My husband used to work in northern Sweden every winter. (Go to It Was a Bitterly Cold -22 Degrees) I flew up for a long weekend. On Friday he had to drive on a frozen lake, writing code for the braking system that would become ESP, a safety feature now installed in cars everywhere.
I went exploring in downtown Arjeplog. The only tourists were people like me, family members visiting the car engineers.
It was March, a grand -6 degrees at the warmest part of the day, so I went to the Silvermuseet. I like museums anyway, and Arjeplog’s museum is a fun mix of artifacts from early settlers, a history of the now-closed silver mines, and the earliest presence of humans. I was the only visitor in the museum.
A tall glass case contained a runebomme, an old Saami drum. [1] When I moved closer for a look, lights clicked on and a recording of drumming began to play. I was surprisingly moved, and totally intrigued by the images etched on the drum hide. Animals, people, and boats were depicted.
The Saami Shaman Drum Kobdas (drum) is a sacred map. It contains drawings of people and the spirit gods and goddesses of Nature often centered around a symbol of the sun. They are used by the shaman (male and female alike) to awaken other levels of reality to guide families in their daily life, find the right path during migrations, locate things which are missing, heal diseases and help the community in times of crisis. They can also foresee the future and give guidance. [2]
The museum gift shop sold gifts made by local artists. I bought myself a necklace. It’s made with reindeer horn scrimshaw, embedded in arctic curly birch. I don’t wear it often, but when I do it always feels special.
Many years later I wrote a character named Gabe Burgess, who is given a similar necklace by his Norwegian lover as a remembrance before they part ways in Greece. I liked the idea of a burly man tucking the amulet into his shirt when he went traveling.
I thought my necklace was the image of a snowflake. Today, as I did some research to make sure this post’s information on the museum and the drums is accurate, I discovered this:
The image is really an early compass.
My world explorer Gabe has always worn a depiction of the points of the compass, guiding him safely home.
Perfect. – Jadi
He liked the romance of travel, in every sense of the word. His destinations veered wildly from year to year. In the beginning, Gabe’s journeys were random. As a youth Gabe traveled with a heavy, framed backpack and headed often for the beaches. He spent a blissful month camping on the southern coast of Crete with a busty blonde from Norway named Berit. At the end of the four weeks he returned to New York City with Berit’s address and telephone number tucked inside his passport, and a talisman around his neck. On their last night together she had turned her head away from him and reached for the necklace tucked under her long hair.
She made him close his eyes as she placed a chain over his neck. “Go look in the mirror,” she requested, and obediently Gabe walked to the little oval mirror in their beach hostel. In it he found his own image (now much darker and even properly black after a month spent in the island sunshine), his neck encircled with an image on wood. He pulled the chain back over his head to examine it more closely.
Berit put her arms around his waist and stared over his shoulder at him in the mirror. “It’s Saami.” She explained, “It’s a snowflake with eight points to it, carved on reindeer horn. The wooden back is birch. It is to bring you luck, dear friend,” she added solemnly, and kissed the side of his temple.
-from my chapter Waiting in Broken In: A Novel in Stories
NOTES: Text and photos © Jadi Campbell 2020. [1] Arjeplog Silvermuseet. The Catholic Church destroyed the drums, outlawed their use, and persecuted the shaman (noajdde). Many drums were buried or hidden. “Of the thousands once existing, only 71 drums have survived with their skins intact[.]” Saami Drum [2] From Arctic Saami Style Kellamknives.com
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Being a writer almost always means feeling guilty about carving out time alone with a blank page of paper or a white computer screen. At the same time, being a writer means almost always feeling guilty for not creating time dedicated to empty paper/laptop.
I finally filled our balcony with planter boxes of flowers and herbs. We have more bees and pollinators than I’ve seen in years. Nature is loving this “Stop everything” business! And I got down to serious construction of Book #4, a collection of short stories.
This was lockdown, so it’s not like I could go anywhere else, right? Wasn’t the Universe handing me exactly the time and space I needed to write my next book? I took my pages or laptop out the balcony and went to work.
I don’t know about you other writers out there, but the Muse makes me toil for months on end before she grants me an audience. I write every day, drudge work, one word after the next for my daily quota. Trust me: this is not inspired writing. It’s showing up and doing the job. I spent a few months planting my ass in front of my computer or my pages to revise, thinking, “What the hell ever made me think this will be any good?”
Now, half a year later, I’m getting ready to publish. This is my corona virus book; I could even title it, How I Spent My Summer Lockdown.
NOTES: Text and Photos © Jadi Campbell 2020. To see Uwe’s photos and pics from our trips go to 
And I go for walks, and practice self-care. I love to cook, so that’s more than all right. I can take my time with elaborate recipes. Great way to channel my restlessness. Uwe and I live together in lockdown harmoniously most of the time.