I just received this notification from the International Human Rights Art Movement: “Congratulations! Out of hundreds of pieces we published this year, your work has been chosen as one of three to be nominated for the Best American Essays anthology. You may now refer to yourself as “Best American Essays-nominated writer”!
Whether or not ‘Red, Red Roses’ is chosen for the anthology, the honor is huge. My essay appeared in the IHRAM Magazine’s Second Quarter issue. You can purchase a print issue at this link: International Human Rights Arts Movement.
And hell yes, I will be adding the distinction “Best American Essays-nominated writer” to my CV!
Stuttgart has two former castles. The new castle was styled like a palace and is now city offices. The old castle became the Landesmuseum, a fantastic archeology museum. At one time it had a moat!
The Landesmuseum contains finds that span thousands of years, from 35,000 years ago, when the inhabitants of this area in southern Germany drilled holes in bird bones and played them as flutes. We’ve got lots of traces from when this area was Roman and elaborate ceramic remains. And the Landesmuseum contains a Celtic prince, dug up in nearby Hochdorf.
Below is a massive – and massively heavy – torque with ram heads. No one is quite sure what it was used for. Was it ceremonial? Did someone actually wear it? In the background is the oldest life-size, anthropomorphic stone grave marker north of the Alps, dating back to the Iron Age. He’s known as the Warrior of Hirschlanden and guarded a barrow with 16 graves. [1]
And these aren’t even the highlight. They say history is written by the victors, and for centuries the Romans handed down an image of the Celts as savage and uncivilized. The discovery of the Hochdorf Chieftain changed everything….
The drinking horns had all been used and weren’t just grave goods. The largest is made of iron and the rest are made of auroch horns.
The drinking cauldron was imported from Magna Graecia over two and a half millennia ago. Two of the lions that adorn it are original. The third lion is a replacement (also ancient) and of Celtic design. The bowl was filled with 400 liters (100 gallons) of summer flower honey mead when the prince’s barrow was closed and sealed. [2, 3] Archeologists also found traces of marijuana in his tomb. That must have been one hell of a party, 530 BC style!
He was laid out on a well-used waggon couch. The wheels are topped by female figures embedded with precious stones. The waggon itself is hammered bronze.
As to the prince himself, Wikipedia says “[h]e had been buried with a gold-plated torque on his neck, a bracelet on his right arm, a hat made of birchbark, a gold-plated dagger made of bronze and iron, rich clothing, amber jewelry, a razor knife, a nail clipper, a comb, fishing hooks, arrows, and most notably, thin embossed gold plaques which were on his now-disintegrated shoes.” [3]
Was he a prince or chieftain? A high priest or Celtic shaman? I don’t know those answers, but I do know that whenever I visit this museum, I go to his rooms and pay my respects.
My forthcoming book The Taste of Your Name was one of six finalists for the 2025 Compass Press Book Award. Stay posted: The Taste of Your Name will be available soon!
My previous books are Broken In: A Novel in Stories, Tsunami Cowboys, Grounded and The Trail Back Out.
Tsunami Cowboys was longlisted for the 2019 ScreenCraft Cinematic Book Award. Broken In: A Novel in Stories was semifinalist for the international 2020 Hawk Mountain Short Story Collection Award from Hidden River Arts and Finalist for Greece’s 2021 Eyelands Book of the Year Award (Short Stories). The Trail Back Out was the 2023 San Francisco Book Festival Winner for General Fiction, American Book Fest 2020 Best Book Award Finalist: Fiction Anthologies, Runner-Up for the 2021 Top Shelf Award, 2021 IAN Book of the Year Award Short Story Collection Finalist, and awarded a 2021 Wishing Shelf Red Ribbon. The title story The Trail Back Out was longlisted for the 2021 ScreenCraft Cinematic Short Story Award.
Click here for my author page to learn more about me and purchase my books.
In Germany we’ve gone overnight from gorgeous summer weather to wet cold autumn. It’s a sudden switch of the seasons….
I already miss my sandals.
The consolation is the great autumn harvests and the fall colors if you’re lucky enough to live somewhere that gets them. It’s so chilly and dark here this week that I found myself digging around old photos, looking for some of those fall colors and produce bounty.
Here’s what I found.
Time to buy some pumpkins and make some squash soup. Or a pumpkin souffle. Or pumpkin bread. Or gnocchi with browned sage butter. Or pumpkin chili. Or a curry.
My books are Broken In: A Novel in Stories, Tsunami Cowboys, Grounded and The Trail Back Out.
Tsunami Cowboys was longlisted for the 2019 ScreenCraft Cinematic Book Award. Broken In: A Novel in Stories was semifinalist for the international 2020 Hawk Mountain Short Story Collection Award from Hidden River Arts and Finalist for Greece’s 2021 Eyelands Book of the Year Award (Short Stories).
The Trail Back Out was the 2023 San Francisco Book Festival Winner for General Fiction, American Book Fest 2020 Best Book Award Finalist: Fiction Anthologies, Runner-Up for the 2021 Top Shelf Award, 2021 IAN Book of the Year Award Short Story Collection Finalist, and awarded a 2021 Wishing Shelf Red Ribbon. The title story The Trail Back Out was longlisted for the 2021 ScreenCraft Cinematic Short Story Award.
Click here for my author page to learn more about me and purchase my books.
THE CUPID QUESTION by Jadi Campbell featuring THE NEATLES on Monday, October 7 @ MERLIN!
Girl Groups of The ’60s – Pre-Beatles Queens of The Pop Chart
THE NEATLES – Jasmine Thorn, Gabby Nelson, Vanessa Wagner, Jasmina Dordevic, Elena Gallego Jimenez, Ashley Remus, Samantha Mohr, Paula Gil-Casares, Charles C. Urban – Photos by Uka Meissner deRuiz
THE CUPID QUESTION by Jadi Campbell featuring THE NEATLES & Storyteller Derrick Jenkins
Girl Groups of The ’60s – Pre-Beatles Queens of The Pop Chart
“The Girl Group music was perhaps the most carefully, beautifully crafted in all of Rock & Roll – one reason why none of the twenty or so best records in the genre have dated in the years since they were made.” – Author and Music Critic Greil Marcus
In Pop Music History, the phenomenon between early Rock & Roll and the mid-1960s British Invasion is known as the Era of the “Girl Groups.” They offered a style rich in vocal harmonies that was eagerly embraced by a wide audience. The girl group era produced a clearly identifiable hybrid of gospel, rhythm & blues, doo-wop, and quirky pop that epitomized the ebullient hopes of early 1960s culture and feminized rock music, providing a model for male beat groups such as the Beatles, who covered many Girl Group hits on their early albums.
Flourishing between 1958 and 1965 – between Elvis and The Beatles – Girl Groups were genuine, authentic Rock & Roll! The music of The Shirelles, The Angels, The Ronettes, The Chiffons, The Marvelletes, The Shangri-las, The Bobettes, etc. thrived in the fallow years of Rock & Roll while much of the rest of the music in this time grew tame, predictable and dull.
The original sound was characterized by raw-edged lead vocal, echoing harmonies from the backing vocalists, fulsome string arrangements, and a driving beat. Groups sang of teen concerns like romance, sexual etiquette, and marriage, as well as love, loss, and abandonment. It was music of celebration – of simple joy, of innocence, of sex, of life itself. It was utopian stuff – a utopia of love between a boy and a girl, a utopia of feeling, of sentiment, of desire most of all.
The sound exploded in 1961, following the release in late 1960 of The Shirelles’ WILL YOU LOVE ME TOMORROW – the first girl group single to reach number one. Over the next five years, hundreds of girl group records were released. During the Classic Girl Group Period, between 1961 – 1965, when this distinctive sound filled the radio air waves, some 750 Girl Groups put singles onto the pop chart. This is some of the most timeless, transporting pop ever recorded; when you hear a Girl Group hit today, you feel like it’s 1963 all over again.
Author and Music Critic Greil Marcus states: “The music was perhaps the most carefully, beautifully crafted in all of Rock & Roll – one reason why none of the twenty or so best records in the genre have dated in the years since they were made.”
THE CUPID QUESTION by Jadi Campbell featuring THE NEATLES…!
PERFORMANCE – Monday, October 7 at 20:00 hrs in MERLIN
My books are Broken In: A Novel in Stories, Tsunami Cowboys, Grounded and The Trail Back Out.
Tsunami Cowboys was longlisted for the 2019 ScreenCraft Cinematic Book Award. Broken In: A Novel in Stories was semifinalist for the international 2020 Hawk Mountain Short Story Collection Award from Hidden River Arts and Finalist for Greece’s 2021 Eyelands Book of the Year Award (Short Stories). The Trail Back Out was the 2023 San Francisco Book Festival Winner for General Fiction, American Book Fest 2020 Best Book Award Finalist: Fiction Anthologies, Runner-Up for the 2021 Top Shelf Award, 2021 IAN Book of the Year Award Short Story Collection Finalist, and awarded a 2021 Wishing Shelf Red Ribbon. The title story The Trail Back Out was longlisted for the 2021 ScreenCraft Cinematic Short Story Award.
Click here for my author page to learn more about me and purchase my books.
In Namibia we drove a long way to reach Twyfelfontein. We had a great tent as our lodging that night.
We spent the next afternoon on a guided tour of a UNESCO World Heritage site.
Twyfelfontein, also known as /Ui-//aes, is the home of one of Africa’s biggest concentrations of petroglyphs. It’s an open-air gallery in the Namib Desert, with 1,000- to 10,000-year-old images carved on slabs of basalt. A petroglyph was sent to the National Museum in Windhoek in the early part of the 20th century, but otherwise the site is mostly intact.
San (Bushmen) hunter-gatherers had long lived in this area. They carved and occasionally painted animals they were familiar with or hunted. Lions and more than 200 giraffes and 100 rhino are depicted, along with hippos, ostrich, impala, elephant and zebra. And we were astonished to see shore birds and a seal!
The San had traveled across the desert to the ocean and back, recording what they’d seen and hunted there!
Along with figures with bows and arrows, foot and paw prints, some petroglyphs depict magical creatures. One engraving is of a lion with human toes, portraying a shaman who had crossed over into the animal world.
According to the explanatory signs in the Visitors’ Center and the excellent article https://www.africanworldheritagesites.org/cultural-places/rock-art-pre-history, “Rock art was the preserve of medicine people, or shamans, and had two functions: as a means to enter the natural world and to record the shamans’ experiences in that world. … The shaman’s vision became disturbed at the start of trance, and he would ‘see’ patterned flashes of light. Produced in the brain, these flashes are also known as entoptic images or images ‘in the eye’. They are depicted in the seemingly abstract geometric images in the rock art. Meanders, dots, lines, grids, spirals and whorls resemble entoptic or inner-eye images recorded in neurophysiological experiments. Although entoptic images are similar for all people in the world, the associations formed in a state of trance are contextual. The shaman fuses his hallucinatory visions with images of animals and other potent spiritual symbols.
…. Engravings of human footprints and animal tracks are frequently placed next to or inside tunnels, deep fissures and inaccessible surfaces, as if these indicate paths and entrances into the spirit world. It was believed that a shaman could move through solid rock, using entrances not visible to the normal eye. To the artist the rock face was not merely a canvas but rather a veil serving as the threshold to a parallel spiritual world.” [1]
The petroglyphs also provided practical information, like where to find watering holes.
The region is sere and beautiful in a severe way.
I’ve said this before, and will go on saying it: UNESCO World Heritage sites are for everyone who cares about our shared history and planet. Go visit!
My books are Broken In: A Novel in Stories, Tsunami Cowboys, Grounded and The Trail Back Out.
Tsunami Cowboys was longlisted for the 2019 ScreenCraft Cinematic Book Award. Broken In: A Novel in Stories was semifinalist for the international 2020 Hawk Mountain Short Story Collection Award from Hidden River Arts and Finalist for Greece’s 2021 Eyelands Book of the Year Award (Short Stories). The Trail Back Out was the 2023 San Francisco Book Festival Winner for General Fiction, American Book Fest 2020 Best Book Award Finalist: Fiction Anthologies, Runner-Up for the 2021 Top Shelf Award, 2021 IAN Book of the Year Award Short Story Collection Finalist, and awarded a 2021 Wishing Shelf Red Ribbon. The title story The Trail Back Out was longlisted for the 2021 ScreenCraft Cinematic Short Story Award.
Click here for my author page to learn more about me and purchase my books.
I’ve posted steadily about our trip to southern Africa. It’s fun to write about! The region is a bottomless wellspring of inspiration.
That trip gave me something I don’t feel very often: hope.
We’ve spent months in Asia in natural habitats that are now being dammed, or mined, or paved in the name of progress. It’s all happening so quickly. We know we won’t recognize those places when we go back.
But in southern Africa, in Botswana and Namibia, we were thrilled by the wildlife and the inhabitants. These countries spoke in growls and whistles and birdsong and hippo songs and human voices.
The Kavango-Zambezi Transfrontier Conservation Area (KAZA TFCA) is the largest transnational conservation area in the world at 444.000 km2. It is enormous, larger than Germany and Austria combined and nearly twice as large as the United Kingdom. The KAZA TFCA lies in the Kavango and Zambezi river basins where Angola, Botswana, Namibia, Zambia and Zimbabwe converge. [1]
There are issues to deal with – the loss of domestic animals to predators. The way elephants eat or trample crops. The complicated cross-country agreements. But, as their website states, “Local communities participate with enthusiasm in management of the TFCA through the Transboundary Natural Resources Managment Forum. The aim of this forum is to maximize skills and resources to promote sustainable land use, conservation of wildlife and landscapes, and rural development.”
I urge everyone to learn about this multinational effort to preserve the environment for the benefit of ALL inhabitants, whether winged, hooved, legged, or finned. FINALLY! A region of the world that’s getting it right!
My books are Broken In: A Novel in Stories, Tsunami Cowboys, Grounded and The Trail Back Out.
Tsunami Cowboys was longlisted for the 2019 ScreenCraft Cinematic Book Award. Broken In: A Novel in Stories was semifinalist for the international 2020 Hawk Mountain Short Story Collection Award from Hidden River Arts and Finalist for Greece’s 2021 Eyelands Book of the Year Award (Short Stories).
The Trail Back Out was the 2023 San Francisco Book Festival Winner for General Fiction, American Book Fest 2020 Best Book Award Finalist: Fiction Anthologies, Runner-Up for the 2021 Top Shelf Award, 2021 IAN Book of the Year Award Short Story Collection Finalist, and awarded a 2021 Wishing Shelf Red Ribbon. The title story The Trail Back Out was longlisted for the 2021 ScreenCraft Cinematic Short Story Award.
Click here for my author page to learn more about me and purchase my books.
This summer I took a train to Hamburg for the first time. Hamburg has more bridges than Venice, Amsterdam and London combined. The St. Pauli Reeperbahn is where the Beatles got their start playing in small clubs. (It’s pretty seedy in the daytime, but I did spot the life-sized silhouettes of the Fab Four.)
The one thing my friend Diana was insistent on seeing was the Miniatur Wunderland. This is the world’s largest model train museum.
Layout size: 1,490 square meters or 16,038 square feet.
The museum contains 42 planes in the air, 9,250 cars, and 1,040 trains. The sets include 1,380 signals, 385,000 LEDs on 15,4000 meters of tracks that light up 4,110 buildings, 260,000 figures, and 130,000 miniature trees.
The rooms go dark for part of each hour and the exhibits light up!
Now take a look at the SCALE….
The people who built these models must have great senses of humor. You have to squint anyway to take in all the details (260,000 figures! 130,000 tiny trees!). But when you begin to look you see the funniest things.
I’ll end this with my personal favorite: A boat on Venice’s Gran Canale filled with wild animals.
My books are Broken In: A Novel in Stories, Tsunami Cowboys, Grounded and The Trail Back Out.
Tsunami Cowboys was longlisted for the 2019 ScreenCraft Cinematic Book Award. Broken In: A Novel in Stories was semifinalist for the international 2020 Hawk Mountain Short Story Collection Award from Hidden River Arts and Finalist for Greece’s 2021 Eyelands Book of the Year Award (Short Stories).
The Trail Back Out was the 2023 San Francisco Book Festival Winner for General Fiction, American Book Fest 2020 Best Book Award Finalist: Fiction Anthologies, Runner-Up for the 2021 Top Shelf Award, 2021 IAN Book of the Year Award Short Story Collection Finalist, and awarded a 2021 Wishing Shelf Red Ribbon. The title story The Trail Back Out was longlisted for the 2021 ScreenCraft Cinematic Short Story Award.
Click here for my author page to learn more about me and purchase my books.
Jorge Luis Borges was born on August 24, 1899 in Buenos Aires, Argentina. He was a colassal figure in Spanish language arts and letters. His work is classified as fantasy and philosophical literature; he was a poet and translator, too. My second book Tsunami Cowboys includes a quote of his.
Borges said, “Time is the substance I am made of. Time is a river which sweeps me along, but I am the river; it is a tiger which destroys me, but I am the tiger; it is a fire which consumes me, but I am the fire.” [1]
In his honor I am reprinting the post I wrote after visiting a tiger park in India. – Jadi
“A brave heart and a courteous tongue,” said he. “They shall carry thee far through the jungle, manling.” —The Jungle Book, Rudyard Kipling [2]
We’re in India for a few weeks and currently we’re riding in the back of an open jeep. We spent the better part of five hours each day on really bad roads to get here.
Now we’re layered in the few long-sleeved clothes we brought along. How cold can it be if you’re not way up north trekking in the Himalyas?
How cold? Man, it’s effing freezing.
It’s shortly after 6 a.m. in the Bandhavgarh Tiger Reserve and we’ve been up since 5:00. “Remind me,” I beg. “What are we doing here?” I wrap the blanket the tiger lodge lent us tighter around my body. (What I really want is a sub zero temperatures sleeping bag.) “Remind me,” I ask again. “Why are we doing this?”
“You wanted to come back to India,” Uwe prompts.
“Oh, yeah. Now I remember.” And it’s true: I was really excited to return. I fell in love with the subcontinent when we visited a decade ago. In Goa we walked miles of pristine beaches. In Karnataka we attended an astonishing Nandi Purnima, the full moon festival, and Hampi was a bare landscape filled with gigantic boulders and ancient temples.
In a country this exotic and large, surely we’d experience something new when we came back. What I did not expect was that I’d be freezing my ass off.
***
We’re doing a mix of culture and nature. India is one of the two most populated countries on the planet, and we thought it would be smart to schedule some time in quieter areas too. I’m glad we did. The north central region of Madya Pradesh is green and varied and home to some of the few remaining wild Bengal tiger populations.
So for two days at Bandhavgarh and a day at Kanha National Park*, we haul our sorry butts out of bed at the crack of dawn, pull on all our clothes and drape ourselves in borrowed blankets. 6 a.m.-1 p.m. for the early safari; 3-6 p.m. for the afternoon attempt. If we’re lucky, we’ll spot a big cat.
We’re not lucky. We’re cold.
***
Later we shed layers as the day warms up. The parks contain barking and spotted deer,
gaurs, nilgai,
lemurs and langurs,
wild peacocks and other birdlife,
wild boar,
and a landscape filled with watering holes and high grasses, forest and farmers’ villages. On the second day at Bandhavgarh our jeep carries a park ranger to inspect a water buffalo kill from the night before. It occurred just outside the official boundary of the preserve and the farmer will be reimbursed for the animal the tiger took down.
We aren’t allowed to leave the jeep – ever – and the ranger approaches the carcass very slowly.
Where there’s a fresh kill, the big cat can’t be far.
By the third day I’ve perfected what I name the mummy wrap. I have myself wrapped so tight that I literally can’t move, but this way the blanket doesn’t unwind in the cold wind.
Brr.
And, suddenly, a tiger leaps from the forest, followed by his mate. He moves into the reeds and returns dragging a dead spotted deer by the neck.
We see them for less than a minute and those seconds are absolutely worth the days of waiting. My God, they’re magnificent! During the afternoon safari we get lucky again: 10 seconds of spotting a shyer, rarer leopard.
Uwe captures the group of spotted deer nervously fleeing the leopard. He’s in Photographer Heaven.
Naturally we’re already dreaming – about an African safari.
In memory of Jorge Luis Borges, 24 August 1899 – 14 June 1986
My books are Broken In: A Novel in Stories, Tsunami Cowboys, Grounded, and The Trail Back Out.
Tsunami Cowboys was longlisted for the 2019 ScreenCraft Cinematic Book Award. Broken In: A Novel in Stories was semifinalist for the international 2020 Hawk Mountain Short Story Collection Award from Hidden River Arts and Finalist for Greece’s 2021 Eyelands Book of the Year Award (Short Stories). The Trail Back Out was the 2023 San Francisco Book Festival Winner for General Fiction, American Book Fest 2020 Best Book Award Finalist: Fiction Anthologies, Runner-Up for the 2021 Top Shelf Award, 2021 IAN Book of the Year Award Short Story Collection Finalist, and awarded a 2021 Wishing Shelf Red Ribbon. The title story The Trail Back Out was longlisted for the 2021 ScreenCraft Cinematic Short Story Award.
Click here for my author page to learn more about me and purchase my books.
“Wherever there are birds, there is hope.” ― Mehmet Murat Ildan
There is something incredibly surreal — and very, very funny — to be out in a jeep in the sand dunes on the Namibian coast and see the world’s largest bird stroll by.
Uwe posted photos from our recent trip to southern Africa on his photography website. He now has an entire section dedicated just to birds of Namibia. http://viewpics.de/pics/Namibia/Birds Here are some of his birds and their stories.
The ostriches were seemingly everywhere. They walk around in the Namib, the world’s oldest desert and one of the driest places on the planet. They hang out in flocks in Etosha National Park.
They hang out with other species, too. It’s safety in numbers, as well as combining forces against predators. The elephants provide their bulk and the impalas have keen hearing and sight.
We saw hundreds of flamingos on the coast.
When the rainy season arrives, the flamingos send birds north to see if the saltpan in Etosha Park has flooded yet. If the scouts don’t return, the rest of the flocks head north as well. Ann and Mike Scott in NamPower/Namibia Nature Foundation Strategic Partnership Newsletter No. 5: September 2010 had this to say: “Greater Flamingos are widely distributed in southern Africa with concentrations at flooded salt pans (during breeding) and coastal bays (during non-breeding). …at the central coast, they are concentrated at Walvis Bay and Sandwich Harbour. … Breeding occurs in large, typically mixed colonies on raised islands on flooded salt pan at Etosha …. Laying induced by extensive flooding and continued high levels increases chances of success.”
The birds migrate to this giant saltpan in Etosha once it floods. 1,100,000 flamingos were recorded in an especially rainy year!
Uwe photographed this juvenile African openbill stork in Etosha.
I’ve saved my favorite photo he took of the Southern carmine bee-eaters for this post:
Here’s another bee-eater, this one in olive.
For the final image, I leave you with a species that birders and guides all get excited about: the lilac-breasted roller. Our guide was really pleased with himself that he got us close enough to this elusive bird for a photo.
Much as I’d love to take credit for this post, it owes everything to my husband’s great eye and good camera equipment.
My books are Broken In: A Novel in Stories, Tsunami Cowboys, Grounded and The Trail Back Out.
Tsunami Cowboys was longlisted for the 2019 ScreenCraft Cinematic Book Award. Broken In: A Novel in Stories was semifinalist for the international 2020 Hawk Mountain Short Story Collection Award from Hidden River Arts and Finalist for Greece’s 2021 Eyelands Book of the Year Award (Short Stories).
The Trail Back Out was the 2023 San Francisco Book Festival Winner for General Fiction, American Book Fest 2020 Best Book Award Finalist: Fiction Anthologies, Runner-Up for the 2021 Top Shelf Award, 2021 IAN Book of the Year Award Short Story Collection Finalist, and awarded a 2021 Wishing Shelf Red Ribbon. The title story The Trail Back Out was longlisted for the 2021 ScreenCraft Cinematic Short Story Award.
Click here for my author page to learn more about me and purchase my books.
Yes, another post about the wildlife of southern Africa. I’ve written about lions and giraffes and ostriches and marabou storks and hippos. No lengthy explanations this time. Instead, here are Uwe’s photographs of some other animals we saw. Every day brought new creatures into our consciousnesses. They’ve taken up residence there….
We saw all these wild animals during the four days we spent exploring Etosha National Park in Namibia. Seeing them in their natural habitat is powerful magic.
My books are Broken In: A Novel in Stories, Tsunami Cowboys, Grounded and The Trail Back Out.
Tsunami Cowboys was longlisted for the 2019 ScreenCraft Cinematic Book Award. Broken In: A Novel in Stories was semifinalist for the international 2020 Hawk Mountain Short Story Collection Award from Hidden River Arts and Finalist for Greece’s 2021 Eyelands Book of the Year Award (Short Stories).
The Trail Back Out was the 2023 San Francisco Book Festival Winner for General Fiction, American Book Fest 2020 Best Book Award Finalist: Fiction Anthologies, Runner-Up for the 2021 Top Shelf Award, 2021 IAN Book of the Year Award Short Story Collection Finalist, and awarded a 2021 Wishing Shelf Red Ribbon. The title story The Trail Back Out was longlisted for the 2021 ScreenCraft Cinematic Short Story Award.
Click here for my author page to learn more about me and purchase my books.