic restaurants.)
Existence was harsh and hard, like the overcast skies much of the day we visited. [4] Along with simple huts, the site includes windmills.
A store building is filled with dowry chests and traces of Latvia’s long history serving in the Hanseatic League.
NOTES: [1]