Today’s Birthday: Francisco Gustavo Sánchez Gómez

Francisco Gustavo Sánchez Gómez was born on December 21, 1947 in Algeciras, Spain. He became famous as Paco de Lucía, the guitarist and composer. De Lucía was one of the world’s greatest flamenco artists, a musician who expandeded jazz and classical guitar as well. In his honor here is the post I wrote after Uwe and I visited Sevilla and listened to flamenco on the streets. – Jadi

Uwe and I spent a holiday in southern Spain. My first trip to Andalusia took place when I was barely 17, and the memories that flooded me so many years later are all from deep recesses in my senses.

We traveled by bus between Granada and Córdoba, and later to Sevilla. I didn’t remember a thing about what Sevilla looks like. Memories came back anyway. In Granada they involved spatial proportions; in Córdoba, infinity and water. In Sevilla, my recollections arrived with sound.

Parque María Luisa

We strolled through the lovely Parque de María Luisa to the Plaza de España.

Plaza de España

The Plaza was constructed in 1929 when the city of Sevilla hosted the Ibero-American Exposition World’s Fair. A building façade curves, with lovely tilework depicting each Spanish state. Uwe took photos while I admired the details.

I heard an insistent, rhythmic clacking: a young man with castanets stood in the plaza. Near him a guitarist played as a dancer’s heels pounded out a hypnotic dance.

She was astonishingly poised, with the self-confident grace required of flamenco dancers. Her skirts swirled as she dipped and turned. Her dance in the square     the pluck of guitar strings     the click         clack        click clack clack clack clack of castanets…. I was thrust back in a relived moment so deeply entrenched that I cannot tell you when or where it first occurred.

For as long as I recall, flamenco always moves me to the edge of tears. I never understood why until my mother told me that she’d developed a short-lived taste for flamenco guitar music when she was pregnant with me. After I was born the craving promptly disappeared. So do these relived audio memories come from the womb? From that first trip abroad so long ago?

I had my coins out and ready when the dancer came around with a hat. I was surprised to see how young she was under her make-up. She might have been 17… just the age I was when I first visited this beautiful region.

Perfect. She and my faulty memory were perfect.

In memory of Paco de Lucía, 21 December 1947 – 25 February 2014

NOTES: ©2017 Jadi Campbell. Previously published as Andalusia Memories 4: Sevilla Song and Dance. All photos © Uwe Hartmann. Uwe’s photos of our trips and his photography may be viewed at viewpics.de. Go to my earlier posts to read more about our visit to Andalusia.

I am a Best American Essays-nominated writer. My books are Broken In: A Novel in Stories, Tsunami Cowboys, Grounded, The Trail Back Out, and The Taste of Your Name. Books make great gifts!

Click here for my author page to learn more about me and purchase my books.

 

Andalusia Memories 4: Sevilla Song and Dance

Uwe and I spent a recent holiday in southern Spain. My first trip to Andalusia took place when I was barely 17, and the memories that flooded me so many years later are all from deep recesses in my senses.

We traveled by bus between Granada and Córdoba, and later to Sevilla. I didn’t remember a thing about what Sevilla looks like. Memories came back anyway. In Granada they involved spatial proportions; in Córdoba, infinity and water. In Sevilla, my recollections arrived with sound.

Parque María Luisa

We strolled through the lovely Parque de María Luisa to the Plaza de España.

Plaza de España

The Plaza was constructed in 1929 when the city of Sevilla hosted the Ibero-American Exposition World’s Fair. A building façade curves, with lovely tilework depicting each Spanish state. Uwe took photos while I admired the details.

I heard an insistent, rhythmic clacking: a young man with castanets stood in the plaza. Near him a guitarist played as a dancer’s heels pounded out a hypnotic dance.

She was astonishingly poised, with the self-confident grace required of flamenco dancers. Her skirts swirled as she dipped and turned. Her dance in the square     the pluck of guitar strings     the click         clack        click clack clack clack clack of castanets…. I was thrust back in a relived moment so deeply entrenched that I cannot tell you when or where it first occurred.

For as long as I recall, flamenco always moves me to the edge of tears. I never understood why until my mother told me that she’d developed a short-lived taste for flamenco guitar music when she was pregnant with me. After I was born the craving promptly disappeared. So do these relived audio memories come from the womb? From that first trip abroad so long ago?

I had my coins out and ready when the dancer came around with a hat. I was surprised to see how young she was under her make-up. She might have been 17… just the age I was when I first visited this beautiful region.

Perfect. She and my faulty memory were perfect.

© Jadi Campbell 2017. All photos © Uwe Hartmann. Uwe’s photos of our trips and his photography may be viewed at viewpics.de. Go to my earlier posts to read more about our visit to Andalusia.

Click here for my author page to learn more about my books and me.

Andalusia Memories 2: Alhambra Walls and Water

“Perhaps there never was a monument more characteristic of an age and people than the Alhambra; a rugged fortress without, a voluptuous palace within; war frowning from its battlements; poetry breathing throughout the fairy architecture of its halls.” ― Washington Irving, Tales of the Alhambra [1]

 I just made a second trip to southern Spain. It had been over forty years between visits, and I had no idea what – if anything – I might remember. My first trip was with my high school Spanish Club. We were all young, and boy were we excited to be able to drink legally for a change!

In an earlier post I wrote about my spatial memories in Granada. At the Alhambra I had strange wavy recollections of reflecting pools and intricate walls.

To visit the palace rooms of the Alhambra is like stepping inside one gigantic extended scrollwork of interlocking geometric design.

I can remember loving the symmetry. I sure don’t remember any specific part of it. As I say, my memories are a blurry recollection of warm stone walls with ingenious decorations. Just… an impression of a harmony that contains a hundred thousand details you will get lost in once you begin examining the space more closely.

Southern Spain is frequently the hottest region in Europe. At the peak of summer, it stays oppressively hot (100°F and above) and very dry. We visited Andalusia at the very end of September/start of October, and the temperatures were still in the 90s. You seek relief in rooms with the latticed windows that let in light but not heat. Or you walk in the walled gardens.

Water, water, everywhere…. The former Islamic rulers built a sophisticated system of fountains and pools. Those fountains were designed to include the sound of flowing waters, and flowers and fruit trees were planted to delight the senses with their perfumes.

Memory returned vivid and at the same time somehow distorted at the Alhambra palaces’ innermost courtyard spaces. Only those wonderful carved lions at the private fountain were just as I remembered them.

And those were more than enough to make me very, very happy.

“In the present day, when popular literature is running into the low levels of life, and luxuriating on the vices and follies of mankind; and when the universal pursuit of gain is trampling down the early growth of poetic feeling, and wearing out the verdure of the soul, I question whether it would not be of service for the reader occasionally to turn to these records of prouder times and loftier modes of thinking; and to steep himself to the very lips in old Spanish romance.” ― ― Washington Irving, Tales of the Alhambra 

NOTES: [1] Washington Irving is a lifetime favorite, beginning with my childhood: The Legend of Sleepy Hollow! Rip Van Winkle! I’d forgotten that he stayed and wrote at the Alhambra in 1829, when it was a neglected  ruin. Now, that’s artistic inspiration. © Jadi Campbell 2017. All photos © Uwe Hartmann. To see more of Uwe’s pics from our trips go to viewpics.de.

Click here for my author page to learn more about my books and me.

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