Chugging Slowly Upriver in NW Burma, Part 3

We made a long trek to reach the Chin State. We had a day pass (tourists are not allowed to remain overnight in the Chin territory) and a guide to translate for us. Our hope was to reach the villages where the local tribes still have elders with tattoos, by tradition only the women. The government represses the tradition, and it was feared that it had died out.

We had no guarantees that the women would come out to meet us once we reached the villages. At some point in the journey I stopped caring, because every minute in Burma was filled with wonders. The long slow passage upriver had become a journey to a some where, a some thing else. We chugged slowly upriver in NW Burma on the Lemro, from the Rakhine to the Chin state.

Arriving
Arriving

After walking around for some time in the first village, the elders stood before us! It was literally as if we looked up, and there they suddenly were.

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We asked through our guide if Uwe might take photos. The elder women calmly answered in the affirmative. They were, after all, the reason we’d come so far to visit. The tribes are self-sufficient and produce nothing for the tourist market. To meet the female elders is the reason why foreigners come to the villages.

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We were meeting Laytu Chin women (also called Lemro or Laito). The Chin are of Tibetan-Burman ethnicity, and tattooing is practiced only among the southern Chin.

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To a woman they were calm, poised, and radiated confidence. When did the Chin begin tattooing? One claim is that the tattooing was done to make the women ugly so the Burmese kings would stop stealing them to use as slaves, but this claim has been discounted as myth. It’s our modern world that sees tattooing as unattractive and labels it ‘ugly’. It’s far more likely that the Chin women were tattooed in a rite of passage, and that the facial tattoos are a mark of social status and coming of age. The tattoos make the women beautiful.

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No one in the outside world knows just what these patterns signify. The tattoos may be stippling, dots, circles. The Laytu women we met have the most elaborate Chin tattoo, a spider web or rising sun pattern. Our guide told us the men had gathered the materials used in the tattooing process. Jens Uwe Parkitny reports being told that the actual tatooing is done by female tatoo artists.

The women walked us through the village, up to the school. It was originally funded by a foreigner and we were invited to make a donation. It was all very formal: the guide wrote out a receipt along with the amount, our names, and our nationalities.

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One of the women was in charge of taking the money and handling the donation, but the task is rotated. He translated our questions, explaining that on each day a different woman takes on this task. The responsibility of supporting the village is shared communally.

On that day we were invited up into a home on stilts. In another Chin village we watched one of the old women work at a handloom. We visited a burial ground on the river banks, where the dead are cremated and offerings are set out for the deceased. When we finally set back down the Lemro River on that December 31st, the last day of the year 2009, Uwe and I knew we had journeyed a very far way indeed.

Once we were home in Europe I found myself haunted by the old women’s faces. We got online and began to search for anything we could find on the Chin.

We discovered that the tradition of tattooing hasn’t died out altogether after all. In his exquisite brochure “Im Porträt: Gesichtstatuierungen der Chin-Frauen in Birma” (“Chin Women of Burma and their Facial Tattoos: A Portrait”), photographer Jens Uwe Parkitny documents the Chin tribes and different tattoo patterns of each group. He has made it his on-going mission to document and bear witness to this extraordinary group of people and their traditions. The text is in German and English. This stunning booklet of photographs can be ordered from either of the following sites:

Munich Museum of Ethnology: https://www.museum-fuenf-kontinente.de/museum/bibliothek.html

When Uwe and I discovered Parkitny’s brochure on the Munich museum website, we ordered it immediately. Parkitny has also published a new book entitled Blood Faces. All proceeds from his book go to a children’s charity in Yangon, Burma.

In 2017 he published another book of photographs entitled Marked For Life.  Kerber Publishers: /www.kerberverlag.com

NOTES: © Jadi Campbell 2013. All photos © Uwe Hartmann. More pictures from our trip to Burma, and of Uwe’s photography, may be viewed at viewpics.de.

My books are Broken In: A Novel in Stories, Tsunami Cowboys, Grounded, and The Trail Back Out. Broken In: A Novel in Stories is a semifinalist for the Hawk Mountain Short Story Collection Award. Tsunami Cowboys was longlisted for the 2019 ScreenCraft Cinematic Book Award. The Trail Back Out was a 2020 Best Book Award Finalist for Fiction Anthologies. The title story The Trail Back Out was longlisted for the 2021 ScreenCraft Cinematic Short Story Award.

Click here for my author page to learn more about me and purchase my books.

 

 

Chugging Slowly Upriver in Northwest Burma, Part 2

We had arranged in Sittwe for a guide, a boat and a special day visa in order to travel on to the semiautonomous Chin State. The ethnic Chin struck a deal with the Myanmar government at the Panglong Conference. The Chin won’t fight for their own independent state. In return the government basically leaves them alone to manage their affairs.

As we headed up the river the small boat traveled slowly. It was the last day of the year, a calm morning with no winds.

Sky and water reflected one another like twin mirrors.

In a mirror
In a mirror

We sailed on for several hours, and I was overtaken by a sense of displacement that was complete. It was preternaturally still, so quiet and without movement that it seemed we had sailed to a place located somewhere between firmament and earth. It wasn’t quite attached to either.

Finally the boat came to a stop and we debarked and began our walk up into the first Chin village. The villages are extremely remote and what makes them extraordinary (for us anyway) is the fact that the Chin practice the art of tattooing. The tradition had been strongly discouraged by the government since the 60’s, and was believed to have almost died out.

In the villages we sailed to by boat, only the old women were reputed to still have the facial tattoos. The men had gone out into the jungle and gathered the materials necessary for the tattooing process. Several days of painstaking tattoo work ensued; only faces of  young teenaged girls were transformed.

We walked through the village with our guide talking to the locals.

Chin village path
Chin village path

Pigs and puppies tumbled on the path as people worked. The tamped dirt was cleared and clean.

After perhaps 20 minutes of walking through the village and watching and being watched, the female elders suddenly appeared to meet us.

Part 3 to be posted soon.

(All photogaphs can be enlarged by simply clicking on the image.)

Chugging Slowly Upriver in Northwest Burma: Part I

I met my Australian mate Iain in immersion language class: he’d married a German, too. Together we confronted the ‘small’ detail of learning the native tongue. That was 19 years ago. Both of us are still here, still married to our Germans, and we’re still friends.

Iain likes my blog, but he’s irritated with the photo I selected for the top border. “Why do you say ‘Greetings from Germany’, and then use a photo on a river somewhere?

Billowing sail
Billowing sail

“It’s a nice picture and all that, but why don’t you have a picture of Germany?” he went on. “When all’s said and done Deutschland‘s your home now.”

“It’s my blog and I’ll do what I want,” I thought. But he’s right, and I promised Iain I’ll work up a post about beer or Christmas Markets or beer at the Christmas Markets. (Actually, at the Weihnachtsmarkt everyone drinks an amazing hot mulled wine called Glühwein, but that’s a different post.)

So, in the interests of clarity:

The photograph runner at the top of my page was taken as we chugged slowly up the Kaladan River in northwest Burma. For close to 8 hours we sailed by other boats.

Family transportation
Family transportation

We passed a continuous landscape of grazing water buffalo,

Water buffalo

high round haystacks,

Haystacks along the river

and villages along the water.

Everyone works busily

Our goal was to travel from Sittwe to Mrauk U (pronounced more or less “Mrou Oo”), once capitol to the ancient Rakhine kingdom that based its money and power on maritime  trade with Europe, India, and Arabia. Mrauk U’s king employed Japanese samarai as body guards!

There is just 1 road over land to Mrauk U. As of 2009 only the Burmese were permitted to use it. Tourists arrived by boat, or not at all.

The excitement of a boat sailing past

We needed to reach Mrauk U as a jumping-off point to get to the villages of the Chin State. This semi-autonomous region is very near the border to Bangladesh. We hoped to see the traditional tattoed elders and could visit the area with an assigned guide, a special day visa, and a goodly dose of luck. Maybe the elders would come out to meet us; maybe they wouldn’t. We’d have to hire a boat to take us even further upriver and see what happened from there.

On the last day of the year 2009 we climbed into a second, much smaller boat, this one on the Lemro River, and continued up to the Chin State.

Part 2 to be posted soon.

(All photogaphs can be enlarged by simply clicking on the image.)

The Music of the Heavenly Spheres

Schwedagon Pagoda, Rangon

In 2009 we spent 4 weeks in Burma, the maximum time permitted on a visa. For years we’d debated back and forth about whether to go. Does one travel to a repressive regime? Just the year before, monks were shot for demonstrating peacefully in the streets. In the end we decided to go and bear witness. A country closed tight and ruled with iron fists, the poverty and corruption are unbelievable… as are the loving kindness of the Burmese and the beauty and magic of their land. I have been pondering what to post about our trip to Burma and how to write it, because Burma is unlike anyplace on earth.

But these are only words.

Let me begin again, this time with a story:

Sacred Pali script

On our very last day in-country, in Yangon we stopped at a café on a busy street with outdoor tables. All of the tables were filled with other tourists. The locals did not have the money for anything so extravagant. A beer, a pineapple juice, and hot green tea arrived; I wrote out some last post cards. Hovering in the street were the post card seller, a hawker for newspapers (used and days old), and a skinny boy with an endless “Hello? hello! Hello? hello!” When a tourist looked his way he said “Eat,” and mimed someone putting food in his mouth. He hovered looking over the wall dividing the café from the street, persistent with hunger.

I became aware of an ethereal music swimming its way up from the background of my consciousness. I thought someone down the street a ways with access to a power generator was playing a recording of a beautiful, haunting voice. Then the sound came nearer, and it was a young Burmese person. At first I thought it was a man slowly making his way down the road. It was a woman: she had her hair up under a cap and thanaka paste on her cheeks to protect her skin from the sun.

A voice from the Heavenly Spheres
A voice from the Heavenly Spheres

She halted and stood very still as she sang, or chanted verses, or recited a Buddhist prayer. It wasn’t clear if she was singing or speaking and didn’t matter. The purity of that voice pierced all barriers and reached all hearts. Every so often the little metal cymbals in her fingers went ching! in a perfect counterpoint.

When she stopped, the entire café burst into spontaneous applause. People kept getting out of their seats to put bills in the can on a string around her neck. I checked my wallet. I knew my last offering in Burma was going to this young woman with the voice that sang with the music of the spheres. This music usually can’t be heard. The Greek mathematician Pythagoras of Samos believed the movement of planets (heavenly spheres) creates ethereal and earthly harmonies; Shakespeare wrote often about how these harmonies affect events. All I know for sure is that on that afternoon, in a dusty street in Burma, a young woman was channeling that music for us to hear.

I walked out with a 1,000 kyat note, stepped around the restaurant’s retaining wall to donate – and saw my singer had just one leg. She was propping herself up with a rough plank of wood.

This is my final image of the country sometimes called Myanmar. This is my avatar for Burma: a transcendent voice beyond language, standing with only one leg, singing gloriously, regardless.

I will post more about Burma in the coming months.

(All photogaphs can be enlarged by simply clicking on the image.)